01-14-2019 # BLUES:MiX # 33 blues(y) songs from the BLUES circle 1975-1987

01-14-2019 # BLUES:MiX # 33 blues(y) songs from the BLUES circle 1975-1987 # Hound Dog Taylor, Luther Allison, Charlie Musselwhite, Eric Clapton, Hip Linkchain, Etta James, Jimmy Johnson, Mike Bloomfield, James Sparky Rucker, Cash McCall, Eddie Cleanhead Vinson, American Folk Blues Festival, Lonnie Brooks, Jimmy Carl Black and the Mannish Boys

B L U E S   M U S I C

LISTEN THE PLAYLIST ON DEEZER.COM

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

1975-1987

Alligator Records, Chicago's leading contemporary blues label, might never have been launched at all if not for the crashing, slashing slide guitar antics of Hound Dog Taylor. Bruce Iglauer, then an employee of Delmark Records, couldn't convince his boss, Bob Koester, of Taylor's potential, so Iglauer took matters into his own hands. In 1971, Alligator was born for the express purpose of releasing Hound Dog's debut album. We all know what transpired after that...
Hound Dog Taylor
Wild About You, Baby 3:54
Sen-Sa-Shun (Freddie King / Sonny Thompson) 3:19
What'd I Say? (Ray Charles) 4:08
from Release the Hound / Rec. May 25, 1971 - March, 1975 (2004)
As the debut act on the fledgling Alligator label, Hound Dog Taylor obviously holds a hallowed place in owner Bruce Iglauer's heart. That has resulted in more posthumous albums (three) from the raw boogie-blues man than "official" ones (two) released in his lifetime. And that's not including the Alligator tribute disc. Iglauer has returned to raid what must be some pretty threadbare vaults by now, to cobble together this 70-minute collection of live tracks, outtakes, and general leftovers. Fortunately, this barrel-scraping has turned up some real gems, although they are far rougher than what is already in Taylor's gritty, gutbucket rocking catalog...

Distinctive Chicago blues guitar stylist who expatriated to France in the '70s and returned to great acclaim in the '90s. An American-born guitarist, singer, and songwriter who lived in France since 1980, Luther Allison was the man to book at blues festivals in the mid-'90s. Allison's comeback into the mainstream was ushered in by a recording contract with an American record company, Chicago-based Alligator Records. After he signed with Alligator in 1994, Allison's popularity grew exponentially and he worked steadily until his death in 1997.
Luther Allison
Love Me Papa (Luther Allison) 5:58
Standing at the Crossroad (Robert Johnson) 3:15
Feelin' So Good [Take 2] (Herman Parker) 8:08
from Standing At The Crossroad / Rec. 1977 Barclay Studio, Paris, France (2003)
Vocals, Guitar, Harmonica – Luther Allison, Bass – Jim Campbell, Drums – Donald Robertson, Guitar – Dan Hoeflinger, Piano, Organ – Sid Wingfield

Boogie-blues band originating from England, based in America, built a strong following in the '70s. Foghat specialized in a simple, hard-rocking blues-rock, releasing a series of best-selling albums in the mid-'70s. While never deviating from their basic boogie, they retained a large audience until 1978, selling out concerts across America and earning several gold or platinum albums.
Foghat
Stone Blue (Lonesome Dave Peverett) 5:37
Sweet Home Chicago (Robert Johnson) 4:00
from Stone Blue 1978
After racking up huge sales with Live, Foghat found themselves forced to choose between staying a hard rock cult group or trying to expand their success and become a full-on commercial phenomenon. They decided to experiment with adding a commercial edge to their sound and hired producing wiz Eddie Kramer (knob-twiddler for Jimi Hendrix and Kiss) to help them find the right balance between guitar power and studio gloss...

A Mississippi transplant whose rangy, subtle harp playing made a splash in Chicago blues circles beginning in the 1960s. Harmonica wizard Norton Buffalo can recollect a leaner time when his record collection had been whittled down to only the bare essentials: The Paul Butterfield Blues Band and Stand Back! Here Comes Charley Musselwhite's South Side Band...
Charlie Musselwhite
Harpin' on a Riff (Charlie Musselwhite) 3:34
Blues All Night 3:27
Chicago Sunset (Charlie Musselwhite) 3:27
from Harmonica According to Charlie 1979
Ostensibly an instructional blues harp album (with an exhaustive accompanying book penned by Charlie), this is emotional and listenable rather than academic. Charlie covers a wide range of blues styles (and harp positions), and ventures to the outer fringes of the genre for the instrumentals... The English studio band is sympathetic, especially pianist Bob Hall.

