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A következő címkéjű bejegyzések mutatása: Norah Jones. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Norah Jones. Összes bejegyzés megjelenítése

2020. június 14., vasárnap

091ALTER.NATION.MiX weekly favtraX 14-06-2020

ALTER.NATION #91
Norah Jones, Jehnny Beth, Maserati, Built to Spill,  Daniel Johnston, Sammy Brue, Dougie Poole, Bibio, Kahil El'zabar, Kurt Rosenwinkel, GoGo Penguin, Boney James, Noveller

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1 4 - 0 6 - 2 0 2 0

"Hurts to Be Alone"




Pianist who sold millions with her beguiling vocals and a musical blend featuring jazz, traditional vocal pop, bluesy country, and contemporary folk.
Norah Jones - Pick Me Up Off the FloorHurts to Be Alone
Once she came to the end of the promotional cycle for 2016's Day Breaks, Norah Jones decided to challenge herself by recording a series of swift sessions with a rotating cast of collaborators. The intention was to release the results quickly, issuing them as a digital single at a time, and Jones followed through on this plan, releasing a new song every few months throughout 2018. These tunes were rounded up on 2019's Begin Again, but that wasn't the end of the project. Jones cut a number of songs during these sessions that were unreleased but not forgotten by the singer/songwriter. She kept listening to the rough mixes, eventually coming to the conclusion that these tracks would make a strong album of their own accord. Pick Me Up Off the Floor proves her instincts were correct...


Whether she's making music, acting, or writing, Jehnny Beth challenges conventions, her audience -- and herself. Her unwavering commitment to pushing boundaries first became widely known during her time with Savages, whose acclaimed albums Silence Yourself (2013) and Adore Life (2016) delivered a jolt of uncompromising feminine energy into post-punk as well as the U.K. rock scene of the 2010s.
Jehnny Beth - To Love Is to Live / Flower
Arriving four years after Adore Life, Jehnny Beth's solo debut, To Love Is to Live, is exactly the kind of work expected from an envelope-pushing, multidisciplinary artist like Savages' frontwoman, yet it still manages to surprise. In Beth's eyes, living and loving aren't supposed to be easy -- it's the struggle and risk involved that makes both of them worthwhile. She never lets herself, or her listeners, get too comfortable on To Love Is to Live...


Aptly named post-rock outfit with a retro-futuristic sound that nods to space rock, dance music, and new wave.
Maserati - Enter the Mirror / Wallwalker
....Enter the Mirror evokes the real and fantasy crises of the '80s as well as the 2020s, and Maserati's vocoder-heavy robot rock sounds sleeker and feels more ominous than it has in some time. .. "Wallwalker" boasts riffs and solos big enough to fill a stadium before it effortlessly shifts gears and hits the dancefloor. Familiar yet unpredictable moments like these make Enter the Mirror a confident, dynamic celebration of Maserati's 20th year of reimagining the future of decades past with 20/20 hindsight.


Built to Spill were one of the most popular indie rock acts of the '90s, finding the middle ground between postmodern, Pavement-style pop and the loose, spacious jamming of Neil Young. From the outset, the band was a vehicle for singer/songwriter/guitarist Doug Martsch, who -- heavily inspired by Dinosaur Jr.'s J Mascis -- helped keep alive the concept of the indie guitar hero. 
Built to Spill Plays the Songs of Daniel Johnston / Impossible Love
As with other talented but troubled artists such as Syd Barrett, Brian Wilson, and Roky Erickson, Daniel Johnston fights a daily battle with the chronic mental illness that has plagued him nearly his entire life.
In 2017, Built to Spill had the honor of serving as backing band for Daniel Johnston for two shows, and during rehearsals they decided to record a handful of their favorite songs to share with friends. The shows turned out well and a couple years later the trio of vocalist/guitarist Doug Martsch, bassist Jason Albertini, and drummer Steve Gere reconvened to work a little more on the songs to get them ready to be released. Ernest Jenning Recording Co. did the honors, and the finished product is a reverent tribute fitting to Johnston and of a piece with the group's best work...


Oregon-born, Utah-based Americana and country-folk prodigy who released his debut LP at the age of 15.
Sammy Brue - Crash Test KidSkatepark Doomsday Blues
Singer, songwriter, and guitarist Sammy Brue wowed folk and Americana fans with his stylish 2017 debut, I Am Nice, which just happened to coincide with his 15th year on the planet. Three years older but still technically unable to legally set foot in some of the venues his job requires of him, Brue returns with Crash Test Kid, a bolder and decidedly more age-appropriate collection of songs that straddle the nexus between precocious troubadour and emotionally exhausted 18-year-old...


