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A következő címkéjű bejegyzések mutatása: Danyel Waro. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Danyel Waro. Összes bejegyzés megjelenítése

2021. augusztus 19., csütörtök

19-08-2021 WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 1998-2007 (2h 48m)



g l o b a l  m u s i c a l   v i l l a g e
19-08-2021 WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 1998-2007 # WmW: Jah Wobble, Ali Farka Touré, Lila Downs, Lúnasa, Tenhi, Danyel Waro, Olivier Ker Ourio, Nigun, Amadou & Mariam, Cheikh Lo, Rabih Abou-Khalil

M  U  S  I  C / WmW 2h 48m

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1998-2007



London bassist who brought the funk and dub to Public Image Ltd. before going on to a collaboration-heavy solo career within world music. Jah Wobble is one of the genuine polymaths to emerge from the British post-punk scene of the late 1970s. He is a virtuoso bassist, composer, producer, journalist, poet and author. As a musician, his dub-heavy style weds reggae, jazz, funk, punk, and numerous global folk traditions (from Celtic to Asian music and more)...
Mehmeda Majka Bubage 3:10
St. Mary-Le-Bow 4:04
Mount Zion 12:10
from Umbra Sumus 1998
The strange, spiritual album that is Umbra Sumus is one of the more interesting items released in 1998. Bassist and composer Jah Wobble creates strangely compelling soundscapes that draw textures from a variety of ethnic traditions without explicitly evoking any one of them. .. At times, Jah Wobble's music verges on art-jazz, at times electronica with melodic sound effects, and at times it is in territory that doesn't have a name because nobody else sounds quite like this. Whatever you call this music, it is interesting throughout. .. The name of this album translates as "We Are Shadows," but many listeners will find that this music sheds welcome light on the possibilities of musical fusion.



This talented African guitarist's technique has often been compared to Delta blues legend Robert Johnson. One of the most internationally successful West African musicians of the '90s, Ali Farka Touré was described as "the African John Lee Hooker" so many times that it probably began to grate on both Touré's and Hooker's nerves. There is a lot of truth to the comparison, however, and it isn't exactly an insult...
Ali's Here (Ali Farka Touré) 3:13
Saukare (Ali Farka Touré) 2:51
Instumental (Ali Farka Touré) 4:13
from Niafunké 1999
Malian guitarist Ali Farka Toure's music has always managed global travel with ease and musical grace, shrinking the miles between Western Africa and the Mississippi Delta and seemingly visiting every city in between. Toure has received his share of accolades for blurring the lines between his contemporary/traditional fingerpicking style and "country blues."... He establishes a firm aesthetic residence on Niafunké, his first and most welcome CD in five years. Niafunké was recorded using a state-of-the-art portable studio in Toure's home village of Niafunke, which clearly lends a decisive authentic flavor and sense of musical place to the disc. Each tune is a lithe and resonant labyrinth of call-and-response patterns: a fingerpicked guitar speaks to a one-stringed njarka fiddle, calabash pummelings weave into those of the conga drums, and a lively small chorus answers Toure's authoritative lead vocals. A couple of the best cuts include "Ali's Here" and "Saukare." A beautifully rendered and intoxicating record.



A Mexican-American Laurie Anderson or if Frida Kahlo were a musician instead of a visual artist. Grammy-winning singer and songwriter Lila Downs is among the most globally popular singers of Latin music. One reason is that despite long established roots in Mexico and the United States, her cultural vision is anthropological. Hers is informed by ancient and earthy cultures both from her native Oaxaca -- boleros, rancheras, and mariachis -- and U.S. with its jazz, blues, and soul standards. Her own songwriting topics reflect themes of political and social justice, immigration, transformation, and environmentalism, all rooted in the human condition.
Nueve Viento (Paul Cohen / Lila Downs) 4:46
Luna (Paul Cohen / Lila Downs) 3:38
La Iguana 3:05
from Tree Of Life 2000
Downs' remarkable voice has been compared to both Cesaria Evora and Susana Baca, combining operatic training and jazz chops, while maintaining her Mixtec Indian heritage and incorporating music from many different Latin cultures. Inquisitive fans of worldbeat music will want to investigate Tree of Life.

