ALTER.NATION #41
Stef Chura, Palehound, Knife Wife, The Mattson 2, French Vanilla, Brandt Brauer Frick, Dumb, Naytronix, Bat For Lashes, Joan Shelley, Wear Your Wounds, Sleater-Kinney
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Michigan-based indie singer/songwriter with a distinctive fingerpicked guitar style and twangy voice.
Stef Chura - Sweet Sweet Midnight from Midnight
... the follow-up, Midnight, finds Chura working with another champion of intense guitar song, Car Seat Headrest's Will Toledo, who both produced and performs on the album. More assertive on average but stylistically similar enough to the debut to hearten fans (it returns drummer Ryan Clancy), Midnight offers a mix of fiery, hooky rock ditties and longer, sometimes episodic ruminative rants...
With a sound rooted in '90s D.I.Y. indie rock and grungey low-key folk, Palehound emerged in the mid-2010s as the project of Boston-based singer/songwriter Ellen Kempner
Palehound - Stick N Poke from Black Friday
Ellen Kempner continues to engage more deeply with themes of love and compassion on Black Friday, the third long-player from her Boston-based combo Palehound. Originally launched as a solo bedroom project back in 2013, she spent a few years making Palehound into a sturdy indie rock trio, though it's still her voice and vision that comprise the heart and soul of each release. Without introducing any dramatic changes to her approach, Black Friday continues to lean toward Kempner's more contemplative side, eschewing some of the rowdier fuzz-pop tendencies of earlier releases...
Knife Wife - Dogs
Knife Wife are a trio from DC ...they’re sharing “Dogs,” the closing track from their first EP. It’s a queasy weave of sighing melodies, stacked on top of each other and building off the surrealistic refrain “all the little dogs in the fridge.” The band cuts through it with a thick guitar line, which twists into a feverish knot.
Expansive instrumental duo featuring guitarist Jared Mattson and his brother, drummer Jonathan Mattson.
The Mattson 2 - Naima's Dream from Paradise
...Paradise is a much more laid-back and pop-oriented production. Cuts like the opening "Naima's Daughter" and "Moonlight Motel" are sparkling groovers built around Jared's bright-toned arpeggio's and lyrical guitar leads, all of which bring to mind a vintage late '60s/early '70s vibe that falls somewhere in between George Benson and the hippie vocal group Free Design...
Angular yet danceable art punk band from Los Angeles. Taking inspiration from jagged post-punk and subversive performing arts, Los Angeles band French Vanilla brought energy and guile to their saxophone-heavy art punk.
French Vanilla - Move Along, Move Ahead from How Am I Not Myself?
Los Angeles art punk quartet French Vanilla wrapped sociopolitical threads in high-impact dance grooves on their 2017 self-titled debut. With sophomore album How Am I Not Myself?, they raise the bar on both songcraft and production, sharpening their sound on ten tracks rife with tension, energy, and unhinged fun... Expanded production highlights the band's razor-sharp playing and smart reworking of the more exciting and lively side of post-punk. Never drab, How Am I Not Myself? sounds like a party even when railing against outdated societal norms or describing a panic attack.
Brandt Brauer Frick - Fuel from Echo
The title of the fifth studio album from instrumentalists and producers Daniel Brandt, Jan Brauer, and Paul Frick refers to the trio's return to their original approach a decade earlier, when their objective was to make "techno without the technology" while applying Frick's background in modern composition.
Sharp, arty, yet unpretentious Vancouver punk band whose music belies their name.
Dumb - Some Big Motor Dream from Club Nites
Vancouver-based punk band Dumb established there was a large amount of irony in their name when they released their first album for Mint Records, Seeing Green, in 2018, and that hasn't changed a bit on the follow-up, 2019's Club Nites. Clever, energetic, overstimulated, and amiably intense, Club Nites suggests Dumb are evolving into the 21st century version of the Embarrassment, a band who bent punk orthodoxy to their own wiry purposes...
