13-052021 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1979-1984 (2h 37m)

13-052021 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1979-1984  >>The Police, Embryo, Alvin Lee, Jean-Luc Ponty, Frank Zappa, Robin Trower, Jack Bruce, King Crimson, R.E.M, David Bowie, The Honeydrippers, Julian Cope<<

 M U S I C  (2h 37m)

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1979-1984

British rock trio with an innovative rock/reggae fusion, superb songwriting, and crossover appeal that shot them straight to international stardom.

The Police 

Message in a Bottle  (Sting)

Reggatta de Blanc (Stewart Copeland / The Police / Sting / Andy Summers)

It's Alright for You (Stewart Copeland / Sting)

from Reggatta de Blanc 1979

By 1979's Reggatta de Blanc (translation: White Reggae), nonstop touring had sharpened the Police's original blend of reggae-rock to perfection, resulting in breakthrough success. .. Whereas their debut got its point across with raw, energetic performances, Reggatta de Blanc was much more polished production-wise and fully developed from a songwriting standpoint... With Reggatta de Blanc, many picked Sting and company to be the superstar band of the '80s, and the Police would prove them correct on the band's next release.

German band mixed Krautrock with an eclectic world beat over a career spanning decades. One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space rock style. Over an existence spanning decades, during which Christian Burchard became the only consistent member, the group traveled the world, playing with hundreds of different musicians and releasing over 20 records.

Embryo 

Strasse nach Asien

Kurdistan

Far East

from Embryo's Reise 1979

"Reise" is the German word for "Travel", and that's exactly what the album has to offer here: a genuine musical journey... to the East. After the band's average jazz/rock/world releases during the second half of the 70's (last good album being 1973's "We Keep On"), EMBRYO's leader Christian Burchard decided to save his baby and brought with him the other members for a long trip, from Middle-East to India. During their journey, they met various local musicians, played jam sessions and recorded tracks in their company...

British blues-rock singer, songwriter, and guitarist who found success fronting Ten Years After before launching a lengthy solo career.

Alvin Lee  

Stealin' (Steve Goulding)

Ridin' Truckin' (Alvin Lee)

No More Lonely Nights (Steve Goulding / Alvin Lee)

from Free Fall 1980

...This band probably should have been called the Lee/Gould band, as former Rare Bird vocalist Steve Gould has at least as much to do with the sound of the band on those first few tracks. About four cuts into Freefall, Lee seems to wake up, and he turns in some really tasty guitar and a nice, energetic vocal on "Stealin'." There are even a few whoops and shrieks thrown in, and that's OK, because the song deserves it. So does "Ridin' Truckin'"... 

15-10-2020 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1968-1974

Spirit

15-10-2020  FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1968-1974  >>Spirit, King Crimson, The Moody Blues, Ten Years After, Frank Zappa, Gil Scott-Heron, Nucleus, Jethro Tull, Chick Corea, King Crimson, Mahavishnu Orchestra, Gentle Giant<<

  M U S I C

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1968-1974

Ambitious and acclaimed West Coast psychedelic band that fused hard rock to jazz, blues, country, and folk.
Spirit
It's All the Same  (Randy California / Ed Cassidy / Joe Walsh)

I Got a Line on You  (Randy California)
from The Family That Plays Together 1968
On this, the second Spirit album, the group put all of the elements together that made them the legendary (and underrated) band that they were. Jazz, rock & roll, and even classical elements combined to create one of the cleanest, most tasteful syntheses of its day. The group had also improved measurably from their fine debut album, especially in the area of vocals. The album's hit single, "I Got a Line on You," boasts especially strong harmonies as well as one of the greatest rock riffs of the period. The first side of this record is a wonderful and seamless suite, and taken in its entirety, one of the greatest sides on Los Angeles rock...

