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A következő címkéjű bejegyzések mutatása: Dexter Story. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Dexter Story. Összes bejegyzés megjelenítése

2021. december 14., kedd

14-12-2021 WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 2015-2021 # WmW 2h 11m


g l o b a l  m u s i c a l   v i l l a g e
14-12-2021 WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 2015-2021 # WmW 2h 11m: David Eugene Edwards, Alexander Hacke, Meybahar, Meridian Brothers, Rodrigo Amarante, Juçara Marçal, Joachim Cooder, Dexter Story, Bombino, Monika Lakatos, Piers Faccini, Dawn Landes, Bixiga 70

M  U  S  I  C / WmW 2h 11m

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2015-2021




David Eugene Edwards is the lead singer of Wovenhand, and also the main songwriter and the principal musician on the recordings of the band. He is the former lead singer of 16 Horsepower. Their music contains elements of old-time, folk, punk, medieval, gypsy, Native American music, and most recently late 1980s and early 1990s Gothic Rock.
Alexander Hacke) is a guitarist, bass guitarist, singer, musician, record producer, writer and film maker from Germany. He is primarily known as a longtime member of the influential German industrial music group Einstürzende Neubauten.
Triptych 4:37
The Tell 5:00
Teach Us to Pray 3:34
from Risha 2018
...'Risha' cannot be described in traditional terms. This sound is a sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music. 'Risha' - which means 'Feather' in Arabic - contains 10 parts: Beginning with the mystic 'Tryptich' which is followed by the furious beat of 'All in the Palm'. Hacke and Edwards keep the pace with 'The Tell' and its driving industrial rhythm and break it down completely with track #4, “standing stone, Helios”. 'Kiowa 5' is shaped by fascinating drum patterns and the shamanic vocals of David Eugene Edwards. 'Lily' is the song that is inspired most by early Wovenhand, followed by the dark and hypnotic 'Parish Chief' with its almost Suicide-like vintage drumbeat, the drone excursion 'Akhal', before the memorable 'Teach Us To Pray' and the final and epic 'Breathtaker'. Each one a piece of the puzzle; made to be listened in its entirety... 



Meybahar was born of a duo with Marilia Pilti (GR) on santouri (a cousin of the Hungarian cymbalom) and violinist Márton Kopcsik (HU) who plays his own custom-made instrument: a 5 string viola with sympathetic strings. When her santouri and his violin meet on stage it forms a magic atmosphere that drives you to undiscovered lands. The pulsation of the music is supported by David Krolikowski (HU) on percussion, Merse Varga (HU) on doholla and frame drums; and Péter Takács (HU) on tabla.
Abyss 4:06
Eridanus 4:53
The Bridge of Drama 6:48
from Abyss 2019
The music of Meybahar explores and resonates in hidden places of our soul, through a music fusion that delves deep into the music cultures of the Aegean Sea and Middle East.
On their first single album, Meybahar (Abyss, Fonó 2019) delivers a multicolored puzzle of melodies from different traditions, brought into a parallel music field through the band’s sound. Tunes directly inspired by Greek and Turkish music and original compositions presented by Meybahar, melt into a common path created by a dynamic rhythmical background of percussion with clear reference to Indian mysticism....

2019. március 16., szombat

026 ALTER.NATiON: weekly favtraX16-03-2019

ALTER.NATiON #26
Dido, Stephen Malkmus, Caracara, Gurr, Nasty Cherry, Danger Mouse / Karen O, Anderson .Paak, The Comet Is Coming, The Cinematic Orchestra, Dexter Story, Snarky Puppy, Joey DeFrancesco
 
weekly favtraX
16-03-2019 



16-03-2019


English female singer whose melodic, down-tempo music has been hugely successful on both sides of the Atlantic. 
Dido - Hell After This from Still on My Mind
Reinvigorated and confident, Dido returns from a six-year absence with her sparkling fifth album, Still on My Mind. Following 2013's neon-washed Girl Who Got Away, this set features her liveliest, catchiest production since early-era breakthroughs No Angel and Life for Rent, and soundtracks familiar themes of love, loss, desire, and -- as the mother of a young son -- family. Anchored by her yearning and ever-ethereal vocals, the LP delivers on the promising glimmers that were teased on its cool (but ultimately sedate) predecessor, successfully synthesizing the spirit of her early hybrid sound with updated late-2010s sheen. Yet another collaboration with her brother Rollo, Still on My Mind finds the English singer/songwriter in a mature, controlled space -- an elegant but fresh collection of her familiar electro-folk with a hip-hop heartbeat.

