12-10-2019 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959 >>The Wolverine Orchestra, Ross Gorman and His Orchestra, Hi Henry Brown, Jelly Jaw Short, Duke Ellington, Annette Hanshaw, Dock Boggs, Mississippi John Hurt, Carlos Gardel, Bessie Smith, The Cotton Pickers, María Teresa Vera & Rafael Zequeira, King Oliver, Mamie Smith<<
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before 1959
Old Jazz RevivalNew Orleans Jazz / DixielandMainstream and Swing
The Wolverine Orchestra - Royal Garden Blues 2:56
Ross Gorman and His Orchestra - Rhythm of the Day 3:12
from The Jazz Modernists 1924-1933
Hi Henry Brown - Skin Man 2:49
Jelly Jaw Short - Barefoot Blues 2:59
from St. Louis Town (1927-1932)
This 14-track collection of St. Louis blues guitarists includes Henry Spaulding ("Cairo Blues"), Charley Jordan ("Spoonful Blues"), Hi Henry Brown ("Skin Man"), Jelly Jaw Short ("Snake Doctor Blues"), and others.
Acoustic Memphis Blues, Pre-War Country Blues, Regional Blues, St. Louis Blues
Greatest all-round musical figure of the 20th century, who achieved monumental status as a composer, bandleader, arranger, and instrumentalist.
Duke Ellington
Jubilee Stomp / Duke Ellington and His Cotton Club Orchestra 2:46
The Mooche / Duke Ellington and His Cotton Club Orchestra 3:13
Mood Indigo / The Jungle Band 2:58
from Early Ellington: The Complete Brunswick And Vocalion Recordings 1926-1931
This three-CD set, which has all of Duke Ellington's recordings for the Brunswick and Vocalion labels, dwarfs all of the earlier reissues that Decca and MCA have put out of this important material... With such major soloists as trumpeters Bubber Miley (and his replacement Cootie Williams), Freddy Jenkins, and Arthur Whetsol, trombonist Tricky Sam Nanton, clarinetist Barney Bigard, altoist Johnny Hodges, baritonist Harry Carney, and the pianist/leader, along with the classic arrangements/compositions, this set is essential for all serious jazz collections.
One of the first great female jazz singers, in the late '20s Annette Hanshaw ranked near the top with Ethel Waters, the Boswell Sisters, and the upcoming Mildred Bailey. Unlike her contemporary Ruth Etting, Hanshaw could improvise and swing while also being a strong interpreter of lyrics. She was not quite 16 when she started her recording career, and her recordings (1926-1934) included such major jazz players as Red Nichols, Miff Mole, Jimmy Lytell, Adrian Rollini, Joe Venuti, Eddie Lang, Vic Berton, Benny Goodman, Manny Klein, Phil Napoleon, Jimmy Dorsey, Tommy Dorsey, and Jack Teagarden.
Annette Hanshaw
Nothin' ( Lou Handman / Roy Turk) 2:33 with The Original Memphis Five
I Like What You Like (Adrian Rollini) 2:55 with Four Instrumental Stars
You Gotta Be Good To Me (Al Lewis / Billy Rose / Joe Young) 2:46 with Lou Gold & His Orchestra
from Vocal Refrain by Annette Hanshaw 1927-1930