mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: Bill Withers. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Bill Withers. Összes bejegyzés megjelenítése

2019. december 4., szerda

04-12-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1975-1970

Tom Waits Live At The Main Point 1975
04-12-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1975-1970  >>Tom Waits, Bill Withers, Pink Floyd, Betty Davis, Grand Funk Railroad, Amon Düül II, Leonard Cohen, Ten Years After, THE BEATLES, Rare Bird<<

M U S I C



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1975-1970


A neo-beatnik songwriter who grew weirder and wilder in the '80s, earning a cult following that only grew larger as the years passed.
Tom Waits
Warm Beer & Cold Women  (Tom Waits) 5:47
Eggs & Sausage (Tom Waits) 3:04
Semi Suite (Tom Waits) 6:27
from 'Round Midnight: The Minneapolis Broadcast 1975
...In December, Tom entered the studios of KQRS Minneapolis for his first ever FM broadcast, floated across the airwaves by that very station and syndicated by many others nationwide. Now considered the holy grail of Waits broadcasts amongst serious collectors of the great mans work, this performance featuring Tom Waits alone at his piano with just his magnificent voice as accompaniment, the way he should be heard, is nothing short of staggering. This CD contains the full KQRS broadcast in perfect FM stereo quality, during which Tom performs a range of songs taken from his first three records Closing Time , The Heart Of Saturday Night and the aforementioned Nighthawks...


Songwriter/singer/guitarist Bill Withers is best remembered for the classic "Lean on Me" and his other million-selling singles "Ain't No Sunshine" and "Use Me," but he has a sizable cache of great songs to his credit.
Bill Withers
You (Bill Withers) 5:23
Heartbreak Road (Bill Withers) 3:09
from +'Justments 1974
Back in March 2004 music magazine Mojo included Withers' fourth album on a list of "67 Lost Albums You Must Own." Whether 'Justments is indeed the stuff of legend remains debatable. Surely no holy grail like the similarly mentioned Cold Fact by Sussex labelmate Sixto Rodriguez, it seems at least unfairly ignored. Nothing here might be as compelling as "Grandma's Hands" or "I Can't Write Left-Handed," but there are plenty of melancholy reflections from a genuine soulman who came across more as a West coast singer/songwriter. Replacing the hired hands of his debut with former employees of Charles Wright & the Watts 103rd Street Rhythm Band proved equally important in shaping Withers' identity...


One of the most predominant and celebrated rock bands of all time, prog- and space-rock legends, known for superlative musicianship.
Pink Floyd
Breathe (In the Air) (David Gilmour / Roger Waters / Richard Wright) 2:49
On the Run (David Gilmour / Roger Waters) 3:45
Time  (David Gilmour / Nick Mason / Roger Waters / Richard Wright) 6:53
The Great Gig in the Sky  (Clare Torry / Richard Wright) 4:43
from Dark Side of the Moon 1973
By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance...


2019. október 23., szerda

23-10-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1978-1973

Pere Ubu

23-10-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1978-1973  >>Pere Ubu, Rory Gallagher, Peter Gabriel, The Stranglers, Van Der Graaf Generator, Soft Machine, Roxy Music, Tom Waits, Leonard Cohen, Bill Withers, Pink Floyd, Betty Davis<<

M U S I C



if you want excitement PRESS SHUFFLE!


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LISTEN THE PLAYLIST ON DEEZER.COM



1978-1973



Influential art punk band whose experimental sound harnessed self-destructing melodies, scattershot rhythms, and industrial-strength dissonance.
The Modern Dance (Tom Herman / Scott Krauss / Tony Maimone / Allen Ravenstine / David Thomas / Pere Ubu) 3:28
Laughing (Tom Herman / Scott Krauss / Tony Maimone / Allen Ravenstine / David Thomas / Pere Ubu) 4:35
from The Modern Dance 1978
There isn't a Pere Ubu recording you can imagine living without. The Modern Dance remains the essential Ubu purchase (as does the follow-up, Dub Housing). For sure, Mercury had no idea what they had on their hands when they released this as part of their punk rock offshoot label Blank, but it remains a classic slice of art-punk. It announces itself quite boldly: the first sound you hear is a painfully high-pitched whine of feedback, but then Tom Herman's postmodern Chuck Berry riffing kicks off the brilliant "Non-Alignment Pact," and you soon realize that this is punk rock unlike any you've ever heard. David Thomas' caterwauling is funny and moving, Scott Krauss (drums) and Tony Maimone (bass) are one of the great unheralded rhythm sections in all of rock...



Skilled Irish blues-rock guitarist whose stripped-down brand of blues rock touched everyone who heard it.
Shadow Play (Rory Gallagher) 4:45
Fuel to the Fire (Rory Gallagher) 6:16
from Photo-Finish 1978
...Reverting back to a trio, Gallagher toughens up his sound and blazes through some robust blues rockers  like "Last of the Independents," "Shadow Play," and "Brute Force & Ignorance" (one of his best hard rock riffs) with nervy energy... Still, the album has a samey feel due to some of the songwriting not being quite up to snuff, and a few tracks, like the moody, slow-burning "Fuel to the Fire," stretched well past its breaking point to over six minutes...


Theatrical leader of '70s-era Genesis and a bona fide pop star by the '80s despite his experimental, often exotic, material.
Moribund the Burgermeister  (Peter Gabriel) 4:20
Solsbury Hill  (Peter Gabriel) 4:21
from Peter Gabriel 1 1977
Peter Gabriel tells why he left Genesis in "Solsbury Hill," the key track on his 1977 solo debut. Majestically opening with an acoustic guitar, the song finds Gabriel's talents gelling, as the words and music feed off each other, turning into true poetry. It stands out dramatically on this record, not because the music doesn't work, but because it brilliantly illustrates why Gabriel had to fly on his own. Though this is undeniably the work of the same man behind The Lamb Lies Down on Broadway, he's turned his artiness inward, making his music coiled, dense, vibrant. There is still some excess, naturally, yet it's the sound of a musician unleashed, finally able to bend the rules as he wishes. That means there are less atmospheric instrumental sections than there were on his last few records with Genesis, as the unhinged bizarreness in the arrangements, compositions, and productions...