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A következő címkéjű bejegyzések mutatása: Upset. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Upset. Összes bejegyzés megjelenítése

2021. szeptember 7., kedd

07-09-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 17m)

07-09-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Joan of Arc, Upset, The Heliocentrics, Ani DiFranco, Motorists, Public Memory, Michael Nau, Sharon Van Etten, Field Music, Oceanator, Southern Avenue


M U S I C (2h 17m)

if you want excitement PRESS SHUFFLE!





Indie rock stalwarts led by Tim Kinsella, with a sustained focus on exploring the boundaries of their art.
Destiny Revision 3:44
Land Surveyor 3:36
Sometime following the release of their gorgeous 2018 album 1984, long-running Chicago art rock experimentalists Joan of Arc decided to call it a day. The band formed in 1995 around the impassioned vocals, obtuse thinking, and creatively limitless songwriting of former Cap'n Jazz member Tim Kinsella, and for the next many years, Kinsella and a rotating cast of players stretched the conceptual boundaries of what Joan of Arc was on over a dozen albums. After making the decision to end the group, the most recently active lineup entered the studio, knowing that what they were recording would be the last statement from a band who had spent two-and-a-half decades creating a sound that was both wildly specific and somehow boundless. In true Joan of Arc fashion, final album Tim Melina Theo Bobby (the first names of the players who made the music) sees the group taking their sound in a new direction, even on the way out the door... 



Former Vivian Girls and Best Coast drummer formed Upset with ex-Hole drummer Patty Schemel to play her own punk-pop songs. Sounding like a lost band from the grunge pop '90s, Upset were formed by the duo of Ali Koehler, ex-Vivian Girls and Best Coast drummer, and Patty Schemel, who famously drummed for Hole.
Holy Basil 3:10
Over My Head 3:22
from Upset 2019
Upset's take on '90s pop-punk and grunge is more refined and powerful on their second album, 2019's Upset. Since their promising 2013 debut album and follow-up EP in 2015, the band has solidified into a quartet while spreading out the songwriting and singing duties. Original singer/songwriter Ali Koehler shares the mike this time with guitarist Lauren Freeman, who provides an alternate vision that's a little rougher -- both sonically and emotionally -- around the edges. For the most part, Koehler comes at her songs from a poppier, more melodic angle, while Freeman has a more angular and punk-derived style. .. Adding Freeman to the mix was a great idea that made an already good band even better and Upset is a strong step forward from their debut and some of the best retro grunge-punk going in 2019.


This London quintet blends Krautrock, psychedelia, and shoegaze into hypnotic, pulsating music.
TOY 
Sequence One 4:17
Energy 4:07
With Clear Shot, TOY transformed their music by bringing it into hi-def focus. On Happy in the Hollow, they continue to change their sound in several ways. For the first time, the band self-produced their music, though their sessions at Dan Carey's Studio B suggest they're still tight with the producer who helped shaped their sound early on. .. Happy in the Hollow doesn't change the feeling that the members of TOY have one foot in another dimension that they're waiting to transport their listeners to.

2021. augusztus 10., kedd

10-08-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 39m)

10-08-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Mike KrolDeserta, Rolling Blackouts Coastal Fever, Rival Sons, The White Stripes, William Parker, Shame, Joan of Arc, Upset, The Heliocentrics, Ani DiFranco


M U S I C (2h 39m)

if you want excitement PRESS SHUFFLE!






An L.A.-based garage rocker with a large sense of humor plus a day job as a graphic designer.
Blue and Pink 3:32
Power Chords 3:22
Left for Dead 2:40
from Power Chords 2019
Most of the garage-punk acts that have emerged in the wake of Ty Segall and Thee Oh Sees in the 2010s have been bands with no small amount of studied cool lurking behind their sweaty energy. Mike Krol is a vital exception to this rule; Krol is far too concerned with pumping out his fuzzy, no-frills, hook-infused rock and laying his heart out for all to see to have much truck with being cool. And that's a large part of what makes his music work so well. Krol clearly has a sense of humor and isn't trying to reinvent the wheel, but it's clear that rock & roll means a lot to him...



