22-01+2022 BLUES:MiX # 33 blues(y) songs from the BLUES_circle 2012-2002 (2h 32m)

22-01+2022 BLUES:MiX # 33 blues(y) songs from the BLUES_circle 2012-2002 (2h 32m) # Ruthie Foster, Tommy Castro, Albert Castiglia, Magic Slim & the Teardrops, Chris Duarte Group, Eric Clapton  with special guest J.J. Cale, The Wood Brothers, The White Stripes, Boo Boo Davis, Taj Mahal, Shemekia Copeland

B L U E S    M U S I C (2h 32m)

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BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2012-2002

With a naturally expressive voice that has drawn comparisons to greats like Aretha Franklin and Ella Fitzgerald, Texas-based singer and songwriter Ruthie Foster has a wide palette of American song forms -- gospel and blues to jazz, folk, and soul -- and her live performances are powerfully transfiguring...

Ruthie Foster 

Long Time Gone (David Crosby) 5:14

This Time (David Hidalgo / Louis Perez / Louie Pérez) 4:48

Everlasting Light (Dan Auerbach / Patrick Carney) 3:33

from Let It Burn 2012

One of the gospel-blues scene's best-kept secrets for over a decade, Texan singer/songwriter Ruthie Foster finally achieved some long-overdue mainstream recognition when her 2009 sixth studio effort, The Truth According to Ruthie Foster, picked up a Grammy nomination. By putting down the guitar and concentrating entirely on her vocals for the first time in her career, her follow-up, Let It Burn, suggests she means business. It's a wise move, as her impassioned, soulful tones have always been her main selling point, and backed by an impressive array of musicians, including the Meters' rhythm section and legendary gospel act the Blind Boys of Alabama, they're allowed the freedom to showcase their versatility... But whichever era Foster picks and chooses from, Let It Burn always feels utterly timeless.

Tommy Castro is an American guitarist, singer, songwriter, and bandleader. His muscular brand of roots music indulges electric and jump blues, funky R&B-inflected rockers, and searing soul-drenched ballads. An incendiary lead guitarist and showman, he often plays more than 200 dates a year...

Tommy Castro 

Voodoo Spell feat. Michael Burks 10:02

Fog feat. Trampled Under Foot

from Tommy Castro Presents The Legendary Rhythm & Blues Revue--Live! 2011

A direct descendant from the traveling bundled artist packages of the '60s right down to its retro "hatch show"-styled cover art, Tommy Castro and his band play host to a relatively diverse assortment of high-energy blues and soul acts. The concept originated on the yearly Legendary Rhythm & Blues Cruise where such musical collaborations are typical. Castro's concept was to take that concept on the road, resulting in this dozen-track live album cherrypicked from various tour stops. It's a rollicking, very plugged-in affair... Everyone is at the top of their game with an electricity and vein-popping excitement that can only be generated when musicians feed off each other live... 

Blues guitarist Albert Castiglia was born in New York on August 12, 1969. Five years later his parents moved to Miami, where Castiglia began learning guitar. By the age of 12, he began playing local gigs and did so consistently throughout high school. Following completion of his college education, Castiglia worked as a social service investigator while playing gigs at night and on weekends around South Florida. In 1990 he joined Miami Blues Authority, and was the group's lead guitarist and vocalist for over seven years. After an audition with Chicago blues harp legend Junior Wells in 1997, Castiglia become the permanent lead guitarist for Wells' Hoodoo Man's Band. Following Junior's death in 1998, the band stayed together long enough to open shows for blues belter Sandra Hall. In 2001 Castiglia began writing his own material with the help of Graham Drout, guitarist and vocalist with the Miami-based band Iko Iko...

Albert Castiglia 

Cadillac Assembly Line (Sir Mack Rice) 5:01

Mojo 305 (Albert Castiglia / Steven Gaskell / Jerome Mascaro) 3:58

Murderin' Blues (Robert Nighthawk) 5:25

from Keepin' On 2010

Albert Castiglia has been making his living as a bluesman for 20 years, coming to prominence as lead guitarist for the legendary Junior Wells. He's played with a who's who of blues greats in his career and stepped out on his own in 2002 with Burn, an album that got universal raves. There's no doubting Castiglia's power as a guitarist... Critics often compare Castiglia's singing to Van Morrison, and maybe there was a bit of Van the Man in his vocal style years back, but on Keepin On he has his own signature style, a combination of urban grit and smooth, soulful crooning. Like Robert Cray, Castiglia combines hardcore blues with soul, rock, and country flavors for a sound that will appeal to rockers and blues purists alike.

23-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2019-2011 (2h 34m)

23-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2019-2011 (2h 34m) # Gary Clark Jr., Bernard Allison, John Mayall, Lil' Ed & the Blues Imperials, Keith Richards, The Mannish Boys, James Cotton, Ruthie Foster, Tommy Castro, Albert Castiglia, Magic Slim & the Teardrops

B L U E S    M U S I C (2h 34m)

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BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2019-2011

With his acclaimed debut Blak and Blu, Gary Clark, Jr. emerged at the dawn of the 2010s as the great hope for modern electric blues. He spent the rest of the decade fulfilling that promise, both by continuing the blues-rock tradition and expanding it to encompass contemporary funk, rock, and hip-hop. Initially, Clark played his cards relatively close to the vest, emphasizing the blues heritage of his hometown in Austin, Texas (and earning the endorsement of local legend Jimmie Vaughan)...

Gary Clark, Jr. 

This Land (Woody Guthrie / Gary Clark, Jr.) 5:41

Dirty Dishes Blues (Lane Evans / Gary Clark, Jr. / Jacob Sciba) 5:03

What About Us (Gary Clark, Jr. / Curtis Ousley) 4:30

from This Land 2019

"F*ck you, I'm America's son/This is where I come from." Gary Clark, Jr. spits out that line with all the venom he can muster on the opening track of 2019's This Land, and while he's specifically challenging a racist neighbor who doesn't believe he can afford the Texas ranch he calls home, it also sounds like he's shouting down anyone who has dared to question his creative ambitions or tried to pigeonhole him as just another bluesman. Since making his major-label debut with 2012's Blak and Blu, Clark has steadily been widening his boundaries as a musician, and This Land is his toughest and most ambitious work to date, a bold and often ferocious set of songs that serves as a polyglot of African-American musical idioms and sharply articulate thoughts about American life in the midst of the Trump era. As on his previous albums, Clark frequently demonstrates he's a gifted and forceful guitarist, but on This Land, the songs are ultimately more important than the solos, and the rich, densely packed production, the melodic diversity of material, and the undiluted passion of the lyrics (and the way Clark delivers them) is what truly makes this album succeed...  This Land is not an album many were expecting Gary Clark, Jr. to make when he burst into nationwide recognition at the start of the 2010s, and that's one of its greatest strengths -- it frequently upends expectations while confirming Clark's broad talent and imagination, and if this doesn't convince you he's a major artist, nothing will.

Bernard Allison is the guitar-playing, singing, and songwriting son of late legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his father did. Bernard counts among his influences icons like Albert King, Muddy Waters, and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter.

Bernard Allison 

Cruisin For A Bluesin (Bernard Allison, Mario Dawson) 4:55

Backdoor Man (Bernard Allison) 3:49

You're Gonna Need Me (Luther Allison) 4:38

from Let It Go 2018

Painful admission: When this reviewer saw the title of the aforementioned CD, she popped it into her stereo and fast-forwarded to that track, hoping and praying it wasn’t a cover of the pop hit from Disney’s Frozen. Then she thought, “Bernard Allison would never do that. He’s a legend!” His Let It Go is an original tune and an entire album besides. When blues runs in the blood as thickly and purely as it does between a father and his youngest son, nary a sour note is played. Bernard’s groove persists and embellishes itself throughout twelve tracks... Perhaps the best part of Bernard’s blues is his vocals, savory as barbecue ribs: hot and tangy, just the thing to warm one’s ears like a full rack of “baby back” warms the stomach. Of course, his guitar is iconic, and it makes a bold appearance in electric, slide, and acoustic varieties. Ruf Records has done it again, providing pristine-quality music from a pristine-quality, traditional blues artist.

John Mayall, OBE is the godfather of the British blues. A singer/songwriter and multi-instrumentalist, he has been a bandleader and recording artist since 1965. A generation older than most of his sidemen, Mayall was a mentor; his bands were both a lab and finishing school for iconic musicians -- particularly guitarists. Eric Clapton, Peter Green, and Mick Taylor served, as did bassists Jack Bruce and John McVie and drummers Mick Fleetwood and Aynsley Dunbar among dozens of others...

John Mayall 

Talk About That (John Mayall) 4:25

The Devil Must Be Laughing (John Mayall) 6:57

Blue Midnight (John Mayall) 4:02

from Talk About That 2017

John Mayall enlisted the aid of a Rock And Roll Hall Of Famer for Talk About That, his latest release in a career that stretches back to the early ’60s, but have no fear! With James Gang/Eagles superstar Joe Walsh along for the ride, the undisputed Godfather Of British Blues delivers a heaping portion of the music four generations of fans have come to know and love... Available through all major marketers Talk About That proves once again that Mayall is a musical treasure. It’s comfortable, yet fresh throughout — and strongly recommended.

John Mayall Trio and Joe Walsh