mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: Juliana Hatfield. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Juliana Hatfield. Összes bejegyzés megjelenítése

2021. október 28., csütörtök

10-28-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 16m)

10-28-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Sharon Van Etten, Field Music, Oceanator, Sue Foley, Routine, Juliana Hatfield, G. Love & Special Sauce, Pearl Charles, Still Corners, Little Barrie, Malcolm Catto, Circles Around the Sun


M U S I C (2h 16m)

if you want excitement PRESS SHUFFLE!






A singer of distinct, controlled passion, Sharon Van Etten carved out a loyal audience with her hushed, intense albums... A dedicated choir student during her childhood, Van Etten studied clarinet, violin, and piano before moving on to guitar. She began writing songs in high school and sang in a choir group, the Madrigals. She credits her choral experiences as indispensable in learning to musically notate, as well as to sing harmonies.
No One's Easy to Love 4:38
Memorial Day 4:27
Malibu 3:23
from Remind Me Tomorrow 2019
For a decade, Sharon Van Etten specialized in understatement. From her 2009 debut Because I Was in Love through 2014's Are We There, she mined the tension generated by murmuring instrumentation clashing with her passionate delivery, a balance that proved quietly compelling. Van Etten maintains that sense of drama on Remind Me Tomorrow, her fifth full-length album, but she's radically shifted her presentation. Working with producer John Congleton, she's expanded her sonic palette, incorporating vintage synthesizers and drum loops while occasionally cranking up her amplifiers. Some of the sounds are conscious throwbacks, but they don't play like retro nostalgia, not in the context of Remind Me Tomorrow, which juxtaposes fearless aural adventure with keenly observed observations of easing into a satisfied life. ..



Singer, songwriter, and multi-instrumentalist Michael Nau crafts reflective indie rock tinged with folk, psychedelic, and vintage pop influences. He's known for leading the like-minded projects Page France and Cotton Jones from the mid-2000s to the early 2010s before beginning to record under his own name in 2016.
Look Into Dance 5:22
Hoops 4:27
Grow My Wave 3:38
Still a collaborative effort, and even more bustling than 2018's Michael Nau & the Mighty Thread in terms of arrangements, Less Ready to Go is Michael Nau's fourth album under his own name. Recorded at a studio in Joshua Tree, it was produced by Dr. Dog's Scott McMicken. As for its particularly colorful sound, Nau has explained that each song was recorded live with guests, who would then "switch instruments and do a live overdub on top." Alongside extra touches and sound effects, the results are often wonky and woozy on an album whose otherworldly quality extends to reaching back to the '60 and '70s for R&B, pop, and psychedelic influences. Rather than ever playing like a tribute, these elements seep into Nau's dreamy songs...



Hailing from Sunderland, England, indie/art rockers Field Music emerged in the middle part of the 2000s with a distinctive blend of smartly crafted pop hooks and an ambitious nature that pulled from a variety of rock subgenres. Helmed by brothers Peter and David Brewis, the group earned critical acclaim and a devout fan base...

Field Music 
Coffee or Wine 3:03
A Shot To The Arm 2:32
Only In a Man's World 2:46
...Their distinctive brand of indie pop has been constantly refined over the years as they smartly thread between bits of clever guitar rock, synth pop, soul, disco, and chamber pop, this time adding in some light prog-rock sophistication and the sort of aerodynamic new wave that harkens back to Thomas Dolby's early work. Like each of their previous releases, Making a New World is an ambitious, original, and exquisitely crafted work, full of rich details and compelling songs that translate the past into modern new shapes.


The stage moniker of Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, Oceanator emerged in 2016 with a sound that combines heavy grunge, fuzzed-out indie rock, and deeply personal lyrics with synth pop-laced, incisive pop hooks. 
Goodbye, Goodnight 4:03
Hide Away 6:11
Walk with You 4:20
The debut full-length effort from Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, who operates under the moniker Oceanator, Things I Never Said is a delightfully understated grunge-pop paean to the disillusionment of early adulthood. Okusami is a nimble pop architect who knows how to bait a hook, and her songs, which marry the riot grrrl ethos of Sleater-Kinney with the neatly wrapped emo-pop earworms of Jimmy Eat World, frequently take abrupt instrumental detours that lead the listener into new sonic headwaters...

2019. november 17., vasárnap

064 ALTER.NATION.MiX weekly favtraX 17-11-2019

ALTER.NATION #64
Upset, TOY, Twin Peaks, Juliana Hatfield, Modest Mouse, Tindersticks, FKA Twigs, The Young Sinclairs, Loma Prieta, Blood Incantation, Caspian, Incognito

weekly favtraX
1 7 - 1 1 - 2 0 1 9
"Lucky Strikes Out"




ALTER.NATION #64 on DEEZER


Former Vivian Girls and Best Coast drummer formed Upset with ex-Hole drummer Patty Schemel to play her own punk-pop songs.
Upset - Lucky Strikes Out
It’s an invigorating three-minute story song that fits in the disappointment of a hookup flaming out and the subsequent decision to dig yourself deeper into despair by lighting up a cigarette, before twisting around into a rom-com-style happy ending. That’s all delivered with the infectious chorus: “I lit a Strike and struck a match, my Lucky Strikes and a heart attack/ With any luck, I’ve met my match.”