Dougie Poole is a musician and songwriter living in Brooklyn, New York. Coming of age in Providence, he dabbled in heavier and more experimental music before maturing into a country auteur.He writes earnestly about his experience (life in the big city, heartbreak in the digital age) and approaches country as an experimental music form, as well as a tradition. 
Dougie Poole - The Freelancer's BluesVaping on the Job
Practically every piece on Dougie Poole in some way points to the eccentricity of his work and his unlikely alliance to country music, with the word "weird" popping up as often as not. And in a very real way, the consensus is right -- Dougie Poole's music IS pretty weird, with its wobbly sounding keyboards attempting to mimic the sound of the pedal steel guitar, and the clanky-sounding rhythm programs, along with his sorta-funny, sorta-not lyrics about lost love, the trials of ordinary life, and recreational drugs. That said, if Poole feels a kindred spirit with classic country music, he comes by it honestly. Poole's songs demonstrate a very real compassion and understanding for the ordinary workaday people who populate country music and its audience, and while there are some truly bent angles in his work, he doesn't look down on his characters.


The folk-meets-electronica project of self-taught producer and multi-instrumentalist Stephen Wilkinson.
Bibio - Sleep on the WingA Couple Swim
The folky side of Bibio's music is always lovely, whether Stephen Wilkinson submerges it in blunted beats and decaying tape ambiance on Vignetting the Compost or lets the sun shine on it, as he did on Ribbons. Sleep on the Wing is a companion to that gorgeous 2019 album, and though it has a smaller scope, it's just as winning...




American drummer, inspired by African music, who has worked with top jazz musicians, pop artists, and on film scores.
Kahil El'zabar - Kahil El'zabar's Spirit Groove / In the Spirit
Spirit Groove features El'Zabar in the company of saxophonist and longtime collaborator David Murray, bassist Emma Dayhuff, and pianist/keyboardist Justin Dillard on synth, organ, and piano. This outing shines a light on the accessibility and vision of El'Zabar's abundant creativity. Whether playing kalimba, drum kit, congas, shakers, vibes, or singing, he is in pursuit of the ancient universal groove, and its twin manifestations as spiritual and aesthetic entities in the contemporary world...   "In the Spirit" is spiritual soul-jazz at its best; where Roy Ayers, Leon Thomas, Les McCann, Eddie Harris, and Joe Lee Wilson all mingle with Booker Little and Pharoah Sanders in riff-centric and obsessively assonant modal jazz. It stirs emotionally as poignant questions emerge from the mix about our attentiveness while affirming the spiritual truth of rhythm.


An adept guitarist and multi-instrumentalist, Kurt Rosenwinkel is known for his fearless, boundary-pushing approach to jazz. Building upon the eclectic post-bop work of guitarists like Pat Metheny, John Scofield, and Bill Frisell, Rosenwinkel gained early buzz in the 1990s leading his own groups and working with progressive artists like Paul Motian, Tim Hagans, and Gary Burton. 
Kurt Rosenwinkel - Angels Around / Simple #2
-...Joining him are Italian bassist Dario Deidda and drummer Gregory Hutchinson. Both Deidda and Hutchinson bring a wealth of experience to the session. Deidda has played with such Italian luminaries as singer Fiorella Mannoia and trumpeter Enrico Rava, and his warm, robust sound brings to mind contemporaries like Christian McBride and veterans like Dave Holland. Similarly, Hutchinson has been a first-call player for decades, and his roiling, textured style is the perfect foil for Rosenwinkel's sparkling, far-eyed improvisational lines... and dive with red-eyed focus into the funky, Larry Coryell-esque original "Simple #2."...


GoGo Penguin is a charting, left-field jazz piano trio from Manchester, England. They seamlessly wed rock, post-bop jazz, and minimalist classical influences, to discoveries in electronic music and production by artists such as Aphex Twin and Four Tet. 
GoGo Penguin - GoGo Penguin / Atomised
...Always in motion, shifting constantly between repetition, rhythms, and improvisation, this is a group clearly influenced by Philip Glass' early minimalist, cyclical recordings. That said, they absorbed them simultaneously with devotion for techno, drum'n'bass, post-bop, post-rock, and electric jazz. The group's self-titled fifth album underscores the accuracy of these influences alongside new musical directions.
The best verb to describe the music found here is "propelled." It doesn't rely on grooves so much as energetic trio conversation: the space behind Chris Illingworth's suspended, alternately hovering and biting piano lines is framed by the rich, woody tone of Nick Blacka's upright bass playing and the skittering, forceful, breakbeat-driven drumming of Rob Turner...  First single "Atomised" is introduced with rolling breaks juxtaposed with Illingworth's hypnotic piano lines. Blacka offers the changes through each minimally evolving cycle. When the pianist moves afield, it's with cascading chords that eventually drop out to allow Turner's kit a snare groove that pushes the tune toward lithe, mutant, almost unbearably beautiful funk...


A best-selling tenor saxophonist, producer, and composer and one of the most successful artists in contemporary jazz.
Boney James - Solid / Solid
“A solid relationship is when someone has your back and will stand by your side no matter what,” explains Boney James about the title of his new CD. “Solid is a word that has a few meanings, but this one really resonated with me and became the theme of the record.”
Sometimes, inspiration is slow in coming, evasive and stubborn. Other times, if an artist is very fortunate, it simply flows, the music practically writing itself. That’s how Solid, the latest release from Boney James came to be. “This record really flowed at an unusually quick pace,” Boney says. “There was a lot of positive energy in making this music. Solid is a very upbeat record. As I was writing them, these songs put a smile on my face.”


Solo guitarist and Iggy Pop collaborator Sarah Lipstate makes icy drones and beautifully spare sounds as Noveller.
Noveller - Arrow / Pattern Recognition
...Arrow continues that record's expanded approach to composition and finds Lipstate's filmic sounds at their most intense. The album was the first Noveller set since Lipstate relocated from her longtime home in Brooklyn to Los Angeles. There's a sense of both discovery and disruption in these songs, reflecting the unknown factors of a cross-country move...


Norah Jones, Jehnny Beth, Maserati, Built to Spill,  Daniel Johnston, Sammy Brue, Dougie Poole, Bibio, Kahil El'zabar, Kurt Rosenwinkel, GoGo Penguin, Boney James, Noveller

2019. április 13., szombat

030 ALTER.NATiON: weekly favtraX 13-04-2019

ALTER.NATION #30
Norah Jones, Bruce Hornsby, PJ Harvey, Gillian Anderson, Lily James, Chris Forsyth, Shovels & Rope, T-Bone Burnett / Jay Bellerose / Keefus Ciancia, The Budos Band, Glen Hansard, The Leisure Society, Patio, Men I Trust

weekly favtraX
13-04-2019



Pianist who sold millions with her beguiling vocals and a musical blend featuring jazz, traditional vocal pop, bluesy country, and contemporary folk. 
Norah Jones - Begin Again from Begin Again
During 2018, Norah Jones concentrated her creative endeavors on a series of digital singles that found the singer/songwriter stretching herself stylistically. Usually, she pushed herself by teaming with new, unexpected collaborators, including Wilco's Jeff Tweedy -- a tactic that guaranteed a variety of sounds and songs, a practice put into sharp relief by the 2019 release of Begin Again. This brief LP collects the seven songs recorded for this project -- all but one released beforehand -- and while they're a disparate batch, they nevertheless cohere thanks to their elegant, elastic experimentation.


Singer/songwriter and pianist whose breezy, nonchalant style made his numerous hits of the 1980s instantly recognizable. 
Bruce Hornsby - Fractals from Absolute Zero
The Noisemakers, Bruce Hornsby's regular backing band since 2002, aren't credited on 2019's Absolute Zero, which should be an indication that the album is a bit of a departure from the other records he's made during the 21st century. While the Noisemakers haven't avoided adventure, Absolute Zero feels as if it was made without any regard to boundaries, either in terms of style or approach. Such fearlessness is evident from the outset, when the record kicks off with a dexterous rhythm suitable for a vintage post-bop session, but it's too reductive to call Absolute Zero an odyssey into straight jazz.

The most challenging singer/songwriter to emerge in the '90s, her brutally honest lyrics match well to a progression of raw musical styles. 
PJ Harvey feat. Gillian Anderson  - The Sandman from All About Eve
PJ Harvey feat. Lily James  - The Moth from All About Eve
PJ Harvey wrote the score for a stage adaptation of All About Eve, the classic 1950 film about an aging Broadway star and a young fan who finagles her way into becoming the next big thing. The adaptation, which stars Gillian Anderson and Lily James, debuted in London earlier this year. The score that Harvey wrote for it is mostly instrumental, though there are two songs that feature Anderson and James.
Here’s what Harvey had to say about the score in a statement (via Pitchfork): I have always loved stories, and so to compose music to support and enhance a story being told is a challenge I enjoy. I also love the freedom that working instrumentally can give me without the constraints of song form.

Guitarist/songwriter Chris Forsyth got his start in Brooklyn's experimental circles in the early 2000s and slowly grew into a masterful technical player. As the bandleader of Chris Forsyth & the Solar Motel Band, he composed mostly instrumental pieces that channeled both the psychedelic jamming of the Grateful Dead and the precision of art-punk guitar acts like Television.
Chris Forsyth - Tomorrow Might as Well Be Today from All Time Present
...The sprawling double album All Time Present is a sampler pack of Forsyth's strongest impulses, offering up just eight mostly instrumental pieces but stretching out in different directions over the course of its hour-plus playing time. Though All Time Present is the first work billed as a solo album since 2013's Solar Motel, Forsyth is bolstered by various players on every track. Most notably, bassist Peter Kerlin (also of Sunwatchers) and drummer Ryan Jewell add weight to tracks like album opener "Tomorrow Might As Well Be Today"...

South Carolina duo channeled country, bluegrass, and blues through a nervy indie rock prism. 
Shovels & Rope - I'm Comin' Out from By Blood
Shovels & Rope open By Blood, their fifth album of original material, with "I'm Comin' Out," a stomping, fuzz-drenched rocker that serves as a statement of purpose: the duo is indeed moving from the shadows into the light. "I'm Comin' Out" pulsates with vivid primary colors, a distinct switch from a band who previously specialized in shades of grey. As such, it's a fitting keynote for By Blood, which is by many measures the boldest record Shovels & Rope have made. Michael Trent and Cary Ann Hearst accentuate By Blood with an impressionistic flair that is far beyond drums and guitar...

Despite critical acclaim as a performer, the rootsy singer/songwriter T-Bone Burnett earned his greatest accolades as a multi-Grammy-winning record producer and Oscar winner. 
T-Bone Burnett / Jay Bellerose / Keefus Ciancia - Anti Cyclone from The Invisible Light: Acoustic Space
The Invisible Light is Burnett's first album in 11 years. It's a futurist, avant-industrial companion to a 5,000-line poem he's been writing for years now. Its companion volumes will be released at six-month intervals. Burnett's themes illuminate his notion that for 100 years, electronic programming (and in turn, technology) has caused humans to lose capacity for distinguishing truth from fiction, and has gone a long way to transforming us into hybrid beings. (Google claims the transition will be complete within 20 years.) He is joined by drummer Jay Bellerose and sound sculptor, composer, and keyboardist Keefus Ciancia. There are few acoustic instruments here. The songs follow even fewer conventional traits: Burnett talks more than he sings and he pays attention to interplay, texture, and dynamic, not songwriting norms. In his liner essay he calls this "electronic music" and "trance music," but it doesn't resemble EDM. He juxtaposes ecumenical spiritual themes and propaganda, philosophy and emotion, and the pursuit of truth and the current cultural celebration of mendacity from the mouths of the powerful... "Anti-Cyclone" begins as a sung tango before morphing into a tarantella with spaghetti western overtones mashing together a lovelorn ballad with insidious Machiavellian political psychology: "If you tell people the things they already believe/They will believe you/It doesn’t matter what you say…."

Progenitors of "Staten-Island Afro-Soul," the band channel funky African jazz rhythms, hardline vintage-style horn-driven R&B, and psychedelia. 
The Budos Band - Old Engine Oil from Budos Band V
In 2015, Staten Island's Budos Band surprised fans with Burnt Offering; their first non-numbered title, it delivered a shift in musical direction. In addition to their trademarked fusion of Mulatu Astatke-inspired Ethio-jazz, Afrofunk, and hard-swinging R&B, they indulged a collective love for darker, '70s-era hard rock and psychedelia. With V they have fully integrated the latter aesthetic with the former. The hard rock dimension of their musical persona now exists in an unholy balance with the groove elements of their first three recordings. The set also reflects a new Budos reality: Guitarist Thomas Brenneck and baritone saxophonist Jared Tankel relocated to California, and other members became parents. Budos became a bi-coastal outfit whose Thursday night rehearsals and writing sessions were jettisoned in favor of periodic get-togethers when members could travel East. They wrote and tracked V at the same time in their new Diamond Mine recording studio, all within 72 hours. Brenneck took the tapes back with him to L.A. where he and Daptone's Gabriel Roth mixed the 34-minute set.
This fifth outing showcases a more aggressive and inventive Budos Band than the one heard on Burnt Offering. Opener and single "Old Engine Oil" commences with a "Whole Lotta Love"-inspired guitar vamp before cracking snares and kick drums enter alongside horns. The sound is ragged and immediate, charged with energy, fury, and soul. The horn lines marry Muscle Shoals-styled charts to driving hard rock via electric guitars, wah-wah, breakbeat drumming, and a wrangling bassline

With a host of real-life songs and lilting vocals that reflect a passion for his influences (particularly Van Morrison, Leonard Cohen, and Bob Dylan), Glen Hansard is best known for his work with the Frames and the Swell Season.
Glen Hansard - I'll Be You, Be Me from This Wild Willing
The opening track on 2019's This Wild Willing, "I'll Be You, Be Me," begins with a fuzzy rhythm track and a bass patiently thumping over a clanky rhythm machine as Glen Hansard delivers his lyrics in an ominous murmur. Four minutes later it snowballs into a massive tower of cacophony with guitars, keyboards, and strings united in a howling frenzy of sonic force. It's a powerful way to start an album, and while it's easily the set's boldest departure from the introspective but passionate indie folk that has been Hansard's trademark, it sets the stage for a set that finds Hansard pushing his stylistic boundaries. This Wild Willing was primarily written during a four-week working holiday in Paris, and Hansard received input and inspiration from a wide variety of fellow artists, running the gamut from Irish traditional folk instrumentalists to experimental electronic musicians...

Folk-inflected British indie pop outfit led by singer/songwriter Nick Hemming. 
The Leisure Society - There Are No Rules Around Here from Arrivals & Departures
A decade into their recording career, England's amiable chamber pop specialists, the Leisure Society, return with their first double album, a deeply personal self-exploration from frontman Nick Hemming, whose breakup with bandmate Helen Whitaker lies at its thematic core. There has always been an earnest sensitivity to Hemming's songwriting which the group then trims in garlands of wistful strings, horns, and woodwinds so that even at their most melancholic, there remains a feeling that hope does indeed spring eternal. Such is the case on Arrivals & Departures, where over two discs, the band serves up themes of regret and dramatic life changes atop puffed clouds of bittersweet melody and orchestral grandeur with occasional stabs of angry lightning...


Patio - Endggame from Essentials
In 2014, Patio was the fictitious brainchild of Loren DiBlasi, then a music journalist who fancied bass guitar but had yet to pick one up. Linking with guitarist friend Lindsey-Paige McCloy, DiBlasi learned bass by replicating Pavement and Blink-182 licks. College friend Alice Suh, who’d just taken up drum lessons, completed the trio. Mitski accepted an invitation to their first show, and nearly five years later, Patio are a frequent opening act on the Brooklyn DIY scene... The sprightly post-punk of Essentials commands attention, not because it’s overzealous or hyperbolic, but because of the vigor Patio bring to their songs. Their attitude recalls predecessors like Dig Me Out-era Sleater-Kinney, but Patio inject the final product with enough modern indie-pop influence to clear them of imitator status....

Montreal self-recordists mix dreamy atmospheres, wistful extended chords, and funky, low-key dance grooves. 
Men I Trust - Numb
Men I Trust have a new album ready in the wings, Oncle Jazz — it was originally supposed to come out in February, but it’s been delayed... The dreamy Montreal trio have just released a new song called “Numb,” with a hazy synth and bass groove. “Numb, is how I feel deep inside my soul,” lead singer Emma Proulx sings softly. “Need to feel that I am on the line / I’m sorry that I dragged you down my way.”


Norah Jones, Bruce Hornsby, PJ Harvey, Gillian Anderson, Lily James, Chris Forsyth, Shovels & Rope, T-Bone Burnett / Jay Bellerose / Keefus Ciancia, The Budos Band, Glen Hansard, The Leisure Society, Patio, Men I Trust