mixtapes for weathers and moods / music for good days and bad days


For nonstop listening of players' tracks you must login to DEEZER music site! / A lejátszók számainak zavartalan hallgatásához be kell lépned a DEEZER zeneoldalra.

A következő címkéjű bejegyzések mutatása: Handsome Jack. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Handsome Jack. Összes bejegyzés megjelenítése

2019. szeptember 22., vasárnap

22-09-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2014-2019


22-09-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2014-2019 # Doyle Bramhall II, Larkin Poe, Cedric Burnside, Billy Branch & the Sons of Blues, Eric Gales, Handsome Jack, Guy Davis, Fabrizio Poggi, Joe Bonamassa, Kevin Selfe, Chris Duarte Group


B L U E S    M U S I C

if you want excitement PRESS SHUFFLE!

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 


2014-2019






Austin, Texas-based guitarist who gained fame in the '90s as Eric Clapton's right-hand man and who pursued a blues-rock career of his own. 
Doyle Bramhall II
Hear My Train a Comin' (Jimi Hendrix) 5:08
Mama Can't Help You (Doyle Bramhall II / Kz Jones) 4:22
The Veil (Doyle Bramhall II / Kz Jones) 4:53
from Rich Man 2016
Doyle Bramhall II put his solo recording career into hibernation following the 2001 release of Welcome, choosing to concentrate on his thriving career as a sideman and producer...  Bramhall channels all this experience into Rich Man, his first album in 17 years and also his best. The key to the success of Rich Man is how he loads up the album with thick, funky rhythms, pushing soul over blues over the course of its 13 tracks... By closing the album with a slow, churning rendition of "Hear My Train a Comin'," he consciously reconnects with blues-rock, but early in the record he's riding mellower Southern soul grooves and concentrating on tight songwriting. And that's the trick of the album: it starts expansive and keeps expanding, taking in all the sounds and styles he's played over the last 17 years.

Southern roots rock group led by Rebecca and Megan Lovell, formerly of the Lovell Sisters. Southern roots rockers Larkin Poe were formed around core members Rebecca and Megan Lovell, formerly the Lovell Sisters. A bit edgier and rockier than the Lovell Sisters, Larkin Poe's electric and slide guitar riffs quickly earned them comparisons to the Allman Brothers.
Larkin Poe ‎
Come On In My Kitchen (Robert Johnson) 2:11
Black Betty (Traditional) 2:44
Preachin' Blues (Son House) 3:21
Tom Devil (Traditional) 2:44
from Peach 2017
...But it’s through the release of their own records that the Larkin Poe female duo truly brandish their musical pedigree. And in Peach, they have a strong contender for Southern crossover album of 2017. With blues at its core, the album is a diverse work that incorporates opposing modern and traditional sounds onto a single record without ever sounding dissonant or contrived... Larkin Poe’s mantra seems to be “if it sounds great, then it goes on an album.” It’s one that fans and critics seem to agree works perfectly – with labels like “the little sisters of the Allman Brothers” being thrown around the music press. Peach proves beyond any reasonable doubt the Lovells are worthy of that accolade.

Cedric O. Burnside is an American electric blues drummer, guitarist, singer and songwriter. He is the son of blues drummer Calvin Jackson[3] and grandson of blues singer, songwriter, and guitarist R. L. Burnside. Amongst many others, Burnside has played drums, either live or on record, with R. L. Burnside, Jessie Mae Hemphill, John Hermann, Kenny Brown, Richard Johnston, Jimmy Buffett, T-Model Ford, Paul "Wine" Jones, Widespread Panic, Afrissippi, and the Jon Spencer Blues Explosion.
Cedric Burnside
We Made It 3:34
Please Tell Me Baby 3:37
Death Bell Blues 4:36
I'm Hurtin  2:49
from Benton County Relic 2018
It's always an event when a new Cedric Burnside album is released, for many different reasons. First and foremost, to remind us all of the huge contribution that the Mississippi Hill Country sound has given, in the last half a century and beyond, to the fundamentals of Blues in its entirety, through artists like R.L. Burnside, Mississippi Fred McDowell or Junior Kimbrough, for example.
Another good reason is that Cedric Burnside is one of the very few artists left in the world capable to recreate perfectly the Hill Country sound and atmospheres, thanks to his instinctive, inner ability to adapt the mood and the vibes of the Hill Country Blues to his personal tales about life, loss, fears and hopes.
Living temporarily aside the Cedric Burnside Project, the Mississippi Award-winning multi-instrumentalist and singer/songwriter has decided to go solo on his brand new album, called Benton County Relic, a record where Burnside digs even deeper than he has ever done on past records, from a lyrical perspective, into events that impacted his personal life in the last couple of years. Events that the American artist has been able to translate, lyrically and sonically, through twelve brand new songs of an impressive depth of intensity and raw honesty, two aspects that have always been at the core of Burnside's musical vision.

2018. október 31., szerda

004 ALTER.NATiON: weekly favtraX / 31-10-2018

ALTER:NATiON
Neneh Cherry, Trending Tropics, Superhuman Happiness, Minus the Bear, Doe Paoro, The Last Hurrah!, Aaron Parks, Cave, Handsome Jack, Walking Papers, Cloud Nothings, Shopping


weekly favtraX
31-10-18



Neneh Cherry forged a groundbreaking mix of genres in the late '80s that presaged the emergence of alternative rap and trip-hop, and through the 2010s she has gradually added to a discography filled with similarly unpredictable twists.
Neneh Cherry - Kong 4:24
Co-produced by Four Tet and Massive Attack’s 3D, “Kong” is anchored by low-gravity dub bass and a tinkling hi-hat; the effect is like a trip-hop song with the floor sucked out from under it. Cherry takes command through measured, rich vocals and empathic lyrics, a far cry from the boisterous, wisecracking 18-year-old on “Stop the War.” “Every nation seeks its friends in France and Italy/And all across the seven seas,” she sings in an ethereal upper register as an airy keyboard line fills in behind her, “And goddamn guns and guts and bitter love/Still put a hole in me.”

"TRENDING TROPICS" - THE MOST EXPECTED MUSICAL PROJECT IN 2018 - has been launched and is the new musical project led by the Puerto Rican musician and producer Eduardo Cabra "Visitante" Co-founder and musical Mastermind of the acclaimed band Calle13 with the Dominican singer-songwriter Vicente Garcia, both great winners in the last Latin Grammy awards .  Trending Tropics is composed of multi-instrumentalist musicians who come from various countries of the Caribbean, Cuba, Dominican Republic and Puerto Rico . 
Trending Tropics - Silicon Love 3:56
For his first project since Calle 13 went on hiatus in 2014, musical director and producer Eduardo "Visitante" Cabra and Dominican singer/songwriter Vicente García collaborate on Trending Tropics. Cabra's manifesto for the album is: "Music without a face in the age of the selfie." Its loosely linked songs probe the dominant ways that technology interacts with reality in 21st century culture, and in some cases supplants it...

Under the leadership of multi-instrumentalist Stuart Bogie, indie supergroup Superhuman Happiness were founded in Brooklyn in 2008. Their party-friendly sounds mixed composition, improvisation, and a groove-heavy sense of rhythm.
Superhuman Happiness - Bury Me (By Where My Baby Walks) 6:09
The indie collective's third full-length release, Beacon introduces Dia Luna as main vocalist and co-songwriter of a ten-piece Superhuman Happiness that also includes project leader Stuart Bogie and longtime members Eric Biondo and Sam Levin. Also featuring such noteworthy guests as saxophonist Colin Stetson and Arcade Fire's Richard Reed Parry, the album takes on a somewhat grayer hue than prior releases, particularly their effervescent debut...

One of the more captivating acts to come out of the alt-to-indie rock shift that dominated the late '90s and early 2000s, Minus the Bear pair tight, looped beats and mathy electric-guitar finger-tapping with sinewy verse melodies that reveal rousing choruses. Featuring members of Botch, Kill Sadie, and Sharks Keep Moving, the group emerged on Seattle's music scene in 2001, drawing from a wide array of musical styles that included post-punk, new wave, experimental rock, classic rock, and indie pop.
Minus the Bear - Fair Enough 4:16
Shortly after the release of 2017's Voids, Pacific Northwest indie rockers Minus the Bear announced that they would be shutting down operations, closing the gate on a very respectable 17-year run. Unveiling a proper bookend with the four-song Fair Enough (they emerged in 2001 with an EP, also released via Suicide Squeeze), the band delivers an elegant farewell that befits its understated oeuvre...

Soulful, dark-toned electronic pop from this Los Angeles-based singer/songwriter.  Working under the name Doe Paoro, Los Angeles-based singer/songwriter Sonia Kreitzer blends elements of soul, R&B, dubstep, and dark-toned pop.
Doe Paoro - Cruelty of Nature 4:17
Making an about-face from the cinematic synth textures of her two previous outings, Los Angeles' Doe Paoro aims for a classic singer/songwriter approach on Soft Power, her soulful third album. The New York native, whose real name is Sonia Kreitzer, has been somewhat of a musical shape-shifter over the years, initially adopting elements of dubstep, experimental folk, electronica, and even Tibetan opera into her work...

Maesa Pullman and The Last Hurrah!
An international, ever-evolving retro, folk-rock, and experimental neo-psych project led by producer HP Gundersen. The Last Hurrah!! is an international pop/rock project whose constantly evolving lineup creates sounds drawing heavily from the music of the '60s and early '70s, though each recording is divergent and different from the last.
The Last Hurrah! - The Blues 4:55
Los Angeles marks the second album in a row -- the first was 2015's Mudflowers -- where Bergen's HP Gundersen's the Last Hurrah!! directly pay homage to the California city's musical heritage. The Vossajazz Festival commissioned him to prepare an evening of his musical discoveries and articulations from "over there" for a spring 2018 concert. For this date he brought back vocalist and lyricist Maesa Pullman, engineer/co-producer Jason Hiller -- who also plays bass and sings backup -- and multi-instrumentalist Kåre Sandvik. He also enlisted an international cast of studio aces who include Hammond organist John "JT" Thomas, saxophonist Jon Irabagon, drummer Bjorn Stæther, guitarist Henrik Paulsen, synthesist Sam Fossbakk, and violinist David Vogt. Where Mudflowers directly referenced L.A.'s historic country-rock scene of the last century wedded to elements of psychedelia, Los Angeles examines the colorful diversity of the sophisticated pop and production of the era -- think of the producers David Axelrod and Peter Asher with the Wrecking Crew and you get the idea...


Pianist Aaron Parks is a forward-thinking jazz musician who came to the public's attention during his time with trumpeter Terence Blanchard. He has, almost since the beginning of his recording career assumed an intuitive union of modern jazz, Eastern modalities and and atmospheric indie-rock. 
Aaron Parks - Kid 7:21
In the decade between Invisible Cinema, his 2008 Blue Note debut, and Little Big, an intentional sequel, pianist and composer Aaron Parks has covered a lot of ground. He cut two leader dates for ECM (one solo, one trio), and two as a member of the active James Farm collective on Nonesuch. In addition, Parks has worked as a sideman too, playing live and on recordings with more than a dozen artists including Kurt Rosenwinkel, Yeahwon Shin, and Gilad Heckselman. Little Big is the self-titled debut from his electric quartet with guitarist Greg Tuohey, bassist David Ginyard, and drummer Tommy Crane.. On opener "Kid," a relentless piano figure contrasts with Tuohey's (Parks' foil throughout) electric guitar in direct tension. He follows the motif with a melody of his own. Driving it all is a skeletal but propulsive bassline and a series of tight, fleshy hi-hat and snare flourishes that push at the seams in roiling tension.

Chicago-based psychedelic/Krautrock enthusiasts Cave craft tight and funky free-form slabs of groove-heavy instrumental space rock that have earned them comparisons to everyone from Can to Stereolab to Funkadelic.
Cave - San' Yago 5:58
...“San’ Yago” announces itself with a clattering polyrhythmic beat that rolls through the song like an uneven tricycle. Percolating rhythms and a perky guitar line run alongside. Cooper Crain patiently works his electric piano into the gaps, applying warm tones like a mason working mortar into a stone wall. But as the tension slowly builds, a keening synth line approaches like a sunrise, and for a moment everyone’s playing feels fuller, and the song’s colors become more saturated. Eventually it recedes, leaving just the steady prickling of that guitar line scuttling around like a crab in its wake. We’re right back where we started, but the lowering of the tide has shifted the entire landscape.

Hard-rocking blues and boogie band from New York State, merging a classic sound with a modern attitude. Playing a lean, hard-grooving fusion of blues, R&B, and garage rock they call "boogie soul," Handsome Jack are a rock band from Lockport, New York, a city not far from Buffalo. 
Handsome Jack - Keep On 3:55
Usually when a band goes from a quartet to a trio, that means their sound has thinned out just a bit. That's hardly the case with 2018's Everything's Gonna Be Alright, the second album for Alive Naturalsound Records from blues-rock combo Handsome Jack. With the departure of guitarist Phil Allport, lead singer and guitarist Jamison Passuite is now handling all the six-string chores for the group, accompanied by drummer Bennie Hayes (replacing previous timekeeper Chad Salmeri) and bassist Joe Verdonselli. However, while Handsome Jack's 2014 effort Do What Comes Naturally sounded loose but potent, with a clean and naturalistic vibe, Everything's Gonna Be Alright seems a bit more tricked up. These sessions find Passuite pushing the bluesy honk of his vocals a lot harder and the rhythm section adds a funkier undercurrent to the rhythms, and if the guitar work is more spartan, it's more decisive and pushed up higher in the mix...

Seattle-based hard rockers featuring members of the Missionary Position and Duff McKagan. 
Walking Papers - Somebody Else 3:42
Packed with enough dirty guitar riffs to fill a smoky roadside bar, Walking Papers' second album, WP2, is another dose of no-nonsense rock & roll from the Seattle-based group. Recorded in early 2015 -- shortly after wrapping up touring behind their self-titled debut -- WP2 arrived three years later in 2018, due to bassist Duff McKagan's obligations with his other band, Guns N' Roses. Improving upon their first with polished production and a livelier vigor, WP2 is blues-drenched rock that fans of Queens of the Stone Age and Screaming Trees should enjoy...


Cleveland, Ohio band that balances hardcore intensity and deceptively sweet melodies. Cloud Nothings is the brainchild of Dylan Baldi, a Cleveland, Ohio native who was still in his teens when the buzz about his music started. On early releases such as 2011's self-titled debut album, the project was a one-man band specializing in lo-fi punk-pop.
Cloud Nothings - Offer An End 4:08
...In spirit, Last Building Burning marks a return to the self-immolating intensity of their 2012 breakthrough Attack on Memory, yet it’s even more jaded than that record was. On Life Without Sound, Baldi dared to offer something constructive, an earnest commentary on our divided world and the value of looking beyond our self-imposed bubbles, but it didn’t resonate. So here, he takes a more nihilistic approach, retreating back into his head and indulging his ugliest thoughts...

London trio following the post-punk traditions of prickly sounds and left-wing politics. 
Shopping - Overtime 3:53
Shopping's brand of post-punk has only grown more potent with each album, and The Official Body is no exception. Rachel Aggs, Billy Easter, and Andrew Milk sound more assured than ever, and more danceable, too. Working with producer Edwyn Collins, they slow their often frantic pace down just enough to show off the formidable grooves on songs...





Neneh Cherry, Trending Tropics, Superhuman Happiness, Minus the Bear, Doe Paoro, The Last Hurrah!, Aaron Parks, Cave, Handsome Jack, Walking Papers, Cloud Nothings, Shopping