23-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2019-2011 (2h 34m) # Gary Clark Jr., Bernard Allison, John Mayall, Lil' Ed & the Blues Imperials, Keith Richards, The Mannish Boys, James Cotton, Ruthie Foster, Tommy Castro, Albert Castiglia, Magic Slim & the Teardrops
B L U E S M U S I C (2h 34m)
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2019-2011
With his acclaimed debut Blak and Blu, Gary Clark, Jr. emerged at the dawn of the 2010s as the great hope for modern electric blues. He spent the rest of the decade fulfilling that promise, both by continuing the blues-rock tradition and expanding it to encompass contemporary funk, rock, and hip-hop. Initially, Clark played his cards relatively close to the vest, emphasizing the blues heritage of his hometown in Austin, Texas (and earning the endorsement of local legend Jimmie Vaughan)...
This Land (Woody Guthrie / Gary Clark, Jr.) 5:41
Dirty Dishes Blues (Lane Evans / Gary Clark, Jr. / Jacob Sciba) 5:03
What About Us (Gary Clark, Jr. / Curtis Ousley) 4:30
from This Land 2019
"F*ck you, I'm America's son/This is where I come from." Gary Clark, Jr. spits out that line with all the venom he can muster on the opening track of 2019's This Land, and while he's specifically challenging a racist neighbor who doesn't believe he can afford the Texas ranch he calls home, it also sounds like he's shouting down anyone who has dared to question his creative ambitions or tried to pigeonhole him as just another bluesman. Since making his major-label debut with 2012's Blak and Blu, Clark has steadily been widening his boundaries as a musician, and This Land is his toughest and most ambitious work to date, a bold and often ferocious set of songs that serves as a polyglot of African-American musical idioms and sharply articulate thoughts about American life in the midst of the Trump era. As on his previous albums, Clark frequently demonstrates he's a gifted and forceful guitarist, but on This Land, the songs are ultimately more important than the solos, and the rich, densely packed production, the melodic diversity of material, and the undiluted passion of the lyrics (and the way Clark delivers them) is what truly makes this album succeed... This Land is not an album many were expecting Gary Clark, Jr. to make when he burst into nationwide recognition at the start of the 2010s, and that's one of its greatest strengths -- it frequently upends expectations while confirming Clark's broad talent and imagination, and if this doesn't convince you he's a major artist, nothing will.
Bernard Allison is the guitar-playing, singing, and songwriting son of late legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his father did. Bernard counts among his influences icons like Albert King, Muddy Waters, and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter.
Cruisin For A Bluesin (Bernard Allison, Mario Dawson) 4:55
Backdoor Man (Bernard Allison) 3:49
You're Gonna Need Me (Luther Allison) 4:38
from Let It Go 2018
Painful admission: When this reviewer saw the title of the aforementioned CD, she popped it into her stereo and fast-forwarded to that track, hoping and praying it wasn’t a cover of the pop hit from Disney’s Frozen. Then she thought, “Bernard Allison would never do that. He’s a legend!” His Let It Go is an original tune and an entire album besides. When blues runs in the blood as thickly and purely as it does between a father and his youngest son, nary a sour note is played. Bernard’s groove persists and embellishes itself throughout twelve tracks... Perhaps the best part of Bernard’s blues is his vocals, savory as barbecue ribs: hot and tangy, just the thing to warm one’s ears like a full rack of “baby back” warms the stomach. Of course, his guitar is iconic, and it makes a bold appearance in electric, slide, and acoustic varieties. Ruf Records has done it again, providing pristine-quality music from a pristine-quality, traditional blues artist.
John Mayall, OBE is the godfather of the British blues. A singer/songwriter and multi-instrumentalist, he has been a bandleader and recording artist since 1965. A generation older than most of his sidemen, Mayall was a mentor; his bands were both a lab and finishing school for iconic musicians -- particularly guitarists. Eric Clapton, Peter Green, and Mick Taylor served, as did bassists Jack Bruce and John McVie and drummers Mick Fleetwood and Aynsley Dunbar among dozens of others...
Talk About That (John Mayall) 4:25
The Devil Must Be Laughing (John Mayall) 6:57
Blue Midnight (John Mayall) 4:02
from Talk About That 2017
John Mayall enlisted the aid of a Rock And Roll Hall Of Famer for Talk About That, his latest release in a career that stretches back to the early ’60s, but have no fear! With James Gang/Eagles superstar Joe Walsh along for the ride, the undisputed Godfather Of British Blues delivers a heaping portion of the music four generations of fans have come to know and love... Available through all major marketers Talk About That proves once again that Mayall is a musical treasure. It’s comfortable, yet fresh throughout — and strongly recommended.
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| John Mayall Trio and Joe Walsh |
