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A következő címkéjű bejegyzések mutatása: Frankie & the Witch Fingers. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Frankie & the Witch Fingers. Összes bejegyzés megjelenítése

2020. október 11., vasárnap

"I Put a Spell on You" #104 ALTER.NATION.MiX - weekly favtraX 11-10-2020

ALTER.NATION #104
The Jaded Hearts Club, The Nude Party,Frankie & the Witch Fingers,Rodrigo y Gabriela,Robert Plant, Drive-By Truckers, Hot Chip, Beatrice Dillon, Róisín Murphy, The Jaded Hearts Club

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"I Put a Spell on You"




A supergroup comprised of members of the Last Shadow Puppets, Jet, Muse, Blur, and the Zutons, the Jaded Hearts Club was formed by guitarist and founder Jamie Davis, who rounded up his famous friends to perform as a cover band for a birthday party. Influenced by Northern soul and Motown, they made it official in 2020 with the release of their debut album, You've Always Been Here.
The Jaded Hearts Club - You've Always Been Here / I Put a Spell on You
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons)...
Bellamy and Davis started working on an album, with Bellamy producing, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”


Formed by college freshmen in North Carolina in 2012, this band celebrates the clanging frat rock of the '60s as well as the Velvet Underground.
After two years of near-constant touring in support of their self-titled debut album, the Nude Party headed back to their communal farmhouse in the Catskills to work on another full-length with Black Lips' Oakley Munson. The resulting follow-up, Midnight Manor, finds the six-piece still cranking out riff-fueled, freewheeling rock jams about booze and women (and the music industry). Indebted to '60s and '70s acts like the Velvet Underground, T. Rex, the Rolling Stones, and the Kinks throughout, the 12-track set has both swagger and nervous energy to spare...


Los Angeles-by-way-of-Indiana foursome whose music takes tough garage punk and runs it through a heavy psychedelic filter.

Frankie & the Witch Fingers - Monsters Eating People Eating Monsters…/ MEPEM
When momentum is in full swing on Frankie and the Witch Fingers’ ‘Monsters Eating People Eating Monsters’ it is boundless. In a greenhorn’s hands, this fired-up haste could be a ghastly listening experience, but fortunately, the L.A.-based foursome handles abundant vigour with a supreme deftness, which they honed to a superlunar level on 2019’s ‘ZAM’. Like its predecessor, ‘MEPEM’ continues to shed further layers of the band’s lo-fi garage- rock-of-yore DNA in favour of a richer and groovier psychedelia, but most importantly, it is a more polished manifestation of their own sound, and never has it been this thick...



Mexican guitar duo that plays an appealing amalgam of classical, Latin, world music, and heavy metal.
Rodrigo y Gabriela - Mettavolution [Live] / Diablo Rojo
When guitarists Rodrigo Sánchez and Gabriela Quintero released Mettavolution in 2019, it marked their first studio outing in five years. Their goal was to "reconnect with the physical rush and emotional core of the music we first made together." They succeeded. It not only charted but took home the Grammy Award for Best Contemporary Instrumental Album. Their 92-city world tour was met with wildly enthusiastic responses. The pair claimed the jaunt "was the very moment we felt truly complete as artists and musicians." The duo planned on continuing their road sojourn in 2020, but the COVID-19 pandemic intervened. Thankfully, they recorded most of those shows. This 81-minute, double-length set contains performances of the entire Mettavolution album with select concert staples...