30-11-2018 BLUES:MiX # 33 blues(y) songs from the BLUES circle 1969-1980

Albert King

30-11-2018 BLUES:MiX # 33 blues(y) songs from the BLUES circle 1969-1980 # Albert King, Little Milton, The Paul Butterfield Blues Band, John Lee Hooker, Van Morrison, Savoy Brown, Alvin Lee, Hound Dog Taylor, Rory Gallagher, Luther Allison, Foghat, Charlie Musselwhite, Eric Clapton

B L U E S   M U S I C

LISTEN THE PLAYLIST ON DEEZER.COM

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

1969-1980

One of the most important post-war blues guitarists, renowned for his massive tone and unique way of squeezing bends out of a guitar string. Albert King is truly a "King of the Blues," although he doesn't hold that title (B.B. does). Along with B.B. and Freddie King, Albert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does -- his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan.
Albert King
Hound Dog (Jerry Leiber / Mike Stoller) 4:03
Heartbreak Hotel (Mae Boren Axton / Tommy Durden / Elvis Presley) 6:06
Love Me Tender (Vera Matson / Elvis Presley) 5:20
from Blues For Elvis: King Does The King's Things 1969
Blues for Elvis - King Does the King's Things is the fifth studio album by Albert King. The songs in this album are versions of songs previously recorded by Elvis Presley. On the album sleeve there is a review by Albert Goldman, Music Critic of LIFE Magazine, who says, among other things "For the first time on record, the King of Blues is meeting the King of Rock." and "...you're gonna love every minute of this musical feast fit for kings.".

Soul/blues singer whose style is characterized by a gritty, impassioned vocal style and precise, textured guitar playing. He may not be a household name, but die-hard blues fans know Little Milton as a superb all-around electric bluesman -- a soulful singer, an evocative guitarist, an accomplished songwriter, and a skillful bandleader. He's often compared to the legendary B.B. King -- as well as Bobby "Blue" Bland -- for the way his signature style combines soul, blues, and R&B, a mixture that helped make him one of the biggest-selling bluesmen of the '60s (even if he's not as well-remembered as King).
Little Milton
If Walls Could Talk (Bobby Miller) 3:09
Blues Get off My Shoulder (Bobby Parker / Robert Parker) 3:12
I Play Dirty (Pearl Woods) 2:27
from If Walls Could Talk 1970
On If Walls Could Talk, Little Milton continues to fuse blues with soul -- if anything, the album leans toward soul more than blues. Supported by a band with a thick, wailing horn section, Little Milton sings and plays with power. Though there a couple of wonderful solos, the focus of the record is on the songs, which all sound terrific, thanks to Milton's compassionate vocals.

With a style honed in the gritty blues bars of Chicago's south side, the Butterfield Blues Band was instrumental in bringing the sound of authentic Chicago blues to a young white audience in the mid-'60s, and although the band wasn't a particularly huge commercial success, its influence has been enduring and pervasive.
The Paul Butterfield Blues Band
Play On (Paul Butterfield / John Elefante / Kerry Livgren) 3:34
Night Child (Paul Butterfield / Brother Gene Dinwiddie / Ted Harris / Rod Hicks / Oscar Peterson) 4:26
Drowned in My Own Tears (Henry Glover) 5:18
from Sometimes I Just Feel Like Smilin' 1971
Sometimes I Just Feel Like Smilin' is the last of the Butterfield Blues Band's studio recordings with Elektra. Again we see a change in the group's lineup, most notably with guitarist Buzzy Feiten out and Ralph Walsh in. The post-Bloomfield Butterfield Blues Band studio efforts saw a high turnover in the musicians surrounding Butterfield and the releases reflect this fact. The direction on Sometimes I Just Feel Like Smilin' is a distinct departure from their radio-friendly predecessor, Keep On Moving. With longer soloing and instrumental tracks, this Elektra recording brings back blues currents that were lacking in their previous album and better combines vocals and instrumentation.