mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: Jeff Parker. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Jeff Parker. Összes bejegyzés megjelenítése

2021. december 11., szombat

11-12-2021 JAZZ.MiX # 33 jazz tracks on the the JAZZ_line 2013-2021 (3h 23m)

11-12-2021 JAZZ.MiX # 33 jazz tracks on the the JAZZ_line 2013-2021 (3h 23m)# Ron Miles, Bremer/McCoy, Kurt Elling, Charlie Hunter, Jeff Parker, Allison Miller’s Boom Tic Boom, Chick Corea + Steve Gadd, Jeremy Pelt, Esperanza Spalding, Ben Williams, Nels Cline Singers, Thundercat


J A Z Z   M U S I C (3h 23m)

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JAZZ_line  The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.
2013-2021



A highly regarded trumpeter, composer, and educator, Ron Miles is a progressive artist with a bent toward harmonically nuanced, genre-bending jazz. A star of the Denver, Colorado jazz scene and a longtime professor at the Metropolitan State University of Denver, Miles is a lauded performer who has worked as both a leader and a collaborator with such similarly inclined luminaries as Bill Frisell and Fred Hess. Miles' sound has a warm, rounded, signature tone.
Like Those Who Dream (Ron Miles) 15:56
Average (Ron Miles) 11:12
The Rumor (Ron Miles) 4:30
from Rainbow Sign 2020
Rainbow Sign is trumpeter/composer Ron Miles' debut recording for Blue Note. He re-enlists the same intuitive quintet who played on 2017's I Am a Man. It features guitarist Bill Frisell, pianist Jason Moran, bassist Thomas Morgan, and drummer Brian Blade. Written during the summer of 2018 while caring for his dying father, these nine compositions were intended to provide empathy, peace, love, and reassurance to his transitioning parent and his family. Clocking in at over 71 minutes, Rainbow Sign bridges polytonal modal music, blues, gospel, post-bop, and pop...



Danish duo Bremer/McCoy make atmospheric jazz- and dub-influenced instrumental music. Weaving together acoustic and electronic sounds, they evoke the languid '70s ECM work of artists like Keith Jarrett and Ralph Towner, as well as new age artists like Mike Oldfield and Klaus Schulze...
Natten 5:37
Gratitude 3:12
Måneskin 2:44
from Natten 2021
Named after the Danish word for "The Night," Natten is Bremer/McCoy's hypnotic fifth album and second for the Luaka Bop label. It follows the Danish instrumental duo's equally engaging 2019 album Utopia and again finds them building an expansive dreamscape that touches upon jazz, classical, and electronic sounds. The group features bassist Jonathan Bremer and keyboardist/tape delay artist Morten McCoy... It's an organic, spectral atmosphere, the kind that begs to be heard in surround sound or through headphones in one extended session. With Natten, Bremer/McCoy successfully evoke the dark glow of the night sky, a sound that is vast and enrapturing.




A highly adept singer and writer who possesses a resonant baritone and four-octave range, Kurt Elling has won a global fan base, numerous awards, and countless accolades for his distinctive brand of vocal jazz. Given the depth and vision of his recordings and his theatrical performance style, an Elling concert can contain ranting, beat poetry, dramatically sung readings of Garcia Lorca and Rainier Maria Rilke, and tunes by Ellington, Cole Porter, Johnny Mercer, and the Beatles, complete with hard-swinging scat.
SuperBlue (Kurt Elling / Benard Ingher) 4:45
Manic Panic Epiphanic (Kurt Elling / Corey Fonville / DJ Harrison / Charlie Hunter) 5:29
Can't Make It With Your Brain )Kurt Elling / Corey Fonville / Phil Galdston / DJ Harrison / Charlie Hunter)
from SuperBlue 2021
A collaboration with guitarist Charlie Hunter, SuperBlue finds vocalist Kurt Elling exploring a sophisticated funk and soul sound. Hunter, who plays here and also produced the album, is primarily known for his fusion-informed jazz and adventurous, funk-influenced projects like Garage a Trois. However, he has also made significant contributions to albums by forward-thinking neo-soul and R&B artists, including D'Angelo and Frank Ocean. It's this deep grasp of those funky, groove-oriented vibes that he brings to his work with Elling on SuperBlue. Also contributing are Butcher Brown bandmates drummer Corey Fonville and bassist-keyboardist DJ Harrison, who bring their own hip-hop sensibilities to the proceedings... SuperBlue certainly straddles the line between electric jazz fusion and groove-based neo-soul, with a heavy leaning toward the latter. While there are some superb solo moments here from Hunter, not to mention dazzling sections of vocal gymnastics by Elling, the focus is less on post-bop improvisation and more on a song's overall vibe. For Elling and Hunter, the choice feels purposeful and right for the funky, organic nature of these songs. SuperBlue is an ebullient and creative production that further underlines Elling's dynamic and endlessly adaptable vocal skills, regardless of genre.

