17-07-2018 11:59 ~ FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2015-2018-2016

Charles Howl

17-07-2018 11:59 ~ FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2015-2018-2016  >>Charles Howl, Savages, Jo Passed, Mike Stern, Lana Del Rey, Courtney Barnett, Jack White, Neil Young, Promise of the Real, little hurricane, Emma Ruth Rundle, The Kills<<

M U S I C

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2015-2018-2016

London-based band that combines the trippy psych of the '60s with the hazy psych of '90s dream poppers.   With one foot in the jangling, psychedelic world of the '60s and one in the jangling, psychedelic world of '90s dream pop, London's Charles Howl add in some surf, post-punk, indie pop, and '70s German rock influences to round their sound out nicely. Comprising guitarist/vocalist Danny Nellis (aka Charles Howl) and guitarist Bobby Syme (aka Danny Voltaire), the band formed when Nellis set aside his Jerry Tropicano project...
Charles Howl
The New Shade 3:26
So Long 4:19
Lunacy 3:58
from Sir Vices 2015
The duo of Charles Howl and Danny Voltaire are lovers of hazy, misty psychedelic sounds as heard since the 1960s. As the rhythm section of the Proper Ornaments, they get a chance to play a Velvet Underground style, but on their own as the driving force behind the band Charles Howl, they cast a wide net that gathers in all sorts of trippy sounds on their debut album Sir Vices. Taking all they can from the best practitioners of psychedelic sounds, whether it's the rambling feel of the 13th Floor Elevators, the tinny jangle of the Paisley Underground bands, the repetitive waves of sound of My Bloody Valentine, or the reverb-heavy crunch of modern groups like Crystal Stilts. A long list of styles and bands like that might lead one to think that Charles Howl are overly derivative, but that's not the case at all. Thanks to a light-fingered touch, they manage to beg, borrow, and steal just enough here and there to help build a sound that is mostly theirs alone. Plus, the songs are good enough that it wouldn't really matter if they heisted every fuzz box, Farfisa organ, and chord progression that was left lying around unguarded...

British all-female quartet revisits influences from London's punk heyday with its own brand of noisy, blistering music.  The all-female post-punk four-piece Savages recall the tenacity and more artistic movements of London's punk heyday with their blistering sound and noisy guitars. Hailing from the English capital, they formed at the end of 2011 after guitarist Gemma Thompson and singer Camille Berthomier -- known as Jehnny Beth -- had procrastinated over a name and starting a band until they eventually settled on Savages and set to work writing songs. Soon after, Ayse Hassan joined on bass and Fay Milton completed the lineup on drums.
Savages
The Answer (Jehnny Beth / Savages) 3:30
Evil (Jehnny Beth / Savages) 3:36
from Adore Life 2016
On Silence Yourself, Savages' passion burned so brightly it seemed like it might consume itself before they could record a second album. Fortunately, Adore Life proves that the band not only has the endurance to return, but the finesse to come back better than ever. Jehnny Beth and company sound as bold as they did on their debut, but with a newfound precision that only makes their impact more powerful. Adore Life depicts love's most fearsome and joyous sides with a hunger that feels like these songs are really about devouring and being devoured...

Dreamy but aggressive guitar-based indie pop from Vancouver, led by guitarist and songwriter Jo Hirabayashi. A band whose music exists somewhere between dream pop, shoegaze, indie rock, and prog, Jo Passed balance languid melodies and blissed-out vocals against guitar figures that are by turns artful and aggressively physical. The Vancouver-based group was formed by guitarist and songwriter Jo Hirabayashi in 2015, originally as a two-man recording project with drummer Mac Lawrie; this edition of the group produced two EPs in 2016. After a sojourn in Montreal, the band expanded to a quartet with the addition of guitarist Bella Bébé and bassist Megan-Magdalena Bourne.
Jo Passed
In 4:28
Lego my Ego 4:27
No, Joy (I'm Not Real, Girl) 4:51
from Out 2016
...If you’re a fan of heavy layers of distortion and reverb, then this EP is going to speak volumes to you. Concerning the volume, Jo Passed get LOUD to the point of drowning out Hirabayashi’s vocals. Appropriately, there’s a song titled “Rage” on the Out EP, but it’s not the cannon blast of chaos you’d expect from its name. The song’s declarations of rage are more subtle than the EP’s opener “In”. Instead, “Rage” is comparable with sludgy, stoner rock. Hirabayashi does seem to be an admirer of Ty Segall’s balls-to-the-walls bad assery. Four out of five of Out‘s songs drive this point home with “Spring” being the most volatile; reaching thunderous highs and easing into a calm climax...

