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A következő címkéjű bejegyzések mutatása: Brad Mehldau. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Brad Mehldau. Összes bejegyzés megjelenítése

2021. augusztus 15., vasárnap

15-08-2021 JAZZ.MiX # 33 jazz tracks on the the JAZZ_line 2001-2011 (3h 53m)

15-08-2021 JAZZ.MiX # 33 jazz tracks on the the JAZZ_line 2001-2011 (3h 53m)# Grażyna Auguścik, Attila Laszlo Band, Jaco Pastorius Big Band, Dave Douglas, Joe Diorio,Dennis Coffey, Charlie Haden & Brad Mehldau, S.M.V., Crimson Jazz Trio,Bushman's Revenge, Avishai Cohen


J A Z Z   M U S I C (3h 53m)

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.JAZZ_line on deezer

JAZZ_line  The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.
2001-2011





Grażyna Auguścik is a Polish jazz vocalist, composer, and arranger. She frequently uses Polish folk music, Latin American music, and klezmer music.
Grażyna Auguścik 
The Moon Is a Harsh Mistress (Jimmy Webb) 5:10
Dancing All Around (Grazyna Auguscik) 4:07
from River 2001
Her voice has a distinctive sound and style, and her choice of tunes spans genres, so it is not surprising that Polish-born vocalist Grazyna Auguscik has made a bit of a name for herself in the active Chicago jazz scene. Like contemporary Patricia Barber, another word sculptor from the Windy City, Auguscik defies pigeonholing, and as with Barber, her voice emanates a dark, brooding quality that is quite unlike any other. Ultimately, Auguscik's sound will not appeal to everyone, with its slightly off-beat qualities and odd harmonies. One thing in her favor: a compatible band, with first-rate performers such as accordionist Jarek Bester, who solos beautifully on "Bachianas Brasileiras," and local mainstays bassist Eric Hochberg and guitarist John McLean. .. She leaps across intervals, repeats phrases, and puts her entire self into her songs. The results sometimes charm and more often challenge, auguring well for the future of jazz singing. She points in an uncharted direction that takes nothing for granted, as little sounds mix with soft subtlety and poetic lyrics to achieve something just different enough to raise a few eyebrows.



Having graduated as an architect from the Technical University Budapest (BME), and as guitarist from the Jazz Faculty of the Béla Bartók Conservatory, he started to play in leading Hungarian jazz bands. He founded his own band, the group „Kaszakő” in 1975, which had a really original sound. Their first record was published under the title Édenkert (Garden of Eden) in 1983. He formed the group „Things” with sax player Tony Lakatos in 1985, which functioned for a period of seven years.
Last Moment 9:18
Sentimental Voices 9:26
I have been blessed to meet and play with Attila László and his music for over ten years. Attila László's music is so wonderful in so many ways, I always hear a very broad span of musical influences coming from his playing and music so much, that I stopped trying to figure it out, I just enjoy it and always be alert and ready for what comes next. Every time I play a concert with him, I can expect the music to live within me, and it does. Which is what we have become, "Brothers". - Tommy Campbell
Attila László - electric and acoustic guitars, Kálmán Oláh - piano, keyboards, Béla Lattman - electric and acoustic bass, Kornél Horváth - percussions, Péter Szendőfi - drums


Jaco Pastorius
was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention.
 
Teen Town - Victor Wooten (Jaco Pastorius) 4:10
Punk Jazz - Richard Bona (Jaco Pastorius) 5:03
Killing Me Softly -  Jeff Carswell (Pee Wee Ellis / Charles Fox / Norman Gimbel / Jaco Pastorius) 4:22 
Back before he turned everyone's idea of bass playing inside out, Jaco Pastorius spent five years on the bandstand with the Peter Graves Orchestra at Bachelors III, a swanky spot in his hometown of Ft. Lauderdale. Nearly three decades after the future star's departure in 1975, and 16 years after his brutal murder, Graves got the guys back together, christened them in their former colleague's name, and invited the most prominent bass guitarists of the early 21st century down to join them in a project dedicated to Pastorius' legacy. Throughout these polished performances, the bass parts testify to how profoundly Pastorius altered that instrument's role. Bottom line (so to speak): he gave them the option of playing from a soloist mentality and blowing all over the beat, as fast and free as any saxophonist, as long as he or she had chops and didn't subvert the groove. The guest bassists on this collection absorbed this lesson long ago. Each can scatter quick licks, some of them even faster than Pastorius himself... 

