18-09-2018 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2011-2007

David Lynch's strange world

18-09-2018 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2011-2007  >>David Lynch, Karen O, Black Devil Disco Club, Martina Topley-Bird, Zaz, Bushman's Revenge, Malachai, Rival Sons, Roy Hargrove, Elvin Bishop, Back Door Slam, Radiohead<<

M U S I C

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2011-2007

The visionary director has also had a healthy musical career, as a collaborator and on his own.  In addition to his prodigious careers as a director, writer, producer, sound designer, and carpenter (to name a few), David Lynch also stretched his artistic reach to music. He collaborated heavily with his go-to composer Angelo Badalamenti on the scores and soundtracks to his projects, including the music for Blue Velvet, 1990's iconic Twin Peaks soundtrack, and Mulholland Drive...
David Lynch
So Glad (Dean Hurley / David Lynch) 3:35
Pinky's Dream feat. Karen O (Dean Hurley / David Lynch / Karen O) 4:00
from Crazy Clown Time 2011
Crazy Clown Time may be David Lynch's first solo album, but he’s far from a newcomer to music-making. He worked so closely with Angelo Badalamenti on the soundtracks to his films and television shows that the term “Lynchian” can be applied to music as well as movies, and his work with acts such as Blue Bob, Sparklehorse's Mark Linkous, and Danger Mouse as a musician and sound designer underscored that he has clear, and creative, musical ideas of his own. He continues to explore these ideas -- plus a few new ones -- on Crazy Clown Time, handling all the instrumental and vocal duties, with one notable exception: opening track “Pinky’s Dream,” which features the Yeah Yeah Yeahs' Karen O. ..

Initially a one-off "collaboration" between French producer Bernard Fevre and alleged financier Jackie Giordano -- credited, respectively, as Joachim Sherylee and Junior Claristidge -- Black Devil released a six-track album of spooky electro-disco entitled Disco Club...
Black Devil Disco Club
Fuzzy Dream feat. Jon Spencer (Bernard Fevre) 3:24
To Ardent feat. Nancy Sinatra (Bernard Fevre) 3:19
from Circus 2011
When Bernard Fevre, the soi-disant Black Devil, released 2008's Eight Oh Eight, it was allegedly the capstone to an increasingly redundant trilogy of electro-disco albums he'd begun 30 years earlier. Some might have assumed he'd slink back into his accustomed obscurity, his diabolical mission accomplished. But little about the Frenchman's career trajectory to date has been straightforward, so it's not all that surprising that now, following 2009's cobbled-together The Strange New World of Bernard Fevre, we're presented with a fourth Black Devil Disco Club album. This time, though, he's learned a few new tricks: instead of six five-minute dance tracks, Circus consists of ten three-minute pop songs, each featuring a different vocalist. For an artist who's never before enlisted collaborators, Fevre's amassed an impressive roster of guests here...

Because of a printing error on Maxinquaye, Martina Topley-Bird has often been referred to as "Martine," an error the unpredictable, low-profile, and confusion-loving singer/songwriter didn't bother correcting. The woman Vibe referred to as "the black Dietrich of Soul" grew up in London and went to schools that were mostly white and middle class...
Martina Topley-Bird
Baby Blue (Martina Topley-Bird) 2:47
Phoenix (Martina Topley-Bird) 2:45
Lying (Martina Topley-Bird) 3:49
Da Da Da (Martina Topley-Bird) 1:20
from Some Place Simple 2010
Martina Topley-Bird's Some Place Simple follows the release of her dynamite 2008 Danger Mouse-produced Blue God full-length by two years. That said, this set wasn't planned. She was actually approached by Damon Albarn who suggested recording stripped-down versions of songs from both her albums (the other is her 2003 debut, Quixotic) for his Honest Jon's imprint. What's more interesting is that the production on both of those recordings -- which were wildly different from one another -- was far from excessive. Nonetheless, Topley-Bird took Albarn up on his offer, and stripped her songs to the bone, completely recontextualizing her melodies. Some Place Simple is driven by minimal instrumentation on each of its 15 tracks. Other than her melodies, her approach is unique, even riveting...

28-08-2018 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2014-2010

Nick Cave and The Bad Seeds

28-08-2018 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2014-2010  >>Nick Cave & the Bad Seeds, Queens Of The Stone Age, Grand General, Anna Calvi, David Byrne, St. Vincent, Focus, David Lynch, Black Devil Disco Club, Martina Topley-Bird, Zaz, Bushman's Revenge<<

M U S I C

favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   

LISTEN THE PLAYLIST ON DEEZER.COM

2014-2010

Eclectic and powerful post-punk band that's steadily evolved under the leadership of one of rock's most celebrated songwriters.  Formed after the breakup of the Birthday Party in 1983, Nick Cave & the Bad Seeds became one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward. Playing music that meshed with the dark, multi-layered narratives of Cave's lyrics, the Bad Seeds created sounds that were physically and emotionally powerful, but with a sense of dynamics and drama that set them apart from their peers. While plenty of musicians would move in and out of the Bad Seeds' lineup over the years, throughout their history they were always a musical force as powerful as their leader.
Nick Cave & the Bad Seeds
From Her to Eternity (Nick Cave) 5:35
Tupelo (Nick Cave) 7:18
The Carny (Nick Cave) 8:00
The Mercy Seat (Nick Cave) 7:18
from Lovely Creatures: The Best of Nick Cave and The Bad Seeds (1984-2014) 2017
Nick Cave is a singular figure in contemporary rock music; he first emerged as punk rock was making its presence known in Australia, but though he's never surrendered his status as a provocateur and a musical outlaw, he quickly abandoned the simplicity of punk for something grander and more literate, though no less punishing in its outlook. Cave also had an approach to collaboration that made his backing band, the Bad Seeds, an integral part of his creative vision, even as their membership changed and their sound evolved over the space of three decades of fury and eloquence. In Kirk Lake's liner notes to Lovely Creatures: The Best of Nick Cave and the Bad Seeds, 1984-2014, he celebrates the band as much as their charismatic leader and songwriter, and the 45 songs collected on this three-disc set make the case that while Cave may be the frontman -- and a profoundly charismatic one with a powerful voice that can communicate from a whisper to a scream -- his musicians bring a color, shape, and texture to his songs that focus and amplify his gifts as a singer and lyricist...

Highly acclaimed hard rockers from the California desert who update old-school riff rock without overloading irony or slavish imitation. 
Queens Of The Stone Age
Keep Your Eyes Peeled (Queens of the Stone Age / Joshua Homme) 5:04
I Sat By the Ocean (Queens of the Stone Age / Joshua Homme) 3:55
The Vampyre of Time and Memory (Queens of the Stone Age / Joshua Homme) 3:34
...Like Clockwork (Joshua Homme / James Lavelle / Charlie May) 5:24
from …Like Clockwork 2013
All the surface evidence on ...Like Clockwork suggests Josh Homme is steering Queens of the Stone Age back to familiar territory. Once again, he's enlisted drummer Dave Grohl as his anchor and he's made amends with his erstwhile bassist Nick Oliveri, suggesting Homme is returning to either Rated R or Songs for the Deaf, the two turn-of-the-millennium masterpieces that thrust QOTSA out of their stoner rock cult, but ...Like Clockwork isn't so simple as a return to roots. Homme flirts with his history as a way to make sense of his present, reconnecting with his strengths as a way to reorient himself, consolidating his indulgences and fancies into a record that obliterates middle-age malaise without taking a moment to pander to the past...  This is forceful, purposeful, fueled by dense interwoven riffs and colored with hints of piano and analog synthesizers that quite consciously evoke '70s future dystopia. QOTSA always specialized in this eerie sexiness, but the precision on ...Like Clockwork -- quite different than the merciless propulsion of Era Vulgaris, the 2007 album that closed out their time at Interscope -- feels conceptually tight, Homme smartly sculpting guitar fuzz, elastic solos, haunted harmonies, and deceptively slinky rhythms into a cool, relentless collection of heavy rock. The force impresses but also the restraint: there are missed beats and open space, muscular music that seduces and pummels, even manages to soothe while it assaults. It's complex, harder, and catchier than anything QOTSA have done in a decade, and more song-oriented, too, but that's a sign of maturity: Homme has marshaled all of his strengths on ...Like Clockwork and has found a way forward, a way to deepen his music without compromising his identity.

This heavy Norwegian fusion quintet became Grand General after premiering as the Kenneth Kapstad Group at the Trondheim Jazzfest. 
Grand General
Antics (Trond Frønes) 12:20
Red Eye (Trond Frønes / Ola Kvernberg) 11:02
from Grand General 2013
This Norwegian fusion quintet features the same instrumental lineup as Mahavishnu Orchestra, so comparisons to John McLaughlin's legendary '70s band are probably inevitable. But on the basis of Grand General's eponymous 2013 Rune Grammofon debut, such comparisons would merely scratch the surface. The bandmembers have the chops to match any fusioneers past or present, but they're also fond of the relentless rock pummel, undergirding their pyrotechnics with a powerful rhythm section possessing deep reserves of energy. Motorpsycho fans will recognize the Norwegian psych/prog/metal institution's current drummer, Kenneth Kapstad, and Kapstad is indeed a driving rhythmic force here, but bassist Trond Frønes is at least an equal partner. Frønes adopts a thick, overdriven bass tone at times strikingly similar to that of Motorpsycho vocalist/bassist Bent Sæther (check out 2010's Heavy Metal Fruit). Kapstad and Frønes also play together in the metal band Goat the Head, so they are definitely on the same wavelength...