mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: Public Memory. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Public Memory. Összes bejegyzés megjelenítése

2021. szeptember 7., kedd

07-09-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 17m)

07-09-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Joan of Arc, Upset, The Heliocentrics, Ani DiFranco, Motorists, Public Memory, Michael Nau, Sharon Van Etten, Field Music, Oceanator, Southern Avenue


M U S I C (2h 17m)

if you want excitement PRESS SHUFFLE!





Indie rock stalwarts led by Tim Kinsella, with a sustained focus on exploring the boundaries of their art.
Destiny Revision 3:44
Land Surveyor 3:36
Sometime following the release of their gorgeous 2018 album 1984, long-running Chicago art rock experimentalists Joan of Arc decided to call it a day. The band formed in 1995 around the impassioned vocals, obtuse thinking, and creatively limitless songwriting of former Cap'n Jazz member Tim Kinsella, and for the next many years, Kinsella and a rotating cast of players stretched the conceptual boundaries of what Joan of Arc was on over a dozen albums. After making the decision to end the group, the most recently active lineup entered the studio, knowing that what they were recording would be the last statement from a band who had spent two-and-a-half decades creating a sound that was both wildly specific and somehow boundless. In true Joan of Arc fashion, final album Tim Melina Theo Bobby (the first names of the players who made the music) sees the group taking their sound in a new direction, even on the way out the door... 



Former Vivian Girls and Best Coast drummer formed Upset with ex-Hole drummer Patty Schemel to play her own punk-pop songs. Sounding like a lost band from the grunge pop '90s, Upset were formed by the duo of Ali Koehler, ex-Vivian Girls and Best Coast drummer, and Patty Schemel, who famously drummed for Hole.
Holy Basil 3:10
Over My Head 3:22
from Upset 2019
Upset's take on '90s pop-punk and grunge is more refined and powerful on their second album, 2019's Upset. Since their promising 2013 debut album and follow-up EP in 2015, the band has solidified into a quartet while spreading out the songwriting and singing duties. Original singer/songwriter Ali Koehler shares the mike this time with guitarist Lauren Freeman, who provides an alternate vision that's a little rougher -- both sonically and emotionally -- around the edges. For the most part, Koehler comes at her songs from a poppier, more melodic angle, while Freeman has a more angular and punk-derived style. .. Adding Freeman to the mix was a great idea that made an already good band even better and Upset is a strong step forward from their debut and some of the best retro grunge-punk going in 2019.


This London quintet blends Krautrock, psychedelia, and shoegaze into hypnotic, pulsating music.
TOY 
Sequence One 4:17
Energy 4:07
With Clear Shot, TOY transformed their music by bringing it into hi-def focus. On Happy in the Hollow, they continue to change their sound in several ways. For the first time, the band self-produced their music, though their sessions at Dan Carey's Studio B suggest they're still tight with the producer who helped shaped their sound early on. .. Happy in the Hollow doesn't change the feeling that the members of TOY have one foot in another dimension that they're waiting to transport their listeners to.

2020. november 24., kedd

"Rest in Blue" #110 ALTER.NATION.MiX - weekly favtraX 24-11-2020

 ALTER.NATION #110


Little Barrie, Malcolm Catto,King Gizzard & the Lizard Wizard, Mamalarky, Landshapes, The Bug / Dis Fig, Cabaret Voltaire,Public Memory, Rob Mazurek

weekly favtraX 
2 4 - 1 1 - 2 0 2 0

"Rest in Blue"




Little Barrie
are a London-based trio led by ace guitarist Barrie Cadogan, whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream. 