28-06-2018 11:32 ~ FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2012-2017

28-06-2018 11:32 ~ FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2012-2017  >>Grinderman, Andrea Schroeder, Lydia Lunch, little hurricane, Ryley Walker, King Gizzard And The Lizard Wizard, Seasick Steve, Charles Howl, Savages, Jo Passed, Mike Stern, Lana Del Rey<<

M U S I C

favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   

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2012-2017

A noisier and more musically experimental side project for Nick Cave and three members of his band, the Bad Seeds.  While Nick Cave's music has evolved from the harrowing post-punk wail of the Birthday Party to the eloquent and often poetic approach he explored on the albums The Boatman's Call and No More Shall We Part with his group the Bad Seeds, the troublemaking noise merchant of his youth has never entirely gone away, and in 2006 Cave founded Grinderman to give this side of his musical personality a new outlet.
Grinderman
Super Heathen Child feat: Robert Fripp 6:30
Bellringer Blues [Nick Zinner Remix] 4:30
Hyper Worm Tamer (Remix) 5:57
from Grinderman 2 RMX 2012
Nick Cave's garage band to issue Grinderman 2 RMX, featuring 12 last pieces of gnarly noise before their 'indefinite hiatus' 
Although Nick Cave announced the end of the Grinderman last month, the band are set for one last hurrah. They will say farewell with a remix album featuring Josh Homme, UNKLE and the National's Matt Berninger. As the band begins an indefinite hiatus, Grinderman 2 RMX, due in March on Mute, will collect 12 reworkings, mix-ups, demos and B-sides, including a collaboration with King Crimson's Robert Fripp.

Once in a while, Germany offers uniquely talented female singers, and Andrea is one of those. Draw yourself a line from Marlene Dietrich over to Nico, add some dashes Chamber Pop in the vein of The Tindersticks to it and you come close. Discovered and loved by such illustrious people like Charles Plymell or Mike Watt, Andrea Schroeder is an exceptional phenomenon. 
Andrea Schroeder ‎
Paint It Blue 2:49
Bebop Blues 3:17
from Blackbird 2012

A pivotal figure in the late-'70s no wave scene, a punk poet/actor who recorded confrontational, sexually charged music. The year 2013 proved to be prolific for Lunch. Her live band offering Retro Virus (her backing trio included guitarist Weasel Walter, drummer Bob Bert, and bassist Algis Kyzis)...
Lydia Lunch
Mechanical Flattery 4:34
Ran Away Dark 2:19
from Retro Virus 2013
...Now based in Spain, Lunch both affirms and rejects the “grand dame of no wave” (or any such terminology) in Retro Virus, a quartet convened with Weasel Walter (guitar), Algis Kizys (bass, ex-Swans/Foetus), and Bob Bert (drums, ex-Sonic Youth/Pussy Galore). Released on Walter’s ugEXPLODE label, the eponymous Retro Virus was recorded live at Knitting Factory Brooklyn at the close of a November 2012 US tour, and it finds Lunch and company in top form...Looking beyond the somewhat dated production values of late-80s/early-90s avant-rock and “industrially-associated” music (which are occasionally played up here), the tunes and their general feel are surprisingly undated, tough and economical in execution but with an underlying ornateness (some might call that excess — to each one’s own). Lunch is a force among vocalists/presences, and it’s wonderful to be reminded of that so keenly. Her nuance, power, and theatrical dynamism are certainly front-and-center here, but with a cracking ensemble sonically dropped in from the prime era of scum, Retro Virus is also some of the most empathetic music Lunch has made.