mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: The Liminanas. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: The Liminanas. Összes bejegyzés megjelenítése

2020. május 19., kedd

19-05-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past]

Joe Bisirri, Dylan Sevey, Ron Gallo
19-05-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] Ron Gallo, Overlake, Salad Boys, Steve Mason, Of Montreal, El Michels Affair, Duster, The Liminanas, Elf Power, Sacred Paws, M. Ward, Liz Brasher, Sore Eros, Mr. Elevator, Shopping



M U S I C

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Witty and street-smart singer and songwriter who evolved from a roots rocker with Toy Soldiers to a garage punk on his own.
Ron Gallo
Young Lady, You're Scaring Me 3:40
Put the Kids to Bed 2:54
from Heavy Meta 2017
Ron Gallo spent close to a decade exploring the boundaries of his blues, country, and roots rock influences with his band Toy Soldiers, but when he jumped ship to go solo, he left all of that behind. At least that's the very strong impression given by Gallo's second solo album, 2017's Heavy Meta. Gallo's first solo effort, 2014's Ronny, was a step away from Toy Soldiers' sound into a brighter and poppier direction, but with Heavy Meta, he's done an about-face into raw, wiry, guitar-based rock & roll. Backed by bassist Joe Bisirri and drummer Dylan Sevey, Heavy Meta is a gritty, energetic exercise in punk-informed 21st century garage rock, with Gallo's buzzy, rough and ready guitar figures and high-attitude vocals front and center in the mix at all times...



Big guitars and emphatic melodic hooks define this indie rock trio from Jersey City, New Jersey. Overlake are a trio from New Jersey whose music combines the hooky melodies of indie pop with the big guitars and crashing drums of vintage shoegaze outfits.
Overlake
Unnamed November 3:58
You Don't Know Everything 6:52
from Fall 2017
Shoegaze is alive and well and living in Jersey City, New Jersey, where it has adopted the name Overlake. On the group's second full-length album, 2017's Fall, Overlake have taken the usual tropes of classic shoegaze -- the big, billowy guitar figures, the murmur-y vocals, the thick undertow of bass, and the languid but crashing rhythms -- and transformed them into something that sounds fresh, engaging, and honestly exciting. With a band like this, good tunes usually make all the difference, and Fall shows that Overlake has them to spare... Fall is big music with an intimate heart, and Overlake will give you the contemplative ride you've been looking for with this splendid album.




Fuzzy, melodic indie rock trio from Christchurch, New Zealand whose pop hooks recall the Flying Nun heyday.
Salad Boys
Psych Slasher 2:50
Scenic Route to Nowhere 3:37
from This Is Glue 2018
The Salad Boys' 2015 debut album Metalmania was a fine update on classic jangle pop, full of ringing guitars, hooky melodies, and a mix of uptempo and more relaxed tunes. They don't deviate much from their winning formula on This Is Glue, the 2018 follow-up. Unlike the previous album, which was a more collaborative effort, this time the band's songwriter Joe Sampson took control. With drummer James Sullivan in tow, he recorded the album in various locales around his hometown of Christchurch and gets a much less polished sound than on Metalmania. This approach fixed one of the main problems that album had, which was how sleek and shiny it was. Jangle pop can easily come off as too polite if there isn't some grit under the chiming guitars, and This Is Glue has just enough scruff and lo-fi appeal to avoid this pitfall...


2018. november 18., vasárnap

007 ALTER.NATiON: weekly favtraX / 17-11-2018

ALTER.NATiON
Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory



weekly favtraX
17-11-2018




Ryley Walker - Sweet Up and Down from The Lillywhite Sessions
“I hate the idea you can’t like something because it’s popular. I’ve been accused of being a record nerd or snob, so I think this is kind of a rallying cry against that: sort of disarming that taboo of hating something because it’s not great. And I really think Dave Matthews is great. It comes out of a total place of love. It’s funny; I love all sorts of music, and I pride myself on having this vast library and knowledge in my head of music, but I haven’t been listening to a lot of music outside of Dave Matthews.”

Anderson .Paak - Smile / Petty from Oxnard
...On Oxnard, Paak’s follow-up to his 2016 breakthrough Malibu, the rapping, singing, and drumming polymath approaches funk from a rap perspective. When Paak allows himself to be instinctive and loose, Oxnard blends these influences with a comforting ease. Cloaked in natty threads and a horndog ladies-man persona, he favors bubbling bass, silky textures, and sunset timbres, forever somewhere between Snoop Dogg’s “G’z Up, Hoes Down” and Bootsy Collins’ “I’d Rather Be With You.”...

Holly Golightly - The Get Along from Do the Get Along
HOLLY GOLIGHTLY IS BACK… With her first full band album since 2015’s Slowtown Now!
Do The Get Along features 12 songs performed by the perfect Holly Golightly band line-up of Bruce Brand (drums), Matt Radford (double bass), Ed Deegan (guitar) and Bradley Burgess (guitar)... It’s a template that she’s honed over the course of 12 solo albums, along the way impressing celebrity fans such as Jim Jarmusch (Holly’s track ‘Tell Me Now So I Know’ featured as the main title theme in his Broken Flowers movie), and most notably Jack White who duetted with Holly on ‘It’s True That We Love One Another’, the final track on the classic White Stripes album Elephant... Holly’s been busy over the last decade as half of blues/Americana duo Holly Golightly & The Brokeoffs (The Brokeoffs being multi-instrumentalist Lawyer Dave). The pair have released nine well-received albums, and undertaken many tours on both sides of the Atlantic.


The Good, the Bad & the Queen - The Truce of Twilight from Merrie Land
According to the official bumf accompanying the second album from Damon Albarn’s multigenerational supergroup, Merrie Land is “a beautiful and hopeful paean to the England of today”. Drummer Tony Allen told the Guardian last week that it’s an album people can dance to. Both sentiments might surprise those picking up the record: the cover features an image of a terrified Michael Redgrave in Dead of Night, a film in which he plays a ventriloquist taken over by his dummy, and the musical mood of much of the album is a dense, unsettled fug: slightly paranoid, rather unfocused...

The Sufis - After Hours from After Hours
After recording two really good albums of note-perfect garage psych (2012's Sufis and 2013's Inventions), Nashville duo the Sufis decided to retreat behind the scenes to produce and engineer acts like Paperhead and Universal Friend. After a move to Brooklyn, where they ended up studying with LaMonte Young, the duo (Calvin Laporte and Evan Smith) decided to chuck out the paisley, 12-string guitars, and fuzztone pedals in favor of a wider range of influences and sounds on their third album, 2018's After Hours. Instead of coming off like a modern-day take on the Monkees, this time out the band aims for something less colorful and more nocturnal. To that end, they de-emphasize guitars, bring in vintage synthesizers, and pitch the lead vocals down to a breathy whisper, while writing songs more suited to a long lie-down than a jangling dance party..

The Liminanas - Angels and Devils from I've Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018)
Following the release of their critically acclaimed album Shadow People (produced by Anton Newcombe) (BEC 5543242/BEC 5543243, 2018), French psych rock band The Limiñanas come back with I've Got Trouble In Mind Vol. 2: 7" And Rare Stuff 2015/2018, the second volume of their I've Got Trouble In Mind series. This new release, the first double vinyl released by the band, compiles 17 B-sides, rarities and other unheard tracks recorded from 2015 to 2018, including covers of "La Cavalerie" from French singer Julien Clerc, "Russian Roulette" from Lords Of The New Church, "Angels And Devils" from Echo And The Bunnymen, and (more surprisingly) the holiday song "Silent Night". 3-panel digisleeve with 12-page poster booklet.

Axis: Sova - Crystal Predictor from Shampoo You
The fourth album from Brett Sova's Axis: Sova project is the first to be recorded by a full-band lineup rounded out by guitarist Tim Kaiser and bassist Jeremy Freeze. Cut live to tape by the trio, the album is more focused and direct than past efforts, with a cleaner, scrubbed-up sound (the Stones-riffing title is no joke) and a greater presence of hooks... Uptempo tunes like "New Disguise" and "Crystal Predictor" approach power pop, but the guitars are wild and fuzzy enough to betray psych roots, particularly during solos. 


Calexico - Another Space from The Thread That Keeps Us
Calexico spent the 2010s venturing from their Tucson home to make albums such as their New Orleans love letter Algiers and their ambitious trip to Mexico City, Edge of the Sun. For The Thread That Keeps Us, they decamped to the Northern California coast and recorded in a studio they nicknamed the Phantom Ship -- another change of scenery that allowed them to cast their sounds and songwriting wider than ever...   and the restless percussion and squalling trumpets of "Another Space" make it one of the band's most rewarding experiments.

Josephine Foster - Lord of Love from Faithful Fairy Harmony
The umbrella term freak folk has been applied to many artists over the years with varying degrees of accuracy. In Josephine Foster's case, her music is certainly more esoteric than contemporaries like Joanna Newsom and Devendra Banhart. Her records have also seen her consistently pegged as an anachronistic artist, but in many respects, her music has never felt timelier.
Faithful Fairy Harmony feels like an antidote to an increasing detachment from each other and the world that has its origins in technology. Even when she's not directly focusing on the natural world, an obscure, bucolic veil hangs over these compositions...  Elsewhere, the wayward melodies of "Lord of Love" tap into the psychedelic character of her music, and in addition, "All Pales Next to You" conjures a wooziness that the intoxicating nature of infatuation elicits.

Tomorrows Tulips - Flaccid Guitar from Harnessed to Flesh
Alex Knost, the leader of Tomorrows Tulips, sounds so sleepy when he works up the enthusiasm to lay down a vocal that he makes J Mascis seem like a cross between Peter Wolf and David Lee Roth. As a consequence, most of their recordings suggest the band is either stoned, bored, bummed out, or some combination thereof, but on their fourth album, 2018's Harnessed to Flesh, they manage to sound a bit more upbeat and engaged than usual, at least by their fatigued standards...



Hen Ogledd - Tiny Witch Hunter from Mogic
The band Hen Ogledd is named for the ancient Welsh term for northern England, which is where most of its four members are from. Originally rooted in northern folk music, Hen Ogledd has morphed into a weird art pop band that blends references to modern technology with imagery from older magic. Their next album will be called Mogic – a mix of magic and logic. The single is “Tiny Witch Hunter,” a pitch-shifted collage of apparently random scientific and tech terms that leads to a catchy, short chorus that consists solely of the song’s title phrase.

Public Memory - Red Rainbow from Demolition
While Public Memory's Robert Toher doesn't quite tear everything down and start over on Demolition, he does make space for new forms of expression on the project's second album. On Wuthering Drum, Toher pared down the dense sonics of his former groups Apse and ERAAS with hypnotic, insular results. This time, his moody electronic collages reach outwards: "The Line"'s ever-expanding electronics introduce the vast scope of Demolition's songs. As on 2017's Veil of Counsel EP, the album's increased clarity gives Toher ample room to play with space and tempos. While Wuthering Drum's linear grooves had a lulling allure, there's no denying that the way "Red Rainbow" shifts from a serpentine crawl to a race through a cavernous nightscape adds excitement to Public Memory's sound...
Public Memory / Robert Toher


Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory