26-01-2020 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959

Lucille Hegamin

26-01-2020 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959   >>Lucille Hegamin, Sidney Bechet, The Georgia Melodians. Banda Municipal, Felix Camarano, Quinteto Augusto, Louis Armstrong, The California Ramblers, Blind Lemon Jefferson, McKinney's Cotton Pickers, Missississippi Sheiks, Andy Kirk, Pepe Pinto, Charlie Lincoln, Gitfiddle Jim, Fred McMullen, Sexteto Habanero<<

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before 1959

A classic blues singer from the 1920's, Lucille Hegamin survived long enough to be recorded again in the 1960's. She sang in a church choir and locally before touring at age 15 with the Leonard Harper Revue.
Lucille Hegamin
The Jazz Me Blues 2:36
High Brown Blues 2:48
from Jazz Figures / Lucille Hegamin, (1920 - 1922), Volume 1
She was married to pianist Bill Hegamin from 1914-23. After performing in Seattle for a long period, Hegamin became one of the first blues singers to record... She toured with her Blue Flame Syncopators and later on led the Dixie Daisies. In addition to performing at clubs, Hegamin appeared in several Broadway shows in the 1920's...

A major figure in early jazz, outstanding clarinettist, only soprano saxophonist of consequence for decades, made melodically rich and emotional music.
Sidney Bechet
Wild Cat Blues 3:01
Blind Man Blues 3:11
Achin' Hearted Blues 2:58
from In Chronology - 1923
Sidney Bechet was the first important jazz soloist on records in history (beating Louis Armstrong by a few months). A brilliant soprano saxophonist and clarinetist with a wide vibrato that listeners either loved or hated, Bechet's style did not evolve much through the years but he never lost his enthusiasm or creativity. A master at both individual and collective improvisation within the genre of New Orleans jazz, Bechet was such a dominant player that trumpeters found it very difficult to play with him. Bechet wanted to play lead and it was up to the other horns to stay out of his way.

By the mid-'20s, the Edison phonograph record company had long since abandoned its founder's curmudgeonly policy regarding jazzy entertainment, and the label's catalog was peppered with titles by Mal Hallett, Joe Herlihy, B.A. Rolfe, Frank Winegar, the Piccadilly Players, Oreste & His Queensland Orchestra, and the Georgia Melodians, a sturdy little Southern unit that left about 27 titles for posterity.
The Georgia Melodians
Wop Blues 4:02
Savannah (The Georgianna Blues) 3:40
Red Hot Mamma 3:47
from Wop Blues (The Complete Edison Recordings - New York 1924)
During its three-year existence, the band's lineup included trumpeter Mickey Bloom; cornetist Red Nichols; trombonists George Troupe, Herb Winfield, Charlie Butterfield, Al Philburn, and Abe Lincoln; an unidentified tuba handler; banjoist Elmer "Merry" Morris; pianist Oscar Young (who in 1911 had come to New York from Ohio with vaudevillian Ted Lewis); and drummer Carl Gerrold. Though really led by Hutchins and Intelhouse, the band operated under the nominal leadership of violinist Charles Boulanger...

Banda Municipal - La budinera 2:51
Felix Camarano - Germaine 3:02
Quinteto Augusto - Un petit programa 3:20
from The History of Tango - Anthology of Vintage Recordings (1908 - 1925), Volume 2
Argentine tango
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires [1] and Montevideo. It typically has a 2
4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by nostalgia, sadness, and laments for lost love.