As the lead singer of Led Zeppelin, Robert Plant seemed invincible, a "Golden God" in the words of journalist/filmmaker Cameron Crowe. Plant may have embraced rock stardom at the height of Zeppelin's zenith in the mid-'70s, but the singer spent the decades following the band's 1980 dissolution exploring the road less-traveled. Beginning with his 1982 solo debut, Pictures at Eleven, Plant pursued a feverishly adventurous solo career, embracing synthesizers and art rock that seemed to be the antithesis of Zeppelin's majestic hard rock, but he'd also later dabble in sampling and world music
Robert Plant launched the Digging Deep podcast in 2019 as a way for him to explore the intricacies and oddities of his body of work. A year later, he released Digging Deep: Subterranea, a double-disc deep dive that effectively functions as a soundtrack to the podcast. Plant talks about Led Zeppelin tunes on Digging Deep, but Subterranea pointedly concentrates on his solo career. It's a compilation that strives to make overarching connections, so it doesn't proceed in a chronological order, nor does it have all of his hits. Neither his oldies folly the Honeydrippers nor Raising Sand, his Grammy-winning collaboration with Alison Krauss, are here, nor are there big rock radio hits like "Little by Little" and "Tall Cool One." Instead, Digging Deep: Subterranea places 1993's Fate of Nations at the forefront and follows its strands front and back, creating a moody, adventurous bit of autobiography. Maybe it doesn't deliver the hits the way most compilations do, but it certainly captures the musical wanderlust that defines Plant's career.



Boasting a mix of Southern pride, erudite lyrics, and a muscled, guitar-heavy attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. 
Drive-By Truckers - The New OkSea Island Lonely
Musicians play music. That's what they do. Unless they suddenly can't go out and perform for people because, say, there's a global pandemic that has almost entirely shut down live music. Life in a divided nation under the rule of Donald Trump was already weighing heavy on the minds of the Drive-By Truckers on 2016's American Band and 2020's The Unraveling, and being stuck at home and unable to tour, with little to do but watch their nation burn, hasn't made them feel any better. In many respects, 2020's The New OK is an album that came to be because the DBTs couldn't do much else... 


British alternative dance act formed by Alexis Taylor and Joe Goddard, known for their melodicism and witty, affecting songwriting.
Hot Chip - Late Night Tales: Hot ChipWorkaround Two feat. Beatrice Dillon
... On their first mix album in over a decade, Hot Chip focus on tracks from the 2010s instead of digging for vintage cuts, a choice that adds a welcome freshness to the set. They also emphasize selections from female and non-binary artists that make for some of the collection's most striking moments... Beatrice Dillon's taut fusion of experimental techno and jazz on "Workaround Two." Within its artfully calibrated ebb and flow of propulsive cuts and restful ones, the mix circles through contemplative, danceable, and sensual moods...


Former Moloko frontwoman who explored adventurous electronic pop in her solo career. A purveyor of adventurous, omnivorous pop, Róisín Murphy makes influences as far-flung as disco and hot jazz her own. As a solo artist, she builds on the eclectic style she forged as Moloko's frontwoman in increasingly confident and distinctive ways. 
...A swirl of mirror ball sparkles and dry ice fog, it spoke to Donna Summer and Giorgio Moroder's transporting version of disco as well as Murphy's skill at sweeping listeners into a world of her own. It was a potent start to her collaboration with Barratt, who went on to craft similarly elegant music steeped in house and disco traditions as Crooked Man. On 2020's Róisín Machine, he and Murphy continue to bring out the best in each other...

A supergroup comprised of members of the Last Shadow Puppets, Jet, Muse, Blur, and the Zutons, the Jaded Hearts Club was formed by guitarist and founder Jamie Davis, who rounded up his famous friends to perform as a cover band for a birthday party. Influenced by Northern soul and Motown, they made it official in 2020 with the release of their debut album, You've Always Been Here.
The Jaded Hearts Club - You've Always Been Here / Fever
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons)...
Bellamy and Davis started working on an album, with Bellamy producing, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”

The Jaded Hearts Club, The Nude Party,Frankie & the Witch Fingers,Rodrigo y Gabriela,Robert Plant, Drive-By Truckers, Hot Chip, Beatrice Dillon, Róisín Murphy, The Jaded Hearts Club







2020. szeptember 28., hétfő

"Goddess Of The Hunt" ALTER.NATION.MiX #102 - weekly favtraX 08-09-2020

ALTER.NATION #102
Artemis,The Heliocentrics, Public Enemy, Idles,Jehnny Beth,Bob Mould,Marilyn Manson,Deftones, Mastodon,The Flaming Lips, Blitzen Trapper, Frankie & the Witch Fingers, Ronnie Earl

weekly favtraX 
2 8 - 0 9 - 2 0 2 0

"Goddess Of The Hunt"




Named after the Greek goddess of hunting, Artemis is an all-female jazz collective known for their deeply sophisticated and adroit post-bop jazz. The group debuted in 2020 with their eponymous full-length.