2020. január 11., szombat

11-01-2020 WORLD:MUSiC:MiX # 33 selected ETHNiC FUSiON tracks 2005-1991

Caetano Veloso

11-01-2020 WORLD:MUSiC:MiX # 33 selected ETHNiC FUSiON tracks 2005-1991 # WmW:   Caetano Veloso and José Miguel Wisnik, Gipsy Kings, Värttinä, Liz Carroll, Radio Tarifa, Vinicio Capossela, Djivan Gasparyan, Boris Kovac, Thierry Titi Robin, Africando, The Klezmatics, Danyel Waro, Mahotella Queens, Strunz & Farah, Oliver Mtukudzi

M  U  S  I  C / WmW

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http://www.deezer.com/playlist/1681171971

2011-2001



A true heavyweight, Caetano Veloso is a pop musician, poet, filmmaker, author, activist, and statesman. Since the 1960s, he has been a cultural shapeshifter whose songs and recordings are filled with musical and literary invention, a deliberate androgyny, and an effortless genre meld of samba, MPB, tropicalia, rock, funk, jazz, and more.
Caetano Veloso and José Miguel Wisnik
Madre Deus 3:37
Onqotô 5:26
from Onqotô 2005
Onqotô is a rhythmic score for "Grupo Corpo", a Brazilian modern dance company, by Caetano Veloso and José Miguel Wisnik. This may be a reason why Onqotô has been overlooked. A pity, for the music here is among the best Caetano has released in recent years. It reveals yet another musical facet of Caetano Veloso.
Onqotô reminds me of Caetano's experimental music of the early seventies. There are long percussive grooves.  Madre Deus and especially Pesar do mundo are beautiful lyrical islands.

Family act from southern France whose Afro-Spanish take on flamenco launched them to worldwide fame in the 1980s. The Gipsy Kings are largely responsible for bringing the joyful sounds of progressive pop-oriented flamenco to the world. The band started out in Arles, a village in southern France, during the '70s when brothers Nicolas and Andre Reyes, the sons of renowned flamenco artist Jose Reyes, teamed up with their cousins Jacques, Maurice, and Tonino Baliardo, whose father is Manitas de Plata. 
Aven, Aven (Gipsy Kings) 4:37
Legende (Gipsy Kings) 4:12
from Roots 2004
Fans of flamenco icons the Gipsy Kings have been waiting a long time for a record like Roots. The group spent much of the last ten years churning out a sleek and heady mix of often disposable worldbeat that, while perfectly executed, never lived up to the promise of their hugely successful 1988 American/English debut. The aptly named Roots finds the brothers Andre and Nicolás Reyes leading the veteran octet through 16 blistering tracks, bereft of the percussion and electronic trickery that has plagued so many of their previous outings. The family collective rented a farmhouse in the south of France for the recording, and the results are nothing short of a revelation...



A compelling Kaarelian roots-inspired Finish folk group that has featured as many as 21 members. One of the most internationally successful acts to emerge from the contemporary Finland music scene, Värttinä revitalized the nation's folk traditions with an aggressive and ultra-modern style that eschewed not only the costumes of their ancestors but also the long-accepted cultural notion that women should sing unaccompanied.
Sepän Poika/The Blacksmith's Son (Antto Varilo) 3:20
Maahinen Neito (Earth-Maiden) 4:23
Vihi (Wind) (Antto Varilo) 3:33
from iki 2003
Twenty years after Värttinä began, there's still plenty of energy in the band, although they've come a long, long way. More mature, they've learned to use finesse over speed, and the themes they tackle here are certainly more adult... The keening voices, once a band trademark, have all but vanished, replaced by more delicate harmonies that suit the material, and the six instrumentalists give them plenty of room -- although they're quite capable of making a storm of noise, too... After their live disc, they seem to be embarking on a new musical chapter, in search of new pastures, and the journey here proves very satisfying indeed. The frantic edge that characterized them for so long has vanished, although their joy in music-making very obviously remains.