Malcolm Catto is an English musician and record producer. He is the co-founder and producer of the London psych'/jazz/experimental outfit The Heliocentrics. They have so far released four of their own albums but have also issued collaborations with DJ Shadow, Mulatu Astatke, Lloyd Miller, Orlando Julius and Melvin Van Peebles.
Little Barrie, Malcolm Catto - Quatermass Seven / Rest in Blue
After the release of their 2017 album Death Express, Little Barrie suffered the tragic loss of drummer Virgil Howe, and the remaining two members of the group, guitarist Barrie Cadogan and bassist Lewis Wharton, took some time deciding whether they wanted to keep the band going. When they did choose to make more music together, they called in drummer Malcom Catto of the London jazz group Heliocentrics. The trio began jamming in the drummer's basement studio, liked what they came up with, and turned their ideas into a set of songs...  


Australian psychedelic collective with an intense work ethic and a wildly experimental outlook that reaches from synth prog to folk rock.
Over a ten-year span spent releasing an album every few weeks (or so it seemed) King Gizzard & the Lizard Wizard never repeated themselves, always pushing forward and trying new things whether it was lengthy jazz excursions, gloom-and-doom synth prog, or thundering thrash metal. That changed some on 2020's K.G., where the band revisit the approach used on Flying Microtonal Banana, the group's 2017 album built around the avant-garde sounds of their custom-made guitars and altered instruments. Stuck in their various homes during the global pandemic, the band gravitated toward the unique instruments and built a batch of songs using their non-Western tunings and tones....


An inventive bicoastal indie rock quartet who combine elements of dream pop and noise rock with flourishes of psychedelia.
Fronted by ex-Cherry Glazerr bassist Livvy Bennet, Mamalarky fuse a multitude of influences to create a unique prog-indie rock sound. With the rest of the band members having their own musical backgrounds – keyboard and synth bass player Michael Hunter plays with White Denim, and drummer Dylan Hill with Big Wy’s brass band – there is no shortage of inspiration on their eponymous debut... Despite this mixture of such disparate influences, Mamalarky achieve a cohesive, well-realised sound that will be exciting to watch develop with future releases.


The more-experimental successor of London's Lulu & the Lampshades makes exuberant, rhythmically complex indie rock with vintage-pop components.
You know what you need right now? Uncertainty. Landshapes’ brilliant new album Contact reminds you how fun it is to listen to a project when you have no idea where it’s going next. The London band’s first release in five years captures the kinetic energy of their live shows and wrings it out for all it’s worth as they to-and-fro between vocalists and boldly explore multiple genres, resulting in this collage of beautiful ideas... The album’s title is its north star, as it considers every aspect of connection and intimacy in a way that feels rather prescient, with well-worn tropes approached in refreshing ways... ‘Drama’ is a breakup song, but it’s about the growing need to have The Talk rather than pretending you’re okay, the weightlessness of the spacey instrumentation contrasting with the despond of the lyrics... It’s the kind of sound that’s used to signify a dream in a movie, begging the question of whether this is the band’s truth, what they really think. That’s Contact in a nutshell. How do we know what we mean to each other? We don’t. Good album. 


Upon the arrival of Tapping the Conversation (1997), the Bug appeared to be a one-off concept from Kevin Martin, the prolific British producer known then for his work with God, Ice, and Techno Animal, among other collaborative guises willfully deforming styles ranging from free jazz and hip-hop to noise and dub.
Dis Fig is DJ Felicia Chen. She released her debut cassette album PURGE in 2019.
... In Blue is another duo recording. In a sense, the album picks up where the first half of Angels & Devils left off, splaying its fusion of narcotized vocals, threatening atmospheres, and entrancing riddims. The material originates in instrumentals Martin made for a 2018 Solid Steel radio program. Post-transmission, the producer was seeking a vocalist for the tracks and met his match when Dis Fig asked for his consent to use KMS' "On My Mind" in a DJ mix. Martin obliged and was seduced in turn by Dis Fig's Purge, which led to the pair working over a two-year period on the shaping of the sixth Bug album...


Experimental, innovative English outfit that formed in the 1970s, standing as major pioneers of industrial and dance music.
Cabaret Voltaire - Shadow of Fear / What's Goin' On
...Shadow of Fear is the first CV album in 26 years, and the first to be solely created by Kirk, although by the end of the influential group's run in the mid-'90s, their music had evolved into a mixture of dub, techno, and house much more in line with Kirk's myriad solo ventures, like Sandoz and Electronic Eye, than the band's earlier incarnations. Without Stephen Mallinder's cyberpunk vocals, Shadow of Fear still feels more like a Kirk solo album, but its primitive drum machines, caustic distortion, and gritty samples recall his stellar output for Industrial Records and Rough Trade during the 1980s... 

King Gizzard & the Lizard Wizard's sense of unfettered sonic exploration makes it easy to mistake them for a long-forgotten relic of the psych explosion of the '60s.
King Gizzard & the Lizard Wizard - K.G. / The Hungry Wolf Of Fate
...Listening to them tread a little bit of water is still better than listening to the fresh ideas of 99.9 percent of other groups, especially when it's done with the energy and passion the band exhibit here.


Little Barrie
 are a London-based trio led by ace guitarist Barrie Cadogan, whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream. 

Malcolm Catto is an English musician and record producer. He is the co-founder and producer of the London psych'/jazz/experimental outfit The Heliocentrics. They have so far released four of their own albums but have also issued collaborations with DJ Shadow, Mulatu Astatke, Lloyd Miller, Orlando Julius and Melvin Van Peebles.
Little BarrieMalcolm Catto - Quatermass Seven / After, After
After the release of their 2017 album Death Express, Little Barrie suffered the tragic loss of drummer Virgil Howe, and the remaining two members of the group, guitarist Barrie Cadogan and bassist Lewis Wharton, took some time deciding whether they wanted to keep the band going. When they did choose to make more music together, they called in drummer Malcom Catto of the London jazz group Heliocentrics. The trio began jamming in the drummer's basement studio, liked what they came up with, and turned their ideas into a set of songs... and the supercool "After After" strut like the Meters fed through a buzzsaw, with Cadogan coaxing huge chunks of inspired noise from his guitar, Wharton rolling like a ship at sea, and Catto simultaneously holding down the beat and sending it spinning off into space... The record is a fitting comeback for the band, one that honors the sound that Howe helped create while giving it an impressive update.

The dreamy electronic project of former ERAAS frontman Robert Toher. The moody electronic project of Robert Toher, Public Memory explores loss, dreams, and illusions of nostalgia with dense collages of dub, Krautrock, and trip-hop.
With Ripped Apparition, Public Memory's Robert Toher continues to craft music that burrows deep into listeners' psyches. Though Toher used a host of new synthesizers that transformed his creative process, the project's third album is still very much on brand...  As detailed as his productions are, Ripped Apparition is often most compelling when Toher makes his androgynous, anguished vocals the focus. "Butcher" is a standout that suggests Public Memory is one of the few acts capable of continuing the haunting, blunted moods of Portishead... 


Electronic innovator, multi-instrumentalist and avant-garde force who worked in jazz, classical, and experimental. Originally rooted in the tradition of hard bop jazz, prolific cornetist and visual artist Rob Mazurek developed into one of the most consistently exciting pure improvisers of his time.
Dimensional Stardust from Rob Mazurek's evolutionary Exploding Star Orchestra is easily his most complex, ambitious, and detailed offering in a nearly three-decade career. It defies easy categorization as it weaves through contrapuntal episodes in avant-garde jazz and contemporary classical music, engaging tenets from electronic and pop musics, spoken word, and contemporary art...  This version of ESO includes flutist Nicole Mitchell, guitarist Jeff Parker, vibraphonist Joel Ross, drummers/percussionists Chad Taylor and Mikel Patrick Avery, cellist Tomeka Reid, bassist Ingebrigt Håker Flaten, trumpeter Jaimie Branch, violinist Macie Stewart, pianist Angelica Sanchez, and Damon Locks, who wrote lyrics and provided narration...  the electronic keys, sweeping strings, trumpets, flutes, and vibes in "Galaxy 1000" offer a mutant impression of a pop tune... Mazurek's music is a labyrinth that reveals canny perceptions of sound and meaning via expert compositional technique and relational trust among musicians...

Little Barrie, Malcolm Catto,King Gizzard & the Lizard Wizard, Mamalarky, Landshapes, The Bug / Dis Fig, Cabaret Voltaire,Public Memory, Rob Mazurek



2020. június 22., hétfő

06-22-2020 ALTER:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past]

Liz Brasher
06-22-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] Liz Brasher, Sore Eros, Mr. Elevator, Shopping, Spirit Fingers, The Messthetics, My Brightest Diamond, Left Lane Cruiser, She-Devils, Public Memory, Poppy, Kate NV, Jeff Parker, Bambara, Habibi


M U S I C

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pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971



With both a rich voice and a musical style that straddle soul, adult pop, rock, blues, and gospel, singer/guitarist Liz Brasher developed her eclectic retro-soul sound from the church choirs of her home state of North Carolina and the vintage soul music she discovered while living in Chicago, Illinois.
Liz Brasher
Body of Mine 2:50
Blood of the Lamb 3:02
from Painted Image 2019
Singer/guitarist Liz Brasher first tried her hand at songwriting as a young adult after studying up on a variety of 20th century American masters, including Stephen Foster, Lead Belly, and Bob Dylan. She found particular inspiration in the sounds of the Delta blues and Southern soul. On her full-length debut, Painted Image, those influences shine through an eclectic retro-soul. ..


Experimental lo-fi psych project led by Ariel Pink and Panda Bear collaborator Robert Robinson. The trippy, lo-fi pop of Sore Eros is the brainchild of musician Robert Robinson...
Sore Eros
Backseat Bop 2:57
Mirror 8:34
from Sore Eros 2020
While the exploratory, psychedelic lo-fi of Sore Eros took root in the early 2000s as the D.I.Y. endeavor of frontman Robert Robinson, the project moved from CD-Rs to small labels and expanded its lineup by 2009's Second Chants... An unpredictable ride despite its consistent dreaminess, songs like catchy closer "Mirror," with its ghosts of Buddy Holly-style early rock, and the opener, "Backseat Bop," contain tempo changes among other structural diversions, and tracks vary in length from under three minutes to over ten. The album's shifting, dreamy disposition is matched by lyrics like first words "Open your eyes" and final ones "As you cut cards of tarot/I drop shards of mirror/It once filled me with terror/But now it's getting better." That song, "Mirror," ends appropriately with a minute-long instrumental resolution that finally delivers stillness.


From their beginnings as Mr. Elevator and the Brain Hotel (a Donovan reference), the guitar-less California band later known by just Mr. Elevator delved deeply into the sounds of psychedelia, from the strutting punk of the Doors to the dreamy haze of Pink Floyd to the sunny trippiness of a thousand paisley-clad unknowns. Led by the vision of keyboardist Tomas Dolas...
Mr. Elevator
Waiting 3:17
Anywhere 3:55
from Goodbye Blue Sky 2020
After two albums of keyboard-driven psych rock that shone like the flash of a paisley scarf on an overcast day, Mr. Elevator's third album Goodbye, Blue Sky is a much gloomier listening experience dominated by washes of synths, Tomas Dolas' downcast vocals, and melodies that don't just pluck at the heartstrings, but give them a big twang instead. It's a big change from the group's previous work, but Dolas guides things with the same questing, inspired (and guitar-free) approach as before and the results are as thrilling as a record that sounds too sad to get out of bed can be... Mr. Elevator already had a couple of records that positioned them as a band to watch for fans of weird and wonderful psychedelic music, Goodbye, Blue Sky makes good on that promise while shifting gears in fascinating fashion.