2020. július 17., péntek

17-07-2020 > ALTER:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] (2h 20m)

Kate NV
17-07-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] # Kate NV, Poppy, Jeff Parker, Bambara, Habibi,Georgia, Nicole Bus, The Messthetics, The Good, The Good the Bad & the Queen, Ducks Unlimited, Rufus Wainwright, Benjamin Biolay, Beck, Spice Boys, Khruangbin


M U S I C

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.pres_perf_MiX on deezer

pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

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Kate NV is the solo persona of Moscow-based experimentalist Kate Shilonosova, front girl of new wave/post-punk band гш, English name: Glintshake. Kate NV is also a performer in the experimental Moscow Scratch Orchestra, and draws inspiration from Russian and Japanese pop music and film from the '70s and '80s, (specificially Akiko Yano, Haniwa-chan).
Kate NV
Ça Commence Par
Plans
Telefon
from Room for the Moon 2020
The Russian experimental pop performer Kate NV has her feet in two worlds. In one, the artist born Ekaterina Shilonosova sings and plays guitar in the fiery post-punk band ΓШ (Glintshake). In the other, she works with the Moscow Scratch Orchestra, an ensemble inspired by the improvisational pieces of the English composer Cornelius Cardew. In her work as Kate NV, she commits fully to the unpredictability and openness that unites them both... If NV’s striking voice was largely absent from для FOR, here it springs forth like an acrobat who has been waiting on the bench for her time to shine. Alongside a cast of musicians who help bring her kaleidoscopic world to life, NV emerges with a visionary avant-pop record that offers an escape from gloom...

Los Angeles-based singer/songwriter and performance artist who crafts catchy pop and subversively humorous videos.Los Angeles-based performance artist turned pop star Poppy -- born Moriah Rose Pereira and formerly known as That Poppy -- gained a substantial following on social media with her videos, the subjects of which grew ever more absurd and bizarre. 
Poppy
I Disagree
Anything Like Me
from I Disagree 2019
Starting in late 2018, pop artist and Internet personality Poppy teased a drastic stylistic shift, moving beyond the alt-pop earworms that amassed a cult following and embracing her metal-loving side. Disregarding genre restrictions, the result of that evolution, I Disagree, is a metallic storm, informed by pulsing beats, thrashing riffs, and crushing breakdowns. That fury is punctuated by atmospheric electronics and sugary vocals that support her deceptively confrontational lyrics... Speaking of Manson, bits of "The Beautiful People" can be heard on "Anything Like Me," a demonic kiss-off that sounds like an alternate-reality cousin of Billie Eilish's "Bury a Friend."...



Highly versatile, prolific guitarist (and Tortoise member) who has collaborated with numerous jazz, experimental, and indie rock musicians.
Jeff Parker
Fusion Swirl
Max Brown
from Suite for Max Brown 2020
Guitarist and composer Jeff Parker made a name for himself first with Tortoise during the '90s, and then as an integral member of the experimental music scene in Chicago. He's made a career of jumping the dimensions between rock, soul, funk, and jazz. Unknown to all but his contemporaries and musician friends, he also pursued his intense love of hip-hop without recording any of it; that is, until he released The New Breed from his adopted home in Los Angeles in 2016. He became a mad beats pilgrim, melding bass-throbbing, spine-quaking, bass-centric, hip-hop production inside improvised music, threaded through with R&B, dirty funk, and his own vision of glitched-up future jazz... "Fusion Swirl" claims the fore, turning on a collision of clattering breaks, droning synths, and popping, propulsive bass... The title-track closer is a ten-minute suite played by a quintet including trumpeter Nate Wolcott. While firmly rooted in soulful post-bop, its organic rhythms are adorned by shimmering ride cymbal work from Williams. The interplay between Nate Wolcott and Johnson's alto saxophone is canny, and songlike in its melodic expression through the first half, even as Bryan asserts a third harmonic line with his bass. Parker's analog synth adds pillowy textures, as he comps, fills, and slides on guitar. Johnson's horn eventually moves afield before the entire thing turns inward during its final third as synth and guitar create a mantra-like vamp...

2020. június 22., hétfő

06-22-2020 ALTER:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past]

Liz Brasher
06-22-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] Liz Brasher, Sore Eros, Mr. Elevator, Shopping, Spirit Fingers, The Messthetics, My Brightest Diamond, Left Lane Cruiser, She-Devils, Public Memory, Poppy, Kate NV, Jeff Parker, Bambara, Habibi


M U S I C

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pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

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With both a rich voice and a musical style that straddle soul, adult pop, rock, blues, and gospel, singer/guitarist Liz Brasher developed her eclectic retro-soul sound from the church choirs of her home state of North Carolina and the vintage soul music she discovered while living in Chicago, Illinois.
Liz Brasher
Body of Mine 2:50
Blood of the Lamb 3:02
from Painted Image 2019
Singer/guitarist Liz Brasher first tried her hand at songwriting as a young adult after studying up on a variety of 20th century American masters, including Stephen Foster, Lead Belly, and Bob Dylan. She found particular inspiration in the sounds of the Delta blues and Southern soul. On her full-length debut, Painted Image, those influences shine through an eclectic retro-soul. ..


Experimental lo-fi psych project led by Ariel Pink and Panda Bear collaborator Robert Robinson. The trippy, lo-fi pop of Sore Eros is the brainchild of musician Robert Robinson...
Sore Eros
Backseat Bop 2:57
Mirror 8:34
from Sore Eros 2020
While the exploratory, psychedelic lo-fi of Sore Eros took root in the early 2000s as the D.I.Y. endeavor of frontman Robert Robinson, the project moved from CD-Rs to small labels and expanded its lineup by 2009's Second Chants... An unpredictable ride despite its consistent dreaminess, songs like catchy closer "Mirror," with its ghosts of Buddy Holly-style early rock, and the opener, "Backseat Bop," contain tempo changes among other structural diversions, and tracks vary in length from under three minutes to over ten. The album's shifting, dreamy disposition is matched by lyrics like first words "Open your eyes" and final ones "As you cut cards of tarot/I drop shards of mirror/It once filled me with terror/But now it's getting better." That song, "Mirror," ends appropriately with a minute-long instrumental resolution that finally delivers stillness.


From their beginnings as Mr. Elevator and the Brain Hotel (a Donovan reference), the guitar-less California band later known by just Mr. Elevator delved deeply into the sounds of psychedelia, from the strutting punk of the Doors to the dreamy haze of Pink Floyd to the sunny trippiness of a thousand paisley-clad unknowns. Led by the vision of keyboardist Tomas Dolas...
Mr. Elevator
Waiting 3:17
Anywhere 3:55
from Goodbye Blue Sky 2020
After two albums of keyboard-driven psych rock that shone like the flash of a paisley scarf on an overcast day, Mr. Elevator's third album Goodbye, Blue Sky is a much gloomier listening experience dominated by washes of synths, Tomas Dolas' downcast vocals, and melodies that don't just pluck at the heartstrings, but give them a big twang instead. It's a big change from the group's previous work, but Dolas guides things with the same questing, inspired (and guitar-free) approach as before and the results are as thrilling as a record that sounds too sad to get out of bed can be... Mr. Elevator already had a couple of records that positioned them as a band to watch for fans of weird and wonderful psychedelic music, Goodbye, Blue Sky makes good on that promise while shifting gears in fascinating fashion.

