mixtapes for weathers and moods / music for good days and bad days


For nonstop listening of players' tracks you must login to DEEZER music site! / A lejátszók számainak zavartalan hallgatásához be kell lépned a DEEZER zeneoldalra.

A következő címkéjű bejegyzések mutatása: Jackson MacIntosh. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Jackson MacIntosh. Összes bejegyzés megjelenítése

2019. május 29., szerda

29-05-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX

The Duke Spirit
29-05-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past] The Duke Spirit, Charlie Hunter, Jackson MacIntosh, Jack White, The Yawpers, Ultramarine, Anna Domino, The Limiñanas, Anton Newcombe, Peter Hook, Emmanuelle Seigner, Priests, Giorgio Tuma, Matilde Davoli, The James Hunter Six, Niia, Eyes of Love, Le SuperHomard


M U S I C



pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971




A spirited melding of Northern Soul, garage punk, and noisy shoegaze. 
The Duke Spirit
See Power 4:48
Magenta 3:17
from Sky Is Mine 2017
Most of the Duke Spirit's albums are graced by only one or two of their stately ballads, but on Sky Is Mine, they're in the majority...  Indeed, the somber restraint they show on Sky Is Mine ends up feeling and sounding liberating, and the result is the band's most beautiful album yet.


Greatly talented jazz guitarist whose remarkably fluent style is suited to styles from early bop to fusion. 
Charlie Hunter
Everybody Has a Plan Until They Get Punched in the Mouth 5:01
No Money, No Honey 3:52
from Everybody Has a Plan Until They Get Punched in the Mouth 2016
Charlie Hunter's Everybody Has a Plan Until They Get Punched in the Mouth is not only his first recording for a major label in nine years, but his first with a larger-than-trio-sized band since 2003. His personnel include drummer Bobby Previte, trombonist Curtis Fowlkes (who both played on 2015's Let the Bells Ring On and 2003's Right Now Move), and cornetist Kirk Knuffke. The album's title paraphrases a quote by former heavyweight boxing champion Mike Tyson. It's a metaphorical reference to the contrast between an envisioned plan for living and the reality that transpires later.
Hunter saturates his approach in blues and vintage R&B here. To get the vibe right, the band recorded live in a Hudson, New York studio; there are no overdubs -- everybody walked the tightrope. First single "No Money, No Honey" opens with a guitar hammer on, but the band quickly establishes a funky Meters-esque vamp that gets inverted by knotty jazz syncopation...
Charlie Hunter - 7-string guitar, Curtis Fowlkes - trombone, Kirk Knuffke - cornet, Bobby Previte - drums

Busy Montreal musician/producer known for running the Drones Club studio and fronting Sheer Agony, but also for his solo work. 
Jackson MacIntosh
Can It Be Love 2:40
My Dark Side 3:07
from My Dark Side 2018
... He decided to turn them into an album, and 2018's My Dark Side is the result. Digging into subdued '70s ballads like one might hear on a Todd Rundgren or Harry Nilsson record, dishing out heartbroken lyrics that were the result of two breakups in the span of three years, and keeping things sparse and simple, MacIntosh reveals himself as a very credible singer/songwriter in the classic sense. The record begins with a suite of slow, sad songs that showcase his aching, melancholy vocals and create a late-night, crying-in-a-drink mood that's hard to shake. Built around clunky drum machines, electric pianos, occasional guitars, and a thick coat of reverb, the songs come off like bedroom Memphis soul at times, only MacIntosh seems far too bummed to break a soulful sweat...

2019. április 19., péntek

19-04-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past]

Roz and the Rice Cakes
19-04-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past] # Roz and the Rice Cakes, Maya Jane Coles, Dr. Dog, Ibeyi, Dungen / Woods, Lorelle Meets the Obsolete, Rejoicer, Porter Ray, The Duke Spirit, The Bad Plus, Charlie Hunter, Jackson MacIntosh, Jack White, The Yawpers


M U S I C



pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971



Rhode Island indies who inject lustrous pop with doses of atmosphere and experimentalism. 
Roz and the Rice Cakes
Slow Motion 2:22
Open Eyes 3:02
from Devotion
Led by Roz Raskin, a nimble vocalist who counts Gwen Stefani among her biggest influences (and she sounds a little like her, too), Rhode Island's Roz and the Rice Cakes released a debut in 2014 that introduced an intricate yet catchy experimental indie pop. Three years later, they strengthen those same qualities on their more vivid follow-up, Devotion. A track like "Open Eyes" starts with a muscular vocal melody over an exposed rhythm section that quickly establishes irregular time signatures before adding melodic, syncopated guitar. Despite lengthy instrumental passages, amorphous forms, and shifting rhythms, it lands like an uptempo dance-pop tune due to the band's ability to keep the big picture simple and accommodate tapping feet... Roz and the Rice Cakes apart from many pop, electronic, and indie rock acts -- as they juggle elements of all three.

London-based producer, songwriter, and DJ who alternates between house music, downtempo, and dubstep (as Nocturnal Sunshine). 
Maya Jane Coles
Don't Leave 5:17
Waves & Whirlwinds 3:33
from Waves & Whirlwinds
Waves & Whirlwinds is a brief, EP-length follow-up to Maya Jane Coles' expansive double-album Take Flight, offering a similar blend of tech-house rhythms and pop instincts. Coles excels at producing sensuous dance tracks which float and bubble yet have a steady drive to them. "Don't Leave" has cloudy, pitch-shifted vocal fragments and loose guitars which levitate over a chunky breakbeat, punctuated by samples commanding the listener to "get yo hands up!"... Her vocals, again, are looped murmurings and intonations rather than coherent thoughts, expressing dark, vulnerable feelings rather than spelling them out.


Quirky, melodic rockers from Philadelphia who mix retro '60s psychedelia with a freewheeling indie aesthetic. 
Dr. Dog
Golden Hind 3:12
Swampedelic Pop 3:42
from The Psychedelic Swamp
Back in 2001, The Psychedelic Swamp seemed an appropriate name for the debut cassette from psychedelic pranksters Dr. Dog, but some 15 years later the title seems even more fitting given that the band decided to revisit, rework, and re-jigger the entirety of the album to create a brand-new album for 2016. It's not quite right to say Dr. Dog cover themselves here. Rather, they reconnect with the ideas originally essayed in 2001 and approach those ideas with the skill and panache they've developed in the ensuing 15 years. Because Dr. Dog rely on texture and feel as much as they do songs, this isn't a bad idea at all: they're able to execute ideas they were only able to hint at when they were a young band...

Paris-based Cuban duo of twin sisters Lisa-Kaindé and Naomi Dia who play an electro-tinged variety of Afro-Cuban and soul-influenced music. 
Ibeyi
Deathless feat. Kamasi Washington (Lisa Kainde Diaz) 3:11
Transmission/Michaelion feat. Meshell Ndegeocello, (Maya Dagnino / Lisa Kainde Diaz / Claudia Rankine / Richard Russell) 6:30
from Ash
Ibeyi's stellar self-titled debut album was a flashpoint that steeped itself in brittle electro-drenched R&B and roots Yoruban percussion and openly engaged the saints of Santeria: its introduction was an invocation to Elegua (the gatekeeper between worlds) and the goddess of wind and storms in "Oya." On the French/Cuban sibling duo's sophomore effort, Lisa-Kaindé and Naomi Diaz address matters more corporeal and rooted in lived experience. The spiritual here is an inspirational tool for understanding and confronting suffering and injustice. Ash is an album directly affected by the tension of the times. Its songs address female empowerment, racial injustice, loneliness, and love in a brittle yet warm mix less frenetic than its predecessor. Singing again in mixed French, English, and Yoruba...