mixtapes for weathers and moods / music for good days and bad days


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2018. november 30., péntek

30-11-2018 BLUES:MiX # 33 blues(y) songs from the BLUES circle 1969-1980


Albert King

30-11-2018 BLUES:MiX # 33 blues(y) songs from the BLUES circle 1969-1980 # Albert King, Little Milton, The Paul Butterfield Blues Band, John Lee Hooker, Van Morrison, Savoy Brown, Alvin Lee, Hound Dog Taylor, Rory Gallagher, Luther Allison, Foghat, Charlie Musselwhite, Eric Clapton


B L U E S   M U S I C


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1969-1980



One of the most important post-war blues guitarists, renowned for his massive tone and unique way of squeezing bends out of a guitar string. Albert King is truly a "King of the Blues," although he doesn't hold that title (B.B. does). Along with B.B. and Freddie King, Albert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does -- his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan.
Albert King
Hound Dog (Jerry Leiber / Mike Stoller) 4:03
Heartbreak Hotel (Mae Boren Axton / Tommy Durden / Elvis Presley) 6:06
Love Me Tender (Vera Matson / Elvis Presley) 5:20
from Blues For Elvis: King Does The King's Things 1969
Blues for Elvis - King Does the King's Things is the fifth studio album by Albert King. The songs in this album are versions of songs previously recorded by Elvis Presley. On the album sleeve there is a review by Albert Goldman, Music Critic of LIFE Magazine, who says, among other things "For the first time on record, the King of Blues is meeting the King of Rock." and "...you're gonna love every minute of this musical feast fit for kings.".


Soul/blues singer whose style is characterized by a gritty, impassioned vocal style and precise, textured guitar playing. He may not be a household name, but die-hard blues fans know Little Milton as a superb all-around electric bluesman -- a soulful singer, an evocative guitarist, an accomplished songwriter, and a skillful bandleader. He's often compared to the legendary B.B. King -- as well as Bobby "Blue" Bland -- for the way his signature style combines soul, blues, and R&B, a mixture that helped make him one of the biggest-selling bluesmen of the '60s (even if he's not as well-remembered as King).
Little Milton
If Walls Could Talk (Bobby Miller) 3:09
Blues Get off My Shoulder (Bobby Parker / Robert Parker) 3:12
I Play Dirty (Pearl Woods) 2:27
from If Walls Could Talk 1970
On If Walls Could Talk, Little Milton continues to fuse blues with soul -- if anything, the album leans toward soul more than blues. Supported by a band with a thick, wailing horn section, Little Milton sings and plays with power. Though there a couple of wonderful solos, the focus of the record is on the songs, which all sound terrific, thanks to Milton's compassionate vocals.

With a style honed in the gritty blues bars of Chicago's south side, the Butterfield Blues Band was instrumental in bringing the sound of authentic Chicago blues to a young white audience in the mid-'60s, and although the band wasn't a particularly huge commercial success, its influence has been enduring and pervasive.
The Paul Butterfield Blues Band
Play On (Paul Butterfield / John Elefante / Kerry Livgren) 3:34
Night Child (Paul Butterfield / Brother Gene Dinwiddie / Ted Harris / Rod Hicks / Oscar Peterson) 4:26
Drowned in My Own Tears (Henry Glover) 5:18
from Sometimes I Just Feel Like Smilin' 1971
Sometimes I Just Feel Like Smilin' is the last of the Butterfield Blues Band's studio recordings with Elektra. Again we see a change in the group's lineup, most notably with guitarist Buzzy Feiten out and Ralph Walsh in. The post-Bloomfield Butterfield Blues Band studio efforts saw a high turnover in the musicians surrounding Butterfield and the releases reflect this fact. The direction on Sometimes I Just Feel Like Smilin' is a distinct departure from their radio-friendly predecessor, Keep On Moving. With longer soloing and instrumental tracks, this Elektra recording brings back blues currents that were lacking in their previous album and better combines vocals and instrumentation.

2018. november 27., kedd

27-11-2018 ˙ FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2002-1997

David Bowie
27-11-2018 ˙ FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2002-1997  >>David Bowie, Jazzanova, 16 Horsepower, Dead Meadow, PJ Harvey16 Horsepower, Boss Hog, The Greenhornes, Wilco, Tom Waits, Suzie Higgie & Conway Savage, Mick Harvey<<

M U S I C




favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   

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2002-1997


The mercurial music icon widely considered the original pop chameleon and figurehead for countless musical movements. The cliché about David Bowie is that he was a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated a remarkable skill for perceiving musical trends at his peak in the '70s.
David Bowie
5.15 the Angels Have Gone (David Bowie) 5:02
Sunday (David Bowie) 4:46
from Heathen 2002
Heathen marks a new beginning for David Bowie in some ways -- it's his first record since leaving Virgin, his first for Columbia Records, his first for his new label, ISO -- yet it's hardly a new musical direction. Like Hours, this finds Bowie sifting through the sounds of his past, completely at ease with his legacy, crafting a colorful, satisfying album that feels like a classic Bowie album. That's not to say that Heathen recalls any particular album or any era in specific, yet there's a deliberate attempt to recapture the atmosphere, the tone of his '70s work -- there's a reason that Bowie decided to reteam with Tony Visconti, the co-producer of some of his best records, for this album -- even if direct comparisons are hard to come by. Which is exactly what's so impressive about this album. Bowie and Visconti never shy away from electronic instrumentations or modern production -- if anything, they embrace it -- but it's woven into Bowie's sound subtly, never drawing attention to the drum loops, guitar synths, and washes of electronica...


Hailing from Berlin, this collection of six DJs are nu-jazz proponents, mixing electronica beats with classic jazz samples. Jazzanova arrived in 1997 with "Fedime's Flight," an exquisitely layered production that had more in common with dancefloor jazz-funk truffles by Azymuth and Lonnie Liston Smith than with anything contemporary...
Jazzanova
The One-Tet (Alexander Barck / A. Judson Green / Stefan Leisering) 3:51
L.O.V.E. and You & I (Alexander Barck / Stefan Leisering) 7:48
from In Between 2002
Though Jazzanova's underground credibility and respect among fellow artists never wavered during the late '90s, the German six-piece waited a long time to release a proper full-length (reportedly, it required five years of recording). In Between certainly proves the wait was worth it; the collective has not only a Teutonic efficiency for creating complex, precise, detailed beat tracks -- recalling the earthier side of house, hip-hop, and jazz fusion -- but also the wisdom to focus away from music that sounds like it came out of a laboratory...

Denver alt-country band known for brooding songs reminiscent of Nick Cave and the Gun Club. 16 Horsepower were a Denver-based alternative country band that revolved around the unique songwriting and singing of David Eugene Edwards. The band made its name with music that combined rural backwoods kitsch with edgy, off-kilter country-rock...
16 Horsepower
American Wheeze (David Eugene Edwards / 16 Horsepower /
South Pennsylvania Waltz (David Eugene Edwards / 16 Horsepower / Keven Soll / Jean-Yves Tola) 5:45
from Hoarse 2001
Recorded in the band's hometown of Denver during 1998's Low Estate tour but not released until 2001, this live document of predominantly a single show is an accurate no-frills portrait of 16 Horsepower's tough goth rock attack...  the passionate music speaks for itself, and this is the disc you'll want after seeing 16 Horsepower tear up a stage in your town.


Critically praised hard rockers who blend heavy riffs with dreamy guitar fuzz. Dead Meadow's unique marriage of Sabbath riffs, dreamy layers of guitar-fuzz bliss, and singer Jason Simon's high-pitched melodic croon have won over psychedelic pop/rock and stoner rock fans alike, while elements of folk and pop would creep into their formula over time.
Dead Meadow
Drifting Down Streams (Dead Meadow) 8:19
Jusiamere Farm (Dead Meadow) 4:57
from Howls from the Hills 2001
Hailing from the nation's capital and looking rather like the teenage cast from the cult film Rushmore, Dead Meadow garnered many an accolade with its first album's surprisingly accomplished and highly authentic brand of psychedelic rock. The young musicians' subtle yet dazzling technical interplay lies at the core of this formula, where power chords and all other such outbursts are usually hinted at, but rarely fully vented through the soft haze of the group's stoner musings. With its flowing grooves and measured, slow stomp, the band's self-titled debut was a discreetly seductive affair, slowly creeping up on the listener when least expected. Quickly released later the same year, second opus Howls from the Hills reprises this same M.O., with only slightly inferior results...


2018. november 25., vasárnap

008 ALTER.NATiON: weekly favtraX / 25-11-2018

ALTER.NATiON
Lake Street Dive, Mark Knopfler, Pearl & the Oysters, My Brightest Diamond, Art Brut, Oneohtrix Point Never, Alex G, Vessel, Laibach, Roine Stolt's The Flower King, DMBQ, DOG Power, Jacco Gardner
Lake Street Dive
weekly favtraX
25-11-2018



A fascinating blend of jazz at heart, with a D.I.Y. sensibility and a passion for classic rock and British Invasion aesthetics. 
Lake Street Dive - Who Do You Think We Are from Freak Yourself Out
Boston's Lake Street Dive play a rich, genre-bending blend of neo-soul and pop/rock informed by their various jazz, folk, funk, and country influences. The band, comprising singer Rachael Price, drummer Mike Calabrese, bassist Bridget Kearney, and trumpet-playing guitarist Mike "McDuck" Olson, first met and formed at Boston's New England Conservatory around 2004. Named after a Minneapolis, Minnesota (Olson's hometown) street known for its numerous "dive bars," Lake Street Dive initially drew fans with covers of songs by such influences as Hall & Oates, George Michael, Fleetwood Mac, and more. Over time, they began writing their own material, drawing praise for their soulful, stylistically varied sound.

The frontman for Dire Straits is also a skilled composer, tuneful singer, and one of the most celebrated guitarists to emerge in the 1970s and '80s. 
Mark Knopfler - Back on the Dancefloor from Down the Road Wherever
...He’s also just announced a corresponding tour for the album, which will take place next year and find him on the road with a ten-piece band. “My songs are made to be performed live,” he said in a press release. “I love the whole process of writing them alone and then recording them with the band, but ultimately the best part is playing them to an audience live. I enjoy the whole circus, travelling from town to town and interacting with this group of players is a total pleasure. I’m really looking forward to it.”

French duo living in Florida makes a breezy, uplifting pop music that draws from space age pop, novelty music, and the classic sounds of their homeland. 
Pearl & the Oysters - I fantasmi di Pompei from Canned Music
Pearl & the Oysters' second album, Canned Music, combines the groovy sounds of '60s French pop, the zippy feel of '90s space age pop, the whimsical nature of the best novelty pop throughout the ages, and a joyful kitchen-sink approach to arrangements. The end result is a cheerful sonic treat that's frothy fun to the last bite. Multi-instrumentalist Joachim Polack and vocalist Juliette Davis may have deep musical training that includes degrees from the Sorbonne, but they aren't even the least bit interested in creating anything serious or important here. They'd rather make music that gives the sunshine in their adopted home of Florida a run for its money in the brightness stakes.

Mixing elements of opera, cabaret, chamber music, and rock, My Brightest Diamond was the project of singer/songwriter/multi-instrumentalist Shara Worden.
My Brightest Diamond - Sway from A Million and One
The daughter of a National Accordion Championship-winning father and a mother who was an organist for their Pentecostal church, Worden grew up in Ypsilanti, Michigan, listening to gospel, jazz, and classical music and performing in the church choir. She studied opera at the University of North Texas' music program, and after graduation, moved to New York City to continue her vocal studies. In N.Y.C., she became as involved in the world of underground rock as she was in the realms of classical music, becoming inspired by the likes of Antony and the Johnsons and Nina Nastasia and their intimate performances at venues such as Tonic, the Living Room, and the Knitting Factory. Worden began writing her own material, which had one foot in her classical training and the other in the avant rock she was discovering.

Irreverent British post-punk revival band earned its cult following in the '00s.
Art Brut - Kultfigur from Wham! Bang! Pow! Let's Rock Out!
 tuneful, zippy guitar pop!
Eddie Argos’s Bournemouth- and now Berlin-based band made a splash in the mid-2000s as exuberant, wordy indie-rock contemporaries of Bloc Party and Franz Ferdinand. Now rocking a remodelled lineup and even more exclamation marks, Art Brut’s first album in seven years is trademark zippy, tuneful guitar pop, although there is perhaps more of a nod to new wave and power pop than there once was.
The guitars and brass don’t exactly trouble the zeitgeist, but the harmonies and choruses are singable, and surely pop is richer for such a haplessly engaging character as Argos. Something of a deadpan, Jarvis Cocker-like antihero, his stock-in-trade is wide-eyed, drily humorous songs about pined-for girlfriends and dreaming of being on Top of the Pops, littered with affectionate references to pop culture.

Project for experimental musician Daniel Lopatin that expanded from synth reveries to complex, genre-defying works. 
Oneohtrix Point Never Babylon [Sandy Alex G] from Love in the Time of Lexapro
The project of Brooklyn-based experimental musician Daniel Lopatin, Oneohtrix (pronounced "one-oh-tricks") Point Never expanded from retro synth reveries to complex works that explored how history, memory, and music intersect. The flowing electronics of OPN's early albums -- which were gathered in the acclaimed 2009 collection Rifts -- suggested Lopatin was an heir to Tangerine Dream. However, he soon proved there was much more to his music with a string of releases that reflected his interest in high art as well as pop culture artifacts like video games, science fiction, anime, and advertising (which Lopatin sampled cleverly on 2011's Replica).

Bristol-based producer combining dub, house, techno, industrial, noise, and more into iconoclastic forms. 
Vessel - Glory Glory (for Tippi) from Queen of Golden Dogs
a gloriously weird electro-odyssey
The Bristolian musician Sebastian Gainsborough made their name with a strain of dance music that’s not really designed for the dancefloor. Their expansive, ambitious post-club compositions have drawn on everything from dubstep to post-punk in pursuit of an intelligent and often slightly contrarian sound. Their third album takes the template a step further, combining classical instrumentation with the clanging dissonance and glitchy, unnatural tempos of the internet age. The result is a record that feels pretentious – but in a good way: carefully considered and aiming towards something more philosophical than your average electro-odyssey.

Slovenian music and art collective mix agit-prop politics, Wagnerian Gesamtkunstwerk, and stomping industrial-rock show. 
Laibach - Sixteen goin On Seventeen from The Sound of Music
glorious silly covers are bright as a copper kettle
Following their versions of 14 national anthems, seven takes on Sympathy for the Devil, and cod-fascistic covers of Queen and others, the industrial troupe alight on their kitschiest reinterpretations yet: songs from The Sound of Music, amusingly rendered in stentorian synthpop and the guttural vocals of Milas Fras. This already high concept was sent into the ionosphere by their decision to debut it in North Korea in 2015, making them the first western rock band to play the country. The notion that isolated North Korean culture vultures would presume western rock bands are typified by gruff, bearded Slovenians declaring their love for cream-coloured ponies and crisp apple strudels is hilarious, and Laibach get points for this masterful bit of culture jamming alone.

Gifted prog rock guitarist is a member of the Flower Kings and Transatlantic. He is also ex-Yes vocalist Jon Anderson's collaborator. 
Roine Stolt's The Flower King - Lost America from Manifesto Of An Alchemist
“Lost America is one of the longer tracks on my new album - it goes through a series of melodic themes and riffs - most of them familiar in style from the vast Flower Kings catalogue of course," Stolt explains to Prog of the new track. "The song, and much of the album, is interesting in the way it has fragments drawn from different periods of the last 25 years - song ideas that were never fully developed or utilized - even if parts may have been already on the table for both The Flower Kings and Transatlantic.  This particular song is kind of two songs - the first a melodic prog jigsaw - while the latter is a more straight riff-based tune - I do the lead vocal but both my brother Michael and Hammond dude Max Lorentz do quite a bit of backing me up with hairy vocals - Marco Minnemann on drums and Jonas Reingold on bass.

Part of Japan's vibrant underground experimental scene, this group tended toward fuzz-damaged psychedelic hard rock. 
DMBQ - No Things from Keeenly
"There is no band like DMBQ. They are unique destroyers of sound, and lovers of sonic beauty, existing in the places between. Masters of harsh tone and psychotic rhythm. Keeenly is an alien planet type record, evoking images of landscapes and weather patterns found in other galaxies. Purple wind and green fire.” — Ty Segall

DOG Power was formed in 2017 by indie pop, singer-songwriter Sam Perry and experimental musician Henry Nicol in Christchurch, with Perry and Nicol relocating Belgrade, Serbia, out of a desire for the freedom to make their music their life.
DOG Power - Not Human from Dog Power
...Intrigued by rock’n’roll, as well as non-musical and monotonous sounds, DOG Power’s music is rooted in their use of samples, live percussion, drum machines, synthesisers and guitars which lay a foundation for Perry’s deep, sonorous voice.
Taking equal ques from Sade and The Stooges, Serge Gainsbourg and Suicide, the seven songs on their self-titled recorded debut span genres, encompassing everything from industrial electronica to baroque pop, super-sonic rock’n’roll to something out of a seventies spy film… One directed by David Lynch...

The Dutch producer/multi-instrumentalist makes baroquely psychedelic music that's heavily indebted to the Left Banke, the Zombies, and their paisley ilk. 
Jacco Gardner - Privolva from Somnium
With his first two albums, Jacco Gardner was one of the missing links between the psych of old, the kind that was favored by the likes of Syd Barret led Pink Floyd and Incredible String Band, and the wave of revivalists in the new century. What distinguished Gardner from the rest was his deft touch in combining psych strands into something that was at the same time familiar, but still sounding like something that is coming out of today’s musical happenings.
A particular characteristic that defined Gardner were his excellent vocals, something that gave his music a particular tinge. Three years on from his second album Hypnophobia, a lot of changes came about for Gardner, which includes the release of his third outing, Somnium. A relationship took Gardner to Portugal’s capital Lisbon, where he resides now, but that also seems to have had a profound effect on his music, as evidenced on this new album.




Lake Street Dive, Mark Knopfler, Pearl & the Oysters, My Brightest Diamond, Art Brut, Oneohtrix Point Never, Alex G, Vessel, Laibach, Roine Stolt's The Flower King, DMBQ, DOG Power, Jacco Gardner

2018. november 23., péntek

23-11-2018 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX

Darlene Shrugg
23-11-2018 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past] Darlene Shrugg, Arc Iris, The Limiñanas, Mark "Porkchop" Holder, Yuck, Battleme, Tash Sultana, P.O.D., Iglooghost, Moby & the Void Pacific Choir, The Besnard Lakes, Dhani Harrison, Anna Calvi, John Maus, Steve Mason, KATIEE


M U S I C



pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971



Brash Toronto indie art-pop quintet featuring members of U.S. Girls, Slim Twig, and Ice Cream. 
Darlene Shrugg
Inherit the Wind (Meg Remy / Simone TB / Maximilian Turnbull) 4:23
Freedom Comes in a Plastic Card (Meg Remy / Simone TB / Maximilian Turnbull) 3:47
from Darlene Shrugg 2017
Representing a confluence of regional indie power sources, Toronto's Darlene Shrugg unites Maximilian Turnbull (Slim Twig), Meg Remy (U.S. Girls), Simone TB (Fake Palms), Carlyn Bezic (Ice Cream), and Amanda Crist (Ice Cream), who together form one surprisingly brash and unyielding rock & roll unit. Initially formed in 2013, the quintet maintained a somewhat shadowy presence over their first few years, honing a brutal but tuneful live set before entering the studio with engineer and co-producer Steve Chahley...


Arc Iris are a genre-blurring New England ensemble led and fronted by former Low Anthem member Jocie Adams. Arc Iris are a wildly adventurous, genre-blurring band founded in Massachusetts by frontwoman, songwriter, and multi-instrumentalist Jocie Adams, formerly of the Low Anthem. Her bandmembers include the seasoned rhythm section of bassist Max Johnson, pianist and multi-instrumentalist Zachary Tenorio-Miller, and drummer Raymond Belli, with cellist Robin Ryczek and trumpeter Mike Irwin. Adams, a formally trained classical composer (as well as a former NASA researcher), formed the band as a wide-ranging ensemble informed by everything from sophisticated 1970s pop to folk, country, cabaret, jazz, classical music, and contemporary sources such as Grizzly Bear.
Arc Iris
$GNMS (Arc Iris) 6:24
Suzy (Arc Iris) 6:04
from Icon of Ego 2018
Each album by Arc Iris is an adventure. Over two previous albums, they created an original hybrid of indie art pop that was deeply infatuated with sophisticated archival pop to alt folk, cabaret, jazz, and even country. Given the quark strangeness and heartbreak that are the 21st century music business -- they lost their manager, their booking agent, and their record label -- this outfit has been pared down from its original incarnation as a sextet to its core trio of vocalist/multi-instrumentalist Jocie Adams (ex-Low Anthem), keyboardist/electronicist Zachary Tenorio-Miller, and drummer Raymond Belli (with a couple of guest string players assisting). Icon of Ego was released on Ba Da Bing, its third label in as many recordings. While their music has always been as exploratory and adventurous as it is accessible, they've honed their focus and concentrated on becoming a pop-prog outfit, mixing musical directions that include but aren't limited to '70s-era vintage electronica, dreamy pop, musical theater, and bigger beats...


Indie band that recaptures the glory days of '60s French pop. Working in the sweetly swinging tradition of Serge Gainsbourg and the yé-yé sound of the '60s, the Limiñanas have a sound that blends sunny psychedelia with vintage pop. Based out of Perpignan, France, the group is composed of drummer and sometime vocalist Marie Limiñana and bassist, organist, and jack-of-all-trades Lionel Limiñana, as well as a host of guest vocalists including MU.
The Limiñanas
Ouverture (Lionel Limiñana / Anton Newcombe) 3:19
Shadow People feat.: Emmanuelle Seiger (Lionel Limiñana) 3:11
from Shadow People 2018
On their 2018 album Shadow People, French duo the Limiñanas don't budge an inch from the formula they honed to a knife edge on all the albums that preceded it. Starting in 2010, Lionel and Marie Limiñana mapped out territory that hit the sweet spot where the Jesus and Mary Chain, the Velvet Underground, sultry French pop, and Italian soundtrack music all meet to smoke cigarettes and look hard...


2018. november 20., kedd

20-11-2018 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959

Miguelito Valdés
20-11-2018 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959   >>Miguelito Valdés, Noro Morales' Orchestra, Tommy Dorsey, Big Bill Broonzy, Charlie Christian, Benny Goodman Sextet, Buster Bailey, Red Norvo, Coleman Hawkins, Don Byas, Charlie Parker, T-Bone Walker, Wynonie Harris, Pee Wee King, Muddy Waters, Albinia Jones<<

Z E N E  /  M U S I C



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preHiSTORY:MiX tag A lejátszó mindig a legújabb playlist számait játssza. / The player always plays the latest playlist tracks.

before 1959


During more than five decades of performing, the vocal innovations of Miguelito Valdes made him one of Latin music's most popular artists.
Miguelito ValdésNoro Morales' Orchestra
Noro Morales was a Puerto Rican jazz leader/composer, mixed his home island's flavor with NYC big band sensibities for a unique 1940s sound. 
Marimba (A. Tuvim, A. Lara) 3:11
Babalú (M. Lecuona) 2:57
Sangre Son Colora (M. Valdés) 2:46
from Mr. Babalu
recorded in N.Y.C., 1949. & 1951


Jazz trombonist whose popular band epitomized swinging pre-war America. Though he might have been ranked second at any given moment to Benny Goodman, Artie Shaw, Glenn Miller, or Harry James, Tommy Dorsey was overall the most popular bandleader of the swing era that lasted from 1935 to 1945.
Tommy Dorsey
In the Middle of a Dream (Al Stillman / Einar A. Swan) 3:13
Dawn on the Desert (Charlie Shavers) 2:52
from The Chronological 1939 (2002)
This 12th installment in the Classics Tommy Dorsey chronology documents the trombonist's Victor studio recordings dating from the first half of 1939.

Intelligent, versatile early blues guitarist possessed an unmistakable, hollering voice with remarkable range. 
Big Bill Broonzy
Please Be My So and So 2:46
Don't You Want to Ride 2:50
Merry Go Round Blues 2:43
from 1937-1940, Vol. 2 Disc 4 (2005)
The second volume in JSP's Big Bill Broonzy retrospective is four discs long, covering the bluesman's years in Chicago and New York. What is astonishing is that there are 100 tracks here. While it's true that there are many alternate takes for the sake of the historical record, nonetheless, when combined with volume one, this accounts for a prolific output by the singer and guitarist...

2018. november 18., vasárnap

007 ALTER.NATiON: weekly favtraX / 17-11-2018

ALTER.NATiON
Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory



weekly favtraX
17-11-2018




Ryley Walker - Sweet Up and Down from The Lillywhite Sessions
“I hate the idea you can’t like something because it’s popular. I’ve been accused of being a record nerd or snob, so I think this is kind of a rallying cry against that: sort of disarming that taboo of hating something because it’s not great. And I really think Dave Matthews is great. It comes out of a total place of love. It’s funny; I love all sorts of music, and I pride myself on having this vast library and knowledge in my head of music, but I haven’t been listening to a lot of music outside of Dave Matthews.”

Anderson .Paak - Smile / Petty from Oxnard
...On Oxnard, Paak’s follow-up to his 2016 breakthrough Malibu, the rapping, singing, and drumming polymath approaches funk from a rap perspective. When Paak allows himself to be instinctive and loose, Oxnard blends these influences with a comforting ease. Cloaked in natty threads and a horndog ladies-man persona, he favors bubbling bass, silky textures, and sunset timbres, forever somewhere between Snoop Dogg’s “G’z Up, Hoes Down” and Bootsy Collins’ “I’d Rather Be With You.”...

Holly Golightly - The Get Along from Do the Get Along
HOLLY GOLIGHTLY IS BACK… With her first full band album since 2015’s Slowtown Now!
Do The Get Along features 12 songs performed by the perfect Holly Golightly band line-up of Bruce Brand (drums), Matt Radford (double bass), Ed Deegan (guitar) and Bradley Burgess (guitar)... It’s a template that she’s honed over the course of 12 solo albums, along the way impressing celebrity fans such as Jim Jarmusch (Holly’s track ‘Tell Me Now So I Know’ featured as the main title theme in his Broken Flowers movie), and most notably Jack White who duetted with Holly on ‘It’s True That We Love One Another’, the final track on the classic White Stripes album Elephant... Holly’s been busy over the last decade as half of blues/Americana duo Holly Golightly & The Brokeoffs (The Brokeoffs being multi-instrumentalist Lawyer Dave). The pair have released nine well-received albums, and undertaken many tours on both sides of the Atlantic.


The Good, the Bad & the Queen - The Truce of Twilight from Merrie Land
According to the official bumf accompanying the second album from Damon Albarn’s multigenerational supergroup, Merrie Land is “a beautiful and hopeful paean to the England of today”. Drummer Tony Allen told the Guardian last week that it’s an album people can dance to. Both sentiments might surprise those picking up the record: the cover features an image of a terrified Michael Redgrave in Dead of Night, a film in which he plays a ventriloquist taken over by his dummy, and the musical mood of much of the album is a dense, unsettled fug: slightly paranoid, rather unfocused...

The Sufis - After Hours from After Hours
After recording two really good albums of note-perfect garage psych (2012's Sufis and 2013's Inventions), Nashville duo the Sufis decided to retreat behind the scenes to produce and engineer acts like Paperhead and Universal Friend. After a move to Brooklyn, where they ended up studying with LaMonte Young, the duo (Calvin Laporte and Evan Smith) decided to chuck out the paisley, 12-string guitars, and fuzztone pedals in favor of a wider range of influences and sounds on their third album, 2018's After Hours. Instead of coming off like a modern-day take on the Monkees, this time out the band aims for something less colorful and more nocturnal. To that end, they de-emphasize guitars, bring in vintage synthesizers, and pitch the lead vocals down to a breathy whisper, while writing songs more suited to a long lie-down than a jangling dance party..

The Liminanas - Angels and Devils from I've Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018)
Following the release of their critically acclaimed album Shadow People (produced by Anton Newcombe) (BEC 5543242/BEC 5543243, 2018), French psych rock band The Limiñanas come back with I've Got Trouble In Mind Vol. 2: 7" And Rare Stuff 2015/2018, the second volume of their I've Got Trouble In Mind series. This new release, the first double vinyl released by the band, compiles 17 B-sides, rarities and other unheard tracks recorded from 2015 to 2018, including covers of "La Cavalerie" from French singer Julien Clerc, "Russian Roulette" from Lords Of The New Church, "Angels And Devils" from Echo And The Bunnymen, and (more surprisingly) the holiday song "Silent Night". 3-panel digisleeve with 12-page poster booklet.

Axis: Sova - Crystal Predictor from Shampoo You
The fourth album from Brett Sova's Axis: Sova project is the first to be recorded by a full-band lineup rounded out by guitarist Tim Kaiser and bassist Jeremy Freeze. Cut live to tape by the trio, the album is more focused and direct than past efforts, with a cleaner, scrubbed-up sound (the Stones-riffing title is no joke) and a greater presence of hooks... Uptempo tunes like "New Disguise" and "Crystal Predictor" approach power pop, but the guitars are wild and fuzzy enough to betray psych roots, particularly during solos. 


Calexico - Another Space from The Thread That Keeps Us
Calexico spent the 2010s venturing from their Tucson home to make albums such as their New Orleans love letter Algiers and their ambitious trip to Mexico City, Edge of the Sun. For The Thread That Keeps Us, they decamped to the Northern California coast and recorded in a studio they nicknamed the Phantom Ship -- another change of scenery that allowed them to cast their sounds and songwriting wider than ever...   and the restless percussion and squalling trumpets of "Another Space" make it one of the band's most rewarding experiments.

Josephine Foster - Lord of Love from Faithful Fairy Harmony
The umbrella term freak folk has been applied to many artists over the years with varying degrees of accuracy. In Josephine Foster's case, her music is certainly more esoteric than contemporaries like Joanna Newsom and Devendra Banhart. Her records have also seen her consistently pegged as an anachronistic artist, but in many respects, her music has never felt timelier.
Faithful Fairy Harmony feels like an antidote to an increasing detachment from each other and the world that has its origins in technology. Even when she's not directly focusing on the natural world, an obscure, bucolic veil hangs over these compositions...  Elsewhere, the wayward melodies of "Lord of Love" tap into the psychedelic character of her music, and in addition, "All Pales Next to You" conjures a wooziness that the intoxicating nature of infatuation elicits.

Tomorrows Tulips - Flaccid Guitar from Harnessed to Flesh
Alex Knost, the leader of Tomorrows Tulips, sounds so sleepy when he works up the enthusiasm to lay down a vocal that he makes J Mascis seem like a cross between Peter Wolf and David Lee Roth. As a consequence, most of their recordings suggest the band is either stoned, bored, bummed out, or some combination thereof, but on their fourth album, 2018's Harnessed to Flesh, they manage to sound a bit more upbeat and engaged than usual, at least by their fatigued standards...



Hen Ogledd - Tiny Witch Hunter from Mogic
The band Hen Ogledd is named for the ancient Welsh term for northern England, which is where most of its four members are from. Originally rooted in northern folk music, Hen Ogledd has morphed into a weird art pop band that blends references to modern technology with imagery from older magic. Their next album will be called Mogic – a mix of magic and logic. The single is “Tiny Witch Hunter,” a pitch-shifted collage of apparently random scientific and tech terms that leads to a catchy, short chorus that consists solely of the song’s title phrase.

Public Memory - Red Rainbow from Demolition
While Public Memory's Robert Toher doesn't quite tear everything down and start over on Demolition, he does make space for new forms of expression on the project's second album. On Wuthering Drum, Toher pared down the dense sonics of his former groups Apse and ERAAS with hypnotic, insular results. This time, his moody electronic collages reach outwards: "The Line"'s ever-expanding electronics introduce the vast scope of Demolition's songs. As on 2017's Veil of Counsel EP, the album's increased clarity gives Toher ample room to play with space and tempos. While Wuthering Drum's linear grooves had a lulling allure, there's no denying that the way "Red Rainbow" shifts from a serpentine crawl to a race through a cavernous nightscape adds excitement to Public Memory's sound...
Public Memory / Robert Toher


Ryley Walker, Anderson .Paak, Holly Golightly, The Good the Bad & the Queen, The Sufis, The Liminanas, Axis: Sova, Calexico, Josephine Foster, Tomorrows Tulips, Hen Ogledd, Public Memory