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A következő címkéjű bejegyzések mutatása: Lost Under Heaven. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Lost Under Heaven. Összes bejegyzés megjelenítése

2019. június 7., péntek

039 ALTER.NATION: weekly favtraX 07-06-2019

ALTER.NATION #39

The Soft Cavalry, Róisín Murphy, Bleached, Shannon Lay, Torche, Van Dale, Pixies, Lost Under Heaven, Girl Band, Dude York, Lana Del Rey, Tei Shi


weekly favtraX
07-06 - 2 0 1 9





ALTER.NATION #39 on deezer


Bella Union are thrilled to introduce The Soft Cavalry, a new project formed by the husband/wife duo of Steve Clarke and Rachel Goswell of Slowdive, whose self–titled debut album is due for release 5th July...
The Soft Cavalry - Dive
Slowdive’s Rachel Goswell's announcing a new band named the Soft Cavalry, which is a duo with her husband Steve Clarke, who she married last year. In July, they’ll release their self-titled debut album. “I’d always had ideas but never felt that anything I had to say was worthy of anyone’s attention, let alone my own,” Clarke said of the collaboration. “I wish that I could have done this fifteen years ago but, in reality, I simply couldn’t have. But I’m not one to overly wallow. I’d rather plough the various levels of confusion into songs.”

Former Moloko frontwoman who explored adventurous electronic pop in her solo career. During her time as the frontwoman of Moloko and throughout her solo career, Róisín Murphy made a name for herself as a purveyor of adventurous, omnivorous pop that blended influences as far-flung as disco and hot jazz. Born in Dublin...
Róisín Murphy - Incapable
...On “Incapable,” the Irish singer invokes a particularly loaded term, singing from the perspective of a woman estranged from the very ability to love... It’s a sneaky tune. At first, it sounds celebratory: “Never had a broken heart,” she admits, as her longtime accomplice Richard Barratt (aka Crooked Man) threads a hypnotic deep-house groove with slinky hints of disco. It sounds like a boast; her voice is somewhere between blasé and bulletproof. But as the song builds, and she contemplates her curious, almost inhuman remove, her tone turns searching, then desperate. With the chorus, she cuts to the chase: “Never had a broken heart/Am I incapable of love?/Never had a broken heart/Yet I’m unavailable for love.”... For a song about inner turmoil, “Incapable” is strikingly smooth. It glides on for more than eight minutes, disco riffs tracing delicate circles in the air as the synths rise higher and higher. Like the best dance music, it’s an invitation to get lost—only here, it seeks catharsis in the shadow of another’s emotional failure.


Serving up raffish punk-pop that sounds a little like a cheerier take on their former band Mika Miko, Bleached features sisters Jennifer and Jessica Clavin. After Mika Miko disbanded in 2009, Jennifer took a break from performing music, although she and Jessica continued to write songs together.
Bleached - Kiss You Goodbye
“Tell me everything’s OK/ Baby, we’re a hurricane,” they sing over a groove-inflected pop beat. “Kiss you goodbye for the last time.”... “We all saw ‘Kiss you Goodbye’ as an opportunity to pay homage to our roots in the valley,” Juliana Giraffe says in a statement. “Not only are we all sibling sisters coming together, but also all San Fernando valley girls at heart. What better way to celebrate that than a quick shout out to backyard bbqs, body builders and a little boogie nights on a Sunday in beautiful Woodland Hills.”

Transcendent folk-pop artist. “I always picture music as this river. Everyone’s throwing things into this river, it’s a place you can go to and feed off of that energy,” she says, “and feel nourished by the fact that so many people are feeling what you’re feeling. It’s this beautiful exchange.” 
Shannon Lay - Nowhere
Folk musician Shannon Lay revealed her Sub Pop signing with a Karen Dalton cover a few weeks ago, and today she’s announcing her first album for the label, August, which is fittingly out in August. Its proper lead single, “Nowhere,” is a gently lilting puzzle piece, Lay’s voice locking into place as she embraces confusion: “Nobody knows where I am going/ I just close my eyes and I find/ The place in my dreams,” she sings.


Revered Miami quartet that balances melody with crushing heaviness, creating a surprisingly uplifting and anthemic brand of doom metal. 
Torche - Slide
The great Miami band Torche have been around since 2004, when they rose from the ashes of hardcore monsters Floor. In that decade and a half, no other band has sounded like Torche. Torche have always made their home on the American metal underground, and they alone have found a way to combine the fuzz-bass rumble of doom with the adamantine hooks of stadium-sized ’90s alt-rock...  drummer Rick Smith says, “’Slide’ is one of the first songs Eric came to the table with, fully realized and arranged. Eric is a total beast of a songwriter. I suggested he use the first three Gary Numan records as inspiration and he came back at us with some melodically sound material that nailed the Torche vibe.”


