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A következő címkéjű bejegyzések mutatása: Pearl Charles. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Pearl Charles. Összes bejegyzés megjelenítése

2021. december 6., hétfő

06-12-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX (2h 22m) [2019-2021]

06-12-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX (2h 22m) [2019-2021] G. Love & Special Sauce, Pearl Charles, Still Corners, Little Barrie, Malcolm Catto, Circles Around the Sun, Geese,Radiohead,Son Lux, TOY,Eerie Wanda,Rose City Band,Goat Girl


M U S I C (2h 22m)

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G. Love & Special Sauce are a Philadelphia-based trio whose laid-back, sloppy blues sound is quite unique, as it encompasses the sound/production of classic R&B and recent rap artists (the Beastie Boys, in particular). The group -- G. Love (born Garrett Dutton) on guitar/vocals/harmonica, Jeff Clemens on drums, and Jim Prescott on upright bass -- released their self-titled debut in 1994 on OKeh/Epic..

G. Love & Special Sauce 
Go Crazy (feat. Keb' Mo') 3:40
Fix Your Face 3:15
from The Juice 2020
Now that they're over a quarter-century into their career, it's time to come to terms with a simple fact: G. Love & Special Sauce are no longer youthful upstarts, they're veterans. Fittingly, their 2020 album The Juice is the kind of record that could only be made by musicians who've been around the block a time or two. It's not that The Juice is the work of untrammeled virtuosos -- it is most decidedly a vibe record -- but rather that it's an album that's casually confident that also happens to have an offhand sense of community. At its core, The Juice derives from a series of Nashville sessions held with Keb' Mo', who is credited as a co-producer and appears on a fair chunk of the album...



Singer/songwriter Pearl Charles has a knack for writing melodic, low-key indie pop with a jangling country tone. After coming up through the Los Angeles lo-fi and garage scenes, she made her full-length debut in 2018 with Sleepless Dreamer, a finely crafted slice of warm country-pop. She followed it up three years later with Magic Mirror...
Imposter 3:25
Magic Mirror 2:58
Sweet Sunshine Wine 4:10
from Magic Mirror 2021
In a pleasing tangle of sun-warmed melodies and 1970s influences, Pearl Charles strikes a confident, if laid-back tone on Magic Mirror, her sophomore album. The Los Angeles native has been bubbling under the radar for nearly a decade, trying her hand in a variety of indie subsets from lo-fi Americana to garage and psychedelia before landing on a more polished amalgam of vintage-flavored country-pop and West Coast soft rock. Her 2018 debut, Sleepless Dreamer, showed plenty of promise and laid the framework for the more fully realized sound she achieves here... The production and arrangements throughout are impeccable, warm, and well-suited to the kind of thoughtful, low-key songwriting at which Charles excels. Neither basking in its vintage flavor nor overplaying its strengths, Magic Mirror is the kind of subtle record that reveals its pleasures through repeated listens. Even Charles' voice is a comfort; after a decade of mainstream mumblers and overwrought affectations, her enunciated vocal style brings a conversational tone to the songs...


United by Tessa Murray's delicate vocals and their love of otherworldly atmospheres, Still Corners' music is otherwise in constant motion. .. Still Corners formed shortly after Hughes, a native of Austin, Texas, met Murray by chance at a London train station. Taking their name from a phrase in Robert Frost's poem "New Hampshire," they soon began making music together...
The Last Exit 4:41
A Kiss Before Dying 2:45
It's Voodoo 4:44
from The Last Exit 2021
More than a decade after they formed, Still Corners and their music remain in constant motion. Over the years, Greg Hughes and Tessa Murray have relocated from London to the English seaside to Texas' Hill Country, and their sound has shifted with every move. On The Last Exit, however, there's a slightly shorter distance between where they've been and where they are. They embellish on the sunbaked dream pop they introduced on Slow Air... Even if The Last Exit is sometimes a little too wispy, it's still a fitting soundtrack for getting lost on the open road.


Little Barrie are a London-based trio led by ace guitarist Barrie Cadogan, whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream... By the time of 2020's Quatermass Seven, the band had staked out a place all their own sonically and Cadogan was firmly entrenched on the short list of best guitarists of his era...
Rest In Blue 4:20
Repeater #2 4:02
After After 8:10
After the release of their 2017 album Death Express, Little Barrie suffered the tragic loss of drummer Virgil Howe, and the remaining two members of the group, guitarist Barrie Cadogan and bassist Lewis Wharton, took some time deciding whether they wanted to keep the band going. When they did choose to make more music together, they called in drummer Malcom Catto of the London jazz group Heliocentrics. The trio began jamming in the drummer's basement studio, liked what they came up with, and turned their ideas into a set of songs. Recorded simply on vintage equipment, the seven-song Quatermass Seven album crackles with energy and shines like a gritty diamond as the three players delve deeply into grooves so deep they feel bottomless... It's a heady mix of vintage sounds, just like the band usually put on tape, but a little freer and tougher thanks to Catto's jazz background, the urgency of Cadogan's singing and playing, and the sense that the emotional stakes are a little higher...


Circles Around the Sun is a contemporary instrumental rock band that formed with the specific purpose of creating intermission music for Fare Thee Well, a series of reunion concerts played by the surviving members of the Grateful Dead during their 2015 tour. Those shows celebrated the band's 50th anniversary and served as their official send-off, while Circles Around the Sun was designed to reflect the Dead's spacy and grooving overall feel...

2021. október 28., csütörtök

10-28-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 16m)

10-28-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Sharon Van Etten, Field Music, Oceanator, Sue Foley, Routine, Juliana Hatfield, G. Love & Special Sauce, Pearl Charles, Still Corners, Little Barrie, Malcolm Catto, Circles Around the Sun


M U S I C (2h 16m)

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A singer of distinct, controlled passion, Sharon Van Etten carved out a loyal audience with her hushed, intense albums... A dedicated choir student during her childhood, Van Etten studied clarinet, violin, and piano before moving on to guitar. She began writing songs in high school and sang in a choir group, the Madrigals. She credits her choral experiences as indispensable in learning to musically notate, as well as to sing harmonies.
No One's Easy to Love 4:38
Memorial Day 4:27
Malibu 3:23
from Remind Me Tomorrow 2019
For a decade, Sharon Van Etten specialized in understatement. From her 2009 debut Because I Was in Love through 2014's Are We There, she mined the tension generated by murmuring instrumentation clashing with her passionate delivery, a balance that proved quietly compelling. Van Etten maintains that sense of drama on Remind Me Tomorrow, her fifth full-length album, but she's radically shifted her presentation. Working with producer John Congleton, she's expanded her sonic palette, incorporating vintage synthesizers and drum loops while occasionally cranking up her amplifiers. Some of the sounds are conscious throwbacks, but they don't play like retro nostalgia, not in the context of Remind Me Tomorrow, which juxtaposes fearless aural adventure with keenly observed observations of easing into a satisfied life. ..



Singer, songwriter, and multi-instrumentalist Michael Nau crafts reflective indie rock tinged with folk, psychedelic, and vintage pop influences. He's known for leading the like-minded projects Page France and Cotton Jones from the mid-2000s to the early 2010s before beginning to record under his own name in 2016.
Look Into Dance 5:22
Hoops 4:27
Grow My Wave 3:38
Still a collaborative effort, and even more bustling than 2018's Michael Nau & the Mighty Thread in terms of arrangements, Less Ready to Go is Michael Nau's fourth album under his own name. Recorded at a studio in Joshua Tree, it was produced by Dr. Dog's Scott McMicken. As for its particularly colorful sound, Nau has explained that each song was recorded live with guests, who would then "switch instruments and do a live overdub on top." Alongside extra touches and sound effects, the results are often wonky and woozy on an album whose otherworldly quality extends to reaching back to the '60 and '70s for R&B, pop, and psychedelic influences. Rather than ever playing like a tribute, these elements seep into Nau's dreamy songs...



Hailing from Sunderland, England, indie/art rockers Field Music emerged in the middle part of the 2000s with a distinctive blend of smartly crafted pop hooks and an ambitious nature that pulled from a variety of rock subgenres. Helmed by brothers Peter and David Brewis, the group earned critical acclaim and a devout fan base...

Field Music 
Coffee or Wine 3:03
A Shot To The Arm 2:32
Only In a Man's World 2:46
...Their distinctive brand of indie pop has been constantly refined over the years as they smartly thread between bits of clever guitar rock, synth pop, soul, disco, and chamber pop, this time adding in some light prog-rock sophistication and the sort of aerodynamic new wave that harkens back to Thomas Dolby's early work. Like each of their previous releases, Making a New World is an ambitious, original, and exquisitely crafted work, full of rich details and compelling songs that translate the past into modern new shapes.


The stage moniker of Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, Oceanator emerged in 2016 with a sound that combines heavy grunge, fuzzed-out indie rock, and deeply personal lyrics with synth pop-laced, incisive pop hooks. 
Goodbye, Goodnight 4:03
Hide Away 6:11
Walk with You 4:20
The debut full-length effort from Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, who operates under the moniker Oceanator, Things I Never Said is a delightfully understated grunge-pop paean to the disillusionment of early adulthood. Okusami is a nimble pop architect who knows how to bait a hook, and her songs, which marry the riot grrrl ethos of Sleater-Kinney with the neatly wrapped emo-pop earworms of Jimmy Eat World, frequently take abrupt instrumental detours that lead the listener into new sonic headwaters...

2021. január 21., csütörtök

"January 21st" #113 ALTER.NATION.MiX - weekly favtraX 21-01-2021 (13 trax, 51m)

  ALTER.NATION #113 (13 trax, 51m)

Oceanator, Henrik Appel, Dale Crover, Pom Poko, Sleaford Mods, Shame, Buck Meek, Kurt Vile, Midnight Sister, Pearl Charles, Emma Rurh Rundle, Thou, Kate Davis, Muriel Grossmann

weekly favtraX 
2 1 - 0 1 - 2 0 2 1

"January 21st"



The stage moniker of Brooklyn-based grunge, punk, and pop singer/songwriter and multi-instrumentalist Elise Okusami.
Oceanator - Things I Never SaidJanuary 21st
The debut full-length effort from Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, who operates under the moniker Oceanator, Things I Never Said is a delightfully understated grunge-pop paean to the disillusionment of early adulthood. Okusami is a nimble pop architect who knows how to bait a hook, and her songs, which marry the riot grrrl ethos of Sleater-Kinney with the neatly wrapped emo-pop earworms of Jimmy Eat World, frequently take abrupt instrumental detours that lead the listener into new sonic headwaters...

Stockholm garage rocker who played with Martin Savage Gang and Lion's Den before going solo in the late 2010s.
Henrik Appel - HumanityHumanity
Already a dedicated member of the Stockholm garage rock scene, Henrik Appel offered up an impulsive, catchy solo debut with 2018's Burning Bodies. While that album consisted of voice, electric guitar, and few extra touches (he imposed a three-instrument limit on each song), Humanity embraces fuller arrangements on the whole... Another punk-derived, sax-bolstered entry, "Humanity," kicks up the tempo as it slides away from Mick Jagger toward Fred Schneider on the Appel vocal spectrum. Lyrics like "Sleep, fall, cry, die, circle of humanity" top off the track, which has a '60s go-go-boots energy all its own...


Powerhouse drummer best known for his work with the Melvins and brief tenure with Nirvana; released his debut solo album in 2017.
Dale Crover - Rat-A-Tat-Tat! / Untrue Crime
You don't spend a few decades playing with the Melvins and not learn a few things about making music that's heavy, and on Dale Crover's second solo album, 2020's Rat-A-Tat-Tat!, the band's longtime drummer (and occasional bassist) once again shows he has a real knack for coming up with a memorable hard rock song. At the same time, much like his 2017 effort The Fickle Finger of Fate, Crover also makes it clear he knows how to come up with a melody and a hook, and even though this is still full of the sort of eccentric experimentalism you might expect from a side project, the best moments here are engaging and accessible in a way many fans might not expect...


Freewheeling Norwegian act who combine math rock, post-punk, and more into equally sugary and explosive music.
Pom Poko - Cheater / Like A Lady
After charming fans of freewheeling indie pop with their debut Birthday, Pom Poko get even more rambunctious and ambitious on Cheater. Though the COVID-19 global pandemic prevented the band from road-testing these songs the way their constant gigging let them refine their debut, their second album still reflects their growing experience. Pom Poko sound looser and more cohesive on these spiky fluorescent outbursts, and the way they turn the bits and pieces other bands wouldn't think of putting together into swift, dazzling collages is truly impressive. To challenge conventional notions of femininity on "Like a Lady," Ragnhild Fangel Jamtveit adds a spoonful of sugar to her vocals, while Martin Miguel Almagro Tonne channels the elephantine riffs of the Breeders' "Cannonball."...


British rap-punk duo with an aggressive, no-nonsense sound led by the blue-collar, ranting wordplay of Jason Williamson.
Sleaford Mods - Spare Ribs / Mork n Mindy feat. Billy Nomates
On Spare Ribs, Sleaford Mods prove once again that they're capable of not just surviving but thriving during difficult times. Largely written and recorded during the COVID-19 global pandemic, its songs are very much of the moment -- and what a moment... Likewise, the punchy bass and synths on the title track give an extra weight to the duo's observations about the pandemic's earliest victims. However, the album's biggest change comes with the inclusion of two female guest vocalists who are more than capable of holding their own against Williamson's rasp...


Bracing South London post-punk band with a passionate, political viewpoint. South London's brash post-punk outfit Shame follows in the footsteps of unflinching musicians and writers such as the Fall, Television Personalities, and Irvine Welsh.
Shame - Drunk Tank PinkHuman, for a Minute
Shame already displayed plenty of ambition and a penchant for drama on Songs of Praise, but they're twice as potent on Drunk Tank Pink. Though it's named for the color used to subdue violently inebriated prisoners, there's little soothing about the band's second album; in fact, by comparison, their debut sounds almost staid. Following Songs of Praise's success, Shame found new ways to tear things up. Guitarist Sean Coyle-Smith got into Nigerian highlife music, ESG, and Talking Heads, while vocalist Charlie Steen used the highs and lows that followed their whirlwind fame as fodder for his lyrics... Even in more restrained moments like these, Shame never lose their momentum on Drunk Tank Pink, an often thrilling snapshot of a band headed for great things -- and quickly.


Although best known as guitarist and backing vocalist for Big Thief, Buck Meek makes gentle and melancholy, cowboy country-inflected songs as a soloist. 
Buck Meek - Two Saviors / Second Sight
Guitarist, singer, and songwriter Buck Meek released his first solo material, a three-song live album, in 2013. Backing him on the recording was soon-to-be bandmate Adrianne Lenker, and both musicians' solo endeavors were soon sidelined to a significant degree by the success and continual touring of their band, Big Thief, which formed the following year. Meek did manage to put out an eponymous solo debut on the Austin-based Keeled Scales label in 2018. It was an introduction for many to his rustic, winsome, empathic songs, which carry touches of the country and jazz manouche of the Texas native's formative playing. Performed live in the studio sans headphones and recorded to eight-track tape, the follow-up, Two Saviors, features multi-instrumentalist Mat Davidson, guitarist Adam Brisbin, pianist/organist Dylan Meek, and drummer Austin Vaughn, all prior live collaborators, as his backing band...


Philly guitar hero built a celebrated discography around his dazed and confused update to straightforward roots rock.
Kurt Vile's dazzled and disoriented songwriting usually leans heavily into slacker guitar rock influences, but the acoustic instrumentation and hints of twang that sometimes surface suggest there might be some latent country-folk inspirations deep in the mixture. The five-song EP Speed, Sound, Lonely KV brings Vile's country leanings into the spotlight, centering the short collection around a duet he recorded with his tour mate and songwriting hero John Prine a few months before his death in 2020. The song, a cover of Prine's 1979 tune "How Lucky," is jaunty and bright, Vile's voice sounding relatively light when it joins in with Prine's weathered rasp...


Cinematic art pop from the Los Angeles duo of Juliana Giraffe and Ari Balouzian.
The follow-up to Midnight Sister's 2017 debut, Saturn Over Sunset, Painting the Roses takes the cinematic, stylized art pop of wispy-voiced vocalist Juliana Giraffe and producer Ari Balouzian in still more adventurous directions... Mercurial but persistently larger than life, even in quieter moments, the sophomore set doesn't yield quite as many memorable hooks as Midnight Sister's debut but still holds fascination.


Los Angeles singer/songwriter melds jangling indie pop with low-key Americana.
Pearl Charles - Magic Mirror / All the Way
In a pleasing tangle of sun-warmed melodies and 1970s influences, Pearl Charles strikes a confident, if laid-back tone on Magic Mirror, her sophomore album. The Los Angeles native has been bubbling under the radar for nearly a decade, trying her hand in a variety of indie subsets from lo-fi Americana to garage and psychedelia before landing on a more polished amalgam of vintage-flavored country-pop and West Coast soft rock... While similar in feel to her debut, Magic Mirror is a significant step forward for Charles, who really steps up her game here.


The singer and guitarist for California post-rock/psych-metal outfit Marriages, a member of Isis-connected post-rockers Red Sparowes, and frontwoman for atmospheric psych-folk/slowcore collective Nocturnes, singer/songwriter, guitarist, and visual artist Emma Ruth Rundle is also an accomplished solo artist.
An experimental doom band from Baton Rouge known for their staunchly D.I.Y. philosophy and boundary-pushing music. Born in of the swampy humidity of Baton Rouge, Louisiana, stoner/sludge metal band Thou are as massive as they are prolific. Thou's sound blends the shuddering heaviness of doom with the oppressive atmospherics of black metal, giving the band a monolithic sound that feels, at times, inescapable. Thou have maintained a strictly D.I.Y. philosophy, booking their own tours and making their music available with free downloads.
Emma Ruth Rundle and Thou's 2020 collaborative album May Our Chambers Be Full was a marriage of intensities, bringing together vocalist/guitarist Rundle's gifts for dark melodic atmospheres with Louisiana ensemble Thou's thick and sludgy doom metal. The album paired Rundle's controlled, shadowy vocals with wraithlike screams from Thou's Bryan Funck, and explored moments of floating dreaminess not unlike early 4AD output that turned on a dime to psychedelic alt-rock guitar riffing or blasts of black metal-inspired power...  The other three songs waver between sections of intense doom metal and quiet, moody goth rock, with "Hollywood" being the most dynamic of the bunch...


Musical polymath who released jazz albums as a teen and wrote "Seventeen" with Sharon Van Etten before emerging with indie rock of her own.
Kate Davis - Strange Boy / Feels Good
Following an engaging indie singer/songwriter debut that showcased her sophisticated, self-examining writing style, onetime jazz prodigy Kate Davis puts a personalized spin on the work of beloved outsider musician Daniel Johnston. A track-for-track cover of his lo-fi 1984 album Retired Boxer, Strange Boy alternates songs with brief, manipulated recordings of interviews with friends reminiscing about Johnston and his music...


European saxophonist whose approach to spiritual jazz reflects Coltrane's legacy yet possesses an individual musical signature.
Muriel Grossmann - Quiet EarthAfrican Call
With 2019's Reverence, Ibiza-based saxophonist and composer Muriel Grossmann sought to explore the connections between the spiritual jazz tradition and its antecedent roots in African music. To realize this, she expanded her quartet -- guitarist Radomir Milojkovic, bassist Gina Schwarz, and drummer Uros Stamenkovic -- to include Hammond organist Llorenç Barceló. The B-3's textural, tonal, and rhythmic possibilities added dimension to the group's already expansive approach to groove and explorations... The rhythm section opens the gate for Barceló, who bridges groove and North African modes to jazz. "African Call" weds West African juju and highlife styles to South African Township jive and Afro-Latin jazz. The entwined guitar and organ sound like Sonny Sharrock and Larry Young playing with Sonny Rollins on "Don't Stop the Carnival" -- it gets quoted in Grossmann's solo. The interplay between Stamenkovic's cymbal syncopations and Milojkovic's chunky single-string playing is nearly symbiotic, reflecting the rhythmic and textural depth in this band's approach... On Quiet Earth, Grossmann expands her earlier avant approach and embraces a more sophisticated, spiritually and emotionally resonant one. That said, this album is not a mere signifier for stylistic transition; instead it achieves a holistic, fully developed musical realization.


Oceanator, Henrik Appel, Dale Crover, Pom Poko, Sleaford Mods, Shame, Buck Meek, Kurt Vile, Midnight Sister, Pearl Charles, Emma Rurh Rundle, Thou, Kate Davis, Muriel Grossmann