2020. július 12., vasárnap

095 ALTER.NATION.MiX weekly favtraX 12-07-2020 (50')

ALTER.NATION #95
Margo Price, Throwing Muses, Soko, Soft Plastics, Paint, The Beths, Kestrels, Patricia, Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington, Brian Blade, Christian McBride, Brad Mehldau, Joshua Redman, Bettye LaVette, Z Berg

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1 2 - 0 7 - 2 0 2 0

"Twinkle Twinkle"




ALTER.NATION #95 on deezer


Smart, soulful retro-country singer who made her solo debut in 2016 on Jack White's Third Man Records.
Margo Price - That's How Rumors Get StartedTwinkle Twinkle
...Price hired Sturgill Simpson as producer and he helped assemble a group of studio pros who are names in their own right, including keyboardist Benmont Tench, bassist Pino Palladino, and guitarist Matt Sweeney. The ensemble plays with an elegant elasticity throughout That's How Rumors Get Started, letting ballads swell to an emotional crescendo but also happy to settle into a country-soul groove or slather on the fuzz guitars, as they do on "Twinkle Twinkle."...


Acclaimed alternative band with a swirling, guitar-based rush of sound matched to Kristin Hersh's cryptic, metaphoric lyrics and highly emotive voice.
Throwing Muses – Bo Diddley Bridge
Earlier this year, Throwing Muses, the great long-running Boston alt-rock band, announced plans to release their new album Sun Racket... We’re still waiting, but now Throwing Muses have set a new release date. They’ve also shared “Bo Diddley Bridge,” another great new track. “Bo Diddley Bridge” does not have a Bo Diddley beat, as cool as that would be. Instead, it’s a thick, enveloping, atmospheric jam with a whole lot of teeth. The song gets a whole lot out of bandleader Kristin Hersh’s tough, instinctive wail, which has been one of the greatest sounds in American underground rock for decades.


French singer/songwriter and actress specializing in free-flowing, intimate indie pop. As a musician and award-winning actor, Soko is known for her remarkably emotional performances.
Soko - Feel Feelings / Blasphémie
...The clarity she gained from the experience is reflected on Feel Feelings, which flows with the sudden, intuitive understanding of a breakthrough. Soko's emotions -- loss, joy, and above all, self-awareness -- spill into each other over music that's just as uninhibited... On songs such as "Blasphémie," the rounded bass line and tumbling melody evoke Serge Gainsbourg's Histoire de Melody Nelson (not coincidentally, this is Soko's first song en Français)... Soko demands the same commitment from her listeners that she put into making these songs, but as she combines happiness and sadness into something beautiful, the honesty in her music is mesmerizing.


Canadian indie rock trio formed by Carey Mercer in the wake of the dissolution of his previous band, the nervy, post-punk/art-rock collective Frog Eyes.
Soft Plastics - 5 Dreams / St Tosh the Actor
Carey Mercer is back! Just two years after the glorious art-rock ensemble Frog Eyes dissolved into the ether, Vancouver's favorite troublemaker surfaces today with company as Soft Plastics, a band/project both sonorous in annunciation and, obviously, provocative in execution. Listeners don't have to wait long to cue the drooling. On the very first song, "St. Tosh the Actor", Mercer rolls out that bizarrely affecting, signature croon – part David Bowie, part Stephen Prina, all fused with Baroque-tinged LSD – over shuffling percussion, occasional guitar, addictively juicy bits of synth and even a mature hot-summer-night moan courtesy of J.P. Carter's trumpet...


PAINT is the project directed by Pedrum Siadatian, guitarist for psych-garage revivalists Allah-Las.
PAINT - Spiritual Vegas / Strange World
Not surprisingly for someone who's main musical gig is playing in the psychedelically relaxed Allah-Las, Pedrum Siadatian's first album recorded under the name PAINT was as laid back as a cat stretched out in a beam of light. The second PAINT album has the same basic ingredients -- wobbly guitars, vintage keys, plenty of Kevin Ayers/Syd Barrett influence, Siadatian's lazy drawl of a voice -- and similarly home cooked, mid-fi sound...




University of Auckland jazz majors opt for impulsive, hook-filled indie rock inspired in part by the punk-pop of their youth.
The Beths - Jump Rope Gazers / I'm Not Getting Excited
... Written between tours and recorded in late 2019 and early 2020 (again with guitarist Jonathan Pearce producing), the follow-up, Jump Rope Gazers, was heavily inspired by trying to maintain friendships from thousands of miles away. Bandleader Elizabeth Stokes has noted that even when they were at home, she was at an age where friends were scattering all over the world... Even with tracks like these and more-mid-tempo rockers, Jump Rope Gazers isn't without its share of jammers. Among them is the urgent opening track, "I'm Not Getting Excited," which delves into the anxiety of imposter syndrome with buzzy guitars, crashing cymbals, starts and stops, and a wide-ranging melody...


Canadian indie rock group with a driving, urgent sound somewhere between power pop and shoegaze.
Kestrels - Dream or Don't Dream / Everything Is New
...With the help of longtime Dinosaur Jr. producer John Agnello and drummer Michael Catano, Peck turned those songs into grungy dreamgaze gold. They dial the shoegaze portion of the proceedings down to the occasional flanged wave of distortion, while coating the guitars with mammoth amounts of pedals, often in the same configuration J Mascis utilizes... Peck's no slouch at the game either, and some of his six-string maneuvers stack up nicely with his hero's. His work on "Everything Is New" sounds like it could be one of Mascis' more inspired solos from the Green Mind era, for example... It's not just a trip on a time machine, though; Kestrels manage the balancing act between heartfelt nostalgia and bracing modernity as easily as a Wallenda walks between buildings.


North Carolina-based producer of hissy lo-fi techno and house with releases on labels such as Opal Tapes and Ghostly International. North Carolina-based Max Ravitz produces hissy lo-fi techno and house under the name Patricia. His experimental but always danceable tracks generally feature scuzzy, distorted beats and lush ambient textures, and are typically composed and recorded on the spot using analog equipment.
Patricia - Maxyboy / Myokymia
Max Ravitz's early releases as Patricia frequently contained the types of smudged, hazy tones and scuzzy kick drums prevalent in what was often termed "outsider house" at the time...  Shifting a bit from the techno and house framework of his more club-friendly releases, this album often ventures into IDM and electro, with the rapidly skittering beats of "Myokymia" providing an airy but weighty rhythm... Maxyboy demonstrates Ravitz's versatility as a producer, showcasing his ability to skillfully, creatively express a wide range of moods while bucking the conventions of house and techno.


Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington - Dinner Party / The Mighty Tree
Kamasi Washington, Robert Glasper, Terrace Martin, and 9th Wonder have released their debut self-titled album as Dinner Party. In a press release, the band’s origin story is explained as the intersection of authentic connection and musical camaraderie. “Dinner Party is years of friendship, shows, dinners, conversations, laughs and life experience, all converging into one moment,” it reads. “Dinner Party is a metaphor — a group, a project, a spirit, an imprint of time — and also the name of the album… Dinner Party is invite only, but it’s for everyone.”


Brian Blade / Christian McBride / Brad Mehldau / Joshua Redman - RoundAgain / Silly Little Love Song
While they have continued to work together in various incarnations throughout their careers, RoundAgain is the first proper recording by the quartet in over two decades... In some ways, RoundAgain feels like the perfect follow-up to MoodSwing, an album that could have arrived in the late '90s. Yet, it is hard to imagine Redman and his quartet summoning the same warmth and relaxed intensity that they do here without the decades of experience and deep familiarity they've cultivated with each other over the years.


Stirring soul singer who began recording in the 1960s, finally reached a deserved mass audience in the '00s.
Bettye LaVetteStrange Fruit
On her forthcoming album Blackbirds, 74-year-old soul singer Bettye LaVette covers songs recorded by the legendary Black female artists that came before her: Dinah Washington, Nina Simone, Nancy Wilson, Della Reese, Ruth Brown. And now she’s shared her rendition of “Strange Fruit,” the powerful anti-lynching anthem popularized by Billie Holiday. “It really is horrifying that nearly 80 years later, through Billie’s lifetime and now my 74 years, the meaning of this song still applies,” LaVette writes in a statement. “It might not be men and women hanging from trees, but these public executions are now on video and it feels like they’re doing it for sport. I hope the song will be a reminder that we have had enough, and I support the Black Lives Matter movement.”


L.A. singer and songwriter who fronted indie bands the Like, JJAMZ, and Phases in the 2010s before going solo with an intimate baroque pop.
Z Berg - Get Z to a Nunnery / Charades
Producer: Ethan Gruska
Get Z to a Nunnery is the surprising solo debut of Z Berg (aka Elizabeth Berg), onetime leader of L.A. outfits the Like, JJAMZ, and Phases. It's unexpected because she forgoes the Like's garage rock as well as the punchy hooks of her other bands for a brooding, vintage sound that combines vocal-era torch song and classic baroque pop for a set more suited to the nightclub than the bar or festival stage. In fact, the album's theatrical quality and restrained, string-based arrangements seep into one another in a way that feels more like a song cycle of melancholy love lessons than a track list...
Margo Price, Throwing Muses, Soko, Soft Plastics, Paint, The Beths, Kestrels, Patricia, Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington, Brian Blade, Christian McBride, Brad Mehldau, Joshua Redman, Bettye LaVette, Z Berg

2019. május 19., vasárnap

036 ALTER.NATION.MiX weekly favtraX 19-05-2019

ALTER.NATION #36

The Mystery Lights, Alex Lahey, Nobody, Jimmy Webb, Brad Mehldau, Theo Croker, Greys, Olden Yolk, Dommengang, Sam Cohen, Bruce Springsteen, Mannequin Pussy


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19-05-2019





Brooklyn-based psych-garage combo with with a Nuggets-inspired sound and roots in California. 
The Mystery LightsThick Skin from Too Much Tension!
The Mystery Lights are a band who live in the the year 2019 by fate, not by choice. Their music suggests that they arrived in the present day after passing through some wrinkle in time adorned with paisley; they are obsessed with '60s garage rock and psychedelia, and their songs and their approach make it clear they've done their homework when it comes to re-creating the nuts and bolts of this stuff. The Mystery Lights' third album, 2019's Too Much Tension!, captures the sound of that halcyon era when America's youth stopped playing "Louie Louie" and started abusing recreational drugs with a truly impressive accuracy, as if someone discovered a long-lost collaborative project with the Strawberry Alarm Clock, the Chocolate Watch Band, and the Seeds joining forces in the studio...


An Australian singer/songwriter with a sardonic streak and a flair for crafting melodically charged and relatable pop-punk anti-anthems. 
Alex Lahey - Misery Guts from The Best of Luck Club
Some songwriters are interesting because they tell you things you may not know, and others are remarkable because they have a gift for expressing the thoughts and feelings that most of us share. Alex Lahey clearly falls into the latter category, and while the nuts and bolts of human interaction aren't uncharted territory in pop music, she builds clever and witty art from the ups and downs of friendship and relationships... especially with its singalong chorus, and "Misery Guts" is its ideal half-sibling, pure pogo'ing energy that suggests what Nirvana might have sound like if Kurt Cobain had been a level-headed woman from Australia...


Elvin Estela, better known by the moniker Nobody, is a Los Angeles-based producer whose music blurs the lines between abstract hip-hop, psychedelia, and downtempo electronic music, with jazz and R&B also figuring into his sound.
Nobody - Sweet Feeling from All Too Familiar
A longtime Dublab regular and resident DJ at the now-defunct Low End Theory weekly, L.A. beat scene forefather Elvin Estela has twisted through several modes throughout his recording career as Nobody, from moody instrumental hip-hop to gentle psychedelia. The 2010s have brought his most modern-sounding music yet, with 2010's Auto-Tune-soaked One for All Without Hesitation followed by the trap-influenced Vivid Green in 2013. All Too Familiar is another change of approach for Estela -- he wrote most of the album on his guitar, and it's completely free of samples or vocals. Joined on several tracks by regular collaborators such as Damon Aaron and former Mars Volta member Marcel Rodriguez-Lopez, Estela explores a sort of earthy post-rock not unlike David Pajo's solo work as Papa M, but still informed by a cratedigger's ear for breakbeat-like rhythms...

