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A következő címkéjű bejegyzések mutatása: The Sufis. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: The Sufis. Összes bejegyzés megjelenítése

2020. december 10., csütörtök

10-12-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past]


10-12-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] Jon Spencer, Cat Clyde, The Sufis, Arbor Labor Union, CocoRosie, Jaakko Eino Kalevi, Okay Kaya, The Sufis, Sneaks, Urlaub in Polen, Free Nationals, Lee Scratch Perry, Axis: Sova


M U S I C

if you want excitement PRESS SHUFFLE!







Scuzz-rocking guitarist who fused ernest traditionalism and destructive tendencies fronting Pussy Galore, the Blues Explosion, and Heavy Trash. Best known as the leader of punk-blues firebrands the Jon Spencer Blues Explosion, Jon Spencer became a major figure in noise rock and alternative rock circles for his gritty, combustible songs, fiercely minimalistic guitar work, and over-the-top performing style.
Love Handle
Trash Can
...More than anything, Spencer Sings the Hits suggests the Blues Explosion without the same degree of fire and gravity, and with a little bit of noisy clatter and keyboard blurt added for seasoning. The high-attitude strut of Spencer's vocals is as loud and proud as ever, and the minimalist snarl of his guitar work is similarly confident. But where Judah Bauer and Russell Simins pushed Spencer forward, giving as good as he gave out, percussionist M. Sord and keyboardist Sam Coomes follow the star rather than walking in formation with him, and it makes a difference... 


Cat Clyde is a new artist out of Stratford, Ontario. A fresh take on the classic sounds of yesteryear. She breathes new life into the velvety vocal, tack-piano, slide-guitar-style that can instantly walk you through the swinging doors of a packed saloon. With influences ranging from Etta James to Kevin Morby to Lead Belly; hers is a mix that goes down smoother than a neat glass of mellow Kentucky bourbon. No longer do you need to reach for your trusty sifting pan and river boots to find gold. You just need to know one name
Bird Bone
Not Like You
from Hunters Trance 2019
The melodies of Hunters Trance will inspire you to pour a glass of whiskey and sulk at a bar; it epitomizes the grudge and allure that is notorious of blues-truly authentic and particularly chilling. Cat's voice encapsulates the essence of inspirations such as Amy Winehouse and Janis Joplin to remind us that music that comes from the soul is never outdated and forever transformative. Whether you’re a die hard bluesy-folk fan or not, Cat Clyde’s velvety voice will bury into your heart, stick in your mind, and leave you with that familiar bittersweet taste in your mouth.



Nashville duo dedicated to reviving mid-'60s garage rock and psychedelic pop. The Sufis began their career dedicated to excavating garage rock nuggets and re-creating them in lo-fi, bedroom psych style. After releasing two albums that sounded like a cross between the Byrds, (the original) Nirvana, and the house band on Shindig, the duo added synthesizers, dubby post-chillwave psych, and smooth soft rock textures to their sound on a pair of albums that brought them up to date.
Find Your Friends
Cleveland
from Double Exposure 2020 
The Sufis' fourth album, Double Exposure, follows in the same lo-fi, weird, and woolly bedroom psych footsteps as their previous album did. Only this time the duo have a much more focused and animated approach to the writing and recording process and punch their performances up just a touch. The sound might be oddly smooth and bathed in cheapo synths, warbly vocals, and drums that sound like they have an inch of water sloshing around inside them, but the songs are shiny and sharp as diamonds. Each track connects like a sucker punch, whether it's the bubbling post-Ariel Pink pop of "Find Your Friends," the compressed jangle pop of "Cleveland," the moody new wave of "Too Far"... they vault to the forefront of the style with an album that shows off their skills as writers, performers, producers, and arrangers like none of their other records has, and few other bands of their ilk have either.

2020. október 2., péntek

TROUBLE iN PARADiSE alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX

Rufus Wainwright

TROUBLE iN PARADiSE alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] Rufus Wainwright, Benjamin Biolay, Beck, Spice Boys, Khruangbin, Algiers,Steve Gunn,Dream Wife,Jon Spencer, Cat Clyde,The Sufis,Arbor Labor Union,CocoRosie


M U S I C

if you want excitement PRESS SHUFFLE!