The former Pavement frontman's solo career has a broader musical palette, evoking British folk, '70s prog, psychedelia, and blazing guitar rock. 
Stephen Malkmus - Ocean of Revenge from Groove Denied
It's called Groove Denied because Matador insisted on releasing Sparkle Hard, an album Stephen Malkmus recorded with his mainstay supporting band the Jicks, instead of this electronic-infused record in 2018. This back story was revealed in a May 2018 Washington Post profile of Malkmus by Geoff Edgers, an article that perhaps overplayed the label's rejection of Groove Denied. Matador maintained that its plan was to have the album appear after Sparkle Hard, which was a better record to re-introduce the ex-Pavement leader into the marketplace after a four-year hiatus. All this hoopla around Groove Denied undeniably makes for a good yarn, but it also tends to oversell the weirdness of the album.

Caracara - Better
On their upcoming Better EP, Philadelphia’s Caracara are honing a unique, inspiring sound. The project finds a thrilling midpoint between the city’s signature emo stylings and the stately indie rock of bands like Bon Iver and the National. It’s coming out on Memory Music, the label run by in-demand Philly producer Will Yip, who also helmed these sessions. Today they’re offering a preview in the form of the title track.
“Better” is a six-minute epic featuring vocals from Mannequin Pussy’s Marisa Dabice. It unfolds in two halves: First a tense buildup with William Lindsay singing to “the Bathsheba of the strip-mall set” and eventually crying out, “I thought you knew me better than that!” The second half of the song explodes into a cloud of gorgeous noise, with Lindsay eventually returning to the mic to howl us home.

Gurr - Fake News
Here’s what the band had to say about the track in a press statement:
“Fake News” was a direct response to what was going on (and still is) politically at the time, and the growing gap I feel between people leaning both left and right. I think with press and algorithms, we are only fed the kind of news we already believe in and agree with, which is super dangerous. The song then connects that to an experience I had when we visited the the BBC for an interview with Huw Stephens. We went inside and there was this gigantic newsroom with so many screens but no windows at all. I found that a bit disturbing: Like here’s the people making the news and they can’t look outside.



Nasty Cherry - Win
Nasty Cherry are a new all-female rock band made up of Kitten’s Chloe Chaidez, Star Wars set decorator Georgia Somary, Charli XCX drummer Deborah Knox-Hewson, and model Gabbriette Bechtel. A press release describes them as the “brainchild” of Charli XCX, who signed the group to her Vroom Vroom Recordings imprint and collaborated extensively with them on their upcoming debut EP.
Today, Nasty Cherry have released their official debut single, “Win,” which was co-written with Charli XCX and produced by Charli/Sky Ferreira/Angel Olsen collaborator Justin Raisen. The song successfully merges shadowy ’80s post-punk riffs with a huge anthemic pop chorus.



Danger Mouse - Underground rap acolyte who brought his music to the masses with a production roster ranging from Norah Jones to Beck to Bright Eyes.
Karen O - High-energy lead singer for NYC indie rockers Yeah Yeah Yeahs. 
Danger Mouse / Karen OLeopard's Tongue from Lux Prima
This is a stately, cinematic listen from the Yeah Yeah Yeahs frontwoman and the veteran producer, as they take up residency a few lunar resorts over from Arctic Monkeys' Tranquility Base Hotel & Casino... There’s sex – perhaps the most human act of all – on ‘’Leopard’s Tongue’. “One touch and you ask for more / Two touch and you’re on the floor,” Karen hushes halfway through. “Just a lick of sweat off your skin / Like an aftershock from the prick of a pin.” It’s easily the record’s most lustful moment, made all the more thirsty by the lack of anything really going on around it. Where most of ‘Lux Prima’ is fleshed out with layers of lush instrumentation, it’s sparse and emaciated – just the soft jingle on percussion and a rolling bassline filling out the verses.

Madcap singer, rapper, drummer, and producer central to Dr. Dre's Compton before his Grammy-nominated solo work, including Malibu (2016). 
Anderson .Paak - King James
Anderson .Paak released his latest LP, Oxnard, last November. A few weeks ago, he announced his forthcoming album, Ventura. He shared its star-studded tracklist yesterday, and now, we hear its lead single. “King James” is a jazzy track about uniting and standing up against injustice.
He sings over a jazzy beat, “If they build a wall / Let’s jump the fence / I’m over it.” Ventura will feature artists like André 3000, Smokey Robinson, Brandy, and the late Nate Dogg, among others.

"Apocalyptic space funk" trio from London, England, signed to the Leaf Label. 
The Comet Is Coming - Timewave Zero from Trust in the Lifeforce of the Deep Mystery
England's sci-fi jazz trio the Comet Is Coming have been exploring the cosmos since 2015 when drummer Maxwell Hallett (Betamax) and keyboardist Dan Leavers (Danalogue) were playing a gig as futurist duo Soccer96 when they encountered Shabaka Hutchings (King Shabaka) hanging near the stage with a saxophone. They invited him up and improvised. Received enthusiastically, the trio formed the Comet Is Coming to explore a mutual love of Sun Ra, John and Alice Coltrane, Mahavishnu Orchestra, and future-forward electronica...  "Timewave Zero" enters from the margins in a soundscape at once cinematic and intimate before articulating a fusion of spiritual jazz-funk, dancehall rhythms, and punky grime.

Borderline symphonic electronica band infused with bursts of modern jazz, emerged in the late-1990s. 
The Cinematic Orchestra - Lessons from To Believe
Over a decade after the release of 2007's Ma Fleur, the Cinematic Orchestra return with their fourth album of expansive soundscapes, To Believe. During the gap between efforts, the primary duo of Jason Swinscoe and Dominic Smith remained active with multiple projects (including a Disney soundtrack, a live album, and a compilation of tracks composed for avant-garde short films), but didn't return focus to their core material until late 2016... On the instrumental side, the uplifting "Lessons" evokes Radiohead at their most experimental and glitchy...  To Believe is very much an experience that requires engagement if a worthwhile connection is desired; otherwise, it makes for a terrific soundtrack to a film that resides purely in the soul.

Lifetime Los Angeleno Dexter Story (aka Wondem) is a musical polymath -- a multi-instrumentalist, vocalist, composer, arranger, songwriter, producer, and ethnomusicologist.
Dexter Story - Electric Gurage from Bahir
Dexter Story is a musical polymath. He is a singer, songwriter, multi-instrumentalist, producer, and arranger. He works in genres from global spiritual soul and jazz to funk, folk, and hip-hop. He has spent the 2010s studying and traveling the Horn of Africa, immersing himself in its musical traditions -- beautifully articulated on 2015's Wondem. The Carlos Nino-produced Bahir, filled with guests, picks up from and expands the terrain explored on his previous outing. Rooted in Eastern Africa's musical traditions, he engages influences with the soul, funk, and jazz from his Western world albeit one transformed by his travels. His intention is not simply to bring those influences to the West, but to contribute music that expands the traditions he employs here.

Texas-based jam band centered around bassist Michael League that fuses jazz, funk, and rock. 
Snarky Puppy - Bigly Strictness from Immigrance
Snarky Puppy helped bring '70s-style fusion into the jam band era with a series of Grammy-winning albums that found them incorporating elements of funk, jazz-rock, and blues. Produced by bassist and bandleader Michael League, 2019's Immigrance continues this trajectory with a set of highly kinetic instrumental tracks (purportedly inspired by the band's travels around the globe) that balance exploratory improvisation with intricately arranged group interplay. As with past Snarky Puppy albums, Immigrance is less about each bandmember's individual improvisational contribution (though there are moments of brilliant soloing)...

Another of Philadelphia’s gifts to the world of jazz, Joey DeFrancesco is one of the reasons the Hammond B-3 organ is enjoying a renaissance. 
Joey DeFrancesco - Awake and Blissed from In the Key of the Universe
Following up his 2018 collaboration with Van Morrison, You're Driving Me Crazy, Joey DeFrancesco returns to his own work with his quartet on 2019's spiritually inspired In the Key of the Universe. Produced by DeFrancesco and his wife, Gloria, the album finds the organist tapping into the hypnotic, deeply soulful metaphysical jazz that artists like Pharoah Sanders, Don Cherry, and Rahsaan Roland Kirk further explored in the wake of spiritual jazz pioneer John Coltrane's death in 1967. In fact, DeFrancesco showcases Sanders here on three tracks. Joining them are several longtime associates including legendary drummer Billy Hart, saxophonist Troy Roberts, and percussionist Sammy Figueroa...

Dido, Stephen Malkmus, Caracara, Gurr, Nasty Cherry, Danger Mouse / Karen O, Anderson .Paak, The Comet Is Coming, The Cinematic Orchestra, Dexter Story, Snarky Puppy, Joey DeFrancesco 

2019. február 17., vasárnap

021 ALTER.NATiON: weekly favtraX 17-02-2019

ALTER.NATiON #21


Jamila Woods, Zora Neale Hurston, Blu & Oh No, Octo Octa,  Jessie Ware, Joseph Mount, pronoun, Wye Oak, Dexter Story, Sudan Archives, Christian Scott aTunde Adjuah, Katarina Pejak, Joni Mitchell, Matmos, HÆLOS, Versing, Archive, Band Of Skulls


weekly favtraX
17-02-2019


Jamila Woods - ZORA
Zora Neale Hurston was an acclaimed novelist who studied the vast complexity of black culture. She was a curious soul who wrote about everything—from marriage and Caribbean voodoo to the American South—by fully immersing herself in it. Yet for whatever reason, Hurston never got the credit she deserved when she was alive; even her masterwork—1937’s Their Eyes Were Watching God—was excoriated by fellow authors in the Harlem Renaissance... Jamila Woods celebrates the icon on “ZORA,” the first single of her forthcoming album LEGACY! LEGACY!, by singing from Hurston’s imagined perspective. Woods—in the spirit of Hurston—hears all the scrutiny from the likes of Richard Wright and Ralph Ellison, but it doesn’t affect her in the slightest. “Your words don’t leave scars/Believe me I’ve heard it all,” Woods declares with a shrug...
Zora Neale Hurston


Blu & Oh No - The Lost Angels Anthem
Blu is a crucial and undersung name within the LA underground-rap lineage, a transitional figure between the early Freestyle Fellowship/Project Blowed days and the right-now dominance of Kendrick Lamar. Below The Heavens, the 2007 album that Blu released with producer Exile, belongs in the canon, and he never stopped working after that... Right now, Blu and Oh No — Madlib’s younger brother and a great psychedelic rap mind in his own right — are getting ready to release a collaborative album. This is good news, and on “The Lost Angels Anthem,” we hear just how it might work. Oh No’s track is warm and hazy, a hypnotic swirl of sweaty drum-loops and synthetic tingle. And Blu remains hypnotic in his own way, breaking down one vowel sound after another with deadpan gravitas, weaving images quickly enough to leave your head spinning.


Octo Octa - I Need You
The incantation that begins Octo Octa’s “I Need You,” 30 seconds of euphoric moaning, could introduce any number of songs. A post-yoga chant could develop with layers of blissed-out voices and the hum of a harmonium. A ’90s house sound might emerge, with a diva calling the shots over groovy drums. What actually happens is a bit of both, nine full minutes of bliss masquerading as a beauty of a dance track. “I Need You” is unquestionably the most perfect moment yet for Octo Octa, a producer who was a core member of the scrappy and adventurous house sound of the California label 100% Silk just a few years ago. Newly signed to Ninja Tune, her skills as a producer have caught up with her ambition. While “I Need You” is not a complicated song it still grabs you tight and hugs you close...


Jessie Ware co-wrote the song with Metronomy’s Joseph Mount
 Jessie Ware Adore You
...Jessie Ware co-wrote the song with Metronomy’s Joseph Mount, and it takes full advantage of the warm intimacy of her voice, the way she always sounds like she’s whispering right to you. It also takes full advantage of her rhythmic poise. Ware has been singing straight-up soul lately, but she got her start guesting on dance producers’ singles, and she knows how to float over a beat. That’s what she does here. The track, which Mount produced, is a sparse and spacious piece of architecture, full of beautiful little synth-glimmers. Ware breezes along over it, the exhilaration of the moment lifting her up. It’s the sound of someone who adores, someone just learning what it means to be adored.

pronoun - stay
The songs that Alyse Vellturo makes as pronoun are huge and immediate. They’re like standing in the middle of a road as an eighteen-wheeler washes over you. That’s how she describes how a break-up feels in her latest song “stay,” but it could just as easily apply to the soaring choruses and breakneck speed she maintains in her songs. “stay” rolls like a boulder down a hill. It takes place in the stolen breaths and dismantling revelations that come with a conversation that ends a relationship, when you realize the person you saw yourself no longer sees themselves with you. She takes that frustration and confusion and turns it into a weaponized pop song, words and thoughts crowding together into an undeniable force that’ll pummel you down.


Wye Oak - Evergreen
...Considering it’s a one-off, “Evergreen” is probably not indicative of any permanent change in Wye Oak’s disposition. But it’s still striking — the first time they’ve really offered up a song that returns to that classic The Knot/Civilian aesthetic. The song almost sounds like it could’ve slotted right in on one of those albums, between Jenn Wasner’s characteristically elusive-yet-expressive vocal, the guitar tones, those spectral horns...

Dexter Story - Gold (Feat. Sudan Archives)
Dexter Story is a Los Angeles-based producer, multi-instrumentalist, and bandleader who’s worked with Madlib, Kamasi Washington, Carlos Niño, Sa-Ra Creative Partners, and more. After sitting in as a drummer for the Ethiopian jazz ensemble Ethio Cali in 2011, he began composing and arranging for the group, developing an interest in East African music that eventually culminated with the release of his 2015 album Wondem, melding modern
Dexter Story
funk, soul, and jazz with music and culture from Ethiopia, Somalia, Eritrea, Sudan, and Kenya...
Parks is a kindred spirit to Story, a Los Angeles-based musician who takes inspiration from Sudanese fiddle tradition. We named her 2018 release Sink, a heady blend of R&B, electronic, and classical, one of the best EPs of last year. “I was intrigued by Sudan Archives’ name because it speaks to methodology and preservation all at once,” Story says. “We met through a mutual friend and this song is a result of us sharing and developing our musical wishes at the time.” “Gold” is a deep groove driven by Parks’ violin and coolly confident vocals...



New Orleans jazz trumpeter Christian Scott aTunde Adjuah doesn’t play jazz. Instead, he calls the music he makes “stretch music,” because it stretches the conventions of jazz to incorporate all kinds of musical idioms — electronic, hip-hop, trap, dub, R&B, funk, Mardi Gras parade music, all coexisting in one musical gestalt. And on “Ancestral Recall,” he continues his mission to use music as a unifying force, connecting the African diasporic tradition back to its West African roots through rhythm. Although ghostly electronic murmurs and Scott’s searing trumpet give the track an otherworldly, larger-than-life sheen, its true lifeblood is its hypnotic percussion...


Katarina Pejak - Sex Kills (Joni Mitchell cover) from Roads That Cross
Katarina Pejak is a Serbia-born singer, songwriter, and pianist who made her home in Nashville. A classically trained pianist, she embraced American roots sounds via her father's record collection and chose a career in blues while still in high school. In fact, her debut album, 2010's Perfume & Luck, gained her admission to the composition and songwriting programs at the Berklee College of Music in Boston, where she won the Songwriting Achievement Award. She released First Hand Stories in 2012 while attending, and after graduation issued Old New Borrowed and Blues in 2016. All were acclaimed in Europe. Her recordings and her high-energy live show on continental and Asian festival stages brought her to the attention of Ruf Records, who signed her for Roads That Cross, her first album with worldwide distribution.



...It’s a fairly relatable premise in the year 2019. Sonically, HÆLOS always traffic in darker aesthetics, but “Boy / Girl” may be the most anxious and melancholic single we’ve heard from Any Random Kindness thus far. Over sputtering beats and strangled synths, vocalists Lotti Benardout and Arthur Delaney trade lines back and forth; it illustrates the meaning of the song perfectly, two voices calling out to each other and occasionally intertwining yet fighting against the digital distortions surrounding them. Overall, “Boy / Girl” feels like a claustrophobic cloud, mirroring a mind paralyzed by broken transmissions sent between two people on opposite sides of an online ether. The song is also sneakily catchy the more you listen to it, almost depicting the way it can be hard to get someone out of your head when they keep reappearing as a specter on social media — or when the circumstances refuse to let those voices totally fade away into the past.

Versing play a loose, appealingly spiky form of indie rock with approachable melodies and a few squalls of dissonant guitar noise thrown in for good measure. The Seattle quartet met at University Of Puget Sound’s college radio station and released their debut full-length, Nirvana, a few years later in 2017...  “Tethered,” a surging post-punk churn driven by the half-spoken chant “We’re tied together/ Tied together/ Tied together.” Salas says, “It’s a reminder of the interconnectedness of humans, to people who make excuses for not doing the right thing.” 








Archive feat. Band Of Skulls - Remains of Nothing
Archive is a music-collective, originating from London, UK, but based in Paris, France for many years where they enjoy a much bigger following. They are signed to Warner Music France. Archive was formed by Londoners Darius Keeler and Danny Griffiths in 1994 and began as an electronica project. At the beginning, they mixed Bristol-style, Massive Attack, Portishead with Rap... Archive are a Collective, not a band.


Jamila Woods, Zora Neale Hurston, Blu & Oh No, Octo Octa,  Jessie Ware, Joseph Mount, pronoun, Wye Oak, Dexter Story, Sudan Archives, Christian Scott aTunde Adjuah, Katarina Pejak, Joni Mitchell, Matmos, HÆLOS, Versing, Archive, Band Of Skulls