Van Dale - Numbskul
Columbus fuzz-pop trio Van Dale have been kicking out classic indie guitar jams for the better part of a decade, and they’re about to serve up some more. Today the group announces their new album The Visitor... The nervy rocker “Numbskull” finds a hard-hitting sweet spot between Weezer and Nirvana, the band bashing away furiously while singer-guitarist Joe Camerlengo launches from his lower register into an aggressive wail. His refrain, “I don’t really think I’ve ever been away,” is joined to an intense rhythm that breaks loose into tension-relieving shouts of “YEAH!” The results are scrappy, dynamic, combustible, and just plain rad.


Indie icons who influenced countless artists by welding classic pop influences and jagged, roaring guitars to Black Francis' fragmented songwriting. 
Pixies - On Graveyard Hill
Indie legends Pixies have been sharing snippets of a new song the past few days. Today that song is here. “On Graveyard Hill” was cowritten by Black Francis and Paz Lenchantin, who memorably took over for founding bassist Kim Deal a few years back. It’s their first release since 2016 album Head Carrier, a spooky and characteristically rambunctious rocker marked by references to “the witching hour” and squalls of unmistakable Pixies guitar. They’ve been playing it live on tour this year, and the studio version is out now.


Lost Under Heaven - Teen Violence
Lost Under Heaven — the team-up between former WU LYFer Ellery James Roberts and Ebony Hoorn — put out their sophomore album, Love Hates What You Become, at the very beginning of the year... “‘Teen Violence’ is an allegorical tragedy about an Androgynous Prophet of the Divine Feminine who is brutally silenced by an aggressively ignorant society that is unable to comprehend his/her vision due to the paralysis of Cultural Immaturity,” Roberts said in a statement. “It is a song of our time: this formative moment in human history where we are faced with a plethora of crises that threaten the extinction of the species. Our Politics fail to make adequate response as the wider culture continues to fracture into increasingly oppositional individualist hysteria.”

Dublin four-piece noisemakers, taking influence from early Nirvana and Mclusky. 
Girl Band - Shoulderblades
...Girl Band are announcing The Talkies, a new album produced by Fox, and sharing lead single “Shoulderblades”... This one is a return to their all-consuming form, and its gnarly, acetic underbelly makes most other “indie” rock feel like child’s play. It’s noisy and pulsating — at times heavy on the psyche as there’s a palpable battle for space occupation. It opens with a vacillating atmosphere, and shrieking guitars seem go in and out of focus around the lyrics. As the drums kick in, lead singer Dara Kiely eerily screams, only adding to the push and pull felt with the lack of melodic consistency...


Seattle-based trio with a deep love of '90s alt-rock and the skills to re-create it quite nicely. The Pacific Northwestern trio Dude York formed in the early 2010s when college buddies guitarist/vocalist/songwriter Peter Richards, drummer Andrew Hall, and bassist Alex Cassidy began bashing out punky, poppy guitar rock.
Dude York - Box
Last month, the Seattle trio Dude York announced their new album, Falling... they’re back with “Box,” a riffy and bright track about the prospect of being alone forever that sounds like it could be blasting out of a stereo. “I’ll never love again/ No, not me/ I’ll never love again indefinitely,” Peter Richards sings.
It pairs nicely with their last single, an alternate point of view with a love that didn’t come as easy...

Vocalist who makes atmospheric orchestral pop showcasing her torchy image and sensuously husky singing style. Lana Del Rey envisioned a Southern California dream world constructed out of sad girls and bad boys, manufactured melancholy and genuine glamour, and then she came to embody this fantasy. At first, her stylized noir-pop garnered skeptical sneers...
Lana Del Rey - Doin' Time
...Lana Del Rey shared a snippet of a cover of Sublime's "Doin' Time." The song was a single on the O.G. frat-reggae band's multiplatinum self-titled third album, released in 1996. Lana writes in the Instagram caption that the song is "Coming soon," and according to the future single releases listed on All Access, her cover of "Doin' Time" will hit radio on May 20.
The new snippet comes as Lana Del Rey prepares her upcoming album Norman Fucking Rockwell, which has yet to receive a release date...


Valerie Teicher (born Buenos Aires, Argentina), best known by her stage name Tei Shi, is a singer-
songwriter and producer currently based in Brooklyn. Incorporating the genres of shoegaze, indie pop, and R&B, she released her first singles and music videos in 2013, also performing live for the first time at CMJ.
Tei Shi - A Kiss Goodbye
Tei Shi, aka Colombian-Canadian musician Valerie Teicher, is preparing to drop the follow-up to 2017’s tremendous Crawl Space. We don’t have details on the new LP just yet, but today she’s sharing its lead single, “A Kiss Goodbye.” The track is a breathy retro Brazilian pop exercise transposed into languid modern production. “So I lead with my body/ Follow with my head,” Tei Shi sings. “If you got what you wanted/ Let me walk away.”...

The Soft Cavalry, Róisín Murphy, Bleached, Shannon Lay, Torche, Van Dale, Pixies, Lost Under Heaven, Girl Band, Dude York, Lana Del Rey, Tei Shi

2019. január 20., vasárnap

017 ALTER.NATiON: weekly favtraX 20-01-2019

ALTER.NATiON
Sharon Van Etten, Deerhunter, Juliana Hatfield, Steve Gunn, M. Ward, Israel Nash, Joe Jackson, Night Beats, Liz Brasher, Buke and Gase, Lost Under Heaven, Dolphin Midwives


weekly favtraX
20-01-2019




Sharon Van Etten - No One's Easy to Love from Remind Me Tomorrow
...From her 2009 debut Because I Was in Love through 2014's Are We There, she mined the tension generated by murmuring instrumentation clashing with her passionate delivery, a balance that proved quietly compelling. Van Etten maintains that sense of drama on Remind Me Tomorrow, her fifth full-length album, but she's radically shifted her presentation. Working with producer John Congleton, she's expanded her sonic palette, incorporating vintage synthesizers and drum loops while occasionally cranking up her amplifiers. Some of the sounds are conscious throwbacks, but they don't play like retro nostalgia, not in the context of Remind Me Tomorrow, which juxtaposes fearless aural adventure with keenly observed observations of easing into a satisfied life...

Deerhunter - Nocturne from Why Hasn't Everything Already Disappeared?
...On Why Hasn't Everything Already Disappeared?, Cox looks at the world around him with the same intensity that he used to examine his own life on earlier albums. Though this shift in perspective was brought on by the political climate of the late 2010s, Deerhunter's version of resistance isn't to rail against only the injustices of that era, but against a seemingly endless history of inhumanity and death with songs that sound deceptively life-affirming...



Juliana Hatfield - Broken Doll from Weird
...Appropriately, some echoes of AM pop linger on Weird -- it's there in the occasional wash of analog synth and the insistent hooks, and it's there in exuberant closer "Do It to Music," a love letter to the complex joys of pop -- but the album is barbed by design, a return to the ornery personal pop that's been Hatfield's métier in the 21st century. The album title alone hints at what Weird is about: the feeling of not quite fitting in with the world at large...




Steve Gunn - Paranoid from The Unseen In Between
Annabel Mehran's black-and-white cover photo for Steve Gunn's The Unseen Inbetween is a portrait of the guitarist and songwriter seemingly on the move. It evokes those found on early- to mid-'60s recordings by Bob Dylan, Koerner, Ray & Glover, Jackson C. Frank, Bert Jansch, and others. Gunn has shifted his focus considerably. Rather than simply showcase his dazzling guitar playing, he delivers carefully crafted, uncharacteristically tight and well-written songs with guitars, keyboards, strings, reeds -- and percussion -- translating them without artifice or instrumental disguise...



M. Ward - Shark from What a Wonderful Industry
Equal parts rock memoir and cautionary tale, M. Ward's ninth outing, What a Wonderful Industry, arrived out of the blue as a surprise release in June 2018. Forgoing his long-held roster position at Merge Records, the Portland-based songwriter issued the album himself, pairing his affinity for arcane American roots traditions with colorful stories from his two decades operating in various branches of the music industry. Ward's laconic delivery and retro-minded Americana have always been presented with a twinkle of dry wit, but not unlike its unannounced delivery, a self-released concept album calling out what he refers to as the "heroes and villains in equal measure" encountered during his career comes as a bit of a surprise...


Israel Nash - Spiritfalls from Lifted
Israel Nash takes his retro references seriously. While his vocals bring frequent comparisons to Neil Young in full helpless mode, his new album, the suitably titled Lifted, occasionally echoes the Beach Boys with a symphonic sound. It’s hardly surprising considering the fact that Nash has continued to expand on his folkadelic sound since starting his career a decade or so ago. He even dropped his proper surname Gripka in the process, a further step, one would guess, along the path to reinvention...




Joe Jackson - Fool from Fool
“When it looked like I'd be recording in late July and mixing around my birthday, in August, it struck me that the only other occasion that had happened was while making my first album. It still took a while for it to sink in: this would be 40 years on… The road to this album is littered with the wrecks of songs and half-songs that didn't make the grade. There are eight survivors, which I think is enough. How significant the resurgence of vinyl is, I'm not sure, but I did think of this as an album, with two complementary sides of about 20 minutes each…
I never have an overall theme in mind when I start trying to write songs for an album, but sometimes one will develop. In this case it's Comedy and Tragedy, and the way they're intertwined in all our lives. The songs are about fear and anger and alienation and loss, but also about the things that still make life worth living: friendship, laughter, and music, or art, itself. I couldn't have done this in 1979. I just hadn't lived enough.”


Night Beats - Eyes On Me from Myth of a Man
It's easy to sound tough when you're part of a gang, but it's a good bit different when you're traveling all by yourself. With his band Night Beats, Danny Lee Blackwell kicked up a lot of dust with the 2013 album Sonic Bloom and 2016's Who Sold My Generation, playing fuzzy garage-accented rock with a bluesy undertow. But with his band at least temporarily out of commission, Blackwell was forced by circumstance to do things a bit differently, and he's doubled down on that thinking on 2019's Myth of a Man. Dan Auerbach of the Black Keys signed on to produce Myth of a Man, and instead of assembling a new edition of Night Beats, they headed to Nashville and recruited some veteran first-call session musicians to accompany Blackwell on his latest batch of songs...


Liz Brasher - Body of Mine from Painted Image
Singer/guitarist Liz Brasher first tried her hand at songwriting as a young adult after studying up on a variety of 20th century American masters, including Stephen Foster, Lead Belly, and Bob Dylan. She found particular inspiration in the sounds of the Delta blues and Southern soul. On her full-length debut, Painted Image, those influences shine through an eclectic retro-soul. With stops in Chicago and Atlanta along the way, the North Carolina native was drawn to Memphis, Tennessee to write and record the album, which was tracked at the historic Ardent, Royal, and Electraphonic Recording studios..





Buke and Gase - Eternity from Scholars
If you remember Buke and Gase as that experimental duo who play the instruments they built themselves, you might want to adjust your expectations before listening to 2019's Scholars, their first full-length album after a five-year recording layoff. In their previous work, Aron Sanchez and Arone Dyer constructed their music around two instruments of their own creation, the buke, a large, six-string relative of the ukulele played by Dyer, and the Gass, a fusion of the guitar and the bass used by Sanchez. However, while both instruments are part of the mix on Scholars, this time around the duo have pared back on organic instrumentation and jumped deep into electronics...


Lost Under Heaven - Bunny's Blues from Love Hates What You Become
Lost Under Heaven's debut, 2016's Songs for Spiritual Lovers to Sing, was the sound of Manchester-bred singer/songwriter Ellery James Roberts and Dutch singer/songwriter/visual artist Ebony Hoorn having fallen in love and willfully drowned themselves in artful sonic euphoria. With their sophomore album, 2019's cathartic Love Hates What You Become, the couple rise to the crashing reality of living in the wake of that love and the realization that simply finding your soulmate doesn't fix your life, your emotional health, or the world around you. Recorded in Los Angeles with producer John Congleton and Swans drummer Thor Harris, Love Hates What You Become is a devastatingly affecting album, built deftly around the duo's yin and yang vocals with Roberts' tortured, throaty yawp coolly contrasted by Hoorn's flat, Marlene Dietrich-in-Doc Martens delivery. The songs are hugely anthemic in the punk tradition of Patti Smith and Nick Cave...


Dolphin Midwives - Mirror from Liminal Garden
The first vinyl release from Dolphin Midwives, the solo project of Portland-based artist Sage Fisher, is a delicate yet splintered album of sparkling, multi-tracked harps and ethereal vocals. Fisher states that the album is "about finding beauty and acceptance in the fractured, broken and vulnerable places," and her usage of electronic effects seems very hands-on, as she's constantly twisting and warping the sounds of her voice and instruments. It's much busier and glitchier than something by Mary Lattimore, to name another harpist who augments her playing with looping pedals and other effects...




Sharon Van Etten, Deerhunter, Juliana Hatfield, Steve Gunn, M. Ward, Israel Nash, Joe Jackson, Night Beats, Liz Brasher, Buke and Gase, Lost Under Heaven, Dolphin Midwives