mixtapes for weathers and moods / music for good days and bad days


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2019. április 29., hétfő

29-04-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 1996-2005


Sue Foley
29-04-2019  BLUES:MiX # 33 blues(y) songs from the BLUES circle 1996-2005 # Sue Foley, Karen Carroll, Little Mack Simmons, Tommy Castro, Robert Belfour, Boo Boo Davis, Junior Kimbrough, Taj Mahal, Guy Davis, Sean Costello


B L U E S   M U S I C


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1996-2005





This highly touted vocalist/guitarist originally hails from Ottawa, Canada, although her home base shifted to Austin, Texas, when she signed with Antone's Records and cut her debut set, Young Girl Blues, in 1992 (an encore, Without a Warning, quickly followed). Foley's wicked lead guitar makes her a rarity among blueswomen.
Sue Foley
Long Distance Lover (Sue Foley) 4:57
Try to Understand (Sue Foley) 5:03
Train to Memphis (Sue Foley) 4:40
from Walk in the Sun 1996
Walk in the Sun isn't quite typical Sue Foley. With her first three albums, the guitarist demonstrated that she had a firm grasp on searingly electric Chicago blues and high-voltage blues-rock. With Walk in the Sun, she expands her sonic palette somewhat, taking in gritty R&B, reverb-drenched surf and down-home country, among other styles of blues and roots music. Throughout the album, she demonstrates that she is gifted enough to effortlessly bring in these other styles without losing her distinctive identity.

...at 18 Karen Carroll struck out on her own, cutting her teeth in tiny South Side blues joints and developing a deep vocal style heavily influenced by jazz phrasing as well as the intensity of gospel...
Karen Carroll
Ain't It Nice (Lefty Dizz) 4:13
Talk to the Hand (Karen Carroll) 3:04
Neked J Blues (Karen Carroll) 9:11
from Talk To The Hand 1997
While her debut Had My Fun featured Carroll's thunderous, gospel-influenced vocals in a live setting, this studio recording also spotlights her burgeoning songwriting skills.

"He was one of the top harp blowers (and at times the best) in Chicago. - REAL BLUES Magazine
Malcolm "Little Mack" Simmons, came up from Twist Arkansas and earned his formidable harmonica chops in the southside jukes and in the blues clubs along Rush Street in the windy city. In a remarkable almost 50-year career, this childhood friend of James Cotton later performed with the some of the brightest lights of the blues world, including Robert Nighthawk, Sunnyland Slim, Luther Allison, Magic Sam, and Howlin' Wolf. 
Little Mack Simmons
Leaving in the Morning (W. Jacobs) 3:48
The Things I Used To Do (E. James) 3:50
You Mistreated Me (M. Simmons) 4:18
from The Best of Little Mack Simmons: The Electro-Fi Years
After a long battle with cancer claimed the life of harp legend Malcolm “Little Mack” Simmons on October 24, 2000, at his South Side Chicago home, blues music lost not only a brilliant innovator but another link to its storied past.
With the release of this recording, we at Electro-Fi are honored to preserve and present to you the musical legacy of a true original of Chicago blues—Malcolm “Little Mack” Simmons.

2019. április 28., vasárnap

032 ALTER.NATION: weekly favtraX 28-04-2019

ALTER.NATION #32
Foxygen, The Black Keys, Josh Ritter, King Gizzard & the Lizard Wizard, The Cranberries, Lamb, Kevin Morby, Guided by Voices, Altin Gün, Otoboke Beaver, Rodrigo y Gabriela

weekly favtraX
 28-04-2019




A classic rock-leaning experimental duo who do warped takes on pop masterpieces.
Foxygen - Face the Facts from Seeing Other People
...“Face the Facts” explores what it’s like to become an irrelevant musician, offering a tongue-in-cheek list of regrets and impossibilities. While some of the tune reads as genuine, it walks the line between sincere and ridiculous, with absurd banter like “I’m never going to see your face again/ I’m never going to dance like James Brown/ I’m never going to be black/ and I’m never going to get you back” making it hard to take too seriously.
Regardless, the song fits well with what we’ve heard from Seeing Other People thus far, continuing to move the group in the self-proclaimed “Sad-Boy Plastic-Soul Adult-Contemporary Cartoon-Noir” direction they’ve been promoting...


Intense Akron, Ohio blues-soaked duo that began by overwhelming indie rock critics and quickly moved to arena audiences. 
The Black KeysEagle Birds
The Black Keys have just announced their ninth studio album. “Let’s Rock” will be their first in five years, following 2014’s Turn Blue... they share the album’s second offering. “Eagle Birds.” They wrote, tracked live, and produced “Let’s Rock” at Dan Auerbach’s studio Easy Eye Sound in Nashville. Leisa Hans and Ashley Wilcoxson contributed backing vocals. “The record is like a homage to electric guitar,” the band’s Patrick Carney says. “We took a simple approach and trimmed all the fat like we used to.”

Idaho singer/songwriter with a deep, expressive voice and a subtle blend of folk, country, and pop styles. 
Josh Ritter - Old Black Magic from Fever Breaks
...Less prone to stylistic detours than previous outings, Fever Breaks is a straight-up band album, with Ritter and company administering some serious muscle on cuts like "Old Black Magic" and "Losing Battles," the latter of which gives off a distinct Crazy Horse vibe.





Australian psychedelic collective with an intense work ethic and a wildly experimental outlook that reaches from synth prog to folk rock. 
King Gizzard & the Lizard Wizard - Booieman Sam from Fishing for Fishies
After taking a break from releasing new albums for over a year, the always entertaining, often brilliant King Gizzard & the Lizard Wizard returned in 2019 with Fishing for Fishies, a blues-inspired recording... "Boogieman Sam" is the most normal-sounding track on the record with its choogling groove and singsong vocals; it also features harp glissandos, strange vocal effects, and a long and wobbly guitar break. Here, and throughout, they sound like a jam band that was shot into space and came back to earth with alien DNA...


Irish alt-rock band that featured the brassy/melancholy vocals of Dolores O'Riordan and earned considerable chart success in the 1990s. 
The CranberriesWake Me When It's Over
...Like the rest of the songs on In The End, the new track still features O’Riordan’s sly, impassioned vocals. “This was a song Dolores had been working on for a little while,” Cranberries lead guitarist Noel Hogan explains. “It’s a fun song to play and it’s bright and quite uplifting. It’s very much a classic Dolores song with a soft verse and a massive chorus.”... In part, it explained their decision to release In The End with permission from O’Riordan’s family.

Mancunian duo who blend heartfelt songwriting with complex, inventive arrangements influenced by jungle, classical, jazz, and other genres. 
Lamb - Armageddon Waits from The Secret of Letting Go
British duo Lamb wrote and recorded their seventh studio full-length after completing a European tour which commemorated the 21st anniversary of their beloved 1996 debut. Since that album's release, Lou Rhodes and Andy Barlow have continually refined their genre-splicing sound without losing their touch for relating deep human emotions. The duo's songs have often featured complex arrangements that draw from jazz and drum'n'bass, but they've always served as a pedestal for Rhodes' grand, poetic sentiments...  "Armageddon Waits" injects swells of Bond-worthy cinematic strings, and while it's one of the album's most outwardly expressive, hair-raising moments, it never seems like overkill.


Los Angeles-based indie singer/songwriter with mellow, rootsy sound who started out working in Brooklyn bands the Babies and Woods. 
Kevin Morby - No Halo from Oh My God
On the four albums leading up to Oh My God, singer/songwriter Kevin Morby channeled some of rock & roll's greatest heroes, calling on various phases of Lou Reed, Patti Smith, Bob Dylan, and others with rootsy tunes that breathed with restless longing. The mystique of the songs was supported by fully fleshed-out arrangements and sharp, guitar-centered production...  Morby worked again with producer Sam Cohen (who assisted with the songwriter's 2016 album Singing Saw) and instead of the dense instrumentation of earlier work, Cohen suggested some songs be stripped down to just a few spare elements...

Long-running band led by Robert Pollard who revolutionized indie rock with ever-evolving lo-fi pop created by a rotating cast. 
Guided by Voices - Dead Liquor Store / The Pipers, The Vipers, The Snakes! from Warp and Woof
Just when we were all getting used to the notion of Guided by Voices making only one album a year and recording songs that were in the neighborhood of three minutes long, Robert Pollard has to go and remind us he's still the guy who made Bee Thousand and Alien Lanes. Something of a throwback to GbV's early lo-fi era, 2019's Warp and Woof -- which arrived a bit less than three months after the super-sized Zeppelin Over China -- is a manic burst of bite-sized tuneage, whipping through 24 songs in less than 37 minutes... And even more important, this lineup of Guided by Voices continues to demonstrate it may be the best in the group's nearly 35-year history, and guitarists Doug Gillard and Bobby Bare, Jr., bassist Mark Shue, and drummer Kevin March hit a near-perfect sweet spot between raw, scrappy basement jamming and the power of a tight, emphatic rock band in full flight. Warp and Woof is a series of short sprints compared to the marathon of Zeppelin Over China, but it covers a lot of ground at a brisk pace and it's a whole lot of fun. Who would have guessed that GbV would be in the midst of a new golden era 15 years after they first broke up?

Altin Gün - Leyla from Gece
Altin Gün were formed by former members of Jacco Gardner's band to pay tribute to the Turkish psychedelia of the early '70s that they discovered and fell in love with while on tour in Turkey. Bassist Jasper Verhulst fell under the spell of artists like Baris Manço, Selda Bağcan, and Erkin Koray, who blended traditional Turkish folk sounds with the wild sounds of their day, so Verhulst decided he wanted to do something similar in the 2010s, using modern production techniques and synthesizers along with psych guitars and Turkish instruments... Powered by the rhythm section's elastic bounce, the guitar's fuzzy wandering, the bubbling keyboards, and the bewitching sound of the electric saz (as played with fiery precision by Erdinç Ecevit), the album has a rich sound that rivals anything by modern psych masters like Dungen and King Gizzard, while remaining true to their brief of making the classic Turkish sound come alive for the modern era.Ecevit's alternately mournful and joyous vocals are a clear tie to the past, as is Merve Daşdemir's hauntingly beautiful singing. .. and songs as spookily pretty as "Leyla" or "Anlatmam Derdimi" make for perfect soundtrack music for introspective summer evenings when the shadows are just beginning to creep in.


Punk-rock-garage quartet from Kyoto, Japan. Taking their cue from other Japanese acts like Hikasyu and Yapoos, Kyoto's garage-punk quartet Otoboke Beaver also share the raucous energy and feminist perspective of Bikini Kill and the Slits
Otoboke Beaver - datsu . hikage no onna from Itekoma Hits

おとぼけビ〜バ〜 - 脱・日陰の女

When the English label Damnably Records released the 2016 compilation Okoshiyasu!! Otoboke Beaver, it made it easier for those outside of Japan to hear exactly why the Kyoto band had such a fervent fan base... Otoboke Beaver add more detail and sophistication to their music on Itekoma Hits' new songs...  Itekoma Hits doesn't leave listeners a moment to catch their breath -- or grow bored. Arriving a decade after Otoboke Beaver formed, it suggests they're becoming bolder and more surprising with time.



Mexican guitar duo that plays an appealing amalgam of classical, Latin, world music, and heavy metal. 
Rodrigo y Gabriela - Echoes (Pink Floyd cover) from Mettavolution
Mettavolution, the title of acoustic guitar duo Rodrigo y Gabriela's fifth studio album, is drawn from two distinct words. "Metta" is Sanskrit for loving kindness, compassion for self and others, and one of Buddhism's engines of "bodhichitta," the awakened heart's desire to benefit all beings through meditation and action. The word "revolution," with its Latin root, offers several meanings, including "a fundamental change in the way of thinking about something." What does Mettavolution have to do with rock & roll, particularly the metal- and flamenco-influenced inspiration of R&G's music? Doesn't beautiful music benefit all who encounter it? Mettavolution is the first studio album by the duo in five years... While the album's most previewed track is a sense-altering 19-minute cover of Pink Floyd’s "Echoes," it's in the five front-end cuts where R&G reveal their latest musical evolution...  The staccato lyric fills set up a contrast for the labyrinthine "Echoes," that commences briefly with an insistent, clarion single-note pulse. This version doesn't drift. It asserts its languid bluesy persona before articulating the melody in verses that preface the innovative themes that emerge later. It's a breathtaking conclusion that serves to underscore the abundant originality and soul R&G bring to everything they play...

Foxygen, The Black Keys, Josh Ritter, King Gizzard & the Lizard Wizard, The Cranberries, Lamb, Kevin Morby, Guided by Voices, Altin Gün, Otoboke Beaver, Rodrigo y Gabriela

2019. április 25., csütörtök

25-04-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1991-1986

The Jesus Lizard

25-04-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1991-1986  >>The Jesus Lizard, Nick Cave and the Bad Seeds, Mark Lanegan, David Byrne, Jack Bruce, Cowboy Junkies, Mary Margaret O'Hara, Suzanne Vega, Melvins, Peter Gabriel, David Sylvian<<

M U S I C




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1991-1986




Chicago noise rockers who mask the proficiency and precision of their musicianship with the ravings of their maniacal frontman, David Yow. 
The Jesus Lizard
Then Comes Dudley 4:23
Nub (Duane Denison / The Jesus Lizard / Mac McNeilly / David Wm. Sims / David Yow) 2:30
from Goat 1991
The Jesus Lizard's second album followed in the vein of the first with little immediate variation: loud, excellently produced by Steve Albini, plenty of space in the recording to emphasize the sheer force of McNeilly's drums and Sims' bass, and more besides... The whole album seems like a party in hell, not to mention demonstrative proof that there's still plenty of fun to be had with a basic rock lineup; it's all in the matter of how it's handled.



Eclectic and powerful post-punk band that's steadily evolved under the leadership of one of rock's most celebrated songwriters. 
Nick Cave and the Bad Seeds
Foi Na Cruz (Nick Cave) 5:40
The Good Son (Nick Cave) 6:03
from The Good Son  1990
Losing Wolf, aside from the final reprise of "Lucy," but otherwise making no changes in the line-up, the Seeds followed up Tender
Nick Cave
Prey with the equally brilliant but generally calmer Good Son. At the time of its release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to From Her to Eternity, but Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing...

and the Bad Seeds

2019. április 21., vasárnap

031 ALTER.NATiON: weekly favtraX 21-04-2019

ALTER.NATION #31
Field Medic, Cage the Elephant, Beck, Angélique Kidjo, Wand, Drugdealer, Gang of Four, Fat White Family, Elva, Sad Planets, Heather Woods Broderick, Kelsey Lu, Damon Locks / Black Monument Ensemble

weekly favtraX
21-04-2019





Prolific lo-fi folk singer Kevin Patrick who has often built his four-track recorded songs with just acoustic guitar, vocals, and minimal drum machine. 
FIELD MEDIC - hello moon from fade into the dawn
... Along with the lament of the touring musician leaning on alcohol to get through a rough night, Patrick's songs offer emotionally raw portrayals of self-acceptance, anxiety, and sweetly hopeful excitement. Up until this point, Field Medic's immense discography was made up of raw lo-fi recordings, with Patrick sometimes going so far as improvising entire EPs directly into a four-track recorder. Still coated in a warm sheen of fuzz, Fade into the Dawn is a relatively larger-scale production, being the first Field Medic material to include lead guitar overdubs and to implement live drums instead of minimal drum machine rhythms. It's by no means a slick production, though, with Patrick evoking some of the same shambling magic as Neutral Milk Hotel on bright songs...


Kentucky-based alternative rockers that earned surprising chart success in Britain, partly due to their Madchester sound. 
Cage the Elephant feat. Beck - Night Running from Social Cues
Considering how Cage the Elephant brought home the Best Rock Album Grammy for Tell Me I'm Pretty in 2017, it's a bit startling that its successor, Social Cues, abandons the rough-and-tumble aesthetic producer Dan Auerbach brought to the band. Auerbach helped Cage the Elephant emphasize the bash-around garage elements lurking within their music, a sensibility that is absent on Social Cues. CTE work with producer John Hill, who previously helmed albums by Florence + the Machine, for this 2019 album, but a better touchstone for what they're attempting to achieve is Beck, who appears on the single "Night Running" and joined the group on a co-headlining tour in support of the album. Particularly on Colors, the 2017 LP that snagged him a Grammy for Best Alternative Album, Beck specialized in a bright, vivid pan-cultural pop, echoes of which can be heard on Social Cues....

Beninese singer whose Fon-language dance music and percussive rhythms earned her acclaim beyond her homeland. 
Angélique Kidjo - La Vida Es Un Carnaval from Celia
Since she began releasing solo recordings in 1981, Beninese singer Angelique Kidjo has illustrated the reliance of Western popular musics on African traditions for inspiration. In 2018, the vocalist enlisted an all-star cast that included Nigerian drum master Tony Allen and some American indie rockers to display the coat of many colors that lies in the grooves of the Talking Heads' Remain in Light by revisioning the entire album through that lens. Kidjo is at it again with Celia, her album-length tribute to the queen of salsa, Cuban singer Celia Cruz. This time the connection is seamless. Kidjo began listening to Cruz's music in 1974, after seeing her perform in Benin as part of an African tour. Cruz readily acknowledged the African influence in her music and has sought to draw attention to it throughout her career -- especially after her exile from Cuba in 1959 -- by singing Yoruban songs exported during the slave trade some 400 years previously. Kidjo's affinity for the salsa pioneer grew deeper after being exiled herself from Benin when a Marxist/Leninist government took power during the '80s...


Los Angeles-based group who shifted steadily from garage rock beginnings to more introspective art rock musings. 
Wand - Thin Air from Laughing Matter
Beginning in 2013 as a gnarly psych band with garage tendencies, Los Angeles' Wand quickly made several albums of weird and suffocating music. They ran with the quickly evolving scene that included Ty Segall and Mikal Cronin, and bandleader Cory Hanson's songs fell into similarly scuzzy territory. A shift began in Wand's sound around the release of 2017's Plum, the first album from the group to reflect a new lineup and a new democratic approach to songwriting. Plum and the subsequent 2018 EP Perfume set the tone for the drastic shift the band has been undergoing, and Laughing Matter cements these changes...  Wand suddenly sound more indebted to Radiohead than ever before. Hanson's pained vocals draw closer to the style of Thom Yorke as the album stretches on, often gelling into bright harmonies with bandmate Sofia Arreguin...

Trippy soft rock and singer/songwriter sounds from former Run DMT and Salvia Plath member Michael Collins. 
Drugdealer - Fools from Raw Honey
The first Drugdealer album, The End of Comedy, was a bit of a stylistic shift for the band's main instigator, Michael Collins, that saw him moving away from trippy and weird psych towards something far more relaxed and Laurel Canyon-y. There were a few kinks to be ironed out, like meandering songs and a few too many cooks, but it was a promising and enjoyable record. The second Drugdealer album, Raw Honey, has zero kinks left to work out and fulfills all the promise of the debut and more. This time around, Collins and a wide range of collaborators absolutely nail the lush and lovely singer/songwriter sound of the mid-'70s, while adding some healthy bits of warm weirdness and subtle grandeur to the mix along the way. The album is a cool mix of shaggy-dog pastiche and real feeling moments of emotion, all wrapped up in an organic sound that's as familiar as a favorite old blanket...

Influential, politically-conscious U.K. post-punk band formed in the late '70s, known for its pounding drums, wryly defiant vocals, and stuttering guitars. 
Gang of Four - Alpha Male from Happy Now
The notion that the election of Donald Trump and the reality of Brexit was going to inspire a lot of great punk rock, as Ronald Reagan and Margaret Thatcher did in the '80s, hasn't worked out quite the way some people hoped. But it has encouraged a few veteran artists to tighten their thematic focus, and that seems to be the case with Gang of Four. 2015's What Happens Next -- which debuted the "Gang of One" lineup with guitarist Andy Gill as the only member left from the band's glory days of the '80s -- was a relatively refined and toothless work that dealt with the personal more than the political. But that's certainly not the case with 2019's Happy Now; this music is more deeply rooted in electronics than Gang of Four's best work, but here the surfaces are rougher and cut noticeably deeper, with the grooves suitable for dancing but jagged in their execution. Gill's guitar work is very much in his classic style, full of sharp shards of sound and dense clouds of feedback, and it gives Happy Now an aggressive and muscular punch... But Trump's voice gets sampled in "Alpha Male," which clearly concerns itself with some of his myriad scandals...

Scuzzy rock & roll-inspired post punk with a socialist edge from south London recalling the likes of the Fall, Butthole Surfers, and the Birthday Party. 
Fat White Family - Feet from Serfs Up!
With two polarizing albums of rickety misanthropic lo-fi shenanigans under their belt, Britain's Fat White Family add a dash of pop grandeur to their still-difficult third outing. More often than not, the Peckham-bred combo have inspired a love-them-or-loathe-them reaction, pitting provocative humor and biting satire against an underachieving backdrop of tinny Casio synths and harsh, wonky psych guitars... Without sacrificing their edge, frontman Lias Saoudi and his crew turn in a handful of genuine highlights, particularly in the opener, "Feet," a dark-hued disco-style banger with smart arrangements that is equal parts sleekness and heft...