Juno-winning singer/songwriter from a famed musical family but with a style all his own drawn from influences spanning Tin Pan Alley and opera.
Rufus Wainwright
Trouble In Paradise
Unfollow The Rules
from Unfollow the Rules 2020
His tenth album overall, Unfollow the Rules signifies an emphatic return to pop for Rufus Wainwright following a recording of his first opera (2015's Prima Donna) and a set of Shakespeare sonnets set to music (2016's Take All My Loves). It also represents a career marker of sorts; returning to Los Angeles and specifically Sound City Studios, where Wainwright recorded his 1998 eponymous debut, the songwriter has described it as a bookend to the first part of his career. A lush, theatrical, nearly hourlong 12-track set recorded with legendary producer Mitchell Froom (Paul McCartney, Elvis Costello, Crowded House), it opens with the sleek pairing of Wainwright's vocals and a drum beat by Matt Chamberlain before "Trouble in Paradise" breaks open with dense, pointed vocal harmonies...


French pop singer-songwriter, multi-instrumentalist, and producer who is the only loigical successor in chanson to Serge Gainshbourg.
Benjamin Biolay
Comment est ta peine ?
Idéogrammes
from Grand Prix 2020
France's Benjamin Biolay left behind his provocative Buenos Aires cycle after two acclaimed albums, Palermo Hollywood in 2016 and the platinum-certified Volver in 2017). Grand Prix is nostalgic and unquestionably autobiographical. Its title references Formula 1 racing's excitement, drama, heroes, and tragedies. "Grand Prize" artfully contrasts racing with his own life experiences and the sacrifices he's made in pursuit of art...  with a small band, analog synths, complete guitar and drum takes, and live vocals in songs that caress elements of Krautrock, post-punk, Brit-and electro-pop, Euro-disco, chanson, and MPB.


One of the most inventive, eclectic figures of the alternative era, the epitome of post-modern chic in an era obsessed with junk culture.
Beck
Hyperspace
Dark Places
from Hyperspace 2019
Hyperspace is one of those Beck projects that came together quickly. At the conclusion of the supporting tour for 2017's Colors, Beck headed into the studio with Pharrell Williams with the intention of contributing to a new N.E.R.D album, but they wound up hitting it off... With its layers of analog synths and drum machines, it's hard to escape the new wave trappings of Hyperspace, yet the album is devoid of nostalgia or irony...  Beck never lingers upon either his melancholy or his celestial flights of fantasy: they exist simultaneously, resulting in a tremulous and pretty soundtrack for moments of fleeting introspection.


Raucous Swedish garage punks Spice Boys formed in Umeå in late 2015, establishing themselves quickly in the local scene... The quartet of Adam Forsberg, Jesper Lindkivst, Emil Uppenberg, and Sebastian Holmlund returned in January 2018 with their first full-length release, Glade.
Spice Boys 
Spice City Boys
Mirages
from Glade 2018
A raucous garage punk quartet hailing from Umeå, Sweden, Spice Boys follow up their 2017 Spice City EP with Glade, their first full-length outing. Formed in 2015, the group is a natural fit for Stockholm label PNKSLM, whose roster of similarly irreverent lo-fi acts includes London duo Shit Girlfriend and fellow Swede ShitKid. With the help of producer/collaborator Simon Skeleton, Glade's 13 cuts were banged out in one presumably deafening weekend followed by a handful of overdub sessions to complete the Boys' cultivated vibe of ramshackle, surf-inspired, urban disillusionment. Despite their Nordic climes, their loose and clamorous guitar attack shares plenty of similarities with the D.I.Y. sounds of California's Burger Records empire. The songwriting and vocals are shared by guitarists Sebastian Holmlund and Adam Forsberg, who take turns exchanging abrasive leads and sprightly strumming as rhythm battery Jesper Lindkvist and Emil Uppenberg hasten to keep the train on the tracks...


Khruangbin (Thai for airplane, or literally "engine fly") are a jet-setting trio from Texas whose smooth, groove-heavy music is heavily inspired by Thai rock and funk from the '60s and '70s, as well as a multitude of other influences ranging from surf rock to dub to Iranian pop.
Khruangbin
Cómo Me Quieres
Shades of Man
Rules
from Con Todo el Mundo 2018
Texan trio Khruangbin named themselves after the Thai word for airplane, which couldn't be more appropriate for a band whose influences imply heavy passport usage. Of course, the band are inspired by Thai rock and funk from the '60s and '70s -- sounds most easily available to Western ears via releases like the Thai Beat a Go-Go compilations or anything issued by ZudRangMa Records. The group also draw from the bass pressure of vintage dub reggae, the free-spirited haziness of California psychedelia, and the gritty passion of '70s soul, with hints of Iranian pop, Afrobeat, Spaghetti Western film scores, and countless other styles. While this sounds like it could be an impossibly tall order, or something that requires an encyclopedic knowledge of music just to listen to, the band achieve a remarkably, almost effortlessly cohesive sound, and it goes down much more smoothly than one might expect...

This transcontinental trio formed in Georgia, playing an urgent hybrid of gospel, blues, and noisy post-punk. Algiers are a politically conscious indie trio who combine elements of post-punk and no wave with raw blues, gospel, and even early industrial music.

Algiers 
There Is No Year
Losing Is Ours
from There Is No Year 2020 
There Is No Year, the third album by Atlanta-based Algiers, was co-produced by Randall Dunn and Ben Greenberg. It further extends the reach of their previous outings while offering a more strategically articulated, disciplined musicality without sacrificing their core sound or blunting their emotional impact. In a scalding gumbo of post-punk mania, mutant gospel, shambolic blues, and ravaged funk and soul, they add more grimy electronic and industrial elements to their attack. Pulsing synths and electronic, clattering, mechanized beats (recalling the manic approach of Suicide's first album) introduce the opening title track. Vocalist/lyricist Franklin James Fisher begins testifying with an activist's conviction and a soul man's heart. His urgency offers keen, righteous, social and cultural critique rather than indictment and judgment. A sax breakdown by guest Skerik pushes the margin... On "Losing Is Ours," Lee Tesche's squalling, acid-drenched blues guitar meets dissonant synth, harsh noise, and Ryan Mahan's processional piano as Fisher's vocal soars above it all; Skerik's horn once more adds an out-jazz dimension...



Virtuoso guitarist, songwriter, and producer best-known as a go-to musician, a member of the trio GHQ, and frequent solo recordings.
new moon
new familiar
Annabel Mehran's black-and-white cover photo for Steve Gunn's The Unseen In Between is a portrait of the guitarist and songwriter seemingly on the move. It evokes those found on early- to mid-'60s recordings by Bob Dylan, Koerner, Ray & Glover, Jackson C. Frank, Bert Jansch, and others... Gunn's also a more confident, capable singer than he was on 2016's Eyes on the Lines and it shows. He places his voice at the center of producer/guitarist James Elkington's beautifully layered, multi-textured mix. Gunn enlisted Tony Garnier, Dylan's bassist of 30 years as his musical director, along with Elkington (who also contributes guitars, harmonica, and keyboards), drummer T.J Mainani, keyboardist Daniel Schlett, string players Macie Stewart and Lia Kohl, and clarinetist Jacob Daneman. Opener "New Moon" commences with an acoustic guitar and bassline delivering a syncopated psych-folk vamp before a heavily reverbed electric guitar paints over them both. His delivery walks the line between folk, blues, and psychedelia as the tune unfolds its suggestive, fleeting landscapes and emotional states... "New Familiar" utilizes a hypnotic drone and repetitive single-string guitar lines done raga style to introduce a sprawling, labyrinthine rock number...

Arty, all-female British trio influenced by '90s indie rock, punk, and ambient pop. With their brashly catchy mix of punk and pop and proudly feminist viewpoint, Dream Wife continue the empowering lineage of the Slits, Debbie Harry, Yeah Yeah Yeahs, and Le Tigre. Thanks to their clever songwriting and abundant hooks -- and Rakel Mjöll's ability to shift from a coo to a howl in an instant -- Dream Wife's manifestos about gender roles, body image, and identity feel thrilling rather than pedantic.
Let's Make Out
Fire
Hey Heartbreaker
from Dream Wife 2018 
Infusing the angular sounds of the early aughts with a healthy dose of riot grrrl power, indie rock outfit Dream Wife delivered a fierce debut packed with jagged guitar riffs, sneering kiss-offs, and irresistible charm. On Dream Wife, the trio of Rakel Mjoll, Alice Go, and Bella Podpadec channel their predecessors with precision and ease, distilling the grit and groove of early Yeah Yeah Yeahs, Sahara Hotnights, and the Sounds, while paying their respects to forebears like Sleater-Kinney and Kathleen Hanna's Bikini Kill, and Le Tigre... Dream Wife have seized a certain energy that is undeniable and -- despite the myriad inspirations and easy comparisons -- feels so fresh and alive, enough to make their trailblazing influences proud.



Scuzz-rocking guitarist who fused ernest traditionalism and destructive tendencies fronting Pussy Galore, the Blues Explosion, and Heavy Trash. Best known as the leader of punk-blues firebrands the Jon Spencer Blues Explosion, Jon Spencer became a major figure in noise rock and alternative rock circles for his gritty, combustible songs, fiercely minimalistic guitar work, and over-the-top performing style.
Trash Can
Love Handle
I Got the Hits
...More than anything, Spencer Sings the Hits suggests the Blues Explosion without the same degree of fire and gravity, and with a little bit of noisy clatter and keyboard blurt added for seasoning. The high-attitude strut of Spencer's vocals is as loud and proud as ever, and the minimalist snarl of his guitar work is similarly confident. But where Judah Bauer and Russell Simins pushed Spencer forward, giving as good as he gave out, percussionist M. Sord and keyboardist Sam Coomes follow the star rather than walking in formation with him, and it makes a difference... 



Cat Clyde is a new artist out of Stratford, Ontario. A fresh take on the classic sounds of yesteryear. She breathes new life into the velvety vocal, tack-piano, slide-guitar-style that can instantly walk you through the swinging doors of a packed saloon. With influences ranging from Etta James to Kevin Morby to Lead Belly; hers is a mix that goes down smoother than a neat glass of mellow Kentucky bourbon. No longer do you need to reach for your trusty sifting pan and river boots to find gold. You just need to know one name
Bird Bone
Not Like You
Reach It
from Hunters Trance 2019
The melodies of Hunters Trance will inspire you to pour a glass of whiskey and sulk at a bar; it epitomizes the grudge and allure that is notorious of blues-truly authentic and particularly chilling. Cat's voice encapsulates the essence of inspirations such as Amy Winehouse and Janis Joplin to remind us that music that comes from the soul is never outdated and forever transformative. Whether you’re a die hard bluesy-folk fan or not, Cat Clyde’s velvety voice will bury into your heart, stick in your mind, and leave you with that familiar bittersweet taste in your mouth.



Nashville duo dedicated to reviving mid-'60s garage rock and psychedelic pop. The Sufis began their career dedicated to excavating garage rock nuggets and re-creating them in lo-fi, bedroom psych style. After releasing two albums that sounded like a cross between the Byrds, (the original) Nirvana, and the house band on Shindig, the duo added synthesizers, dubby post-chillwave psych, and smooth soft rock textures to their sound on a pair of albums that brought them up to date.
Find Your Friends
Cleveland
Too Far
from Double Exposure 2020 
The Sufis' fourth album, Double Exposure, follows in the same lo-fi, weird, and woolly bedroom psych footsteps as their previous album did. Only this time the duo have a much more focused and animated approach to the writing and recording process and punch their performances up just a touch. The sound might be oddly smooth and bathed in cheapo synths, warbly vocals, and drums that sound like they have an inch of water sloshing around inside them, but the songs are shiny and sharp as diamonds. Each track connects like a sucker punch, whether it's the bubbling post-Ariel Pink pop of "Find Your Friends," the compressed jangle pop of "Cleveland," the moody new wave of "Too Far"... they vault to the forefront of the style with an album that shows off their skills as writers, performers, producers, and arrangers like none of their other records has, and few other bands of their ilk have either.



Georgia-based rock band combines philosophical trippiness with stoner rock firepower; formerly known as Pinecones.
Riddle Snake Blues
How Long Was I Gone
Highway Loop
After changing their name from Pinecones to the even-greener Arbor Labor Union, this Georgia four-piece debuted on Sub Pop with I Hear You, a peculiar mix of stoner rock, post-punk, and psychedelia with a just a touch of twang. The album introduced the group's core guitar duo of singer Bo Orr and fellow axeman Brian Adams who, when not chugging mightily at a middling pace, were prone to writing spry and intriguing circular riffs that spun neatly throughout the songs. It's the latter of those two tendencies that comes to the foreground on New Petal Instants, the band's eccentric 2020 follow-up...



Duo formed by sisters Sierra and Bianca Casady, whose distinctive and beautiful sound draws on indie, electronic, and lo-fi. The project of multi-disciplinary artists and sisters Bianca and Sierra Casady, CocoRosie combines a wealth of influences -- hip-hop, folk, opera, electronic, found sounds, and more -- into an unmistakable and often poignant sound.
High Road
Hell's Gate
Slow Down Sun Down
Since La Maison de Mon Rêve's "By Your Side," CocoRosie have juxtaposed old and new sounds and attitudes towards relationships in intriguing ways. They continue to mine this territory on Put the Shine On, but this time, Sierra and Bianca Casady's tales of girls and women dealing with men -- especially fathers -- who are absent and abusive are more bemusing than thought-provoking. This is due in large part to the album's sound, which polarizes CocoRosie's collages of unexpected elements into extremes...



2019

2020. január 27., hétfő

070 ALTER.NATION.MiX weekly favtraX 27-01-2020

ALTER.NATION #70
Chromatics, Wolf Parade, David Bowie, Nicolas Godin, En Attendant Ana, Basic Plumbing,  The Wood Brothers, Jeff Parker, The Sufis, Caspian, Bohren & der Club of Gore, Chromatics

weekly favtraX 
2 7 - 0 1 - 2 0 2 0

"from TOY to TOY"





Glamorously heartbroken purveyors of evocative electropop.
Chromatics - Toy
Believe it or not, Chromatics released a new album last year, Closer To Grey. It wasn’t their long-anticipated (and missing in action) Dear Tommy, but it was very good, and the Los Angeles group is back with another very good new track today.
Their new single is called “Toy,” and it’s a characteristically cinematic and strobing song. “Tell me what I have to do/ ‘Cus I can’t stop thinking of you,” Ruth Radelet sings on it. “Tell me what I have to say/ ‘Cus I can’t go on living this way.” The band has also put out a stripped back “On Film” version of the track and an instrumental.


Canadian indie rockers who came together around the talents of Spencer Krug (Frog Eyes) and Dan Boeckner (Handsome Furs).
Wolf Parade - Thin Mind / Out of Control
It seems size does not matter for Wolf Parade. Multi-instrumentalist Dante DeCaro, who had been working with Wolf Parade since 2005, left the band in early 2019, leaving the original trio of Spencer Krug, Dan Boeckner, and Arlen Thompson to get along without him. But if anyone expected the group to scale back their sound as a three-piece, 2020's Thin Mind wastes no time in shutting down that thinking. Wolf Parade sound lively, passionate, and fully committed on these ten songs, with Krug's Bowie-esque glam-conscious vocals reaching to the third balcony and easily finding their target, as the arrangements suggest the great lost new wave album of the '80s...


The mercurial music icon widely considered the original pop chameleon and figurehead for countless musical movements.
David Bowie - Stay '97
“Stay,” of course, first appeared on Bowie’s 1976 album Station To Station. This new recorded was started during tour rehearsals at the Factory in the Dublin Docklands, and finished later for use as a potential B-side. Bowie wanted to update some of his older tracks so they’d sit alongside material from Outside and Earthling more comfortably live.


Composer/multi-instrumentalist, best known as one half of Air, who embarked on a solo career in 2015.
Nicolas Godin - Concrete and Glass / Concrete and Glass
Looking back on his career with and without Air, Nicolas Godin's beginnings as an architecture student become more and more apparent -- and not just because the first song he created, "Modulor Mix," was a tribute to Le Corbusier. A skilled use of structure and space is just as important to composing music as designing a building, and the weightless drift of his music is as much of a feat as a skyscraper that seems to defy gravity. Much like an architect, over the years Godin has built on his music's foundations while continuing to innovate. If Contrepoint's dazzling fusion of classical, jazz, Tropicalia, exotica, and left-field pop and the flawless '60s spy music homage of his Au Service de la France (A Very Secret Service) score felt like reactions to the iconic sound he crafted with Air, then Concrete and Glass is a welcome return to it. As its name suggests, Godin's second solo album is ultra-sleek and airy, in both senses of the word...


Parisian garage pop quintet fuses melodic songwriting with a fuzzy, lo-fi approach. Parisian indie outfit En Attendant Ana fuse strong melodic songwriting with a fuzzy lo-fi approach, splitting the difference between a garage punk aesthetic and pop sophistication.
En Attendant Ana - Juillet / Enter My Body (Lilith)
En Attendant Ana are a Parisian indie quintet whose tightly focused melodies and energetic attack are fused with a curious blend of harmonic sophistication and wild abandon. They first appeared in 2016 with a rather rugged lo-fi EP, followed two years later by the more refined full-length Lost and Found, an exciting debut that revealed a young band with heaps of potential. Jump ahead to 2020, when their excellent sophomore LP, Juillet, makes good on that promise. Fronted by singer and chief songwriter Margaux Bouchaudon, En Attendant Ana are primarily a guitar band, though they make good use of multi-instrumentalist Camille Fréchou, whose lofty trumpet lines add a distinctive finesse to the group's energetic post-punk meets indie pop arrangements...


Stripped-down indie rock with equal parts melody and melancholy from the former Veronica Falls drummer and Boys Forever leader.
Basic Plumbing - Keeping Up Appearances / Too Slow
Basic Plumbing is Patrick Doyle's second solo project. Boys Forever was his first, and their one and only album showed that the longtime bandmember (Correcto, the Royal We, Veronica Falls) had what it took to lead a group. It was a shimmering and tough guitar pop album that was indebted to grunge, indie, and noise pop, while showing off Doyle's angelic voice and excitingly melancholy songwriting. Basic Plumbing is a stripped-down and scruffier version of that, and Keeping Up Appearances strips away any of the minimal gloss of Boys Forever in favor of a rough-and-ready approach. Doyle handles guitar, drums, and vocals, Helen Skinner adds bass lines, and the whole album was recorded quickly and with hardly any finesse from the producer's chair. The guitars jangle roughly, the cymbal crashes sizzle into the red, Doyle's fragile vocal harmonies drift through the mix like distant birds, and the bass holds it together in nicely melodic fashion...


Acclaimed roots music trio featuring brothers Oliver and Chris Wood and multi-instrumentalist Jano Rix. A roots music trio featuring brothers Chris (upright bass, vocals) and Oliver Wood (guitars, vocals) along with multi-instrumentalist Jano Rix, the Wood Brothers bring a distinctive flair to their union of folk, blues, gospel, and jazz.
The Wood Brothers - Kingdom in My Mind / Alabaster
"Alabaster" kicks off Kingdom in My Mind, the Wood Brothers' eighth studio album, with a slow, thick groove, its swampiness a reflection of how the album originated from a series of studio jams. The band didn't enter the studio with the intent of recording a new album, but they were taken with the results of their recording, so brothers Chris and Oliver Wood shaped the improvisations into songs. Starting with a collection of funky rustic recordings wound up being a boon to the Wood Brothers, letting Kingdom in My Mind establish a vibe that's cozy, homespun, and just slightly slick. Chalk the polish up to how the group are veterans with a good sense of space and feel, a knack that they're pushing on Kingdom in My Mind over tasteful songcraft...


Highly versatile, prolific guitarist (and Tortoise member) who has collaborated with numerous jazz, experimental, and indie rock musicians.
Jeff Parker - Suite for Max Brown / Go Away
Guitarist and composer Jeff Parker made a name for himself first with Tortoise during the '90s, and then as an integral member of the experimental music scene in Chicago. He's made a career of jumping the dimensions between rock, soul, funk, and jazz. Unknown to all but his contemporaries and musician friends, he also pursued his intense love of hip-hop without recording any of it; that is, until he released The New Breed from his adopted home in Los Angeles in 2016... While that recording revealed his respect and gratitude for his departed father, Suite for Max Brown is titled for and dedicated to his very-much-alive mother. Produced by the artist and engineered by Paul Bryan, it is a continuation of the sounds explored on New Breed. It includes most of the same sidemen, though it's more a solo date than a band date, and its tunes meander and stroll through thoughtful, creative, loose-sounding compositions...


Nashville duo dedicated to reviving mid-'60s garage rock and psychedelic pop. The Sufis began their career dedicated to excavating garage rock nuggets and re-creating them in lo-fi, bedroom psych style. After releasing two albums that sounded like a cross between the Byrds, (the original) Nirvana, and the house band on Shindig, the duo added synthesizers, dubby post-chillwave psych, and smooth soft rock textures to their sound on a pair of albums that brought them up to date.
The Sufis - Double Exposure / Outta My MInd
The Sufis' fourth album, Double Exposure, follows in the same lo-fi, weird, and woolly bedroom psych footsteps as their previous album did. Only this time the duo have a much more focused and animated approach to the writing and recording process and punch their performances up just a touch. The sound might be oddly smooth and bathed in cheapo synths, warbly vocals, and drums that sound like they have an inch of water sloshing around inside them, but the songs are shiny and sharp as diamonds...


Massachusetts-based post-rock unit in the vein of Explosions in the Sky and Mono. Caspian are an atmospheric, primarily instrumental post-rock band based on the East Coast of the United States. Their sound is cinematic in scope, alternating lush, melodic, and powerful guitars atop mellotrons and keyboards propelled by a forceful, imaginative rhythm section.
Caspian - On Circles / Division Blues
It's been five years since Massachusetts post-rock six-piece Caspian delivered the rightfully acclaimed Dust and Disquiet in 2015. On it, they reinvented post-rock's static modernism through composed and richly textured layers of instrumentation and sonic effects designed to enable spacious rhythmic and timbral experiments... Produced and engineered by Will Yip, the eight-song On Circles was cut in a Pennsylvania studio during the month of May in 2019. Yip intuitively illustrates Caspian's intent to find the invisible intersection between self-generated propulsive rock energy, seduction, and a trance-like penchant for reverie...  "Division Blues" adds cellos and violins as ballast for the wafting, bell-like guitars in a processional waltz time, swelling and shrinking bar by bar until the entire enterprise becomes a gorgeous squalling rock monolith...


German quartet inspired by many forms of metal, self-described as "doom-ridden jazz music." Dark jazz, doom jazz, and ambient jazz noir are just three of the (sub)genre terms regularly used to describe the music of Germany's Bohren & Der Club of Gore.
Bohren & der Club of Gore - Patchouli Blue / Verwirrung am Strand
In the nearly six years since German dark jazz outfit Bohren & Der Club of Gore released 2014's Piano Nights, drummer Thorsten Benning left the group. Rather than replace him, they downsized and became a trio. The remaining members, Christoph Clöser (compositions, tenor saxophone, vibes, Fender Rhodes), Morten Gass (piano, organ, engineer, producer), and Robin Rodenburg (double bass) perform Patchouli Blue as if Benning never left; the sparse, funereal percussion is handled by a synth and all three members. The more things change the more things stay the same in the Club of Gore's musical universe. Their tunes remain as sad as a burned-out house and as lonesome as a broke and crying drunk under a dim street lamp after closing time... Yet, as evidenced by tracks such as the single "Verwirrung am Strand," there is a nearly tender melodic sensibility wired into the music. This is not to say they’ve given up their trademark senses of dread or impending doom, but they've been de-emphasized in favor of a less foreboding state of stasis...


Beginning as a no wave band with an equally volatile lineup and sound, Chromatics evolved into one of the most influential electro-pop acts of the 2000s and 2010s.
Chromatics - Toy
Believe it or not, Chromatics released a new album last year, Closer To Grey. It wasn’t their long-anticipated (and missing in action) Dear Tommy, but it was very good, and the Los Angeles group is back with another very good new track today.
Their new single is called “Toy,” and it’s a characteristically cinematic and strobing song. “Tell me what I have to do/ ‘Cus I can’t stop thinking of you,” Ruth Radelet sings on it. “Tell me what I have to say/ ‘Cus I can’t go on living this way.” The band has also put out a stripped back “On Film” version of the track and an instrumental.
The band also recently released a 47-track (!) deluxe edition of Closer To Grey that included some alternate takes of tracks, remixes, and instrumentals of all the songs on the album.

Chromatics, Wolf Parade, David Bowie, Nicolas Godin, En Attendant Ana, Basic Plumbing,  The Wood Brothers, Jeff Parker, The Sufis, Caspian, Bohren & der Club of Gore, Chromatics