If there is one group that embodies progressive rock, it is King Crimson. Led by guitar/Mellotron virtuoso Robert Fripp, during its first five years of existence the band stretched both the language and structure of rock into realms of jazz and classical music, all the while avoiding pop and psychedelic sensibilities. The absence of mainstream compromises and the lack of an overt sense of humor ultimately doomed the group to nothing more than a large cult following, but made their albums among the most enduring and respectable of the prog rock era...
King Crimson
21st Century Schizoid Man (Robert Fripp / Michael Giles / Greg Lake / Ian McDonald / Peter Sinfield)
Epitaph  (Robert Fripp / Michael Giles / Greg Lake / Ian McDonald / Peter Sinfield)
The Court of the Crimson King (Ian McDonald / Peter Sinfield)
from Epitaph (Live, 1969)
This two-disc archival set includes live performances from the short-lived incipient 1969 incarnation of King Crimson. After months of arduous sonic restoration -- or what Robert Fripp (guitar) refers to as "necromancy" -- the results are well worth the painstaking processes involved... Joining Fripp are Ian McDonald (flute/sax/mellotron/vocals), Greg Lake (bass/vocals), Michael Giles (drums/percussion/vocals), and the only non-performing member, Peter Sinfield (words/illuminations). They single-handedly fused electric rock music with jazz in a way that no one else has done before or, arguably, since...

Pop mystics of the rock era whose impeccably produced albums exuded pseudo-classical glory, driven by lush Mellotron orchestrations.
The Moody Blues
Floating (Ray Thomas)
Gypsy (Of a Strange and Distant Time) (ustin Hayward)
Watching and Waiting (Justin Hayward / Ray Thomas)
from To Our Children's Children's Children 1969
...The material dwells mostly on time and what its passage means, and there is a peculiar feeling of loneliness and isolation to many of the songs. This was also the last of the group's big "studio" sound productions, built up in layer upon layer of overdubbed instruments -- the sound is very lush and rich, but proved impossible to re-create properly on-stage, and after this they would restrict themselves to recording songs that the five of them could play in concert...

16-09-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1981-1976

16-09-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1981-1976  >>Peter Hammill, Tom Waits, Gil Scott-Heron, Frank Zappa, The Raincoats, Pere Ubu, Rory Gallagher, Peter Gabriel, The Stranglers, Van Der Graaf Generator, Soft Machine<<

M U S I C

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1981-1976

Founder of Van Der Graaf Generator, and solo artist who has covered styles ranging from progressive to lo-fi rock. 
Peter Hammill
Breakthrough (Peter Hammill) 4:01
Ophelia  (Peter Hammill) 3:15
Sitting Targets (Peter Hammill) 5:26
from Sitting Targets 1981
Peter Hammill again plays the same trick as he did in 1978-1979, when, after the strange, experimental The Future Now LP, came the more straightforward pH7. The same relationship exists between A Black Box and Sitting Targets. The latter LP, released in 1981, is often overlooked because of its cold, very early-'80s production, but it has yielded many classic songs that would grow out of their rather square studio arrangements and go on to provide fans with many memorable live moments. And once you get used to the sound (something a lot easier here than with Skin), Sitting Targets is actually a pretty strong record -- and the presence of drummer Guy Evans on most tracks is no stranger to that...

A neo-beatnik songwriter who grew weirder and wilder in the '80s, earning a cult following that only grew larger as the years passed. 
Tom Waits
Jersey Girl  (Tom Waits) 5:11
'Til the Money Runs Out (Tom Waits) 4:25
On the Nickel  (Tom Waits) 6:19
from Heartattack And Vine 1980
Heartattack and Vine is Tom Waits' seventh and final album for Asylum. As such, it's transitional. As demonstrated by its immediate predecessors, 1978's excellent Blue Valentine and 1977's Foreign Affairs, he was already messing with off-kilter rhythms even in the most conventionally structured blues and jazz songs, with nastier-sounding guitars -- he plays a particularly gnarly style of rhythm on this entire album. Five of these nine tracks are rooted in gutbucket blues with rock edges and primal R&B beats. By this time, his singing voice had deteriorated to a gasping-for-breath whiskey-and-cigarettes growl that could make words indecipherable from one another, but his jazzman-inspired phrasing more than compensated...  In sum, Heartattack and Vine reveals just how much Waits had grown during his tenure with Asylum. Though not perfect in sequencing -- the alternating juxtaposition of rowdy blues and heartworn ballads gets old -- almost every song stands on its own as a dusty gem.

Politically charged poet and singer of enrapturing 1970s jazz/R&B polemics, and a huge influence on countless hip-hop incendiaries. 
Gil Scott-Heron
You Can't Depend on the Train from Washington (Gil Scott-Heron) 4:47
Waiting for the Axe to Fall (Gil Scott-Heron) 4:48
The Klan (R. Havens) 4:48
from Real Eyes 1980
In 1980, Gil Scott-Heron had a nice opportunity to promote his Real Eyes album when he became the opening act on Stevie Wonder's Hotter Than July tour. On his own, Scott-Heron usually played small clubs, but opening for Wonder gave him the chance to perform in front of thousands of Wonder fans in major stadiums and sports arenas. Many of Wonder's white fans seemed to be unfamiliar with Scott-Heron (who had never had a major pop hit), while a lot of Wonder's black fans at least knew him for "The Bottle" and "Angel Dust" even if they hadn't bought a lot of his albums. Opening for all those Wonder fans certainly didn't hurt Scott-Heron's career, but it didn't make him a superstar either. While it's possible that some Wonder fans enjoyed Scott-Heron's opening sets enough to go out and purchase Real Eyes, most of the people who acquired this LP were already confirmed Scott-Heron fans. Unfortunately, Real Eyes lacked a hit single, although the material is excellent nonetheless...

The creator of radical rock during the '60s who later pursued even more adventurous avenues, ranging from jazz-rock to classical composition. 
Frank Zappa
Central Scrutinizer  (Frank Zappa) 3:28
Joe's Garage  (Frank Zappa) 6:09
Catholic Girls  (Frank Zappa) 4:19
from Joe's Garage Acts I, II & III 1979
Joe's Garage was originally released in 1979 in two separate parts; Act I came first, followed by a two-record set containing Acts II & III. Joe's Garage is generally regarded as one of Zappa's finest post-'60s conceptual works, a sprawling, satirical rock opera about a totalitarian future in which music is outlawed to control the population. The narrative is long, winding, and occasionally loses focus; it was improvised in a weekend, some of it around previously existing songs, but Zappa manages to make most of it hang together. Acts II & III give off much the same feel, as Zappa relies heavily on what he termed "xenochrony" -- previously recorded guitar solos transferred onto new, rhythmically different backing tracks to produce random musical coincidences. Such an approach is guaranteed to produce some slow moments as well, but critics latched onto the work more for its conceptual substance...

27-07-2019 BALL FAVTRAX_MiX 33 FAVOURiTE tracks 1984-1979

27-07-2019 BALL FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1984-1979  >>Felt, Redd Kross, Sonic Youth, Bauhaus, X, Kip Hanrahan, Echo & The Bunnymen, Peter Hammill, Tom Waits, Gil Scott-Heron, Frank Zappa<<

M U S I C

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1984-1979

Revered English cult band of the '80s, led by expressive singer Lawrence Hayward, creators of cerebral jangle pop. 
Felt
Crystal Ball (Maurice Deebank) 2:55
Spanish House (Maurice Deebank / Lawrence) 4:28
from The Strange Idols Pattern and Other Short Stories 1984
After establishing their sparse, dramatic sound with two albums and a handful of singles, Felt exploded into brilliance on their third album, 1984's The Strange Idols Pattern and Other Short Stories. Working with producer John Leckie for the first time, the band made a purposeful leap into the world of hi-fi recording: the arrangements are full and layered, Lawrence's vocals pop with confidence and vigor, and Felt have a limber swing to them that they'd never exhibited before. As usual, the record was split between Maurice Deebank's intricate instrumentals and Lawrence's songs, but for the first time Deebank's guitar explorations and Lawrence's tightly wound inner journeys sound like the work of two different visionaries instead of a united front...  The Strange Idols Pattern and Other Short Stories may not have the cachet or reputation of albums by the "big-name" bands of the era, but it has the songs and that's what counts the most. This is Lawrence and Felt at their absolute classic best, not to be overlooked or missed for any reason.

Teen trash poppers of the early '80s who tempered their fast and loud sound to become a major alternative rock act. 
Redd Kross
Citadel (Mick Jagger / Keith Richards) 2:58
Saviour Machine (David Bowie) 4:22
from Teen Babes from Monsanto 1984
By the time Redd Kross' dynamic siblings Jeff and Steven McDonald hit the studio with drummer Dave Peterson to record 1984's EP of covers Teen Babes from Monsanto, any notions they once had of being a punk band were far in the rearview window. They'd become a kickass rock & roll band instead, giving the rock & roll icons whose songs they cover here a serious run for their money...  they give the Rolling Stones' "Citadel" a pummeling hard rock remake, play the Stooges to a draw on a spookily explosive version of "Ann," and steamroll all the whimsy out of David Bowie's "Saviour Machine" while giving it a doomy Black Sabbath makeover... More of a lark than a serious statement, Teen Babes is a serious good time and cleared the decks for Redd Kross, paving the way for them to start writing great songs of their own.

Pioneers in noise rock who continued creating sophisticated, visceral music long after they became an alt-rock institution. 
Sonic Youth
(She's in A) Bad Mood 5:36
Protect Me You 5:28
Freezer Burn/I Wanna Be Your Dog 3:38
from Confusion Is Sex/Kill Yr Idols 1983
before becoming alt-rock icons, before marriages and children, the Youth were a struggling young noise loving art-rock group from New York with empty pockets.
their first LP (depending on whether or not you consider the self titled EP the first BRUISE PRISTINE :p) , which was joined at the end by an EP of theirs ("Kill Yr Idols") to become one full album, is a hard find, and to the casual listener, a difficult listen. but when one learns to appreciate it, this record is a gem.
so there we go. if you are an SY fan, and you spot this at the record store, BUY IT. it is an extremely good find. keep in mind though, this album is not for everyone. this is an album for the open minded listener, interested in hearing something completely strange and new. i'll give 2 ratings.
for the casual listener: 1.5/5 / for the open mind: 4.5

PLASTiC DECADE BUT... the ultimate mixtape of the NON-TYPiCAL 80s (88 songs from 80s) /6h 18 m/ PnM:MiX

88 songs from 80's  /6h 18 m/

PLASTiC DECADE BUT... the ulimate mixtape of the NON-TYPiCAL 80's
so there are still some good trax from the 80's // azért a 80-as évekből is maradt pár jó szám :)

David Bowie - Ashes To Ashes (Scary Monsters (and Super Creeps) 1980)
Hazel O'Connor - Will You? (Breaking Glass 1980)
The Clash - Rebel Waltz (Sandinista 1980)
Talking Heads – Crosseyed and Painless (Remain in Light 1980)
Tom Waits – Heartattack and Vine (Heartattack and Vine 1980) 

Frank Zappa - Shut Up 'n Play Yer Guitar (Shut Up 'n Play Yer Guitar 1981)
Joy Division – Heart and Soul (Closer 1980)
Soft Cell – Seedy Films (Non Stop Erotic Cabaret 1981)
The Birthday Party - Nick the Stripper (Prayers on Fire 1981) 
Dire Straits - Romeo and Juliet (Making Movies 1981)

Led Zeppelin - Wearing and Tearing (Coda 1982)
Laurie Anderson - O Superman (For Massenet) (Big Science 1982)
Frank Zappa - Valley Girl (Ship Arriving Too Late To Save A Drowning Witch 1982)

Robert Plant - Far Post (Pictures At eleven 1982)

The Cramps - Human Fly (Off the Bone 1983)
B. B. King - So Excited (Why I Sing The Blues 1983)
David Bowie - Cat People (Putting Out Fire) (Let's Dance 1983)
Tom Waits – Swordfishtrombone (Swordfishtrombones 1983)
Eurythmics – I Could Give You a Mirror (Sweet Dreams (Are Made of This) 1983)
The Police – Synchronicity I (Synchronicity 1983)

The Golden Palominos - Monday Night (The Golden Palominos 1983)
Allan Holdsworth - In the Mystery (Metal Fatigue 1983)
X - Devil Doll (More Fun In The New World 1983)
David Bowie - I Keep Forgettin (Tonight 1984)
Leonard Cohen - The Law (Various Positions 1984)
Violent Femmes - Sweet Misery Blues (Hallowed Ground 1984)
Frank Zappa - Be in My Video (Them Or Us 1984)
Ry Cooder - Paris, Texas (Paris, Texas 1984)

New Model Army - Sex (The Black Angel) (Vengeance 1984)
Lyres - Don't Give It Up Now (On Fyre 1984) 
The Pandoras - That's Your Way Out (It's About Time 1984)
The Celibate Rifles - Back In The Red (The Celibate Rifles 1984)
Steve Vai - Salamanders in the Sun (Flex-able 1984)
Replacements – Seen Your Video (Let it Be 1984) 
Nick Cave and The Bad Seeds - From Her to Eternity (From Her to Eternity 1984)

Hüsker Dü - Pink Turns to Blue (Zen Arcade 1984) 
Roy Buchanan - Short Fuse (When A Guitar Plays The Blues 1985)
Nick Cave and the Bad Seeds - Tupelo (The Firstborn Is Dead 1985)
Suzanne Vega – Neighborhood Girls (Suzanne Vega (1st Album) 1985)
Black Flag - Process Of Weeding Out (Process Of Weeding Out 1985)

The Dead Milkmen - Swordfish (Big Lizard In My Backyard 1985)
Giant Sand - Torture Of Love (Valley Of Rain 1985)
Tom Waits – Jockey Full of Bourbon (Rain Dogs 1985)
Dead Can Dance - The Cardinal Sin (Spleen And Ideal 1985)
Arturo Sandoval -  A night In Tunisia (Tumbaito 1986)
The Chameleons - Swamp Thing (Strange Times 1986)

Miles Davis - Tutu (Tutu 1986)
Tom Waits - Small Change (The Asylum Years 1986)
Astor Piazzolla - Michelangelo '70 (Tango: Zero Hour 1986)
Crime & The City Solution - Untouchable (Room Of Lights 1986)
Giant Sand - All Along the Watchtower (Ballad Of A Thin Line Man 1986)
Momus - The Day the Circus Came to Town (Circus Maximus 1986)
Frank Zappa - Jazz from Hell (Jazz from Hell 1986)

R.E.M. - Underneath the Bunker (Lifes Rich Pageant 1986)
Nick Cave and the Bad Seeds - Long Time Man (Your Funeral... My Trial 1986)
The Smiths – Never Had No One Ever (The Queen is Dead 1986)
Tom Waits - Cold Cold Ground (Franks Wild Years 1987)
David Bowie - Never Let Me Down / Glass Spider (Never Let Me Down 1987)
The Smiths - Death of a Disco Dancer (Strangeways, Here We Come 1987)

Sinead O'Connor - Never Get Old (The Lion And The Cobra 1987)
David Sylvian - The Devil's Own (Secrets Of The Beehive 1987)
Screaming Trees - Girl Behind the Mask (Even If And Especially When 1987)
The Legendary Pink Dots - A Strychnine Kiss (Any Day Now 1987)
Suzanne Vega - Night Vision (Solitude Standing 1987)
The Cure - If Only Tonight We Could Sleep (Kiss Me, Kiss Me, Kiss Me 1987)

Nick Cave and the Bad Seeds - Up Jumped the Devil  (Tender Prey 1988)
Leonard Cohen – Jazz Police (I’m Your Man 1988)

Jimmy Page - Prison Blues (Outrider 1988)
Talking Heads - Cool Water (Naked 1988) 
Throwing Muses - Mexican Women (House Tornado 1988)
Crime And The City Solution - Hunter (Shine 1988)
Dead Can Dance - Ullyses (The Serpent's Egg 1988) 
Danzig - Twist of Cain (Danzig 1988)

Lou Reed - Romeo Had Juliette (New York 1988)
Phish - You Enjoy Myself (Junta 1988)
Ciccone Youth - MacBeth (The Whitey Album 1988)
My Bloody Valentine – Soft as Snow (But Warm Inside) (Isn’t Anything 1988)
Pixies – Bone Machine (Surfer Rosa 1988)
Dinosaur Jr. – The Post (Bug 1988)

The Stone Roses – I Am the Resurrection (The Stone Roses 1989)
Robin Trower with Jack Bruce - Fat Gut (No Stopping Anytime 1989) 
John Zorn – Latin Quarter (Naked City 1989)
Tin Machine - Prisoner of Love (Tin Machine 1989)
Nirvana - Love Buzz (Bleach 1989)
Operation Ivy - Sound System (Energy 1989)

Fugazi - Margin Walker (13 Songs 1989)
The Jesus & Mary Chain - Blues from a Gun (Automatic 1989)
Pixies – Monkey Gone to Heaven (Doolittle 1989)
Laurie Anderson - The Day the Devil (Strange Angels 1989)











Smiles and Grins - NON-TYPICAL 80s MIX (part 4: 1985-1986)
Modern Times - NON-TYPICAL 80s MIX (part 3: 1984)
Fever - NON-TYPICAL 80s MIX (part 1: 1980-81)
Picking up After You - NON-TYPICAL 80s MIX (part 2: 1982-1983)

Cold Cold Ground - NON-TYPICAL 80s MIX (part 5: 1987-1988-1989) /101 trx 7h 6m/ PnM:MiX

THE STONE ROSES

so there are still some good trax from the 80's // azért a 80-as évekből is maradt pár jó szám :)

5. rész / Part 5 101 trx 7h 6m

Tom Waits - Cold Cold Ground / Hang on St. Christopher  (Franks Wild Years 1987)
Pop Will Eat Itself - She's Surreal (Box Frenzy 1987)
Noir Désir - Toujours être ailleurs (Où veux tu qu'je r'garde? 1987)
Snooks Eaglin - Drop the Bomb! (Baby You Can Get Your Gun 1987)
Spacemen 3 - Things'll Never Be the Same (The Perfect Prescription 1987)
Pixies - Caribou (Come On Pilgrim 1987)
Yo La Tengo - The Story of Jazz (New Wave Hot Dogs 1987)
Jethro Tull - Dogs in the Midwinter (Crest Of A Knave 1987)
David Bowie - Never Let Me Down / Glass Spider (Never Let Me Down 1987)
Jane Siberry - The Walking (and Constantly) (The Walking 1987)
Sinead O'Connor - Just Like U Said It Would B / Never Get Old (The Lion And The Cobra 1987)
Penguin Cafe Orchestra - Dirt (Signs Of Life 1987)
David Sylvian - Orpheus / The Devil's Own (Secrets Of The Beehive 1987)
Screaming Trees - Don't Look Down / Girl Behind the Mask (Even If And Especially When 1987)
Loop - Straight to Your Heart  (Heaven's End 1987)
The Verlaines - Slow Sad Love Song (Bird-Dog 1987)

Suzanne Vega - Night Vision / Wooden Horse (Caspar Hauser’s Song) (Solitude Standing 1987)
Concrete Blonde - Your Haunted Head (Concrete Blonde 1987)
The Cure - If Only Tonight We Could Sleep (Kiss Me, Kiss Me, Kiss Me 1987)
The Flaming Lips - Prescription: Love (Oh My Gawd!! 1987)

Nick Cave and the Bad Seeds - Up Jumped the Devil / Mercy  (Tender Prey 1988)
Richard Thompson - Gypsy Love Songs (Amnesia 1988)
Leonard Cohen – Jazz Police (I’m Your Man 1988)

Jimmy Page - Hummingbird / Prison Blues (Outrider 1988)

Frank Zappa - In-A-Gadda-Stravinsky (Guitar 1988)
The Vaselines - Dying for It (The Blues) (Dying For It 1988)

Talking Heads - Cool Water (Naked 1988)
Randy Newman - Bad News From Home / I Want You To Hurt Like I Do (Land Of Dreams 1988)
Throwing Muses - Mexican Women (House Tornado 1988)
Crime And The City Solution - Hunter (Shine 1988)
Dead Can Dance - Echolalia / Ullyses (The Serpent's Egg 1988)

Soundgarden - Smokestack Lightning (Ultramega OK 1988)
Galaxie 500 - Instrumental (Today 1988)
L7 - Snake Handler (L7 1988)
Danzig - Twist of Cain / Soul On Fire (Danzig 1988)
Lou Reed - Romeo Had Juliette / Strawman (New York 1988)
Tracey Chapman - She's Got Her Ticket (Tracey Chapman 1988)
Camper Van Beethoven - Turquoise Jewelry (Our Beloved Revolutionary Sweetheart 1988)

The Sugarcubes - Cold Sweat (Life's Too Good 1988)
Phish - You Enjoy Myself / David Bowie (Junta 1988)
Nuclear Assault - Good Times Bad Times (Led zeppelin cover) (Survive 1988)
Beasts Of Bourbon - Driver Man  (Sour Mash 1988)
Masters Of Reality - Theme for the Scientist of the Invisible / The Candy Song (Masters Of Reality 1988)

Ciccone Youth - MacBeth (The Whitey Album 1988)

The Jeff Healey Band - See The Light (See The Light 1988)
Stuart Hamm - Sexually Active (Radio Free Albemuth 1988)

Barry Adamson – Under Wraps (Moss Side Story 1988)
My Bloody Valentine – Soft as Snow (But Warm Inside) / I Can See It (But I Can't Feel It) (Isn’t Anything 1988)

Pixies – Bone Machine / Cactus (Surfer Rosa 1988)
Talk Talk - Eden (Spirit Of Eden 1988)
Dinosaur Jr. – The Post (Bug 1988)
k.d. lang – Black Coffee (Shadowland 1988)

The Stone Roses – Don't Stop / I Am the Resurrection (The Stone Roses 1989)
The Gories - Sovereignty Flight  (House Rockin' 1989)
The Golden Palominos - A Letter Back /  (A Dead Horse 1989)

Mano Negra - Guayaquil City (Puta's Fever 1989)

Primus  - Tommy the Cat (Suck On This 1989)

Laurie Anderson - The Day the Devil / The Dream Before (Strange Angels 1989)
Gavin Friday & The Man Seezer - Each Man Kills The Thing He Loves / Next (Each Man Kills The Thing He Loves 1989)
The Lounge Lizards – Voice of Chunk (Voice of Chunk 1989)

fIREHOSE – Whisperin' While Hollerin' (fROMOHIO 1989)
John Zorn – Latin Quarter (Naked City 1989)

Tin Machine - Heaven's in Here / Prisoner of Love (Tin Machine 1989)
Nirvana - About a Girl / Love Buzz (Bleach 1989)
Nine Inch Nails - Sin (Pretty Hate Machine 1989)

Fugazi - Burning / Margin Walker (13 Songs 1989)
Bob Dylan - Everything Is Broken (Oh Mercy 1989)
Red Hot Chili Peppers - Sexy Mexican Maid (Mother's Milk 1989)
Minor Threat - Salad Days (Complete Discography 1989)
The Rolling Stones - Hold On to Your Hat (Steel Wheels 1989)

The Jesus & Mary Chain - Blues from a Gun (Automatic 1989)
The Legendary Pink Dots - Hotel Noir (The Golden Age 1989)
Violent Femmes - Fool in the Full Moon (3 1989)

Galaxie 500 - Isn't It a Pity (George Harrison) (On Fire 1989)

Neneh Cherry – Manchild (Raw Like Sushi 1989)
Kate Bush – Heads We're Dancing (Sensual World 1989)
The Cure – Lovesong (Disintegration 1989)
Pixies – Monkey Gone to Heaven / No. 13 Baby (Doolittle 1989)










Smiles and Grins - NON-TYPICAL 80s MIX (part 4: 1985-1986)
Modern Times - NON-TYPICAL 80s MIX (part 3: 1984)
Fever - NON-TYPICAL 80s MIX (part 1: 1980-81)
Picking up After You - NON-TYPICAL 80s MIX (part 2: 1982-1983)

PLASTiC DECADE BUT... the ultimate mixtape of the NON-TYPiCAL 80s (88 songs from 80s)