mixtapes for weathers and moods / music for good days and bad days


For nonstop listening of players' tracks you must login to DEEZER music site! / A lejátszók számainak zavartalan hallgatásához be kell lépned a DEEZER zeneoldalra.

A következő címkéjű bejegyzések mutatása: Drive-By Truckers. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Drive-By Truckers. Összes bejegyzés megjelenítése

2020. október 11., vasárnap

"I Put a Spell on You" #104 ALTER.NATION.MiX - weekly favtraX 11-10-2020

ALTER.NATION #104
The Jaded Hearts Club, The Nude Party,Frankie & the Witch Fingers,Rodrigo y Gabriela,Robert Plant, Drive-By Truckers, Hot Chip, Beatrice Dillon, Róisín Murphy, The Jaded Hearts Club

weekly favtraX
1 1 - 1 0 - 2 0 2 0


"I Put a Spell on You"




A supergroup comprised of members of the Last Shadow Puppets, Jet, Muse, Blur, and the Zutons, the Jaded Hearts Club was formed by guitarist and founder Jamie Davis, who rounded up his famous friends to perform as a cover band for a birthday party. Influenced by Northern soul and Motown, they made it official in 2020 with the release of their debut album, You've Always Been Here.
The Jaded Hearts Club - You've Always Been Here / I Put a Spell on You
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons)...
Bellamy and Davis started working on an album, with Bellamy producing, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”


Formed by college freshmen in North Carolina in 2012, this band celebrates the clanging frat rock of the '60s as well as the Velvet Underground.
After two years of near-constant touring in support of their self-titled debut album, the Nude Party headed back to their communal farmhouse in the Catskills to work on another full-length with Black Lips' Oakley Munson. The resulting follow-up, Midnight Manor, finds the six-piece still cranking out riff-fueled, freewheeling rock jams about booze and women (and the music industry). Indebted to '60s and '70s acts like the Velvet Underground, T. Rex, the Rolling Stones, and the Kinks throughout, the 12-track set has both swagger and nervous energy to spare...


Los Angeles-by-way-of-Indiana foursome whose music takes tough garage punk and runs it through a heavy psychedelic filter.

Frankie & the Witch Fingers - Monsters Eating People Eating Monsters…/ MEPEM
When momentum is in full swing on Frankie and the Witch Fingers’ ‘Monsters Eating People Eating Monsters’ it is boundless. In a greenhorn’s hands, this fired-up haste could be a ghastly listening experience, but fortunately, the L.A.-based foursome handles abundant vigour with a supreme deftness, which they honed to a superlunar level on 2019’s ‘ZAM’. Like its predecessor, ‘MEPEM’ continues to shed further layers of the band’s lo-fi garage- rock-of-yore DNA in favour of a richer and groovier psychedelia, but most importantly, it is a more polished manifestation of their own sound, and never has it been this thick...



Mexican guitar duo that plays an appealing amalgam of classical, Latin, world music, and heavy metal.
Rodrigo y Gabriela - Mettavolution [Live] / Diablo Rojo
When guitarists Rodrigo Sánchez and Gabriela Quintero released Mettavolution in 2019, it marked their first studio outing in five years. Their goal was to "reconnect with the physical rush and emotional core of the music we first made together." They succeeded. It not only charted but took home the Grammy Award for Best Contemporary Instrumental Album. Their 92-city world tour was met with wildly enthusiastic responses. The pair claimed the jaunt "was the very moment we felt truly complete as artists and musicians." The duo planned on continuing their road sojourn in 2020, but the COVID-19 pandemic intervened. Thankfully, they recorded most of those shows. This 81-minute, double-length set contains performances of the entire Mettavolution album with select concert staples...



As the lead singer of Led Zeppelin, Robert Plant seemed invincible, a "Golden God" in the words of journalist/filmmaker Cameron Crowe. Plant may have embraced rock stardom at the height of Zeppelin's zenith in the mid-'70s, but the singer spent the decades following the band's 1980 dissolution exploring the road less-traveled. Beginning with his 1982 solo debut, Pictures at Eleven, Plant pursued a feverishly adventurous solo career, embracing synthesizers and art rock that seemed to be the antithesis of Zeppelin's majestic hard rock, but he'd also later dabble in sampling and world music
Robert Plant launched the Digging Deep podcast in 2019 as a way for him to explore the intricacies and oddities of his body of work. A year later, he released Digging Deep: Subterranea, a double-disc deep dive that effectively functions as a soundtrack to the podcast. Plant talks about Led Zeppelin tunes on Digging Deep, but Subterranea pointedly concentrates on his solo career. It's a compilation that strives to make overarching connections, so it doesn't proceed in a chronological order, nor does it have all of his hits. Neither his oldies folly the Honeydrippers nor Raising Sand, his Grammy-winning collaboration with Alison Krauss, are here, nor are there big rock radio hits like "Little by Little" and "Tall Cool One." Instead, Digging Deep: Subterranea places 1993's Fate of Nations at the forefront and follows its strands front and back, creating a moody, adventurous bit of autobiography. Maybe it doesn't deliver the hits the way most compilations do, but it certainly captures the musical wanderlust that defines Plant's career.



Boasting a mix of Southern pride, erudite lyrics, and a muscled, guitar-heavy attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. 
Drive-By Truckers - The New OkSea Island Lonely
Musicians play music. That's what they do. Unless they suddenly can't go out and perform for people because, say, there's a global pandemic that has almost entirely shut down live music. Life in a divided nation under the rule of Donald Trump was already weighing heavy on the minds of the Drive-By Truckers on 2016's American Band and 2020's The Unraveling, and being stuck at home and unable to tour, with little to do but watch their nation burn, hasn't made them feel any better. In many respects, 2020's The New OK is an album that came to be because the DBTs couldn't do much else... 


British alternative dance act formed by Alexis Taylor and Joe Goddard, known for their melodicism and witty, affecting songwriting.
Hot Chip - Late Night Tales: Hot ChipWorkaround Two feat. Beatrice Dillon
... On their first mix album in over a decade, Hot Chip focus on tracks from the 2010s instead of digging for vintage cuts, a choice that adds a welcome freshness to the set. They also emphasize selections from female and non-binary artists that make for some of the collection's most striking moments... Beatrice Dillon's taut fusion of experimental techno and jazz on "Workaround Two." Within its artfully calibrated ebb and flow of propulsive cuts and restful ones, the mix circles through contemplative, danceable, and sensual moods...


Former Moloko frontwoman who explored adventurous electronic pop in her solo career. A purveyor of adventurous, omnivorous pop, Róisín Murphy makes influences as far-flung as disco and hot jazz her own. As a solo artist, she builds on the eclectic style she forged as Moloko's frontwoman in increasingly confident and distinctive ways. 
...A swirl of mirror ball sparkles and dry ice fog, it spoke to Donna Summer and Giorgio Moroder's transporting version of disco as well as Murphy's skill at sweeping listeners into a world of her own. It was a potent start to her collaboration with Barratt, who went on to craft similarly elegant music steeped in house and disco traditions as Crooked Man. On 2020's Róisín Machine, he and Murphy continue to bring out the best in each other...

A supergroup comprised of members of the Last Shadow Puppets, Jet, Muse, Blur, and the Zutons, the Jaded Hearts Club was formed by guitarist and founder Jamie Davis, who rounded up his famous friends to perform as a cover band for a birthday party. Influenced by Northern soul and Motown, they made it official in 2020 with the release of their debut album, You've Always Been Here.
The Jaded Hearts Club - You've Always Been Here / Fever
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons)...
Bellamy and Davis started working on an album, with Bellamy producing, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”

The Jaded Hearts Club, The Nude Party,Frankie & the Witch Fingers,Rodrigo y Gabriela,Robert Plant, Drive-By Truckers, Hot Chip, Beatrice Dillon, Róisín Murphy, The Jaded Hearts Club







2020. február 1., szombat

071 ALTER.NATION.MiX weekly favtraX 01-02-2020

ALTER.NATION #71
Chastity BeltLoose Tooth, Gorillaz, Wild Nothing, Smoke Fairies, Son Little, Drive-By Truckers, Tinsley Ellis, The Psychedelic Furs, Against All Logic, Elon EDM Musk

weekly favtraX 
0 1 - 0 2 - 2 0 2 0

"The Process"








Seattle area band takes cues from the riot grrrl scene as well as angular early-'90s guitar-based indie rock.
Chastity Belt - The Process
Swept together from the ashes of your finest night on the tiles, Loose Tooth are a Melbourne three-piece who craft sweet guitar pop with frayed edges.
Loose Tooth - Lonely
Chastity Belt will soon head out on a tour of the Western US with Loose Tooth — the Loose Tooth from Melbourne, recently covered by Courtney Barnett, not the the Loose Tooth from Philadelphia who we haven’t heard from since 2017. Ahead of the upcoming dates, the two groups have released a digital split single today.

Chastity Belt’s “The Process” and Loose Tooth’s “Lonely” go well together in that both are powered by a gleaming churn of reverby guitars. The former taps into that drowsy yet propulsive post-Sonic Youth vibe Chastity Belt do so well. The latter is more of a jangly indie-pop track in keeping with the legacy of Loose Tooth’s native Oceania.


Conceived as the first "virtual hip-hop group," Gorillaz blended the musical talents of Dan "The Automator" Nakamura, Blur's Damon Albarn, Cibo Matto's Miho Hatori, and Tom Tom Club's Tina Weymouth and Chris Frantz with the arresting visuals of Jamie Hewlett, best known as the creator of the cult comic Tank Girl.
Gorillaz - Momentary Bliss feat. slowthai & Slaves
Two days ago, Gorillaz started teasing the first “season” of a new project called Song Machine. Yesterday, we found out what it actually is — a series of collaborative singles, aka “episodes,” that will be released throughout the year. And today, the first installment has already arrived. “Momentary Bliss” is a collaboration with the politically charged British rapper slowthai and the UK punk duo Slaves.



Reverb-heavy and layered indie pop that harkens back to the slick sound of the '80s, but on a tighter budget.
Wild Nothing - Laughing GasThe World Is A Hungry Place
Somehow it’s been nearly 10 years since Jack Tatum of Wild Nothing shared his lo-fi dream-pop debut with the world. ‘Gemini’ arrived during a period of transition between late noughties chillwave and surf-rock indie... The songs on ‘Laughing Gas’ were originally written and recorded alongside last year’s ‘Indigo’ before Tatum isolated the songs for a separate release. It was a smart move; ‘Laughing Gas’ is a lush paean to ‘80s precision pop, all snaking funk basslines, synth claps and reverb-addled drums... Tatum rounds the record off with a meticulous, downbeat piece of yacht rock. ‘The World Is A Hungry Place’ sees him play with metaphors about the planet’s perils, ironically soundtracking the sense of doom with sensual sax notes and cocksure beats. It sounds like Tears For Fears – no bad thing.



U.K. duo whose strong but ethereal sound combines elements of British folk, blues, and indie pop.
Smoke Fairies - Darkness Brings the Wonders HomeOn the Wing
"Dirty blues-rock" is about the last thing that comes to mind when thinking about Smoke Fairies, whose music is most strongly rooted in ethereal indie folk. But it seems someone in their circle has been listening to something featuring gritty guitar textures with a side of slide, since that's the unexpected yet prominent new flavor on Smoke Fairies' fifth album, 2020's Darkness Brings the Wonders Home. The opening track, "On the Wing," is built around a faintly ominous folky melody with the graceful harmonies of Katherine Blamire and Jessica Davies hovering overhead, while in the middle distance there's a buzzy electric guitar playing bluesy licks and slide riffs...