2018. november 18., vasárnap

007 ALTER.NATiON: weekly favtraX / 17-11-2018

ALTER.NATiON
Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory



weekly favtraX
17-11-2018




Ryley Walker - Sweet Up and Down from The Lillywhite Sessions
“I hate the idea you can’t like something because it’s popular. I’ve been accused of being a record nerd or snob, so I think this is kind of a rallying cry against that: sort of disarming that taboo of hating something because it’s not great. And I really think Dave Matthews is great. It comes out of a total place of love. It’s funny; I love all sorts of music, and I pride myself on having this vast library and knowledge in my head of music, but I haven’t been listening to a lot of music outside of Dave Matthews.”

Anderson .Paak - Smile / Petty from Oxnard
...On Oxnard, Paak’s follow-up to his 2016 breakthrough Malibu, the rapping, singing, and drumming polymath approaches funk from a rap perspective. When Paak allows himself to be instinctive and loose, Oxnard blends these influences with a comforting ease. Cloaked in natty threads and a horndog ladies-man persona, he favors bubbling bass, silky textures, and sunset timbres, forever somewhere between Snoop Dogg’s “G’z Up, Hoes Down” and Bootsy Collins’ “I’d Rather Be With You.”...

Holly Golightly - The Get Along from Do the Get Along
HOLLY GOLIGHTLY IS BACK… With her first full band album since 2015’s Slowtown Now!
Do The Get Along features 12 songs performed by the perfect Holly Golightly band line-up of Bruce Brand (drums), Matt Radford (double bass), Ed Deegan (guitar) and Bradley Burgess (guitar)... It’s a template that she’s honed over the course of 12 solo albums, along the way impressing celebrity fans such as Jim Jarmusch (Holly’s track ‘Tell Me Now So I Know’ featured as the main title theme in his Broken Flowers movie), and most notably Jack White who duetted with Holly on ‘It’s True That We Love One Another’, the final track on the classic White Stripes album Elephant... Holly’s been busy over the last decade as half of blues/Americana duo Holly Golightly & The Brokeoffs (The Brokeoffs being multi-instrumentalist Lawyer Dave). The pair have released nine well-received albums, and undertaken many tours on both sides of the Atlantic.


The Good, the Bad & the Queen - The Truce of Twilight from Merrie Land
According to the official bumf accompanying the second album from Damon Albarn’s multigenerational supergroup, Merrie Land is “a beautiful and hopeful paean to the England of today”. Drummer Tony Allen told the Guardian last week that it’s an album people can dance to. Both sentiments might surprise those picking up the record: the cover features an image of a terrified Michael Redgrave in Dead of Night, a film in which he plays a ventriloquist taken over by his dummy, and the musical mood of much of the album is a dense, unsettled fug: slightly paranoid, rather unfocused...

The Sufis - After Hours from After Hours
After recording two really good albums of note-perfect garage psych (2012's Sufis and 2013's Inventions), Nashville duo the Sufis decided to retreat behind the scenes to produce and engineer acts like Paperhead and Universal Friend. After a move to Brooklyn, where they ended up studying with LaMonte Young, the duo (Calvin Laporte and Evan Smith) decided to chuck out the paisley, 12-string guitars, and fuzztone pedals in favor of a wider range of influences and sounds on their third album, 2018's After Hours. Instead of coming off like a modern-day take on the Monkees, this time out the band aims for something less colorful and more nocturnal. To that end, they de-emphasize guitars, bring in vintage synthesizers, and pitch the lead vocals down to a breathy whisper, while writing songs more suited to a long lie-down than a jangling dance party..

The Liminanas - Angels and Devils from I've Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018)
Following the release of their critically acclaimed album Shadow People (produced by Anton Newcombe) (BEC 5543242/BEC 5543243, 2018), French psych rock band The Limiñanas come back with I've Got Trouble In Mind Vol. 2: 7" And Rare Stuff 2015/2018, the second volume of their I've Got Trouble In Mind series. This new release, the first double vinyl released by the band, compiles 17 B-sides, rarities and other unheard tracks recorded from 2015 to 2018, including covers of "La Cavalerie" from French singer Julien Clerc, "Russian Roulette" from Lords Of The New Church, "Angels And Devils" from Echo And The Bunnymen, and (more surprisingly) the holiday song "Silent Night". 3-panel digisleeve with 12-page poster booklet.

Axis: Sova - Crystal Predictor from Shampoo You
The fourth album from Brett Sova's Axis: Sova project is the first to be recorded by a full-band lineup rounded out by guitarist Tim Kaiser and bassist Jeremy Freeze. Cut live to tape by the trio, the album is more focused and direct than past efforts, with a cleaner, scrubbed-up sound (the Stones-riffing title is no joke) and a greater presence of hooks... Uptempo tunes like "New Disguise" and "Crystal Predictor" approach power pop, but the guitars are wild and fuzzy enough to betray psych roots, particularly during solos. 


Calexico - Another Space from The Thread That Keeps Us
Calexico spent the 2010s venturing from their Tucson home to make albums such as their New Orleans love letter Algiers and their ambitious trip to Mexico City, Edge of the Sun. For The Thread That Keeps Us, they decamped to the Northern California coast and recorded in a studio they nicknamed the Phantom Ship -- another change of scenery that allowed them to cast their sounds and songwriting wider than ever...   and the restless percussion and squalling trumpets of "Another Space" make it one of the band's most rewarding experiments.

Josephine Foster - Lord of Love from Faithful Fairy Harmony
The umbrella term freak folk has been applied to many artists over the years with varying degrees of accuracy. In Josephine Foster's case, her music is certainly more esoteric than contemporaries like Joanna Newsom and Devendra Banhart. Her records have also seen her consistently pegged as an anachronistic artist, but in many respects, her music has never felt timelier.
Faithful Fairy Harmony feels like an antidote to an increasing detachment from each other and the world that has its origins in technology. Even when she's not directly focusing on the natural world, an obscure, bucolic veil hangs over these compositions...  Elsewhere, the wayward melodies of "Lord of Love" tap into the psychedelic character of her music, and in addition, "All Pales Next to You" conjures a wooziness that the intoxicating nature of infatuation elicits.

Tomorrows Tulips - Flaccid Guitar from Harnessed to Flesh
Alex Knost, the leader of Tomorrows Tulips, sounds so sleepy when he works up the enthusiasm to lay down a vocal that he makes J Mascis seem like a cross between Peter Wolf and David Lee Roth. As a consequence, most of their recordings suggest the band is either stoned, bored, bummed out, or some combination thereof, but on their fourth album, 2018's Harnessed to Flesh, they manage to sound a bit more upbeat and engaged than usual, at least by their fatigued standards...



Hen Ogledd - Tiny Witch Hunter from Mogic
The band Hen Ogledd is named for the ancient Welsh term for northern England, which is where most of its four members are from. Originally rooted in northern folk music, Hen Ogledd has morphed into a weird art pop band that blends references to modern technology with imagery from older magic. Their next album will be called Mogic – a mix of magic and logic. The single is “Tiny Witch Hunter,” a pitch-shifted collage of apparently random scientific and tech terms that leads to a catchy, short chorus that consists solely of the song’s title phrase.

Public Memory - Red Rainbow from Demolition
While Public Memory's Robert Toher doesn't quite tear everything down and start over on Demolition, he does make space for new forms of expression on the project's second album. On Wuthering Drum, Toher pared down the dense sonics of his former groups Apse and ERAAS with hypnotic, insular results. This time, his moody electronic collages reach outwards: "The Line"'s ever-expanding electronics introduce the vast scope of Demolition's songs. As on 2017's Veil of Counsel EP, the album's increased clarity gives Toher ample room to play with space and tempos. While Wuthering Drum's linear grooves had a lulling allure, there's no denying that the way "Red Rainbow" shifts from a serpentine crawl to a race through a cavernous nightscape adds excitement to Public Memory's sound...
Public Memory / Robert Toher


Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory