RANGE iN MY KiTCHEN BLUES PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959

RANGE iN MY KiTCHEN BLUES PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959   >>Texas Alexander, Band of the Coldstream Guards, Miss Isabelle Patricola, chanson française, Scott Joplin, Mohamed Abdel Wahab, The Original Dixieland Jazz Band, El Mochuelo, Manuel Escacena , Sexteto de Juan Carlos Cobián, Arcadia Peacock Orchestra of St Louis<<

Z E N E  /  M U S I C (1h 51m)

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before 1959

A rarity among country bluesmen in that he did not play an instrument on any of his records. He made over 30 records for OKeh and Vocalion (1927-1934).

Texas Alexander

Range in My Kitchen Blues

Section Gang Blues (Texas Alexander)

Mama, I Heard You Brought It Right Back Home

from Vol. 1 (1927-28)

Texas Alexander, Vol. 1 (1927) is the first installment of Document's multi-volume series of his complete recorded works. The first disc contains many of his classics, including a number of recordings with Lonnie Johnson that rank among his very best work.

The Band of the Coldstream Guards is one of the oldest and best known bands in the British Army, having been officially formed on 16 May 1785 under the command of Major C F Eley.

Band of the Coldstream Guards 

Le cheval de bronze, S. 25: Overture (Arr. for Wind Ensemble) 4:15

La sirène, S. 37: Overture (Arr. for Wind Ensemble) 3:49

Le calife de Bagdad: Overture (Arr. for Wind Ensemble) 4:12

from The Band of the Coldstream Guards, Vol. 2: Overtures (1902-1922)

The Band of the Coldstream Guards was at the very forefront of recorded sound, having cut its first wax cylinder recordings on October 1st, 1889. In 1902 the band began making regular recordings with the Gramophone, Typewriter & Sister Companies, released on 78 rpm records, which is where the BMMAs Coldstream collection begins. These 78s have been digitally transferred and re-mastered by Metropolis Mastering, recognized internationally as one of the leading digital mastering studios, using up to seven different styli depending on the angle of the groove on the vinyl record, some of which are of relatively primitive construction...

Isabella Patricola known professionally by her stage name "Miss Patricola," was an American vaudeville performer popular in the 1920s. She was the sister of entertainer Tom Patricola. She appeared in a 1929 Home-Talkie Productions sound film.

Miss Isabelle Patricola 

Take Your Girlie to The Movies (Recorded May, 1919)

Alexander's Band Is Back In Dixieland (Recorded September, 1919)

The Vamp (Recorded November, 1919)

from Miss Isabelle Patricola (Encore 1 Popular 1920’s Jazz Vocals) [Recorded 1919-1921]

Félix Mayol - Le printemps chante

Mlle Allems - Ça n'vaut pas l'amour

Carvey - Garde ton coeur Madeleine

 from Anthologie de la chanson française : Chansons sentimentales 1900-1920

WIKIPEDIA 

Scott Joplin was "the King of Ragtime Writers," a composer who elevated "banjo piano playing," a lowly entertainment associated with saloons and brothels, into an American art form loved by millions. Born in Texas in either 1867 or 1868, Joplin was raised in Texarkana, the son of a laborer and former slave. As a child, Joplin taught himself piano on an instrument belonging to a white family that granted him access to it, and ultimately studied with a local, German-born teacher who introduced Joplin to classical music. Joplin attended high school in Sedalia, MO, a town that would serve as Joplin's home base during his most prosperous years, and where a museum now bears his name.

Scott Joplin

Maple Leaf Rag 3:04

Elite Syncopations 3:12

Cleopha 3:14

The Chrysanthemum 3:49

from Ultimate Jazz Archive (Vol 1) Scott Joplin– 1899-1917

As a singer and an influence on Egyptian music during its renaissance, Abdel Wahab was equaled only by Umm Kulthum. But while she was a traditionalist to the core, Abdel Wahab believed in learning from Western music. Yet he too was a musical nationalist, renewing rather than diluting Egyptian tradition. Starting from a highly traditional sound as a teenager, he gradually moved into a highly varied (and internationally popular) film-based repertoire. But besides contributing to the pop world, he introduced more fundamental elements, such as long instrumental passages, a major element in his work.

Mohamed Abdel Wahab 

Lahn Elbortoa'an 6:02

Ana Antonio 6:18

Lema Anta Nawe 6:22

from  Mohamed Abdel Wahab, Vol. 1 (1920)

In the 1910s and 20s this legendary outfit brought emerging jazz music to the attention of millions.

The Original Dixieland Jazz Band 

Livery Stable Blues 3:10

At the Jazzband Ball 2:42

Skeleton Jangle 2:58

Bluein’ the Blues 3:23

from The First Jazz Recordings, 1917-1921

The first jazz group to ever record, Original Dixieland Jazz Band made history in 1917. They were not the first group to ever play jazz (Buddy Bolden had preceded them by 22 years!), nor was this White quintet necessarily the best band of the time, but during 1917-1923 (particularly in their earliest years) they did a great deal to popularize jazz.

El Mochuelo, Manuel Escacena 

Me acuerdo de tí mas veces (petenera) 2:10

Nace el hombre (guajira) 3:03

Todos los maestros (tango) 3:02

Cuando querrá la Virgen (seguiriya) 3:14

from Great Interpreters of Flamenco - El Mochuelo, Manuel Escacena [1904 - 1922]

Juan Carlos Cobián was an Argentine bandleader and tango composer] He led the "evolutionary" tendency in tango which was perceived as tending to concert music than to traditional dance music.

Sexteto de Juan Carlos Cobián 

El pirata 3:21

La tirana 3:10

Shusheta 2:57

from El pirata (1923) 

Arcadia Peacock Orchestra of St Louis 

Ain't You Ashamed! 3:01

Waitin' For The Moon 2:51

Little Boy Blues 2:55

from Waitin' For The Moon (Original Recordings 1924)

2021. 06. 18. 17:50 > magyarugar:MiX > FALLOW/HU:MiX # 33 válogatott szám

2021. 06. 18. 17:50 > magyarugar:MiX > FALLOW/HU:MiX # 33 válogatott szám / The Space Huns, Beb-Hop Slammers, pHLaT, Shakin', Átmenetileg Vidék, Sauropoda, Pátkai Rozina, Polytrip,Jazzekiel,Savages

Z E N E  /  M U S I C
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magyarugar címke A lejátszó mindig a legújabb playlist számait játssza. / The player always plays the latest playlist tracks.

The Space Huns

The Easy Sun Experiment

Huns in Haze

~ The Space Huns 2019

KICSI A BORS, DE ERŐS – EP VÁLOGATÁS #24

A szegedi The Space Huns egy instrumentális stoner/blues jam zenekar, amit az egykori minimál Bogart egyes tagjai alapítottak és valamilyen formában a bandának a hagyományait viszik tovább. Az űr magyarok zenéjében a főbb szerepeket továbbra is az erősen improvizatív jellegű elszólós pszichedelikus bluesos témák kapják, amiket néha megcsavarnak egy-egy testesebb stoner fuzza... Három tételes EP-jük kellemesen vibrál, delejez… 

Beb-Hop Slammers 

Figure Out The Way

Primetime

Summer

~ Figure Out The Way 2019

A szerelem ezer ízét letisztult hangzásvilág mellett idézi

Békés Dorka (ének), Imrei Ariel (basszusgitár), Kiss Tamás (dob), Marczell Márton (billentyű) és Tóth Levente (gitár) már a kezdetektől különböző stíluselemekből merített ihletet. A műfaji sokszínűség az új anyagra is érvényes: az improvizatív jazz-hop mellett teret kapott egy erős popzenei vonulat is az énekesnő füstös, soulos hangszínét kihangsúlyozva... A munkafolyamatok alapja tudatos koncepció volt: kevesebb az improvizáció, a fúvós szólamok kevésbé markánsak, az énekdallam és a kendőzetlen szövegek pedig előtérbe kerültek. A megjelenést több dalszerző-szövegíró session és brainstorming előzte meg, szinte terápiás jelleggel: a tagok együtt fésülték össze gondolataikat saját sebeiket feltépve, régmúltbeli románcaikat felidézve.

pHLaT

RAPIPAR INTRO ("Doktor Monoton nem köszön előre")

PÁLYA ("Bár meglátja az árnyékát, Doktor Monoton nem megy vissza a barlangba")

KÖLYÖK ("Nemcsak a húszéveseké a Doktor Monoton")

ÁLDOZAT ("Doktor Monoton egy visszatérő álmában közszereplőként próbál feltűnni")

~ DOKTOR MONOTON (Lp) 2018

...„Te is csak azért hallgatsz külföldi rapet, mert nem érted” – kommentelte valakinek Saiid a régi AKPH fórumon. Persze nem kell ismerni Kunta Kintét ahhoz, hogy élvezzük Kendrick Lamar zenéjét, de a magyar rapből tanulni is akarunk. Nem azt, hogy melyik irányítószám a legveszélyesebb és kinek van a legnagyobb... státusza. Hanem átélhető alázatot. pHLaT albuma kurzusokon kívüli elmélkedések gyűjteménye, ami ugyanannyira szól róla, mint rólad...

Shakin' 

Holly 3:38

Noivous 3:18

Leave Me Alone 4:50

First Sight 6:17

~ Be Gentle 2019

2019 magyar KULTlemezei (TOP 10)

Az egyetlen magyar trombitás garázspunk zenekar rajongói segítségével és alázatos munkával egy nagyon összeszedett, eddigi koncertrepertoárjukat hűen visszaadó lemezt készített. A White Stripes és a Black Keys ötvözete kiegészülve a Velvet Ungergroundot idéző halkabb balladákkal, amelyek azért nem kevésszer robbannak is. A lemezen Balogh Dani blues-os, hard rockos gitárjátéka a meghatározó, na meg persze Villangó Verus énekdallamai és punkos kitörései. Ilyen egy minden szempontból kielégítő nagylemez. 

16-06-2021 > WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 1983-1994 # WmW

g l o b a l  m u s i c a l   v i l l a g e

16-06-2021 > WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 1983-1994 # WmW: Afrobeat Airways, Fabrizio De André, Robbie Basho,Lizzy Mercier Descloux, Highlife, Afro-Funk & Juju, Baden Powell, Rabih Abou-Khalil, June Tabor and Oysterband, Cesária Évora, Kiko Veneno, Kampec Dolores, Café Tacvba

M  U  S  I  C / WmW

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1983-1994

Uppers International - Aja Wondo

The Cutlass Band - Obiara Wondo

Los Issufu and His Moslems - Kana Soro

Waza-Afriko 76 - Gbei Kpakpa Hife Sika

from Afrobeat Airways, Vol. 2: Return Flight to Ghana 1974-1983

From the coastal cities of Accra and Cape Coast, basked in a tropical sound heavily influenced by highlife, to the semi-Saharan cities of Tamalé and Bolgatanga (part of a self-proclaimed 'Islamic Funk Belt') via the central city of Kumasi, Analog Africa has criss-crossed Ghana in search of rare tracks for the Afrobeat Airways series.

Following the success of the first instalment in 2009, Analog Africa is proud to present the second volume - a selection of 13 ultra-rare tracks composed by some of the musical giants who had created a movement that rocked the West African nation throughout the '70s...

With the death of Fabrizio de André from cancer on January 11, 1999, Italy lost one of its best and most modern singer/songwriters. Inspired by the songwriting of Bob Dylan and Leonard Cohen, De André's songs encompassed Genoese folk songs, French protest/social commentary, beatnik "stream of consciousness" poetry, and the soundtracks of Italian film Westerns.

Fabrizio De André 

Creuza de Mä (Fabrizio de André / Mauro Pagani)

'A Pittima (Fabrizio de André / Mauro Pagani)

Sinan Capudàn Pascià (Fabrizio de André / Mauro Pagani)

from Crêuza de mä 1984

A curious, fascinating release, Creuza de Ma was named by none less than David Byrne as one of his favorite albums from the '80s -- and, for once, it seems like he really meant it beyond reasons of simple cred-seeking. Creuza de Ma itself isn't in fact an Italian album per se, but a Genoese one, with all lyrics sung in that particular dialect, a blend of Italian, French, and Catalan that's different enough from Italian to require full translations of the words into that language in the liner notes...

Globetrotting French musician whose eclectic body of work encompasses New York's no wave scene and authentic African rhythms.

Lizzy Mercier Descloux 

Long Voodoo Ago

Bravado

from One for the Soul 1986 

After her deep dive into South African music on the 1984 album Zulu Rock, Lizzy Mercier Descloux had hoped to follow in a similar vein with an album recorded in New Orleans featuring both the Soweto crew she had worked with on Zulu Rock and local Cajun and zydeco musicians. However, securing visas for the South Africans proved impossible, and Mercier Descloux and producer Adam Kidron instead traveled to Brazil, where they recorded One for the Soul in Rio de Janeiro.... As it is, for the most part, One for the Soul is a good and clever dance record from an artist capable of a great deal more.

15-06-2021 JAZZ.MiX # 33 jazz tracks on the the JAZZ_line 1986-1997 (3h 47m)

 

15-06-2021 JAZZ.MiX # 33 jazz tracks on the the JAZZ_line 1986-1997 (3h 47m)# Ginger Baker, Steve Tibbetts,Bill Frisell, Either/Orchestra, Rabih Abou-Khalil, Sun Ra, David Murray, Allan Holdsworth, Flora Purim, Dave Holland Quartet, Jimmy Smith, Derek Bailey

J A Z Z   M U S I C

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JAZZ_line  The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.

1986-1997

Legendary rock and jazz drummer, best known as a member of seminal rock/blues supergroup Cream...  Baker made his name entirely on his playing, initially as showcased in Cream, but far transcending even that trio's relatively brief existence. Though he only cut top-selling records for a period of about three years at the end of the '60s, virtually every drummer of every heavy metal band that has followed since that time has sought to emulate some aspect of Baker's playing...

Ginger Baker 

Interlock (Ginger Baker)

Dust To Dust (Ginger Baker)

from Horses and Trees 1986

Bill Laswell's musical career has been a highly collaborative one. Almost every new release from solo excursions to a variety of mercurial group projects finds him engaged with a notable instrumentalist from the arenas of jazz, electronica, funk, hip-hop, reggae, and world music...  Horses & Trees is no exception. Persuaded by Laswell to continue working throughout the second half of 1980s, drummer Ginger Baker produced some of his most stimulating collections, not least of which were the Laswell produced Middle Passage and this 1986 set. The drummer is rock-solid throughout, which means that most of the compositions become a showcase for an impressive lineup of guest musicians that reads like a list of the Bill Laswell all-stars... "Dust to Dust" is the only piece composed solely by Baker (he shares credits everywhere else) and is the most stunning of the set with a repeated section that sounds like an alien hoe-down with world music undertones...  "Uncut" finds the likes of Bernie Worrell, Shankar and Laswell in fine form, taking solos like a jazz combo... Baker, while never caught stealing the show on any track, looms large. On Horses & Trees, his big beat pulls the greatest weight.

St. Paul-based guitarist and sonic experimentalist whose urban-landscape fusion offers a totally original approach to the creation of sound. Steve Tibbetts is a contemporary American guitarist, producer, instructor, recording engineer, and composer. His fusion of exotic and urban landscapes offers a widely acknowledged, totally original approach to the creation of sound. He plays acoustic and electric guitar as well as numerous percussion instruments including kendang and kalimba.

Steve Tibbetts 

Name Everything (Marc Anderson / Steve Tibbetts)

Your Cat (Marc Anderson / Steve Tibbetts)

from Exploded View 1987

Opening with a bang that builds to a thunderstorm, Exploded View is the definitive Steve Tibbets album. His electric guitar howls defiantly without a lot of power chords or convention, and his musicianship is top-notch, perhaps an Adrian Belew without the pop, plus a nod toward world music in production value. Tibbets scrapes and tears through the sky ("Name Everything," "Your Cat") with jaw-dropping intensity, but it would all be too much if there weren't such rich texture and softness folded into the disc as well. "Drawing Down the Moon" is a comparatively restrained piece with acoustic guitars, shakers, kalimba, congas, and a mixed bag of other percussives. .. The album is also a great showcase for Marc Anderson, a fantastic percussionist who shines here. He really understands the musical dialogue going on between himself and Tibbets' guitar... 

A stunning, eclectic guitarist who blends the best elements of rock energy with jazz harmonic sophistication and melodic interpretation. Guitarist Bill Frisell is widely known as one of the most versatile players in jazz history, despite possessing an instantly recognizable warm, bell-like tone on his instrument. Whether playing avant-jazz with his own bands, exploring various aspects of Americana and pop, or composing film scores, Frisell's focus on timbral clarity and elegance shines through.

Bill Frisell 

Lookout for Hope (Bill Frisell)

Lonesome (Bill Frisell)

from Lookout for Hope 1988

Bill Frisell's early work even in its retrospectively rawest form holds all of the values that he has evinced through his entire career. Country and eastern sounds merge with a signature sky church electric approach that is unique unto only himself. Lookout for Hope brands Frisell as a visionary, a virtuoso, and a fusioneer of many sounds that set him far apart from labelmates Pat Metheny, John Abercrombie, and Terje Rypdal... there is a sense of peace and serenity that puts soulfulness on a different plane. Cellist Hank Roberts and bassist Kermit Driscoll have much to do with giving Frisell his head, weaving similar silver sounds in and through him. Then add Joey Baron's deft, precise, and colorful drumming to put the exclamation point on Frisell's new approach to improvised music... With Lookout for Hope, Bill Frisell is not so much setting trends and fashion as he is establishing a fresh sound, utterly unique from all others, and laying a foundation for many things to come.