Potent and deeply personal soul/R&B from Roots and Rjd2 collaborator Aaron Livingston.
Son Little - Aloha / that's the way
In the press materials for Son Little's third album, 2020's Aloha, Little (known to his mom and the tax people as Aaron Livingston) says he had written a big batch of songs for his next project and recorded elaborate demos working out the arrangements. Then the hard drive in his recording setup went wonky on him, and suddenly all that hard work vanished and Little had to rewrite the album from the ground up in a few weeks...  It also marks the first time Little has worked with an outside producer, in this case Renaud Letang, and the record's approach suggests a compromise between the styles of his first two albums, combining the hip-hop-informed one-man-band recording techniques of his debut with the more open and organic tone of New Magic. At the same time, it's a quiet and introspective set, rarely working up to the heat of the vintage soul-funk grooves of the first two LPs. Little is in great voice here, as usual, but his arrangements (where he plays most of the instruments himself) are leaner and more efficient, with open space and atmosphere playing a larger role than before...  The more subdued affect of Aloha makes it a less immediately satisfying listen than New Magic, but that does nothing to change that this is a rewarding effort from an exciting and engaging talent.


Acclaimed alt-country rockers that skew Southern stereotypes with rowdy yet high-concept work.
Drive-By Truckers - The Unraveling / Heroin Again
As Joe Strummer once told us, anger can be power, but what Joe didn't mention is that it tends to burn hot and fast. Once it's gone, what's left? At what point do you run out of productive rage and find yourself weighed down by the ashes of hopelessness and defeat? When the Drive-By Truckers wrote and recorded 2016's American Band, the United States was a nation ankle-deep in the rising waters of racism and division, with the presidential campaign of Donald Trump just a troubling roadside curiosity. In the truest sense, 2020's The Unraveling is the companion piece to American Band, an update where tragically little has gotten better four years on, and our national malaise is greater than ever...


A fiery guitarist and talented songwriter who plays a unique blend of Memphis R&B, southwest blues, and urban funk.
Tinsley Ellis - Ice Cream in HellYour Love's Like Heroin
Eighteen albums into nearly a four-decade career finds blues-rocking guitar slinger Tinsley Ellis still growing as a recording artist, singer, and songwriter. In 2018 he returned home to Alligator Records after delivering four albums on his own Heartfixer label. The chart-topping set was met with Blues Music Association nominations for album of the year and artist of the year. Ice Cream in Hell was recorded in Nashville and co-produced by Ellis and longtime co-producer/keyboardist Kevin McKendree. .. The set closes with the most dramatic tune in the bunch: "Your Love Is Like Heroin." Its 12-bar tension is enabled with lyrical guitar fills that evoke the twin six-string spirits of both Green and Albert King. Ellis' vocal on this crawling seven-minute jam is arguably the most soulful of his career. His playing underscores the emotional depth in the lyrics. Ellis' meaty solo digs so deep it's party to the protagonist's revelation of grief and pain. Unlike most bluesmen, each of his recordings over the last seven decades or so is stronger, more confident, and unabashedly more musical than its predecessor. On Ice Cream in Hell, Ellis' songwriting and singing finally match the prowess in his playing, and we are all richer for it.

British alternative rockers of the '80s, with several international hits, whose regal sound grew out of Bowie-style art rock and gloomy post-punk.
The Psychedelic Furs - Don’t Believe
...If lead single “Don’t Believe” is anything to go by, the answer is: They will sound like those 29 years didn’t even happen. This is a good thing! “Don’t Believe” is a churning, nocturnal track that harkens back to a kind of darker, heavier sound some of the ’80s greats adopted as they transitioned into the ’90s. More importantly, “Don’t Believe” is the kind of gratifying reintroduction that comes right from the Furs’ wheelhouse: gloomy guitar swirls, sax wails, Butler’s voice sounding like he hasn’t aged at all, a big desperate chorus...



More dancefloor-friendly than abstract, this alias for boundary-pushing electronic producer Nicolas Jaar still relies on colorfully warped sampling and beatmaking.
Against All LogicIllusions of Shameless Abundance feat. Lydia Lunch
Against All LogicAlucinao feat. Estado Unido, FKA twigs
Nicolas Jaar’s Against All Logic project released a new album, 2012-2017, back in 2018... and he’s releasing two brand new songs.
The first, “Illusions … Of Shameless Abundance” features the avant-garde artist Lydia Lunch. (Jaar’s label Other People Records reissued her 1990 spoken word piece Conspiracy Of Women a few years ago.) And the second track is called “Alucinao” and features Jaar’s recent collaborator FKA twigs and Estado Unido...

Elon Reeve Musk (born June 28, 1971) is an engineer and technology entrepreneur. He is a citizen of South Africa, Canada, and the United States (where he resides permanently) and is the founder, CEO, and chief engineer/designer of SpaceX; CEO and product architect of Tesla, Inc.; founder of The Boring Company; co-founder of Neuralink; and co-founder and initial co-chairman of OpenAI... In December 2016, he was ranked 21st on the Forbes list of The World's Most Powerful People, and was ranked (co-)first on the Forbes list of the Most Innovative Leaders of 2019...
Elon "EDM" MuskDon't Doubt ur Vibe
...“Don’t Doubt Ur Vibe” definitely sounds like a song that a 48-year-old billionaire might make if he was dating Grimes. On Twitter, Musk has shared some truly ghastly photos of himself in the studio and claimed that he “wrote the lyrics & performed the vocals” himself. Those lyrics are: “Don’t doubt your vibe/ Because it’s true/ Don’t doubt your vibe/ Because it’s you.” He wrote that himself! The cover art is a Tesla Cybertruk orbiting Mars. Take a deep breath, steel yourself, and give it a listen...

Chastity Belt, Loose Tooth, Gorillaz, Wild Nothing, Smoke Fairies, Son Little, Drive-By Truckers, Tinsley Ellis, The Psychedelic Furs, Against All Logic, Elon EDM Musk

2016. december 31., szombat

20 trax / Rolling Stone: best songs of 2016 PnM.MiX

Selection from Rolling Stone's 50 Best Songs of 2016

All corners of the music world kept booming in 2016 – even when everything else about our world looked like it was on the verge of blowing apart... Some became worldwide hits; others were lurking in the shadows. But these were the songs that hit hardest and rang truest all year long. (Rolling Stone)



Van Morrison - Going Down to Bangor 5:18
The Celtic blues king wanders down some ancient roads – the corner of Wales where the Fab Four first went on retreat with the Maharishi – to hear harmonicas in the wind and meditate on the power of Caledonia soul.

Sturgill Simpson - Keep It Between the Lines 4:01
Having won his crown as the king of outlaw country, Simpson leaves that pigeonhole behind. He lays out advice for his newborn son ("Don't turn mailboxes into baseballs/Don't get busted selling at 17") with the R&B horns of Sharon Jones' band the Dap-Kings.

Free Cake for Every Creature - All You Gotta Be When You're 23 Is Yourself 2:26
Drifting to a new town, turning 23 without a birthday cake to show for it, calling yourself an artist while working part-time at Whole Foods – indie newcomer Katie Bennett brings an uncommonly funny approach to the slack-ass lifestyle, with a guitar to match.

Bob Mould - Voices in My Head 3:54
What a roll this guy is on. This masterful highlight from Patch the Sky has the firestorm guitar attack he defined with Hüsker Dü and Sugar, yet it's anything but kid stuff. Mould snarls about reoccurring dreams that dog him all the way through adult life, facing the real-world future with zero fear.

Yohuna - The Moon Hangs in the Sky Like Nothing Hangs in the Sky 4:06
An enigmatic yet irresistible ballad from synth dream-weaver Johanne Swanson's stellar debut Patientness. She sings in a breathy murmur that hints at intimate heartache, yet refuses to give any of her secrets away.

Tacocat - Night Swimming  2:26
The Seattle grrrl-punk band offers a maddeningly catchy escape from city malaise – cruising to the lake for a late-night skinny dip. Bring your boombox, but there's only one rule: You can't play R.E.M.

Drive-By Truckers - Ever South 5:44
Patterson Hood and Mike Cooley wrote an album of political post-Skynyrd rockers for American Band, but Hood really drives it home here, tracing his family roots from Ellis Island to Appalachia, only to end up "a blue-eyed Southern devil" who doesn't feel at home anywhere.

Japanese Breakfast - Everybody Wants to Love You 2:12
Michelle Zauner vents about grief, sex and food ("Will you lend me your toothbrush?/Will you make me breakfast in bed?") with Cure-worthy guitars and a vocal assist from a kindred spirit, Radiator Hospital's Sam Cook-Parrott. Psychopomp isn't just her album title – it's her way of life.

Miranda Lambert - Vice 4:00
Miranda doesn't make nice in her first hit since her high-profile split with Blake Shelton. She's in fighting spirits, an unrepentant Nashville bad girl ready to steal your man then hit the next town to do it all over again tomorrow night.

Leonard Cohen - Treaty 4:02
The ultimate Zen sage was still writing songs on his deathbed, offering this poetic goodbye to the battlefield and the bedroom. Farewell, old friend.

The Monkees - Me & Magdalena 3:33
Who could have expected a comeback this great? Mike Nesmith gets to show off all the mileage on his country-fried pipes in this superb road-weary ballad, written to order by a lifelong Monkees fan, Death Cab for Cutie's Ben Gibbard.

Danny Brown feat. Kendrick Lamar, Ab-Soul, Earl Sweatshirt - Really Doe 5:19
His hard-stomping posse cut with Detroit producer Black Milk, passing the mic to Kendrick Lamar, Ab-Soul and Earl Sweatshirt in a virtuoso battle rhyme. Earl has the funniest line: "I'm at your house like, 'Why you got your couch on my Chucks?'"

Lucy Dacus - I Don't Wanna Be Funny Anymore 2:35
Barely into her twenties but already a major talent, the Virginia songwriter gets lost in mixed-up identity confusion with some Johnny Ramone in her guitar and a voice that leaps straight to your heart.

Kendrick Lamar - Untitled 05 | 09.21.2014.
K-Dot debuted this as part of his epochal Grammys performance in March, tapping into spiritual doubts – "I'm living with anxiety/Ducking the sobriety /Fucking up the system, I ain't fucking with society" – with a sax sample from jazz legend Eric Dolphy and a heavenly R&B hook sung by Anna Wise.

Mannequin Pussy - Romantic 2:39
The gloriously snotty Philly punks celebrate modern romance as a hellhole, blasting out their shoegaze guitar fuzz. "You would sleep with me if you could do it comfortably" is one very special valentine.

Wilco - If I Ever Was a Child 2:55
Jeff Tweedy at his most low-key and likeable, a three-minute acoustic memory of growing up miserable in the Midwestern suburbs, with a taste of Nels Cline twang to make the pain go down smooth.

Red Hot Chili Peppers - Dark Necessities 5:02
Their big comeback hit collabo with Danger Mouse, with Anthony Kiedis getting personal about his darkest, druggiest memories over a Flea bassline full of blood, sugar, sex and magic.

Lvl Up - Pain 5:35
The year's most heart-shredding air-guitar jam. The Brooklyn indie upstarts deliver a hate song that feels so real because it's also a love song, rocking out with a touch of Elliott Smith in the vocals and a climactic guitar outburst that reaches back to Dinosaur Jr. and Neil Young.

Solange - Cranes in the Sky 4:10
Solange drops a song that can always stop you dead in your tracks, no matter where or when you hear it – describing the kind of sadness she can't escape by crying, drinking, sexing or shopping it away. The music builds from quiet meditation – that Raphael Saadiq bass – into towering soul.

Pwr Bttm - Projection 2:45
The glitter-punk bravados sing about growing up queer and scared and lonesome, staring out the window at the other kids, lamenting, "My skin isn't made for the weather." It gets to the heart of how this whole year felt.