Artemis - ArtemisGoddess Of The Hunt
The eponymous debut album from the all-star female jazz collective, 2020's Artemis showcases the group's immense compositional and improvisational depth. Named after the Greek goddess of hunting, Artemis is led by pianist Renee Rosnes and features the equally adept talents of tenor saxophonist Melissa Aldana, clarinetist Anat Cohen, trumpeter Ingrid Jensen, bassist Noriko Ueda, and drummer Allison Miller. Also on board is Grammy-winning vocalist Cécile McLorin Salvant. Rosnes brought the group together in 2017 with an eye to building upon each of the member's combined skills. Consequently, while we get distinctive contributions from each player, while the album plays as a unified artistic vision. It opens with Miller's intensely kinetic "Goddess of the Hunt," her roiling groove and the song's tense melody offering a rich jumping-off point for each soloist. Jensen in particular leaps into the fray, offering frentic note clusters and wide octave leaps that further reinforce her status as one of the main heirs to Kenny Wheeler's legacy. 

Eclectic U.K.-based ensemble blending influences such as hip-hop, jazz, soundtracks, Ethiopian funk, outré electronics, and more.
The Heliocentrics - Telemetric Sounds / Telemetric Sounds
Long-running cosmic soul-jazz collective the Heliocentrics signed on with new label Madlib Invasion for their adventurous and dreamlike album Infinity of Now, released in February of 2020. Just about six months later, his fully realized follow-up Telemetric Sounds offers an ominous and decidedly more intense counterpart to the casual psychedelic drifting of its predecessor. The London-based group is known for their hallucinatory sounds and tendency to transform traditional jazz, funk, and soul elements into new alien forms. These deconstructions generally translate into friendly, curious explorations, but Telemetric Sounds is anxious, menacing, and a little bit depraved in comparison to the majority of the band's catalog. The album begins with the slow-burning title track, a tune that wanders in aimless frustration for over 13 minutes through passages of cranky synthesizer noise and tense rhythms. The players sound like they're working out uncomfortable feelings as they push through the lengthy performance, landing in a space somewhere between Sun Ra's most out there mid-'70s recordings and the fever-pitched peaks of more jam-oriented Krautrock bands like Cosmic Jokers, Guru Guru, or Agitation Free...


Influential and controversial New York rap act who gained massive cultural significance, led by the duo of Chuck D and Flavor Flav.
Let's face it: If any year needed a new album from Public Enemy, it was 2020. Faced with disease and unrest at every turn, PE returned to their original home, Def Jam, for What You Gonna Do When the Grid Goes Down?, a record that consciously reconnects with their past while addressing the present with a clear eye. At first, it's hard to avoid the chaos of the modern world, with Public Enemy pushing their "State of the Union (STFU)" and the existential digital quandary of the title track, but the record subtly shifts gears with "Public Enemy Number Won." Its title is a nod to "Public Enemy No. 1," a pivotal track from their 1987 debut, and it doesn't hide from the fact that neither Public Enemy nor their guests Mike D, Ad-Rock, and Run-DMC have been at this since the '90s. The vibe isn't necessarily nostalgic. Rather, it's an acknowledgment that the years have piled up, that PE and their peers are now not only the old guard, they're survivors. That's an undercurrent that runs through What You Gonna Do When the Grid Goes Down?: It finds room for additional cameos by Cypress Hill, Nas, Questlove, and Ice-T, fellow hip-hop veterans who have turned lifers...


A self-proclaimed "angry band" from Bristol in Southwest England, Idles take the fury of punk rock and wed it to a muscular but moody instrumental attack that matches the literate, purposeful menace of their lyrics. Idles were formed in 2010 by vocalist Joe Talbot, lead guitarist Mark Bowen, rhythm guitarist Andy S, bassist Adam Devonshire, and drummer Jon Beavis.
Idles feat.  Jehnny Beth - Ultra Mono / Ne Touche Pas Moi
On their third record in almost as many years, Idles are at their most anarchic, dialing up their comedic edge -- often including cringe-inducing, Police Academy-style sound effects -- and their manic energy. To call Ultra Mono terrible would be disingenuous, as it is still some of the most vital music being made; however, it does include the first notable misfires from a group who could seemingly do no wrong. Lyrical content aside, the band themselves are either over-committed, as with bassist Adam Devonshire's increasingly unhinged backing snarls, or underwhelming. Guitarists Mark Bowen and Lee Kiernan have few standout moments between them, demoted to creating dissonance or raising the volume, which they admittedly pull off admirably... It is hard to fault drummer Jon Beavis, whose consistent thumping has managed to stay fresh over three records. Taken at face value, the elements that make Idles great are present, including the social commentary, the sense of humor, and the cathartic justified rage... 


Acclaimed lead singer and guitarist of Hüsker Dü and later Sugar, he has also dabbled in singer/songwriter styles and electronic music.
Bob Mould - Blue HeartsLeather Dreams
A lot can happen in a year and a half. In February 2019, Bob Mould released Sunshine Rock, which in addition to reminding us that in the 2010s he was in the midst of an unexpected renaissance and making some of the strongest rock music of his life, saw him embracing a cautious optimism, celebrating the joys of life and focusing on the hard work of being a better man. September 2020 has brought another album from Mould, Blue Hearts, and his mood has taken a sharp turn into rage and frustration. Between life in a divided nation, the ongoing threat of climate change, and a global health crisis that is being ignored by the powers that be, Mould has stopped ignoring the multiple elephants in our rooms, and Blue Hearts is a fast, furious, passionate broadside, messages written as the world burns around him (in some cases literally)...


Controversial metal act that gained notoriety in the late '90s and early 2000s with shock antics and goth-glam flair.
Marilyn Manson - WE ARE CHAOS / INFINITE DARKNESS
Extending a late-era artistic renaissance with his 11th album We Are Chaos, Marilyn Manson goes three-for-three with his Loma Vista output, delivering yet another taut set of catchy earworms that retains enough of his peak-era trademarks while continuing his unexpected late-stage evolution. This time around, the elder goth statesman parts ways with creative partner Tyler Bates -- the man who assisted Manson's late-2010s comeback efforts The Pale Emperor and Heaven Upside Down -- and connects with outlaw country musician Shooter Jennings. For those expecting this to be a boots-and-beer makeover, rest assured that Jennings doesn't change the formula too much, sprinkling just the right amount of Nashville dust into the mix to color Manson's usual corrosive, ghoulish sound... That track, "Red Black and Blue," hits a raging sweet spot, joining "Perfume" and "Infinite Darkness" as the album's most classic-sounding moments...


Alternative metal quintet who evolved beyond the nu-metal era with a dynamic blend of beauty and brutality.
Deftones - OhmsPompeji
At the dawn of their fourth decade together as a band, alt-metal stalwarts Deftones crafted one of the best albums in their catalog, Ohms. Reuniting with producer Terry Date, the man behind their first four efforts (five, counting the unreleased Eros), the band attacks with full power, reinvigorated, hungry, and at a creative apex. Their most accessible work since 2000's White Pony, Ohms offers listeners plenty of substance to grab on to: for the first time in a while, tightly executed songs take precedence over heady ideas, resulting in a deeply effective and satisfying experience that balances their eras. Playing upon the concepts of resistance and polarity implied by the album's title, Deftones take their signature beauty-meets-brutality assault, searching for balance across a tightly focused ten tracks. As a unit, they haven't sounded this refreshed in years. Chino Moreno's vocals stun, careening from fevered hush to unhinged shriek without notice, while Stephen Carpenter returns to center stage armed with a bounty of riffs and a nine-string guitar. Bassist Sergio Vega and drummer Abe Cunningham bounce and bash, marking a return to groove that is rarely heard in their late-era output...



One of the most acclaimed metal bands of the new millennium, with an innovative, lyrically astute blend of progressive metal, grindcore, and hardcore.
Mastodon - Medium RaritiesAsleep in the Deep
For two decades, Atlanta's Mastodon have stubbornly followed their own path, whether it led to chart success or derision by closed-minded purists spewing across social media. Over seven studio albums, a handful of singles, splits, and EPs, this quartet hasn't released a "proper" compilation until now. Medium Rarities assembles instrumentals, live tracks, soundtrack cuts, and covers, without separating them categorically.... 



Ever-evolving band led by Wayne Coyne who became critical darlings for their lush, emotionally resonant psychedelic rock.
The Flaming Lips - American HeadFlowers Of Neptune 6
On American Head, the Flaming Lips use their storytelling skills to their fullest, combining some of their purest moods and most beautiful melodies with some of their most overtly autobiographical songwriting. Drawn from Wayne Coyne's memories of growing up in early '70s Oklahoma with his freewheeling brothers and their biker friends -- as well as his imagined version of Mudcrutch, the precursor to Tom Petty & the Heartbreakers that honed their chops in Tulsa around that time -- the album's concept is one of the band's richest in some time. At the time of American Head's release, the band compared it to Yoshimi Battles the Pink Robots and The Soft Bulletin, and it's true that the album's scope and depth of feeling put it on that level. However, American Head still bears the scars of albums like The Terror, which brought a weight to the Flaming Lips' music that works especially well on these meditations on the loss of innocence...  "Flowers of Neptune 6" sets a moment of pure epiphany to a lush swath of trumpets, tympani, strings, and the sugared twang of Kacey Musgraves' backing vocals (one of several appearances the country star makes on the album) that calls to mind early '70s AM pop...



Oregon indie rockers with an eclectic style that combines elements of country, folk, indie rock, and progressive Americana.
...Inspired by George Saunders’ 2017 experimental tome, Lincoln in the Bardo and the Tibetan Book of the Dead, Earley’s lyrics take the listener on a wild and dramatic journey through rivers of waist-high water in the aftermath of a tragic car wreck and the hazy morning before a murderous moment, and from getting blitzed to the point of extinction inside a masonic temple to a stop for chips and dip before the apocalypse. Along the way, there’s also an occasion to smoke dope with Abe Lincoln and play bones with Brian Jones, slide through the ether in a dream, and confront the Intermediate States while bathed in the glow of the bardo’s light - that transitional state between death and rebirth.




Los Angeles-by-way-of-Indiana foursome whose music takes tough garage punk and runs it through a heavy psychedelic filter.
"Frankie and the Witch Fingers are a swift kick in the ass for garage psych. Their hooks are sharper, the production isn’t vintage for the sake of vintage, and the recorded material captures the energy of the band’s eccentric live performances perfectly. That’s exactly what they do once again on their new album, Heavy Roller..." - Consequence of Sound


Long-standing blues guitarist, successful both as a solo artist and as a member of Roomful of Blues. One of the finest blues guitarists to emerge during the '80s, the award-winning Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well.
Ronnie Earl - Rise Up / Blues For J
Rise Up is Ronnie Earle's 27th album and his 13th for Canada's venerable Stony Plain label. The blues master's playing style has long been celebrated for its iconic tone and deep well of emotion. None of that changes here, but this set is topically contemporary, a reaction to the history-making year 2020. Earl offers tributes to the recently lost, and solace for those continuing to struggle on the front lines for racial and economic justice... a swinging version of Jimmy Smith's "Blues for J,"...

Artemis,The Heliocentrics, Public Enemy, Idles,Jehnny Beth,Bob Mould,Marilyn Manson,Deftones, Mastodon,The Flaming Lips, Blitzen Trapper, Frankie & the Witch Fingers, Ronnie Earl