The project of singer/songwriter/multi-instrumentalist Matthew Doty finds the sweet spot between synth pop and shoegaze.
Be So Blue 5:30
Black Aura 5:31
With Black Aura My Sun, Deserta's Matthew Doty shows off his knowledge of several decades' worth of shoegaze and synth pop as well as his skill at reinterpreting those styles in ways that are familiar, but never boring. Much like Lust for Youth, Deserta excels at creating almost uncannily perfect recombinations of iconic sounds. .. 


Sunny-sounding Australian band specializes in "soft punk/hard pop" with a smart and jangly approach.
The Second of the First 3:40
The Only One 3:46
After a couple of EPs where they worked on finding their feet as a band, the Australian quintet Rolling Blackouts Coastal Fever nailed it on their first album, 2018's Hope Downs. Their three-guitar attack was honed to a fine point, the songwriting suddenly popped like formerly plugged-up ears in a descending aircraft, and their sound had all the mystery of early R.E.M. paired with the power of the Church at their rockiest. The record would have been top of the class during the golden age of '80s jangle pop, and it shone like a glittering diamond in the murky era of chillgaze and stoned psychedelia it was surrounded by in its own time. The band must have realized they had hit on something extraordinary because on 2020's Sideways to New Italy, they don't change the formula much...


2019. november 23., szombat

065 ALTER.NATION.MiX weekly favtraX 23-11-2019

ALTER.NATION #65
Upset, Beck, Coma, Jaakko Eino Kalevi, Mr. Ben & the Bens, Coldplay, Lindemann, Health&Beauty, Big Band of Brothers, Scott H. Biram, Leonard Cohen, Neuland

weekly favtraX
2 3 - 1 1 - 2 0 1 9
"N o  E x i t"





ALTER.NATION #65 on DEEZER


Sounding like a lost band from the grunge pop '90s, Upset were formed by the duo of Ali Koehler, ex-Vivian Girls and Best Coast drummer, and Patty Schemel, who famously drummed for Hole. They concocted a sound that had all the muscle of grunge with a less aggressive vocal style and a thoughtfully playful lyrical stance. Their promising debut album, She's Gone, was issued in 2013; six years later, the fully formed and powerfully hooky Upset album cemented their place as a band doing the '90s revival thing correctly.
Upset - No Exit from Upset
Upset's take on '90s pop-punk and grunge is more refined and powerful on their second album, 2019's Upset. Since their promising 2013 debut album and follow-up EP in 2015, the band has solidified into a quartet while spreading out the songwriting and singing duties. Original singer/songwriter Ali Koehler shares the mike this time with guitarist Lauren Freeman, who provides an alternate vision that's a little rougher -- both sonically and emotionally -- around the edges. For the most part, Koehler comes at her songs from a poppier, more melodic angle, while Freeman has a more angular and punk-derived style...  On the record's best songs, the group transcend their influences and make music that would have stood out even in the overcrowded early '90s. Freeman's gut-ripping "Lucky Strikes Out" and Koehler's sweetly sad "No Exit" are two shining examples, while the rest of the album is full of similar rockers and ballads that showcase their pop smarts, tender emotions, and muscular playing to great effect. Adding Freeman to the mix was a great idea that made an already good band even better and Upset is a strong step forward from their debut and some of the best retro grunge-punk going in 2019.


One of the most inventive, eclectic figures of the alternative era, the epitome of post-modern chic in an era obsessed with junk culture.
Beck - Saw Lightning from Hyperspace
Hyperspace is one of those Beck projects that came together quickly. At the conclusion of the supporting tour for 2017's Colors, Beck headed into the studio with Pharrell Williams with the intention of contributing to a new N.E.R.D album, but they wound up hitting it off. The collaboration ballooned from a single into an EP and, ultimately, the core of Beck's 14th album. Beck worked with a few other collaborators on the record... To that end, Hyperspace exists on the same astral plane as Morning Phase and Sea Change, but it never feels as fussy or formal as those sad opuses. Chalk that up not to the electronic instrumentation but rather a light touch. Beck never lingers upon either his melancholy or his celestial flights of fantasy: they exist simultaneously, resulting in a tremulous and pretty soundtrack for moments of fleeting introspection.



Cologne-based techno-pop duo who made waves in their native city with a 2007 live performance; released well-regarded material on Kompakt and Firm.
Coma - (...) from Voyage Voyage
Coma's first release for City Slang after a run on Kompakt that lasted the better part of a decade, Voyage Voyage is the Cologne duo's most pop-minded, indie-friendly work yet, placing a greater emphasis on vocal hooks and rock instrumentation. While there are plenty of vibrant synth sequences and shuffling tech-house rhythms, the electronic elements are generally stripped down to the basics and combined with bass guitars and live drums, with plenty of space for the duo's introspective lyrics...  The album concludes with the taut new wave of "..," which manages to briskly convey feelings of apprehension and uncertainty ("I can't explain what's on my mind"). Retaining the dancefloor energy of their previous releases while delving deeper into personal reflections, Voyage Voyage marks Coma's evolution into a more focused dance-pop group.

Combining folk, funk, and psych-rock into trippy experimental pop, multi-instrumentalist Jaako Eino Kalevi wove his own breed of weird, textural synth pop. Finnish multi-instrumentalist crafts experimental pop that borrows from funk, disco, soft rock, and more.
Jaakko Eino Kalevi - Disolution from Dissolution
Just a year after that friendly, slightly introspective set of tunes, Kalevi took a sharp, abrupt turn with the spaced-out funk of the seven-song mini-album Dissolution. While not completely losing his touch for synth-pop melodicism or wild production, the material here is edgier and colder, more minimal and less friendly. Hard dance rhythms move the tunes and where drippy, lackadaisical basslines once helped the songs find their groove, they're replaced on Dissolution with belching synths and hypnotic drum patterns... Hard dance rhythms move the tunes and where drippy, lackadaisical basslines once helped the songs find their groove, they're replaced on Dissolution with belching synths and hypnotic drum patterns. The spare funk of the title track... come across like futuristic disco, with Kalevi delivering walls of tight vocal harmonies with a neurotic touch and just a hint of melodrama... Guest vocalist Yu-Ching Huang adds icy vocals to a few songs...


British D.I.Y. indie pop project led by Lancaster singer, songwriter, and multi-instrumentalist, Ben Hall.
Mr. Ben & the Bens - The Edge of a Cloud from Who Knows Jenny Jones
Prior to leading the band of his namesake, British singer, songwriter, and multi-instrumentalist Ben Hall spent a number of years self-releasing an array of whimsical lo-fi indie pop cassettes, EPs, singles, and albums which were credited simply to Mr. Ben. Over the years, the Lancaster native's pleasantly ramshackle output gained more structure and detail, and by 2017, a touring band, the Bens, surrounded him and began to occasionally appear on releases. Although he plays every instrument on 2019's Who Knows Jenny Jones?, the spirit of the Bens persists amid Hall's jangling conceptual yarn...



Passionate, heart-rending British pop group whose sweet melodies and swooning lyrics made them one of the biggest bands of the new millennium.
Coldplay - Cry Cry Cry from Everyday Life
Capping their record-breaking A Head Full of Dreams era in 2018, Coldplay cemented themselves as one of the biggest international acts of the decade. Traversing the globe and selling out stadiums, they absorbed plenty of sounds and stories from fans around the world, which helped inform their experimental Global Citizen EP. That spirit continued to course through the studio, yielding their ambitious 2019 double album, Everyday Life. As traveling troubadours hopping across continents and seas, Coldplay captured some of that sonically revolutionary spirit found on Viva La Vida while pushing the pop-sense positivity à la A Head Full of Dreams. However, Everyday Life exists in its own strange, unpolished world, which frontman Chris Martin described as "totally raw" and pure...

