28-11-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past]

Miranda Lee Richards

28-11-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] # Miranda Lee Richards, The Paperhead, Holly Golightly, Fabienne Delsol, Dead Horse One, XXXTentacion, Sunshine & the Rain, L.A. Takedown, Roine Stolt's The Flower King, Buke and Gase, Cherry Glazerr

M U S I C

if you want excitement PRESS SHUFFLE!

pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM

Singer/songwriter and 21st century heir to the Laurel Canyon sound who's also an active collaborator on the L.A. music scene. Miranda Lee Richards' songwriting career was shaped by her bohemian upbringing in San Francisco, where her parents, Ted and Teresa Richards, made a living as influential comic book artists. She grew up in the underground comic book scene, with R. Crumb serving as her de facto godfather.
Miranda Lee Richards
Existential Beast 5:48
Ashes and Seeds 3:15
On the Outside of Heaven 5:18
from Existential Beast 2017
Miranda Lee Richards' fourth album, Existential Beast, follows 2016's Echoes of the Dreamtime by just a year, a quick turnaround for a songwriter who's gone several years between records in the past. It comes with a lusher presentation, too, edging deeper into psychedelic folk-rock while hanging onto a country influence and her distinctly Laurel Canyon-esque sound. It's also, at least in part, a protest album, with songs motivated by the 2016 U.S. presidential election...

The psychedelic pop sound of the '60s courses deeply through the blood of Nashville group the Paperhead. Formed in 2009 by three friends (guitarist/vocalist Ryan Jennings, drummer/vocalist Walker Mimms, and bassist/vocalist Peter Stringer-Hye), the band began playing shows around town, some of them in the form of psychedelic happenings replete with trippy light shows.
The Paperhead
War’s at You 2:18
The True Poet 4:50
from Chew 2017
The Paperhead's third album, Africa Avenue, was where it all came together for the Nashville trio. Their retro-psych sound reached its full bloom, while they also added other elements to the mix like a little country-rock and some swanky bossa nova. These few left turns sprinkled in amidst the dreamy pop-psych freakouts turned out to be teasers for the band's next album. On 2017's Chew, they rip up their playbook and treat the record as if each song were a different AM radio station circa a mid-'60s dream world that only exists in the mind of retro bands like the Paperhead. It's a pretty fun place to touch down, full of wacky juxtapositions and a kitchen-sink approach to arrangements that always keeps the listener guessing...

Prolific songstress, and partner-in-crime with Billy Childish, whose blues-based swagger is rooted in early rock & roll, R&B, and rockabilly.
Holly Golightly
Hypnotized 3:53
I’m Your Loss 4:00
Satan Is His Name 4:20
from Do the Get Along 2018
Garage rock legend Holly Golightly began her reign in the early '90s and spent the following decades churning out countless volumes of searing, attitude-heavy '60s-modeled big-beat rock & roll. Even the 11 years between 2004's Slowly But Surely and 2015's Slowtown Now! weren't signs of Golightly slowing down, as the break from solo albums was spent producing upwards of eight albums with her side project Holly Golightly & the Brokeoffs. Her 11th proper solo album, Do the Get Along, doesn't differ greatly from any other entry in her massive catalog, but that doesn't suggest stagnation in any way. With one of the more distinctive and expressive voices in garage rock, Golightly sounds every bit at the top of her game as she has on the majority of her albums, leaning even harder on the smoky atmospheres and simmering scorned-lover narratives that mark some of her most electrifying work... Throughout Do the Get Along, Golightly demonstrates her knack for restraint and effortless charisma. She breaks no new ground over these 12 songs, but in the case of an artist with this much mastery of her work, more of the same is happily welcomed.

15-10-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past]

15-10-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] # Acid Dad, Benjamin Biolay, The Reverend Horton Heat, Guaxe, Lana Del Rey, Night Beats, NADINE, The Paperhead, Miranda Lee Richards, Holly Golightly, Fabienne Delsol

M U S I C

if you want excitement PRESS SHUFFLE!

pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM

Smart, playful fusion of psychedelia and contemporary garage rock from this Brooklyn quartet. Proud denizens of Brooklyn's East Williamsburg area, Acid Dad give a psychedelic makeover to the sound and attitude of contemporary garage rock, playing up the music's trippier aspects. The group was formed in 2014 by guitarist Vaughn Hunt and drummer Kevin Walker.
Acid Dad
Come Outside 3:59
Child 4:49
from Acid Dad 2018
Through their first three years as Acid Dad, JP Basileo (bass), Sean Fahey (guitar/vocals), Vaughn Hunt (guitar/vocals), and Kevin Walker (drums) established themselves as one of New York City’s most exciting garage-punk outfits. Even without a full-length, they performed at the popular Northside Festival within a year of their formation, and they’ve drawn comparisons to Wavves, Fidlar, Twin Peaks, and the great Ty Segall. The influences, however, expand on their long-awaited self-titled debut album.
The LP can be divided into three sections with each reflecting a different phase of living in the Big Apple and on Long Island. There is the sound of suburban youth angst and restlessness, which is represented with the band’s original rambunctious and exhilarating garage-punk. After lulling us into false sense of calm, opener “Die Hard” explodes into a fast and feverish number. The song represents a new zeitgeist of a younger generation, where New Year’s resolutions are seen as obsolete and youthful apathy is a thing of the past...

French pop singer-songwriter, multi-instrumentalist, and producer who is the only loigical successor in chanson to Serge Gainshbourg.
Benjamin Biolay
Volver 4:03
L' Aalcool, l'absence 4:22
from Volver 2017
Once the enfant terrible of French chanson, Benjamin Biolay is now in his mid-forties and a fashion icon who has spent a decade living -- most of the time -- in the funky Argentinian artist's neighborhood that 2016's wonderful Palermo Hollywood was titled after. Volver (Spanish for "come back") is, appropriately, a formal sequel. It is marked by an even more ambitious array of styles -- from cumbia and hip-hop to rock, funk, nouveau (or, perhaps post-modern) chanson and more, but this assemblage is less carefully constructed, and thank goodness, though it will likely be more controversial for French listeners...

Revved-up and rollicking combo led by Jim Heath, who updated psychobilly for the alternative rock era. With their hot-rodded fusion of dazzling high-speed guitar runs, thundering rhythms, high-profile swagger, and lyrical smirk, the Reverend Horton Heat are perhaps the most popular psychobilly artists of all time, their recognition rivaled only by the esteem generated by the genre's founders, the Cramps.
The Reverend Horton Heat
Whole New Life 2:33
Don't Let Go of Me 4:42
from Whole New Life 2018
Jim Heath, Jimbo Wallace, and a succession of drummers have been touring under the banner of the Reverend Horton Heat since the late '80s, and after close to three decades as the wildest and loudest rockabilly band in creation, change has come to the group. 2018's Whole New Life is the Reverend Horton Heat's first album as a quartet, with Matt Jordan installed as the group's first full-time keyboard player. Jordan's rollicking piano and atmospheric organ work finally gives Heath's guitar work some competition for the melodic spotlight...

007 ALTER.NATiON: weekly favtraX / 17-11-2018

ALTER.NATiON

Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory

weekly favtraX

17-11-2018

Ryley Walker - Sweet Up and Down from The Lillywhite Sessions
“I hate the idea you can’t like something because it’s popular. I’ve been accused of being a record nerd or snob, so I think this is kind of a rallying cry against that: sort of disarming that taboo of hating something because it’s not great. And I really think Dave Matthews is great. It comes out of a total place of love. It’s funny; I love all sorts of music, and I pride myself on having this vast library and knowledge in my head of music, but I haven’t been listening to a lot of music outside of Dave Matthews.”

Anderson .Paak - Smile / Petty from Oxnard
...On Oxnard, Paak’s follow-up to his 2016 breakthrough Malibu, the rapping, singing, and drumming polymath approaches funk from a rap perspective. When Paak allows himself to be instinctive and loose, Oxnard blends these influences with a comforting ease. Cloaked in natty threads and a horndog ladies-man persona, he favors bubbling bass, silky textures, and sunset timbres, forever somewhere between Snoop Dogg’s “G’z Up, Hoes Down” and Bootsy Collins’ “I’d Rather Be With You.”...

Holly Golightly - The Get Along from Do the Get Along
HOLLY GOLIGHTLY IS BACK… With her first full band album since 2015’s Slowtown Now!
Do The Get Along features 12 songs performed by the perfect Holly Golightly band line-up of Bruce Brand (drums), Matt Radford (double bass), Ed Deegan (guitar) and Bradley Burgess (guitar)... It’s a template that she’s honed over the course of 12 solo albums, along the way impressing celebrity fans such as Jim Jarmusch (Holly’s track ‘Tell Me Now So I Know’ featured as the main title theme in his Broken Flowers movie), and most notably Jack White who duetted with Holly on ‘It’s True That We Love One Another’, the final track on the classic White Stripes album Elephant... Holly’s been busy over the last decade as half of blues/Americana duo Holly Golightly & The Brokeoffs (The Brokeoffs being multi-instrumentalist Lawyer Dave). The pair have released nine well-received albums, and undertaken many tours on both sides of the Atlantic.

The Good, the Bad & the Queen - The Truce of Twilight from Merrie Land
According to the official bumf accompanying the second album from Damon Albarn’s multigenerational supergroup, Merrie Land is “a beautiful and hopeful paean to the England of today”. Drummer Tony Allen told the Guardian last week that it’s an album people can dance to. Both sentiments might surprise those picking up the record: the cover features an image of a terrified Michael Redgrave in Dead of Night, a film in which he plays a ventriloquist taken over by his dummy, and the musical mood of much of the album is a dense, unsettled fug: slightly paranoid, rather unfocused...

The Sufis - After Hours from After Hours
After recording two really good albums of note-perfect garage psych (2012's Sufis and 2013's Inventions), Nashville duo the Sufis decided to retreat behind the scenes to produce and engineer acts like Paperhead and Universal Friend. After a move to Brooklyn, where they ended up studying with LaMonte Young, the duo (Calvin Laporte and Evan Smith) decided to chuck out the paisley, 12-string guitars, and fuzztone pedals in favor of a wider range of influences and sounds on their third album, 2018's After Hours. Instead of coming off like a modern-day take on the Monkees, this time out the band aims for something less colorful and more nocturnal. To that end, they de-emphasize guitars, bring in vintage synthesizers, and pitch the lead vocals down to a breathy whisper, while writing songs more suited to a long lie-down than a jangling dance party..

The Liminanas - Angels and Devils from I've Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018)
Following the release of their critically acclaimed album Shadow People (produced by Anton Newcombe) (BEC 5543242/BEC 5543243, 2018), French psych rock band The Limiñanas come back with I've Got Trouble In Mind Vol. 2: 7" And Rare Stuff 2015/2018, the second volume of their I've Got Trouble In Mind series. This new release, the first double vinyl released by the band, compiles 17 B-sides, rarities and other unheard tracks recorded from 2015 to 2018, including covers of "La Cavalerie" from French singer Julien Clerc, "Russian Roulette" from Lords Of The New Church, "Angels And Devils" from Echo And The Bunnymen, and (more surprisingly) the holiday song "Silent Night". 3-panel digisleeve with 12-page poster booklet.

Axis: Sova - Crystal Predictor from Shampoo You
The fourth album from Brett Sova's Axis: Sova project is the first to be recorded by a full-band lineup rounded out by guitarist Tim Kaiser and bassist Jeremy Freeze. Cut live to tape by the trio, the album is more focused and direct than past efforts, with a cleaner, scrubbed-up sound (the Stones-riffing title is no joke) and a greater presence of hooks... Uptempo tunes like "New Disguise" and "Crystal Predictor" approach power pop, but the guitars are wild and fuzzy enough to betray psych roots, particularly during solos. 

Calexico - Another Space from The Thread That Keeps Us
Calexico spent the 2010s venturing from their Tucson home to make albums such as their New Orleans love letter Algiers and their ambitious trip to Mexico City, Edge of the Sun. For The Thread That Keeps Us, they decamped to the Northern California coast and recorded in a studio they nicknamed the Phantom Ship -- another change of scenery that allowed them to cast their sounds and songwriting wider than ever...   and the restless percussion and squalling trumpets of "Another Space" make it one of the band's most rewarding experiments.

Josephine Foster - Lord of Love from Faithful Fairy Harmony
The umbrella term freak folk has been applied to many artists over the years with varying degrees of accuracy. In Josephine Foster's case, her music is certainly more esoteric than contemporaries like Joanna Newsom and Devendra Banhart. Her records have also seen her consistently pegged as an anachronistic artist, but in many respects, her music has never felt timelier.
Faithful Fairy Harmony feels like an antidote to an increasing detachment from each other and the world that has its origins in technology. Even when she's not directly focusing on the natural world, an obscure, bucolic veil hangs over these compositions...  Elsewhere, the wayward melodies of "Lord of Love" tap into the psychedelic character of her music, and in addition, "All Pales Next to You" conjures a wooziness that the intoxicating nature of infatuation elicits.

Tomorrows Tulips - Flaccid Guitar from Harnessed to Flesh
Alex Knost, the leader of Tomorrows Tulips, sounds so sleepy when he works up the enthusiasm to lay down a vocal that he makes J Mascis seem like a cross between Peter Wolf and David Lee Roth. As a consequence, most of their recordings suggest the band is either stoned, bored, bummed out, or some combination thereof, but on their fourth album, 2018's Harnessed to Flesh, they manage to sound a bit more upbeat and engaged than usual, at least by their fatigued standards...

Hen Ogledd - Tiny Witch Hunter from Mogic
The band Hen Ogledd is named for the ancient Welsh term for northern England, which is where most of its four members are from. Originally rooted in northern folk music, Hen Ogledd has morphed into a weird art pop band that blends references to modern technology with imagery from older magic. Their next album will be called Mogic – a mix of magic and logic. The single is “Tiny Witch Hunter,” a pitch-shifted collage of apparently random scientific and tech terms that leads to a catchy, short chorus that consists solely of the song’s title phrase.

Public Memory - Red Rainbow from Demolition
While Public Memory's Robert Toher doesn't quite tear everything down and start over on Demolition, he does make space for new forms of expression on the project's second album. On Wuthering Drum, Toher pared down the dense sonics of his former groups Apse and ERAAS with hypnotic, insular results. This time, his moody electronic collages reach outwards: "The Line"'s ever-expanding electronics introduce the vast scope of Demolition's songs. As on 2017's Veil of Counsel EP, the album's increased clarity gives Toher ample room to play with space and tempos. While Wuthering Drum's linear grooves had a lulling allure, there's no denying that the way "Red Rainbow" shifts from a serpentine crawl to a race through a cavernous nightscape adds excitement to Public Memory's sound...

Public Memory / Robert Toher

Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory