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A következő címkéjű bejegyzések mutatása: Iceage. Összes bejegyzés megjelenítése
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2021. február 10., szerda

"Robber" #116 ALTER.NATION.MiX - weekly favtraX 10-02-2021 (11trx 46m)

  ALTER.NATION #116 (11trx 46m)


The Weather Station, Celeste, Common,  Lenny Kravitz, Chuck D, Sharon Jones & the Dap-Kings,  Woody Guthrie, X, Robbie Krieger, Miss Grit, TV Priest, Dry Cleaning,Iceage, Puma Blue, A.J. Croce

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"R o b b e r"




The mercurial project of Canadian singer/songwriter Tamara Lindeman. The project of singer/songwriter Tamara Lindeman, the Weather Station's songs are too musically and emotionally nimble to be classified easily.
On Loyalty and The Weather Station, Tamara Lindeman's music evolved by leaps and bounds. On Ignorance, she reaches another peak. When the Weather Station's tour for their 2017 self-titled album ended, she spent months researching the enormous impact of climate change. She attended demonstrations and hosted a series of discussions with other musicians and activists, but Lindeman had to explore the issue -- and people's resistance to addressing it -- in her music... Though she's previously shied away from theatricality, there's no denying how powerfully she uses it on the album's opening track, "Robber." Over slinky yet uneasy synths and strings, Lindeman meditates on how the privileged steal resources in a croon embodying the seductiveness of the status quo. The silvery highs of Lindeman's voice still resemble Joni Mitchell, as do the cleverly captured details of Ignorance's lyrics... While she's growing so much with each album that it seems risky to call this Lindeman's best, it's safe to say this is another outstanding achievement from the Weather Station.

British-American R&B singer/songwriter who crafts languid, jazzy songs elevated by her powerful vocals.
Celeste - Not Your Muse / Stop This Flame
...The first new single off Not Your Muse, the mannered and grand pop-soul belter "Stop This Flame," appeared at the top of 2020 and almost cracked the Top 40 in her native U.K...  Along the line, Not Your Muse had several intended release dates and at some point was supposed to be an EP. Chaotic roll-out notwithstanding, the album is sure-footed and attests to the artist's high standing among the crowd mining pre-disco R&B, jazz, and pop. Celeste and her fellow songwriters and producers -- led by main collaborators Jamie Hartman and Josh Crocker -- have all the knowing, tasteful moves down pat and exhibit some tricks of their own...


Grammy- and Academy Award-winning rapper and actor who has kept the sophisticated lyrical technique and flowing syncopation of jazz-rap alive.
Breaking stylistically with the more physically militant hip hop records that have been getting attention in recent years, Common's Beautiful Revolution is an album about mindset, the resistance from within. His lyrics call for resilience, determination, and self-love in the face of oppression, distraction, and hatred... 


Veteran R&B singer who enjoyed the onset of stardom in the 21st century with the soul revivalist combo the Dap-Kings. / Sharon Jones' soul-funk outfit was also a popular backing band, notably with Mark Ronson and Amy Winehouse.
One of the realities of the music business is that when an artist with a degree of popularity dies, you can count on plenty of their rare and unreleased sides getting repackaged for public consumption once their obituary puts their name back in the news... Just Dropped In (To See What Condition My Rendition Was In) demonstrates Sharon Jones gave 150 percent every time she stepped up to the microphone, regardless of the circumstances, and this album is a testament to her great talent as well as her gift for putting her own stamp on any song she chose to try on for size.


Influential L.A. punk band known for an exhilarating blend of punk, rockabilly, and blues, with a sound and style that outlived the movement.
Last year, in a true out-of-nowhere surprise, Los Angeles punk legends X returned with their new album Alphabetland. This was X’s first album since 1993’s Hey, Zeus!, and it was the first one from the band’s full original lineup since 1985’s Ain’t Love Grand. More importantly, it was good! Alphabetland wasn’t going to threaten Los Angeles or Wild Gift on anyone’s list of the best X albums, but the band was still able to summon the fiery underdog chemistry of their early days, and the contrast between John Doe and Exene Cervenka’s voices still sounded really cool. ..


Miss Grit - Grow Up To
...Miss Grit’s latest is called “Grow Up To.” It might the more straight-ahead rocker of the bunch, but in the context of Miss Grit that still means that “Grow Up To” is built on gnarled rhythm and big mutated guitar riffs. “Grow up to, grow up to, grow up to is my ongoing obsession with what’s next,” Sohn said of the track. “The lack of content with the present leads to the chaos and collapse of this song.”



Post-punk quartet from England who marry bitter, witty ranting with roiling, noisy rock grooves.
TV Priest - Uppers / This Island
...Thick walls of guitar-based throb? A pounding rhythm section making a serious wallop? A vocalist who talks rather than sings as he bellows what sounds like blank verse poetry about the sorry state of our culture? All these qualities are present and accounted for on 2021's Uppers, the first album from London quartet TV Priest... Drinkwater is a muscular, charismatic frontman and he brings a strong voice and a subtly intelligent phrasing to his rants, which manage to be direct and filled with impressionistic detail at the same time. Alex Sprogis' guitar work is artful enough to elevate his sound above the traditional post-punk clang and skronk...  and bassist Nic Bueth adds occasional keyboards that bring an effective level of atmospheric menace when they rise up in the mix... Every worthwhile band needs a good drummer, and Ed Kelland has the strength and the imagination to give this music the backbone it needs...


Wry, spoken word post-punk from South London four-piece.
Ever since their initial EPs prompted us to name Dry Cleaning a Band To Watch, we were looking forward to how they might expand their sound across a debut album... The band has been working on the album for a bit, though, like many artists, recent events impacted the end results. “I found the lockdown played into some of the themes I was interested in anyway, living in a small world, a feeling of alienation, paranoia and worry, but also a joyful reveling in household things,” frontwoman Florence Shaw says. 


Danish band who offer a smart and ambitious spin on punk that's still packed with emotional and physical power.
...Iceage’s latest is called “The Holding Hand.” “The song lives in a slurred world, movements are elastically stretched out and strength is found in weakness while you find it hard to tell the difference between fume and matter,​” Elias Bender Rønnenfelt said in a statement. “​Gently the swaying intensifies, feel it escalate. Reach out for the holding hand, it seems almost within scope now.”​ Musically, “The Holding Hand” seems to build on the more spaced-out, noise-tinged moments of Beyondless, sitting in an anxious cloud that builds up without ever quite releasing.


London singer/songwriter with a dusky, hypnotic style steeped in 1990s indie rock and trip-hop influences.
The debut full-length album from London's Puma Blue, 2021's In Praise of Shadows, showcases his hypnotic blend of lyrical indie rock and jazzy, '90s-style downtempo electronica... Similarly evocative, "Oil Slick" nicely updates the vintage trip-hop of bands like Morcheeba and Massive Attack with its frenetic groove, strings, and sax solo. It's also impressive how balanced Puma Blue's sound can be...


Singer, songwriter, and pianist whose eclectic style is influenced by vintage jazz, R&B, and pop; son of Jim Croce.
A.J. Croce - By Request / San Diego Serenade (Tom Waits cover)
In the wake of his wife's unexpected death from a heart ailment in 2018, AJ Croce found comfort in the past: he returned to some of his favorite music, songs he'd play at parties and jam sessions with fellow musicians. Hence the name "By Request": these are the songs he'd play to entertain a close crowd... and lingers on the poetry of Tom Waits' "San Diego Serenade." Croce's arrangements stick to the originals but don't treat them as sacred texts: as a pianist and vocalist, he glides through the changes, savoring the lyrical and melodic turns of phrases and taking solos to suit his mood. The result is a spirited, nourishing listen, a low-key testament to the restoring power of music.

The Weather Station, Celeste, Common,  Lenny Kravitz, Chuck D, Sharon Jones & the Dap-Kings,  Woody Guthrie, X, Robbie Krieger, Miss Grit, TV Priest, Dry Cleaning,Iceage, Puma Blue, A.J. Croce







2018. október 23., kedd

002 ALTER.NATiON: weekly favtraX / 23-10-2018 (52')

ALTER.NATiON #002
All Them Witches, Beak>, Doyle Bramhall II, Exploded Wiev, Ian Siegal, John Sofield, Jon Batiste, Mudhoney, Ron Gallo, Toe, Stephen Malkmus and the Jicks, Iceage
DOYLE BRAMHALL II

weekly favtraX
23-10-18





ALTER.NATiON #2 on DEEZER


 Austin, Texas-based guitarist who gained fame in the '90s as Eric Clapton's right-hand man and who pursued a blues-rock career of his own. 
DOYLE BRAMHALL II - Love and Pain 4:10
It took Doyle Bramhall II 15 years to deliver Rich Man, the sequel to 2001's Welcome, but only two to follow that 2016 record with Shades. Appropriately, Shades feels looser than its predecessor and more direct, too. Where Rich Man was dotted with epics, Bramhall keeps things generally concise on Shades, and he also firmly grounds the album in soul. The first sounds on Shades may recall the thick, heavy blues grooves of the Black Keys but by the time Bramhall gets to the chorus of "Love and Pain," he spins the song into classic '60s R&B...

 Former Toy Soldiers frontman whose music evolved from roots rock to garage punk as he moved from Philadelphia to Nashville. Ron Gallo is the name of a Philadelphia-bred rock musician whose music embraces elements of both roots rock and garage punk with an abundance of smarts and passion.
RON GALLO - It's All Gonna Be OK 2:51
Leaving his well-mannered past as a roots rocker behind, Ron Gallo showed off a lean-and-mean sound and a lyrical style full of snarky wit on 2017's Heavy Meta, and he's dug in deeper with his second album from his eponymous band. 2018's Stardust Birthday Party is dominated by no-frills melodies rooted in Gallo's sharp, choppy guitar figures and the taut, efficient rhythms of bassist Joe Bisirri and drummer Dylan Sevey, which isn't that far off from the formula on Heavy Meta...

 Primarily instrumental post-rock quartet from Japan with an angular, guitar-driven sound. Bearing no relation to the short-lived Chicago-based group of the same name, Toe are a primarily instrumental rock quartet from Japan consisting of guitarists Mino Takaaki and Yamazaki Hirokazu, drummer Kashikura Takashi, and bassist Yamane Satoshi.
TOE - Dual Harmonics 3:13
Since 2000, Japanese quartet Toe have been making highly intricate post-rock music that sounds like it was produced by an advanced, ultra-precise machine, yet feels earthy and organic. Their songs are typically characterized by clean-sounding guitar melodies working in tandem with eternally fluctuating drumbeats... "The Latest Number" features a slightly stilted but danceable rhythm along with hushed yet alert vocals, with bits of electronics and vibraphones stitching the guitars and rhythm section together during the bridge. This is certainly Toe in pop mode, but even when they concentrate on showcasing their musicianship, they're still quite accessible.

Felirat hozzáadása
 A neo-psychedelic, dark blues quartet from Nashville. Though their '60s and '70s influences are plain, their sound is mercurial.  A versatile hard rock quartet based out of Nashville, Tennessee, All Them Witches draw from a deep well of musical inspiration that includes Blue Cheer, Black Sabbath, Sun, Moon & Herbs-era Dr. John, and the electric Delta swamp blues of Junior Kimbrough.
ALL THEM WITCHES - Diamond 6:09
2017's Sleeping Through the War saw the Tennessee-based psych-blues outfit drop a largely song-oriented set of cosmic stoner metal emissions that dialed back on some of the more exploratory aspects of their previous outings...  If anything, ATW feels like a product of pure instinct, and while it may take some patience to absorb, there isn't a single note that feels coerced.

Louisiana-born jazz pianist, composer, and bandleader known for his eclectic crossover music. Keyboardist, bandleader, singer, composer, and educator Jon Batiste is an adventurous, eclectic, jazz-based musician. 
JON BATISTE - Saint James Infirmary Blues 4:18
“There’s so much going on in the world that I wanted to respond to, and there’s not a lot of music where people can meditate, think, reflect, but also be uplifted by” says Batiste, calling from a car in the midst of a hectic day of press in Manhattan for his new album. “I wanted to get back to the basics of who I am as a musician but also the basics of who I am as a person.”... Produced by T Bone Burnett, the album is a sparse solo affair guided entirely by Batiste’s Jelly Roll Morton–inspired piano playing and, for the first time, his vocals. Across 11 tracks, Batiste traverses the entire history of 20th-century music,

Danish band who offer a smart and ambitious spin on punk that's still packed with emotional and physical power. 
Iceage - Catch It 5:45
...Lead singer Elias Bender Rønnenfelt was born to brood, and on “Catch It,” he delivers one of his most emotive vocal performances yet. Over a simple, lurching chord progression, he groans and seethes into the mic, telling his story as with the wrinkles in his voice as with his words. Because there are only a few notes in the new single’s vocal melody, Rønnenfelt has more of a chance to modulate the texture of his voice...

Born in the deep south (of England!) in 1971, Ian's earliest musical memories are of the likes of Buddy Holly, Jerry Lee Lewis, Elvis and Chuck Berry, but it was on hearing the great Little Richard that he really caught the music bug and became nothing short of obsessive about it. This lead him into a life-long passion for the Blues and all of its various branches, and most of all, the man he calls "God" - the inimitable Muddy Waters.
IAN SIEGAL - The Sh*t Hit 5:39
A studio album from Ian Siegal is always a seismic event. Recent times have seen this award-winning British songwriter put untold miles on the clock, with the spit-and-grit of his shows bottled in several live albums. But in 2018, it’s tantalising to find his name alongside ten new original songs and to anticipate where All The Rage might take the man whose material was rightly trumpeted by Mojo as “awash with wit, lust and distraction”.

The former Pavement frontman's solo career has a broader musical palette, evoking British folk, '70s prog, psychedelia, and blazing guitar rock.
Stephen Malkmus and the Jicks - Middle America 3:31
...Melodically, “Middle America” sounds like it could have been hiding in a vault since Pavement's final 1999 album, Terror Twilight. Lyrically, it adopts more gravitas than Malkmus' irreverent former band ever attempted. Lines about growing older in the United States circle around his patented breezy guitar work...

 The quartet that defined Seattle grunge, a group with a penchant for heavy metal muscle, punk attitude, and garage rock primitivism.  Nirvana may have been the band that put an entire generation in flannel, and Pearl Jam and Soundgarden both sold a lot more records, but Mudhoney were truly the band that made the '90s grunge rock movement possible
MUDHONEY - Prosperity Gospel 3:48
Some bands mellow with age, as their youthful fury gives way to a more understanding frame of mind. Mudhoney are clearly not one of those bands. The grunge pioneers have long thrived on snark the way other folks require oxygen, but since they returned to the indie ranks with 2002's Since We've Become Translucent, lead singer Mark Arm has been more eager than ever to vent his spleen on the troubles of the world around him. Mudhoney have rarely sounded as flat-out pissed off as they do on 2018's Digital Garbage, an album that's a clear reflection of America in the year it was created

 The largely improvised post-punk-meets-Krautrock collaboration between Anika and Mexico City's indie luminaries. A kinetic mix of post-punk, dub, and Krautrock, Exploded View builds on the sounds of its members' other projects -- most notably vocalist/keyboardist Annika Henderson's work as a solo artist -- while creating its own identity with its stream-of-consciousness grooves.
EXPLODED VIEW - Dark Stains 3:25
On Exploded View's self-titled debut, the band's stream-of-consciousness post-punk drew a significant part of its impact from its live recording process, which emphasized the album's dreamlike flow and surprising tangents. The band -- now the trio of Annika Henderson, Hugo Quezada, and Martin Thulin -- brings a little more order to the proceedings on Obey. The trio tracked the album in a more traditional fashion at Thulin and Quezada's Mexico City studio, but fortunately, the more controlled environment doesn't diminish Exploded View's evocative power at all. If anything, Obey draws listeners into their lucid dreams more completely as they explore the costs of conformity and resisting it.

 A blend of Krautrock grooves and eerie atmospheres, featuring Portishead's Geoff Barrow. Featuring members of Portishead and Moon Gangs, Beak> is a trio crafting dense and atmospheric music inspired by dub, Krautrock, and the Beach Boys. 
BEAK> - Brean Down 3:51
>>>  "You don't like our music cuz it ain't up on the radio," Beak>'s Geoff Barrow sings on >>> with something approaching pride. This contrarian attitude defines the band's third album: Barrow and company could have easily made another album of sinister motorik-driven instrumentals like >>, but this time, they blow up their music.

A dazzling electric guitarist with a steely tone and fluid lines to earmark his distinctive post-bop style. Known for his distinctive, slightly distorted sound, jazz guitarist John Scofield is a masterful jazz improviser who has straddled the lines between straight-ahead post-bop, fusion, funk, and soul-jazz. One of the "big three" of late 20th century jazz guitarists (along with Pat Metheny and Bill Frisell), Scofield's influence grew in the '90s and continued into the 21st century.
JOHN SCOFIELD - Dang Swing 6:08
Scofield is on fine form here with a strong selection of tunes that, in their stylistic breadth, serve as a great introduction to the iconic guitarist's roots-based language. Scofield, like Bill Frisell, is perhaps more mellow in his sixties, luxuriating in every note, weighing every phrase, but there are still enough sparks here to satisfy his legion of long-term fans.


Guitarist John Scofield is one of the most respected contemporary jazz musicians. (johnscofield.com photo)
All Them Witches, Beak>, Doyle Bramhall II, Exploded Wiev, Ian Siegal, John Sofield, Jon Batiste, Mudhoney, Ron Gallo, Toe, Stephen Malkmus and the Jicks, Iceage