2020. január 27., hétfő

070 ALTER.NATION.MiX weekly favtraX 27-01-2020

ALTER.NATION #70
Chromatics, Wolf Parade, David Bowie, Nicolas Godin, En Attendant Ana, Basic Plumbing,  The Wood Brothers, Jeff Parker, The Sufis, Caspian, Bohren & der Club of Gore, Chromatics

weekly favtraX 
2 7 - 0 1 - 2 0 2 0

"from TOY to TOY"





Glamorously heartbroken purveyors of evocative electropop.
Chromatics - Toy
Believe it or not, Chromatics released a new album last year, Closer To Grey. It wasn’t their long-anticipated (and missing in action) Dear Tommy, but it was very good, and the Los Angeles group is back with another very good new track today.
Their new single is called “Toy,” and it’s a characteristically cinematic and strobing song. “Tell me what I have to do/ ‘Cus I can’t stop thinking of you,” Ruth Radelet sings on it. “Tell me what I have to say/ ‘Cus I can’t go on living this way.” The band has also put out a stripped back “On Film” version of the track and an instrumental.


Canadian indie rockers who came together around the talents of Spencer Krug (Frog Eyes) and Dan Boeckner (Handsome Furs).
Wolf Parade - Thin Mind / Out of Control
It seems size does not matter for Wolf Parade. Multi-instrumentalist Dante DeCaro, who had been working with Wolf Parade since 2005, left the band in early 2019, leaving the original trio of Spencer Krug, Dan Boeckner, and Arlen Thompson to get along without him. But if anyone expected the group to scale back their sound as a three-piece, 2020's Thin Mind wastes no time in shutting down that thinking. Wolf Parade sound lively, passionate, and fully committed on these ten songs, with Krug's Bowie-esque glam-conscious vocals reaching to the third balcony and easily finding their target, as the arrangements suggest the great lost new wave album of the '80s...


The mercurial music icon widely considered the original pop chameleon and figurehead for countless musical movements.
David Bowie - Stay '97
“Stay,” of course, first appeared on Bowie’s 1976 album Station To Station. This new recorded was started during tour rehearsals at the Factory in the Dublin Docklands, and finished later for use as a potential B-side. Bowie wanted to update some of his older tracks so they’d sit alongside material from Outside and Earthling more comfortably live.


Composer/multi-instrumentalist, best known as one half of Air, who embarked on a solo career in 2015.
Nicolas Godin - Concrete and Glass / Concrete and Glass
Looking back on his career with and without Air, Nicolas Godin's beginnings as an architecture student become more and more apparent -- and not just because the first song he created, "Modulor Mix," was a tribute to Le Corbusier. A skilled use of structure and space is just as important to composing music as designing a building, and the weightless drift of his music is as much of a feat as a skyscraper that seems to defy gravity. Much like an architect, over the years Godin has built on his music's foundations while continuing to innovate. If Contrepoint's dazzling fusion of classical, jazz, Tropicalia, exotica, and left-field pop and the flawless '60s spy music homage of his Au Service de la France (A Very Secret Service) score felt like reactions to the iconic sound he crafted with Air, then Concrete and Glass is a welcome return to it. As its name suggests, Godin's second solo album is ultra-sleek and airy, in both senses of the word...


Parisian garage pop quintet fuses melodic songwriting with a fuzzy, lo-fi approach. Parisian indie outfit En Attendant Ana fuse strong melodic songwriting with a fuzzy lo-fi approach, splitting the difference between a garage punk aesthetic and pop sophistication.
En Attendant Ana - Juillet / Enter My Body (Lilith)
En Attendant Ana are a Parisian indie quintet whose tightly focused melodies and energetic attack are fused with a curious blend of harmonic sophistication and wild abandon. They first appeared in 2016 with a rather rugged lo-fi EP, followed two years later by the more refined full-length Lost and Found, an exciting debut that revealed a young band with heaps of potential. Jump ahead to 2020, when their excellent sophomore LP, Juillet, makes good on that promise. Fronted by singer and chief songwriter Margaux Bouchaudon, En Attendant Ana are primarily a guitar band, though they make good use of multi-instrumentalist Camille Fréchou, whose lofty trumpet lines add a distinctive finesse to the group's energetic post-punk meets indie pop arrangements...