Alias of tUnE-yArDs bassist Nate Brenner, who assembles sundry experimental electronic pop.
Naytronix - Following a Pattern from Air
The follow-up to 2015's Mister Divine, Air is the third album from Naytronix, the solo project of tUnE-yArDs bassist Nate Brenner. Though largely the effort of Brenner alone, its dense textures include contributions from guests such as tUnE-yArDs' Merrill Garbus and Mwahaha's Ross Peacock, both of whom co-produced some of the album. Leaning into darker, bolder sounds, it slides along the spectrum from whimsical, experimental electro-pop toward nightclub-ready synth pop without fully arriving at the latter...
Acclaimed British/Pakastani singer/songwriter with influences that range from Steve Reich to Siouxsie Sioux.
Bat For Lashes - Kids In The Dark
This Fall, Natasha Khan will release Lost Girls, her fifth studio album as Bat For Lashes. It’ll be her first new material since her last full-length, 2016’s The Bride. As promised today we hear the lead single, the gleaming synth-pop ballad “Kids In The Dark.”... “If her last album, The Bride, was melancholy and mournful, a tone poem of loss and regret, Lost Girls is her mischievous younger sister, widescreen in scope and bursting with Technicolour intensity,” the press release reads. “It’s an album for driving in the dark; holding hands at sunset; jumping off bridges with vampires; riding your bike across the moon.”
Kentucky-based singer/songwriter mixing both '60s folk and old-time country.
Joan Shelley - Coming Down For You
(Feat. Bonnie “Prince” Billy, Nathan Salsburg, & James Elkington)
...Shelley has announced a fall tour and shared “Coming Down For You,” her first original song in over two years. She travelled to Reykjavik, Iceland to record it with a whole host of kindred spirits from the folk music scene — Bonnie “Prince” Billy, Nathan Salsburg, and James Elkington — and its cover art features a photograph of her mother.
The song “came to me while I was in motion and I couldn’t write it down,” Shelley says. “I was thinking of the rhythm of animals, of work, and of travel; the rhythm of someone riding into chaos to bring a loved one back out again.”
Originally founded as a solo project of Converge founder Jacob Bannon. The live band has grown to include Mike McKenzie (Stomach Earth, The Red Chord, Unraveller), Adam McGrath (Cave In, Nomad Stones, 27, Zozobra), Sean Martin (Twitching Tongues, Hatebreed), and Chris Maggio (Sleigh Bells, Trap Them, Coliseum).
Wear Your Wounds - Shrinking Violet
A couple of years ago, Jacob Bannon went solo. Bannon — longtime frontman of Boston metalcore greats Converge and founder of the consistently excellent heavy-music label Deathwish, Inc. — started up a solo side project called Wear Your Wounds... Wear Your Wounds have shared a surging, colossal rocker called “Shrinking Violet.” The new song has nothing to do with hardcore and almost nothing to do with metal. Instead, it’s a grand and majestic rock song, one with elements of goth and prog and grunge all floating through it. Bannon and his bandmates build the song slowly over nearly six minutes, starting with a quavering churn and building it into a raging inferno.
Arguably the most important punk band of the 1990s and 2000s, with feminist songwriting matched by taut melodicism and jaw-dropping sonic complexity.
Sleater-Kinney - The Future Is Here
Sleater-Kinney released their last album, No Cities To Love, back in 2015. Soon, the legendary trio will return with a new St. Vincent-produced LP called The Center Won’t Hold. It will be out 8/16 via Mom + Pop Records, marking a move from Sleater-Kinney’s old home at Sub Pop.
They’ve already shared the forthcoming album’s lead single, “Hurry On Home.” That song ranked #1 on our 5 Best Songs Of The Week list a few weeks ago, and today, we hear the follow-up track, “The Future Is Here.”
Stef Chura, Palehound, Knife Wife, The Mattson 2, French Vanilla, Brandt Brauer Frick, Dumb, Naytronix, Bat For Lashes, Joan Shelley, Wear Your Wounds, Sleater-Kinney
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