Songwriter, singer, and pianist whose writing career has produced a mountain of pop classics. 
Jimmy Webb has always been better known and respected as a songwriter than a performer, less because of any failings as a singer and instrumentalist and more because he's widely and justly acknowledged as one of the great pop tunesmith of the '60s and '70s... This album flies in the face of the expectations of most Jimmy Webb fans, but it works surprisingly well. Webb is a graceful and fluid pianist with a fine touch, and he brings a sense of invention to his interpretations of these songs, not losing sight of the melody but allowing other colors to find their place within the tunes...



Improvisational jazz pianist introduced a classical impressionist influence into modern jazz, often using pop music as source material. 
Brad Mehldau - Proverb of Ashes from Finding Gabriel
...Finding Gabriel marks his most idiosyncratically expansive release yet. Its thematically linked compositions were inspired by a close reading of Old Testament sources -- Daniel, Hosea, Psalms, Ecclesiastes, and Job -- while considering our current sociopolitical era. He also experimented with the Oberheim OB-6 analog synth while composing, an instrument whose possibilities were new to him. It's used alongside acoustic and electric pianos, organ, xylophone, mores synths, and voice. His celebrated cast of guests includes trumpeter Ambrose Akinmusire, violinist Sara Caswell, saxophonist Joel Frahm, drummer Mark Guiliana, vocalists Becca Stevens, Kurt Elling, and Gabriel Kahane, and small string and horns sections...  Elling takes a killer sonically treated scat vocal on "Proverb of Ashes," with its backing track wedding EDM futurism to post-punk.

Trumpeter Theo Croker is an adventurous jazz musician known for his cosmically minded, spiritually enlightened take on post-bop, funk, and electronic-tinged fusion. The grandson of famed trumpeter Doc Cheatham...
Theo Croker - Have You Come to Stay from Star People Nation
Since 2014's Afrophysicist, trumpeter Theo Croker has been expanding upon his funky, stylistically far-reaching jazz sound with ever more electric and electronic influences. He takes this approach even further on 2019's cosmically expansive Star People Nation. The album follows his equally ambitious 2016 effort Escape Velocity and once again finds him backed by his ensemble featuring saxophonist Irwin Hall, keyboardist Michael King, bassist Eric Wheeler, and drummer Kassa Overall. Also joining him again is co-executive producer Karriem Riggins, who previously played drums on Afrophysicist and has worked with such luminaries as J Dilla, Esperanza Spalding, Common, and others. Star People Nation is a stylistically balanced album, deftly counterpoised between spacy '70s world fusion, modal jazz, alternative R&B, and forward-thinking hip-hop. It brings to mind classic works by Eddie Henderson, George Duke, and Donald Byrd, the latter of whom Croker was mentored by while a student at Oberlin College. The opening "Have You Come to Stay" is a slowly rolling electro-space-mantra that emerges like an interstellar transmission from a hazy sparkle of keyboards before giving way to a cascade of overdubbed horn lines and two transcendent solos from Croker and Hall.

Self-proclaimed "loud rock band from Toronto" has roots in noisy post-hardcore and latter-day fast punk. 
Greys - These Things Happen from Age Hasn't Spoiled You
Toronto four-piece Greys have spent the early part of their career refining their lean, ferocious post-punk, peppering their albums with occasional studio adornments, but largely adhering to the tight live unit which they present on-stage. Following a pair of 2016 albums, the excellent Outer Heaven and its full-length companion piece Warm Shadow, the group took a step back and considered their approach. Roughly six years into their career, a significant step in a new direction seemed in order and they decided to stray from their live-in-the-room approach and use whatever tools necessary to gain new ground. While it's far from an abandonment of what came before, 2019's Age Hasn't Spoiled You introduces a multitude of influences and sounds into Greys' palette and makes for a challenging but overall worthwhile listen...

Spooky, psychedelic folk-rock from Quilt's Shane Butler and fellow singer/songwriter/multi-instrumentalist Caity Shaffer. 
Olden Yolk - Cotton & Cane from Living Theatre
Arriving a year after the project's debut, Living Theatre continues to explore the intimate, electronics-tinged psychedelic folk-rock already established by Olden Yolk's Shane Butler and Caity Shaffer, with some subtle shifts in approach. Whereas Olden Yolk was borne out of a series of exchanged poems between the songwriters, Living Theatre expanded upon conversations in concentrated writing sessions. Also, Olden Yolk was recorded primarily as a four-piece with their touring band, and while Living Theatre returns to engineer/co-producer Jarvis Taveniere (Woods), its guests include percussionist Booker Stardrum, who features prominently on the album, as well as Frank Maston (flute), Eliza Bagg (violin/viola), and others. It's a more sprawling, cinematic set that at the same time retains a gentle, amber-tinted tone...

Dommengang are a Brooklyn-based, hard-edged post-psych and space rock trio whose chugging sound they describe as "Road Trip, Head Trip" music.
Dommengang - Wild Wash from No Keys
On their two previous outings, Los Angeles-based power trio Dommengang traced the lines of '70s blues rock and psychedelic sludge. Fine as they were, both long-players (though somewhat different from one another) reflected the group's influences rather than their musical identity. 2015's Everybody's Boogie was wrapped in the roadhouse biker strut of Canned Heat, early ZZ Top, and the free-form spiraling psych of Hawkwind. 2018's Love Jail was somewhat tighter structurally, drenched in the acid blues grooves explored by Earthless, Endless Boogie, and Samsara Blues Experiment. By contrast, No Keys ups the ante. While Dommengang still draw abundantly from the deep well of hard rock and psych, their move to Los Angeles from Brooklyn facilitated real growth in the songwriting and in developing a dynamic, trippy sound of their own...  "Wild Wash" is back to screaming, fast, post-psych riddled with distorted bass and blues vamps, wah-wah, and a drumkit playing a nightmarish groove to accent trancey vocals...

Former songwriter for psychedelic pop bands Apollo Sunshine and Yellowbirds, as well as a sought-after session player. Cohen spent some time working on other people's projects but still managed to write a new set of sundazzled synth-rock tunes for his first album under his own name, 2015's Cool It.
Sam Cohen - Spinning Love from The Future’s Still Ringing In My Ears
Sam Cohen's solo debut, 2015's Cool It, came after years of music from other bands that his warm psychedelic pop sat at the core of... Cohen penned blissful songs of dusky orchestral rock with nods to '60s influences. He continues working in this territory on second solo album The Future Is Still Ringing in My Ears, advancing his songcraft without straying too far from a well-established template of good-natured retro-pop...  The lyrics are overtly hopeless, but much like the rest of the album, the song manages to blend pessimism with warmth. Even in the darkest moments, the inviting production and mind-bending twists are enough to distract from the sometimes bleak realities Cohen is fixated on.

A rock & roll true believer with a poet's heart, the Boss defined mainstream American rock in the late 20th century. 
Bruce Springsteen - Hello Sunshine
...His gorgeous new song “Hello Sunshine” takes place somewhere on the journey. Its friendly, country arrangement sits within a long lineage of radio classics: “Everybody’s Talkin,’” “Gentle on My Mind,” “Good Time Charlie’s Got the Blues,” all songs borne from quiet barrooms in the early hours of the morning. As if to prove his place among them, Springsteen spends an entire verse humming along, strings guiding the way like light from a jukebox. Amid the glow, he’s surrounded by pedal steel raining on the windows, a hushed honky-tonk piano in the corner, a brush-stroked rhythm section that feels like running in place on a soft dirt road. Bold but lived-in, it’s the most vivid his music has sounded in at least two decades...

Punk rock band, formed by childhood friends Marisa Dabice and Thanasi Paul, makes room for emotions other than anger. 
Mannequin Pussy - Drunk II
...“Drunk II” opens on guitarist and vocalist Marisa Dabice in a post-breakup mania, evading despair by drinking and partying to excess. But despite her best efforts to self-anesthetize, sadness breaks through. “I still love you, you stupid fuck,” she barks with a bittersweet grimace. Yet the song quickly reveals itself to be more than sloshed yearning: Atop a melancholic and measured riff, Dabice wrangles with her behavior, revealing vulnerability with an intimate wistfulness: “And everyone says to me/‘Missy, you’re so strong!’/But what if I don’t want to be?”...


The Mystery Lights, Alex Lahey, Nobody, Jimmy Webb, Brad Mehldau, Theo Croker, Greys, Olden Yolk, Dommengang, Sam Cohen, Bruce Springsteen, Mannequin Pussy