Stripped-down indie rock with equal parts melody and melancholy from the former Veronica Falls drummer and Boys Forever leader.
Basic Plumbing - Keeping Up Appearances / Too Slow
Basic Plumbing is Patrick Doyle's second solo project. Boys Forever was his first, and their one and only album showed that the longtime bandmember (Correcto, the Royal We, Veronica Falls) had what it took to lead a group. It was a shimmering and tough guitar pop album that was indebted to grunge, indie, and noise pop, while showing off Doyle's angelic voice and excitingly melancholy songwriting. Basic Plumbing is a stripped-down and scruffier version of that, and Keeping Up Appearances strips away any of the minimal gloss of Boys Forever in favor of a rough-and-ready approach. Doyle handles guitar, drums, and vocals, Helen Skinner adds bass lines, and the whole album was recorded quickly and with hardly any finesse from the producer's chair. The guitars jangle roughly, the cymbal crashes sizzle into the red, Doyle's fragile vocal harmonies drift through the mix like distant birds, and the bass holds it together in nicely melodic fashion...


Acclaimed roots music trio featuring brothers Oliver and Chris Wood and multi-instrumentalist Jano Rix. A roots music trio featuring brothers Chris (upright bass, vocals) and Oliver Wood (guitars, vocals) along with multi-instrumentalist Jano Rix, the Wood Brothers bring a distinctive flair to their union of folk, blues, gospel, and jazz.
The Wood Brothers - Kingdom in My Mind / Alabaster
"Alabaster" kicks off Kingdom in My Mind, the Wood Brothers' eighth studio album, with a slow, thick groove, its swampiness a reflection of how the album originated from a series of studio jams. The band didn't enter the studio with the intent of recording a new album, but they were taken with the results of their recording, so brothers Chris and Oliver Wood shaped the improvisations into songs. Starting with a collection of funky rustic recordings wound up being a boon to the Wood Brothers, letting Kingdom in My Mind establish a vibe that's cozy, homespun, and just slightly slick. Chalk the polish up to how the group are veterans with a good sense of space and feel, a knack that they're pushing on Kingdom in My Mind over tasteful songcraft...


Highly versatile, prolific guitarist (and Tortoise member) who has collaborated with numerous jazz, experimental, and indie rock musicians.
Jeff Parker - Suite for Max Brown / Go Away
Guitarist and composer Jeff Parker made a name for himself first with Tortoise during the '90s, and then as an integral member of the experimental music scene in Chicago. He's made a career of jumping the dimensions between rock, soul, funk, and jazz. Unknown to all but his contemporaries and musician friends, he also pursued his intense love of hip-hop without recording any of it; that is, until he released The New Breed from his adopted home in Los Angeles in 2016... While that recording revealed his respect and gratitude for his departed father, Suite for Max Brown is titled for and dedicated to his very-much-alive mother. Produced by the artist and engineered by Paul Bryan, it is a continuation of the sounds explored on New Breed. It includes most of the same sidemen, though it's more a solo date than a band date, and its tunes meander and stroll through thoughtful, creative, loose-sounding compositions...


Nashville duo dedicated to reviving mid-'60s garage rock and psychedelic pop. The Sufis began their career dedicated to excavating garage rock nuggets and re-creating them in lo-fi, bedroom psych style. After releasing two albums that sounded like a cross between the Byrds, (the original) Nirvana, and the house band on Shindig, the duo added synthesizers, dubby post-chillwave psych, and smooth soft rock textures to their sound on a pair of albums that brought them up to date.
The Sufis - Double Exposure / Outta My MInd
The Sufis' fourth album, Double Exposure, follows in the same lo-fi, weird, and woolly bedroom psych footsteps as their previous album did. Only this time the duo have a much more focused and animated approach to the writing and recording process and punch their performances up just a touch. The sound might be oddly smooth and bathed in cheapo synths, warbly vocals, and drums that sound like they have an inch of water sloshing around inside them, but the songs are shiny and sharp as diamonds...


Massachusetts-based post-rock unit in the vein of Explosions in the Sky and Mono. Caspian are an atmospheric, primarily instrumental post-rock band based on the East Coast of the United States. Their sound is cinematic in scope, alternating lush, melodic, and powerful guitars atop mellotrons and keyboards propelled by a forceful, imaginative rhythm section.
Caspian - On Circles / Division Blues
It's been five years since Massachusetts post-rock six-piece Caspian delivered the rightfully acclaimed Dust and Disquiet in 2015. On it, they reinvented post-rock's static modernism through composed and richly textured layers of instrumentation and sonic effects designed to enable spacious rhythmic and timbral experiments... Produced and engineered by Will Yip, the eight-song On Circles was cut in a Pennsylvania studio during the month of May in 2019. Yip intuitively illustrates Caspian's intent to find the invisible intersection between self-generated propulsive rock energy, seduction, and a trance-like penchant for reverie...  "Division Blues" adds cellos and violins as ballast for the wafting, bell-like guitars in a processional waltz time, swelling and shrinking bar by bar until the entire enterprise becomes a gorgeous squalling rock monolith...


German quartet inspired by many forms of metal, self-described as "doom-ridden jazz music." Dark jazz, doom jazz, and ambient jazz noir are just three of the (sub)genre terms regularly used to describe the music of Germany's Bohren & Der Club of Gore.
Bohren & der Club of Gore - Patchouli Blue / Verwirrung am Strand
In the nearly six years since German dark jazz outfit Bohren & Der Club of Gore released 2014's Piano Nights, drummer Thorsten Benning left the group. Rather than replace him, they downsized and became a trio. The remaining members, Christoph Clöser (compositions, tenor saxophone, vibes, Fender Rhodes), Morten Gass (piano, organ, engineer, producer), and Robin Rodenburg (double bass) perform Patchouli Blue as if Benning never left; the sparse, funereal percussion is handled by a synth and all three members. The more things change the more things stay the same in the Club of Gore's musical universe. Their tunes remain as sad as a burned-out house and as lonesome as a broke and crying drunk under a dim street lamp after closing time... Yet, as evidenced by tracks such as the single "Verwirrung am Strand," there is a nearly tender melodic sensibility wired into the music. This is not to say they’ve given up their trademark senses of dread or impending doom, but they've been de-emphasized in favor of a less foreboding state of stasis...


Beginning as a no wave band with an equally volatile lineup and sound, Chromatics evolved into one of the most influential electro-pop acts of the 2000s and 2010s.
Chromatics - Toy
Believe it or not, Chromatics released a new album last year, Closer To Grey. It wasn’t their long-anticipated (and missing in action) Dear Tommy, but it was very good, and the Los Angeles group is back with another very good new track today.
Their new single is called “Toy,” and it’s a characteristically cinematic and strobing song. “Tell me what I have to do/ ‘Cus I can’t stop thinking of you,” Ruth Radelet sings on it. “Tell me what I have to say/ ‘Cus I can’t go on living this way.” The band has also put out a stripped back “On Film” version of the track and an instrumental.
The band also recently released a 47-track (!) deluxe edition of Closer To Grey that included some alternate takes of tracks, remixes, and instrumentals of all the songs on the album.

Chromatics, Wolf Parade, David Bowie, Nicolas Godin, En Attendant Ana, Basic Plumbing,  The Wood Brothers, Jeff Parker, The Sufis, Caspian, Bohren & der Club of Gore, Chromatics

2020. január 16., csütörtök

067 ALTER.NATION.MiX weekly favtraX 16-01-2020

ALTER.NATION #67

Field Music, Hamerkop, Beach Slang, Gay Meat, Nicole Bus, The Orielles, Jeff Parker,  Jim Noir, Poppy, Kvelertak, Troy Sanders, Guided by Voices, Sore Eros

weekly favtraX 
1 6 - 0 1 - 2 0 2 0
"Best Kept Garden"





ALTER.NATION #67 on DEEZER


Crafty Sunderland, England-based indie/art rock trio invokes names like XTC and Wire.
Field Music - Making a New WorldBest Kept Garden
war stories with disco-pop sensibilities
The Brewis brothers’ concept album about the impact of the first world war brings left-field pop to topics ranging from skin grafts to period shame
This 40-minute, 19-song cycle about the aftermath of the first world war isn’t the most obvious commercial follow-up to Field Music’s glorious 2018 Top 30 album, Open Here. In fact, Making a New World was originally a commission for performances in the Imperial War Museum, but Peter and David Brewis felt proud enough of the resulting songs to release them as a concept album. The opening two short instrumentals evoke artillery fire on either side of the armistice: there are percussion sounds like falling bombs and mournful, Erik Satie-like pianos and eerie near-silences...

Hamerkop is a pair of Baltimore-based sound nerds, one of whom hails from Christchurch. Annabel Alpers (formerly of Bachelorette) is a composer, singer and instrumentalist; Adam Cooke is a
Baltimorean drummer and audio engineer.
HamerkopThe Splendour That Was Rome
“We Can Wing” was our introduction to Hamerkop — the Baltimore-based duo of Annabel Alpers (Bachelorette) and Adam Cooke — and the lead single from the band’s forthcoming Drag City debut album Remote. Upon its release in November I called it “a blinding shimmer of a song.” On Hamerkop’s new single out today, the duo shows how versatile their approach can be even as they maintain a firm grasp on their aesthetic.
The new one, “The Splendour That Was Rome,” exists in the same bleary, fantastical universe. But in contrast to its predecessor’s motorik vibes, this one is a measured thump that recedes into shapeless float and then comes pounding back. There’s a bit of kaleidoscopic Person Pitch-era Panda Bear in it, but also maybe something like Wye Oak’s stately indie experiments?...


Philadelphia's James Alex makes angsty indie rock heavily influenced by the Replacements.
Beach Slang - The Deadbeat Bang of Heartbreak City / Stiff
Veteran songwriter James Alex built his band Beach Slang from teenage nostalgia and wonder-struck earnestness, wrapping heart-on-sleeve sentiments in hooks borrowed directly from the Replacements. Alex would be the first to admit an obsession with the 'Mats, and he channeled their rugged blue collar pop into his own idealistic and catchy albums. Loud guitars, racing heartbeats, and youthful excitement encapsulated the best Beach Slang moments, and third album Deadbeat Bang of Heartbreak City pushes those elements even further...


Museum Mouth is a band that originated in Southport, NC in 2009. It consists of three members: Karl Kuehn (drums, vocals), Kory Urban (bass), and Morgan Roberts (guitar). Originally, Savannah Levin played bass and provided vocals but left the band in September 2010. Their musical genres include pop punk and rock.
Gay Meat - One Word AK
Gay Meat is a new solo endeavor from Museum Mouth leader Karl Kuehn. Today, he’s releasing his first single under the name, “One Word AK,” as he works on finishing the project’s debut album... The song is itchy and anxious, as Kuehn sings about giving too much upfront and not getting enough in response. “You’re the one word answer king,” he sings. “Watch me roll on the ground/ Break my spine, hear the sound of it crack straight in half/ Under the weight of what I dream is your calf.”

Potent, soul-rooted R&B singer and songwriter who competed on The Voice of Holland and topped Billboard's Adult R&B chart with "You."
Nicole Bus - Kairos / You
The winding career of gospel- and soul-powered singer and songwriter Nicole Bus was established with a couple competition wins in her native Netherlands, advancement to the quarterfinals of The Voice of Holland, and her 2009 recorded debut... Her first single for the label, "You," shot to the top of Billboard's Adult R&B Songs chart in 2019. Wrapped in layers of nostalgia, the hit samples the Charmels' Isaac Hayes/David Porter-written 1967 single "As Long as I've Got You" like Wu-Tang Clan's "C.R.E.A.M" did in 1993, and Bus echoes the chorus of the original out of devotion, adding her own timestamp only with references to modern pop-cult heartthrobs... On her subsequent third LP, Bus seizes this opportune moment, or kairos, as the ancient Greeks identified it, and goes a little further to secure her place in the throwback R&B continuum. Apart from TL Cross, who produces a couple tracks and assists on another, Bus works strictly with Needlz...

Trio of '90s worshipers from Halifax, U.K., with dream pop and disco influences that come together to give their indie pop sound a twist.
The Orielles - Space Samba (Disco Volador Theme)
...The appealingly lively “Space Samba (Disco Volador Theme)” is five minutes of sleek, danceable music drawing from disco, tropicalia, loungey psychedelia, and of course, samba...



Highly versatile, prolific guitarist (and Tortoise member) who has collaborated with numerous jazz, experimental, and indie rock musicians.
Jeff Parker - Go Away
Tortoise’s Jeff Parker has a new album out this month with his backing band the New Breed, an ensemble whose wide-ranging contributors include Makaya McCraven, Rob Mazurek, and Nate Walcott among others... Parker considers this new one a companion of sorts to 2016’s The New Breed, which he says “became a kind of tribute to my father who he passed away while I was making the album. It’s named for a clothing store he owned when I was a kid.”...  It’s a breathless uptempo adventure called “Go Away.”...

Singer/songwriter-producer whose lo-fi sound is a joyous combo of '60s psychedelic pop, '70s soft rock, and indie pop with an undercurrent of clunky electronics.
Jim Noir - A.M Jazz / Beatheart
After making a record that eschewed his usual junkshop electronics-meets-the Beatles sound in favor of something guitar-oriented and very Beatlesque on 2014's Finnish Line, Jim Noir returned to a more familiar sound on 2019's AM Jazz. Working with an array of old synths and whatever instruments were lying about his studio, he's crafted a melancholy take on his trademark sound that folds in very pillowy synths, soft rock vocal harmonies, and loads of atmosphere...

Los Angeles-based singer/songwriter and performance artist who crafts catchy pop and subversively humorous videos.
Poppy - I Disagree / Anything Like Me
Starting in late 2018, pop artist and Internet personality Poppy teased a drastic stylistic shift, moving beyond the alt-pop earworms that amassed a cult following and embracing her metal-loving side. Disregarding genre restrictions, the result of that evolution, I Disagree, is a metallic storm, informed by pulsing beats, thrashing riffs, and crushing breakdowns. That fury is punctuated by atmospheric electronics and sugary vocals that support her deceptively confrontational lyrics...



Kvelertak's fusion of raw punk 'n' roll with harsh, shrieking black metal fury and lyrics in Norwegian was a surprise global hit.
Kvelertak - Crack Of Doom (Feat. Mastodon’s Troy Sanders)
...“Crack Of Doom” has lyrics written entirely in English, which is a new thing for Kvelertak; they usually record in Norwegian. And the track features contributions from members of two American metal institutions. Converge guitarist Kurt Ballou, probably the best heavy-music producer working now, recorded the entire album at his God City studios in Massachusetts. And the track features guest-vocals from Mastodon bassist, singer, co-leader, and all-around swamp-monster Troy Sanders. It’s a vast, arena-sized rager of a song, and it will help you get through your morning if you have any metal in your heart at all...

Long-running band led by Robert Pollard who revolutionized indie rock with ever-evolving lo-fi pop created by a rotating cast.
Guided By Voices - Volcano
The first — but definitely not the last — Guided By Voices album of the decade is officially on the way... Surrender Your Poppy Field comes out next month; the title of the album is a reference to “Surrender Dorothy,” the Wicked Witch’s Of The West’s skywritten message from the 1939 movie version of The Wizard Of Oz. And today, Guided By Voices are giving us a first taste in the form of lead single “Volcano,” a catchy little slice of fuzzy rock goodness.



The trippy, lo-fi pop of Sore Eros is the brainchild of musician Robert Robinson, collaborator of the likes of Ariel Pink and Panda Bear. 
Sore Eros - Sore Eros / Ocean Tow
While the exploratory, psychedelic lo-fi of Sore Eros took root in the early 2000s as the D.I.Y. endeavor of frontman Robert Robinson, the project moved from CD-Rs to small labels and expanded its lineup by 2009's Second Chants... Five years later, the self-titled Sore Eros is a more coherent set of the songs that plays like an evolution from records like Second Chants and 2010's Know Touching more than its predecessor, with some key collaborators contributing to its roaming, sometimes Dead-provoked ruminations. An at-least-partly improvisational set that sounds very much like the collaborative work of a band, it was helmed in the studio by none other than Adam Granduciel of the War of Drugs, who produced, engineered, mixed, and encouraged the making of the album. Former Drugs member Kurt Vile, a longtime collaborator of Robinson's, joins the four-piece on a few tracks, as does Supreme Dicks' Dan Oxenberg, and Granduciel lends a hand throughout. ..
Field Music, Hamerkop, Beach Slang, Gay Meat, Nicole Bus, The Orielles, Jeff Parker,  Jim Noir, Poppy, Kvelertak, Troy Sanders, Guided by Voices, Sore Eros