Bittersweet, sentimental indie pop by Allo Darlin's Elizabeth Morris and Making Marks' Ola Innset. 
Elva - Ghost Writer from Winter Sun
Winter Sun is the debut of Elva, an indie pop group based in Norway that's co-led by Elizabeth Morris, formerly of Allo Darlin', and Ola Innset of like-minded Making Marks. (Elva means "the river" in Norwegian.) Fans of Allo Darlin' will be especially pleased to learn that not only does Morris retain her tuneful, bittersweet pop sensibilities here, but the album was produced by former bandmate Michael Collins and features string arrangements and violin by longtime collaborator Dan Mayfield...

A pair of Ohio heroes team up to record smart rock & roll with the ambition of prog and the energy of garage rock. 
Sad Planets - Bad Cells from Akron, Ohio
Ohio's status as the secret center of the rock & roll has been well established, and this often becomes evident in unexpected ways. As drummer with the Black Keys, Patrick Carney has been half of one of the most popular acts to emerge from the Buckeye State in the 21st century with their blues-based excursions into indie rock. John Petkovic has never enjoyed a payday on a par with Carney, but as the founding member of Death of Samantha and Cobra Verde (and a brief stint with Guided by Voices), he's got cred to spare as one of Ohio's underground heroes...

Indie folk musician whose gentle, dreamy textures reside in nature and moments of deep reflection. 
Heather Woods Broderick - These Green Valleys from Invitation
A touring and studio musician who has been a longtime member of Sharon Van Etten's band among her other indie folk-minded collaborations, Heather Woods Broderick stepped out on her own in 2009 with the acoustic album From the Ground. She went on to expand her sound with atmospheric electronics on 2015's Glider and continues to fortify textures on her third solo LP, Invitation. It takes its title from a Thomas Moore quote about being open to experiences and change. That type of literary inspiration is apt for a meditative set of songs that look to nature, childhood summers spent along the Oregon coast, and reflection itself for subject matter.

Soulful singer and session cellist who constructs her dreamy, off-balance songs with a mix of classical, folk, and electronic components. 
Kelsey LuI'm Not In Love (10cc cover) from Blood
Intricate and sculptural, North Carolina singer-songwriter-producer Kelsey Lu deals in music where the unifying genre is, essentially, beauty. Having previously collaborated with the likes of Sampha, Solange and Florence Welch, the Los Angeles-based artist’s sublime debut album arrives, delving between everything from absorbing dream-pop, twangy blues, left-field electronics, serene ambient and even delicate classical (Lu is a trained cellist). Blood is meditative, surreal and deeply imaginative – be that in the lush, cryptic cover of 10cc’s I’m Not in Love,..


Damon Locks / Black Monument Ensemble - The Colors That You Bring
“Come on, join us,” a voice beckons toward the end of “The Colors That You Bring,” the first single from the new project by Chicago’s improvisational scene mainstay Damon Locks. It’s a fitting welcome to what began as a solo effort but then developed into the 15-strong Black Monument Ensemble. Taken from the upcoming album Where Future Unfolds, which documents their live debut at the city’s Garfield Park Conservatory, “The Colors That You Bring” draws from dusty hip-hop, astral jazz, and full-throated gospel, for an eclectic stew that’s like the Celestial Choir’s “Stand on the Word” if performed live by the Sun Ra Arkestra. But there’s a crucial activist ingredient, too. Locks has said the work was inspired by his time teaching art to maximum-security prisoners, as well as by police killings of unarmed black men. The song feels its most free, and freeing, after a spoken-word sample of singer, activist, and Civil Rights Movement heroine Lena Horne declaring, “I’m not gonna stop.” That’s when all the instruments drop out except for percussion, and we’re invited to rejoice with the ensemble as it belts out an exultant, collective statement of faith: “I still believe in us.”

Field Medic, Cage the Elephant, Beck, Angélique Kidjo, Wand, Drugdealer, Gang of Four, Fat White Family, Elva, Sad Planets, Heather Woods Broderick, Kelsey Lu, Damon Locks / Black Monument Ensemble