A German/Swedish industrial metal outfit featuring Rammstein vocalist Till Lindemann and Hypocrisy/PAIN multi-instrumentalist Peter Tagtren.
Lindemann - Mathematik from F & M (Deluxe)
The end of the 2010s was a bountiful time for Rammstein fans. In addition to another set from guitarist Richard Z. Kruspe's Emigrate side project, the industrial metal titans returned with their first album in a decade. All the while, frontman Till Lindemann was busy working on his own artistic endeavors, teaming with Lindemann co-conspirator Peter Tagtgren on 2018's modern stage adaptation of Hansel und Gretel. Songs from the appropriately dark and perverse retelling later found new life on Lindemann's sophomore effort, F&M ("Frau & Mann," German for woman and man)...



Experimental rock outfit Health&Beauty is led by Chicago-based guitarist/songwriter Brian J. Sulpizio, also known as longtime guitarist for Ryley Walker. The project's melodic, exploratory songs take influence from pop music, free jazz, and meditative folk-rock. 
Health&Beauty - Saturday Night from Shame Engine / Blood Pleasure
Seven albums into the shape-shifting, lineup-shuffling, improvisational project of guitarist/singer Brian J. Sulpizio (Ryley Walker), Health&Beauty submits a sprawling group of songs that negotiates dark, rambling blues ("Saturday Night")... With a live version of the band at the album's core, much of Shame Engine/Blood Pleasure was recorded with the lineup of Sulpizio, guitarist Jake Acosta, bass player Bill Satek, and drummer Seth Vanek following a three-week tour in late 2017. A number of other familiar and first-time collaborators also contributed performances to Shame Engine/Blood Pleasure before it was deemed complete. Clocking in at over an hour, the album adjusts expectations with the trudging blues-rock of the nearly 11-minute "Saturday Night," which features Acosta's howling lead guitar alongside Sulpizio's minimalist vocals...


Big Band of Brothers is a sophisticated, modern big band featuring a collective of pro studio and session players. Genre-bending Nashville big band who debuted with a 2019 Allman Brothers tribute.
Big Band of Brothers feat. Marc BroussardWhipping Post from A Jazz Celebration of the Allman Brothers Band
A big band tribute to pioneering Southern rock band the Allman Brothers, 2019's A Jazz Celebration of the Allman Brothers Band balances brightly swinging jazz with earthy, electric-guitar twang. The brainchild of executive producer John Harvey, the album features a bevy of Nashville studio pros known collectively here as the Big Band of Brothers. Included among them is guitarist (and director of the Jazz Studies Program at the University of Alabama School of Music) Tom Wolfe, who solos throughout and supplies several arrangements. Also showcased are a handful of guest artists including trombonist Wycliffe Gordon, slide guitarist Jack Pearson, and singers Marc Broussard and Ruthie Foster...

Texas-based one-man band whose rough and relentless music is the place where country, blues, and punk cross paths.
Scott H. Biram - Been Down Too Long from Sold Out to the Devil: A Collection of Gospel Cuts by the Rev. Scott H. Biram
One of the great truisms of the shared traditions of blues and country music is you can't have Saturday night without Sunday morning, and vice versa. Sin and redemption play a constant game of tug of war in the human heart, and just as the wretched dream of salvation, the righteous wrestle with the insistent call of the pleasures of the flesh. Given his appreciation of roots music at its most raw and feral, it comes as no surprise that Texas-born Scott H. Biram is fascinated with spirituals, though in his world getting right with the Lord isn't a clean or simple experience... Sold Out to the Devil certainly seems like a good idea for a thematic collection, and most of the tracks presented are genuinely effective; however, this delivers less in the way of emotional range than one might hope, and with only one new selection, most fans will have this stuff already...


One of the most fascinating and enigmatic -- if not the most successful -- singer/songwriters of the late '60s, Leonard Cohen retained an audience across six decades of music-making, interrupted by various digressions into personal and creative exploration, all of which have only added to the mystique surrounding him.
Leonard Cohen - The Hills from Thanks for the Dance
...Several notable artists contributed their talents to this project -- among them Jennifer Warnes, Beck, and Leslie Feist -- yet it's Leonard Cohen's vocals and lyrics that dominate the spotlight, and with his voice reduced to a dry, throaty whisper, he manages to make some of the most compelling music of his life. In his frailty, Cohen finds a strength that's little short of miraculous, suggesting the musings of a prophet as he speak-sings these messages of darkness and light in the spaces between love and the ultimate finality. Adam Cohen has done a superb job with this material; the arrangements created after the fact sound like they were always meant to serve these songs, and they add a weight and dynamics that never distract from his father's words...


The creative collaboration of two former Tangerine Dream members, the immersive electronic duo Neuland retained some of the core elements of their legendary band's synth-heavy sound, but expanded into more modernized territory as well.
Neuland - Dream 9 from Neuland
As former members of legendary synth soundtrackers Tangerine Dream, Peter Baumann and Paul Haslinger were well acquainted with instrumental electronic music that built cinematic tension as it slowly burned. After years of friendship and individual exploration, Baumann and Haslinger came together as Neuland, diving deep into moody electronic meditations that held threads of Tangerine Dream's core sound but also wandered into new territory... The massively ambitious album stays engaging and mysterious for its duration, making it a must for Tangerine Dream enthusiasts or anyone interested in the less beat-oriented side of synthesizer music.

Upset, Beck, Coma, Jaakko Eino Kalevi, Mr. Ben & the Bens, Coldplay, Lindemann, Health&Beauty, Big Band of Brothers, Scott H. Biram, Leonard Cohen, Neuland

2019. november 17., vasárnap

064 ALTER.NATION.MiX weekly favtraX 17-11-2019

ALTER.NATION #64
Upset, TOY, Twin Peaks, Juliana Hatfield, Modest Mouse, Tindersticks, FKA Twigs, The Young Sinclairs, Loma Prieta, Blood Incantation, Caspian, Incognito

weekly favtraX
1 7 - 1 1 - 2 0 1 9
"Lucky Strikes Out"




ALTER.NATION #64 on DEEZER


Former Vivian Girls and Best Coast drummer formed Upset with ex-Hole drummer Patty Schemel to play her own punk-pop songs.
Upset - Lucky Strikes Out
It’s an invigorating three-minute story song that fits in the disappointment of a hookup flaming out and the subsequent decision to dig yourself deeper into despair by lighting up a cigarette, before twisting around into a rom-com-style happy ending. That’s all delivered with the infectious chorus: “I lit a Strike and struck a match, my Lucky Strikes and a heart attack/ With any luck, I’ve met my match.”




This London quintet blends Krautrock, psychedelia, and shoegaze into hypnotic, pulsating music.
TOY - Down on the Street from Songs of Consumption
Talking about the album, TOY said: Songs of Consumption sonically is a continuation and development of the themes conceived on Happy In The Hollow and it will show people where we are going towards musically. The DIY approach was explored further utilising more of the electronic elements that we touched upon before. Drum machines, stripped down arrangements and rudimentary production give a primitive sound that we thought suited the choice of songs. Some of the songs have very big sounding production, so we wanted to experiment with them by going in a different direction...


Chicago garage punkers who channel '60s and '70s influences with giddiness and irreverence.
Twin Peaks - Spiders (Kidsmoke) (Wilco Cover)
The Wilco tribute album Wilco Covered was released on CD with the November issue of Uncut, and only one of its songs was released digitally... That would be Twin Peaks’ take on “Spiders (Kidsmoke),” which, like “Company In My Back,” originates from Wilco’s masterful 2004 release A Ghost Is Born. It’s a roots-rock/krautrock hybrid that sets Wilco’s drowsy pop harmonies and rangy, agitated lead guitar work to a motorik pulse, punctuated by occasional widescreen bar-band explosions. Twin Peaks, Wilco’s Chicago rock descendants, have delivered a faithful reading of “Spiders (Kidsmoke),” one that reminds me how cool it would be to see the track back in Wilco’s setlist sometime soon...


Formerly of Blake Babies, the eclectic singer/songwriter graced MTV while retaining her D.I.Y. ethos with spry, girlish story-songs.
Juliana Hatfield - Hungry for You (J’aurais Toujours Faim De Toi) from Juliana Hatfield Sings the Police
Arriving swiftly after 2018's Juliana Hatfield Sings Olivia Newton-John, 2019's Juliana Hatfield Sings the Police amounts to the second chapter in a musical autobiography for the rocker. If Olivia Newton-John amounted to Hatfield's first musical love, the Police are the pivotal band of her teens, a group that accelerated her interest in rock & roll. Appropriately, Juliana Hatfield Sings the Police isn't as sweet or dreamy as Juliana Hatfield Sings Olivia Newton-John. Hatfield emphasizes the group's connection to punk and New Wave, both through song selection and arrangement... In Hatfield's hands, the songs of Sting and the Police don't necessarily sound like hits -- nor are they performed with the technical proficiency of Andy Summers and Stewart Copeland -- but they sound fresh and alive, once again feeling like punk-inspired pop.


Pacific Northwest indie rockers who became unlikely chart-toppers with a volatile mix of punk-inspired rawness and simmering atmosphere.
Modest Mouse - Ice Cream Party
Modest Mouse returned this past Record Store Day with a 7″ featuring their first new songs since 2015’s Strangers To Ourselves... The new track is called “Ice Cream Party.” It features Isaac Brock creepily murmuring the lyrics, “There’s an ice cream party at my house, please come over.” And it’s accompanied by the release of an official Modest Mouse ice cream. Earlier this week, Modest Mouse posted a location to Reddit. The map linked to Portland ice cream shop Ruby Jewel, makers of the special Modest Mouse flavor.


Acclaimed English sextet whose melancholy, obtuse songwriting and the baritone vocals of Stuart Staples made them indie darlings during the '90s.
TindersticksThe Amputees from No Treasure But Hope
There are few if any working bands who craft their music as meticulously as Tindersticks; their music is like a suspension bridge built out of nuance, a wealth of small details coming together into something tremendously powerful even when it's whisper quiet (which is often). So it's surprising to learn that the group's 2019 album No Treasure But Hope was recorded in less than a week... But if anyone was expecting No Treasure But Hope to sound rougher or less precise given the way it was recorded, they'd be wrong. The craft these performers bring to this music is as stunning as ever, and the interplay between the musicians is wondrous, made all the more remarkable by the deeply affecting murmur of Stuart Staples' vocals...


Evoking trip-hop as well as the xx's spare electronic pop, FKA twigs' songs are haunting and vulnerable.
FKA twigs - sad day
...Now, in “sad day,” the fourth teaser track before MAGDALENE drops Friday, twigs beckons for her lover as he steals further away. She begins with a bohemian gentleness that may just turn his head: “Taste the fruit of me/Make love to all you see,” she coaxes in her lovely falsetto, a woodland sprite urging the wanderer back into the forest. But even she must admit that shadows loom; soon enough, with a heavier and almost wry intonation, twigs allows that he’d act “foolishly” to still love her, that she’s “made him sad before.” Crackling digital effects suggest insistent rain, and a sly, scratchy bass drop pierces the optimistic haze. twigs’ co-producers on the track—Nicolas Jaar, Skrillex, Noah Goldstein, Benny Blanco—flex their thumbs in these heavy synth instrumentals. The wistful, future-shock distortion of her vocals alludes to her own defiance and anger, before she slips effortlessly back into airy entreaties. twigs’ eyes are open and her heart is tired.


Prolfic and authentic folk rock revivalists from Virginia with psychedelic and garage influences.
The Young Sinclairs - Leviathan from Out of the Box
After spending a decade establishing themselves as a top-tier '60s revival band, forging a sound that lived in the sweet spot where jangling folk-rock, melancholy guitar pop, and fuzzy psychedelia meet, the Young Sinclairs dropped out of sight for a few years beginning in 2015. When they returned in 2019 with their third album, Out of the Box, things had changed. The band weren't just mining that fertile, if a little narrow, plot of ground anymore; this time they cast a wider net and rope in all kinds of new sonic influences...  reverb-heavy modern chillwave ("Leviathan"), and most surprisingly, a strong dose of early-'90s-style baggy psychedelia...


Bay Area hardcore band that specializes in uncomfortable sonic discord, subtle harmony, and "emo violence."  (named after the 1989 earthquake that devastated Northern California) 
Loma Prieta . Continuum
Back in 2015, the raw and jagged long-running Bay Area hardcore band Loma Prieta released their truly impressive Self-Portrait album. And then: Nothing. Today, Loma Prieta end that silence... With “Continuum,” the band has built on the moody hardcore sonics of their old records, but they’ve done something very different with it. There’s a lot of mud and noise in the sound of “Continuum,” but the song is, at heart, a melodic and extravagantly bummed-out rock songs. It’s not even that fast! There’s a bit of shoegaze in the way the ultra-distorted guitars and bass build their own kind of drone and in the way that they overwhelm the vocals. It’s aggressive music, but it’s pretty, too.


Blood Incantation is an American death metal band from Denver, Colorado, formed in 2011. The band consists of vocalist and guitarist Paul Riedl, guitarist Morris Kolontyrsky, drummer Isaac Faulk and bassist Jeff Barrett.
Blood Incantation - Inner Paths (to Outer Space)
“Inner Paths (to Outer Space)” is what happens when one of the best new American metal bands invites us along for a vision quest. “We improvised this track on psychedelics over a period of several months, allowing it to grow and evolve as it chose,” Blood Incantation said of the first taste from their long-awaited second album, Hidden History of the Human Race. From the Colorado quartet known for giving pulverizing, cosmic soundtracks to ancient alien conspiracy theories, “Inner Paths” spends most of its runtime patiently building toward the quicksand-deep death metal they perfected on 2016’s Starspawn... As with all their best work, Blood Incantation scoured the past and found a portal to a world that feels nightmarish, new, and breathtakingly alive.


Massachusetts-based post-rock unit in the vein of Explosions in the Sky and Mono. Made up of members Philip Jamieson (guitars, keyboards, samples), Calvin Joss (guitar, glockenspiel), Chris Friedrich (bass), Joe Vickers (drums) and -- since 2007 -- Erin Burke-Morgan
Caspian - Flowers Of Light
New England instrumentalists Caspian have been off our radar for a good long while, but they’ll return in January with their first album since 2015’s Dust And Disquiet. It’s called On Circles, it was produced by Will Yip... In a press release, guitar and keyboard player Philip Jamieson has some fascinating thoughts on the new album, and about the way bands often talk about their new albums:
"I’ve grown weary of reading about bands discuss the renewing, rehabilitative properties their most recent [album] has had on them. They incur corrosion, come close to running out of gas, descend into the dark abyss, and finally emerge on the other side with a record that has given them crystal clear perspective and a confident path forward. On Circles is not that record." Maybe not, but “Flowers Of Light” is still the kind of cleansing fire I want out of a post-rock song.


Led by Jean-Paul "Bluey" Maunick, they're the most enduring and successful band affiliated with the acid jazz movement.
Incognito - Saturday Sirens (Instrumental) from Tomorrow's New Dream
Forty years since their inception, Jean-Paul "Bluey" Maunick's Incognito continue to forge ahead with Tomorrow's New Dream, closing out a third straight decade in which they have released at least five studio albums of feel-good soul, jazz, and funk. Longtime fans knowledgeable about the group's roots might long for another cover -- the album LP is nothing but originals -- but connections are made with some greats...

Upset, TOY, Twin Peaks, Juliana Hatfield, Modest Mouse, Tindersticks, FKA Twigs, The Young Sinclairs, Loma Prieta, Blood Incantation, Caspian, Incognito