This London quintet blends Krautrock, psychedelia, and shoegaze into hypnotic, pulsating music.
TOY - Down on the Street from Songs of Consumption
Talking about the album, TOY said: Songs of Consumption sonically is a continuation and development of the themes conceived on Happy In The Hollow and it will show people where we are going towards musically. The DIY approach was explored further utilising more of the electronic elements that we touched upon before. Drum machines, stripped down arrangements and rudimentary production give a primitive sound that we thought suited the choice of songs. Some of the songs have very big sounding production, so we wanted to experiment with them by going in a different direction...


Chicago garage punkers who channel '60s and '70s influences with giddiness and irreverence.
Twin Peaks - Spiders (Kidsmoke) (Wilco Cover)
The Wilco tribute album Wilco Covered was released on CD with the November issue of Uncut, and only one of its songs was released digitally... That would be Twin Peaks’ take on “Spiders (Kidsmoke),” which, like “Company In My Back,” originates from Wilco’s masterful 2004 release A Ghost Is Born. It’s a roots-rock/krautrock hybrid that sets Wilco’s drowsy pop harmonies and rangy, agitated lead guitar work to a motorik pulse, punctuated by occasional widescreen bar-band explosions. Twin Peaks, Wilco’s Chicago rock descendants, have delivered a faithful reading of “Spiders (Kidsmoke),” one that reminds me how cool it would be to see the track back in Wilco’s setlist sometime soon...


Formerly of Blake Babies, the eclectic singer/songwriter graced MTV while retaining her D.I.Y. ethos with spry, girlish story-songs.
Juliana Hatfield - Hungry for You (J’aurais Toujours Faim De Toi) from Juliana Hatfield Sings the Police
Arriving swiftly after 2018's Juliana Hatfield Sings Olivia Newton-John, 2019's Juliana Hatfield Sings the Police amounts to the second chapter in a musical autobiography for the rocker. If Olivia Newton-John amounted to Hatfield's first musical love, the Police are the pivotal band of her teens, a group that accelerated her interest in rock & roll. Appropriately, Juliana Hatfield Sings the Police isn't as sweet or dreamy as Juliana Hatfield Sings Olivia Newton-John. Hatfield emphasizes the group's connection to punk and New Wave, both through song selection and arrangement... In Hatfield's hands, the songs of Sting and the Police don't necessarily sound like hits -- nor are they performed with the technical proficiency of Andy Summers and Stewart Copeland -- but they sound fresh and alive, once again feeling like punk-inspired pop.


Pacific Northwest indie rockers who became unlikely chart-toppers with a volatile mix of punk-inspired rawness and simmering atmosphere.
Modest Mouse - Ice Cream Party
Modest Mouse returned this past Record Store Day with a 7″ featuring their first new songs since 2015’s Strangers To Ourselves... The new track is called “Ice Cream Party.” It features Isaac Brock creepily murmuring the lyrics, “There’s an ice cream party at my house, please come over.” And it’s accompanied by the release of an official Modest Mouse ice cream. Earlier this week, Modest Mouse posted a location to Reddit. The map linked to Portland ice cream shop Ruby Jewel, makers of the special Modest Mouse flavor.


Acclaimed English sextet whose melancholy, obtuse songwriting and the baritone vocals of Stuart Staples made them indie darlings during the '90s.
TindersticksThe Amputees from No Treasure But Hope
There are few if any working bands who craft their music as meticulously as Tindersticks; their music is like a suspension bridge built out of nuance, a wealth of small details coming together into something tremendously powerful even when it's whisper quiet (which is often). So it's surprising to learn that the group's 2019 album No Treasure But Hope was recorded in less than a week... But if anyone was expecting No Treasure But Hope to sound rougher or less precise given the way it was recorded, they'd be wrong. The craft these performers bring to this music is as stunning as ever, and the interplay between the musicians is wondrous, made all the more remarkable by the deeply affecting murmur of Stuart Staples' vocals...


Evoking trip-hop as well as the xx's spare electronic pop, FKA twigs' songs are haunting and vulnerable.
FKA twigs - sad day
...Now, in “sad day,” the fourth teaser track before MAGDALENE drops Friday, twigs beckons for her lover as he steals further away. She begins with a bohemian gentleness that may just turn his head: “Taste the fruit of me/Make love to all you see,” she coaxes in her lovely falsetto, a woodland sprite urging the wanderer back into the forest. But even she must admit that shadows loom; soon enough, with a heavier and almost wry intonation, twigs allows that he’d act “foolishly” to still love her, that she’s “made him sad before.” Crackling digital effects suggest insistent rain, and a sly, scratchy bass drop pierces the optimistic haze. twigs’ co-producers on the track—Nicolas Jaar, Skrillex, Noah Goldstein, Benny Blanco—flex their thumbs in these heavy synth instrumentals. The wistful, future-shock distortion of her vocals alludes to her own defiance and anger, before she slips effortlessly back into airy entreaties. twigs’ eyes are open and her heart is tired.


Prolfic and authentic folk rock revivalists from Virginia with psychedelic and garage influences.
The Young Sinclairs - Leviathan from Out of the Box
After spending a decade establishing themselves as a top-tier '60s revival band, forging a sound that lived in the sweet spot where jangling folk-rock, melancholy guitar pop, and fuzzy psychedelia meet, the Young Sinclairs dropped out of sight for a few years beginning in 2015. When they returned in 2019 with their third album, Out of the Box, things had changed. The band weren't just mining that fertile, if a little narrow, plot of ground anymore; this time they cast a wider net and rope in all kinds of new sonic influences...  reverb-heavy modern chillwave ("Leviathan"), and most surprisingly, a strong dose of early-'90s-style baggy psychedelia...


Bay Area hardcore band that specializes in uncomfortable sonic discord, subtle harmony, and "emo violence."  (named after the 1989 earthquake that devastated Northern California) 
Loma Prieta . Continuum
Back in 2015, the raw and jagged long-running Bay Area hardcore band Loma Prieta released their truly impressive Self-Portrait album. And then: Nothing. Today, Loma Prieta end that silence... With “Continuum,” the band has built on the moody hardcore sonics of their old records, but they’ve done something very different with it. There’s a lot of mud and noise in the sound of “Continuum,” but the song is, at heart, a melodic and extravagantly bummed-out rock songs. It’s not even that fast! There’s a bit of shoegaze in the way the ultra-distorted guitars and bass build their own kind of drone and in the way that they overwhelm the vocals. It’s aggressive music, but it’s pretty, too.


Blood Incantation is an American death metal band from Denver, Colorado, formed in 2011. The band consists of vocalist and guitarist Paul Riedl, guitarist Morris Kolontyrsky, drummer Isaac Faulk and bassist Jeff Barrett.
Blood Incantation - Inner Paths (to Outer Space)
“Inner Paths (to Outer Space)” is what happens when one of the best new American metal bands invites us along for a vision quest. “We improvised this track on psychedelics over a period of several months, allowing it to grow and evolve as it chose,” Blood Incantation said of the first taste from their long-awaited second album, Hidden History of the Human Race. From the Colorado quartet known for giving pulverizing, cosmic soundtracks to ancient alien conspiracy theories, “Inner Paths” spends most of its runtime patiently building toward the quicksand-deep death metal they perfected on 2016’s Starspawn... As with all their best work, Blood Incantation scoured the past and found a portal to a world that feels nightmarish, new, and breathtakingly alive.


Massachusetts-based post-rock unit in the vein of Explosions in the Sky and Mono. Made up of members Philip Jamieson (guitars, keyboards, samples), Calvin Joss (guitar, glockenspiel), Chris Friedrich (bass), Joe Vickers (drums) and -- since 2007 -- Erin Burke-Morgan
Caspian - Flowers Of Light
New England instrumentalists Caspian have been off our radar for a good long while, but they’ll return in January with their first album since 2015’s Dust And Disquiet. It’s called On Circles, it was produced by Will Yip... In a press release, guitar and keyboard player Philip Jamieson has some fascinating thoughts on the new album, and about the way bands often talk about their new albums:
"I’ve grown weary of reading about bands discuss the renewing, rehabilitative properties their most recent [album] has had on them. They incur corrosion, come close to running out of gas, descend into the dark abyss, and finally emerge on the other side with a record that has given them crystal clear perspective and a confident path forward. On Circles is not that record." Maybe not, but “Flowers Of Light” is still the kind of cleansing fire I want out of a post-rock song.


Led by Jean-Paul "Bluey" Maunick, they're the most enduring and successful band affiliated with the acid jazz movement.
Incognito - Saturday Sirens (Instrumental) from Tomorrow's New Dream
Forty years since their inception, Jean-Paul "Bluey" Maunick's Incognito continue to forge ahead with Tomorrow's New Dream, closing out a third straight decade in which they have released at least five studio albums of feel-good soul, jazz, and funk. Longtime fans knowledgeable about the group's roots might long for another cover -- the album LP is nothing but originals -- but connections are made with some greats...

Upset, TOY, Twin Peaks, Juliana Hatfield, Modest Mouse, Tindersticks, FKA Twigs, The Young Sinclairs, Loma Prieta, Blood Incantation, Caspian, Incognito

2019. szeptember 10., kedd

10-09-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past]

The Heliocentrics
10-09-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past] The Heliocentrics, Bonobo, Cabbage, Juliana Hatfield, Dire Wolves, Deerhunter, Acid Dad, Benjamin Biolay, Wesley Gonzalez, The Reverend Horton Heat, Guaxe, Lana Del Rey


M U S I C

if you want excitement PRESS SHUFFLE!



pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971


Eclectic U.K.-based ensemble blending influences such as hip-hop, jazz, soundtracks, Ethiopian funk, outré electronics, and more. 
The Heliocentrics
The Sunshine Makers 3:11
Sold Out 3:33
The Trip 3:22
from The Sunshine Makers (Original Motion Picture Soundtrack) 2017
Styled in some regards as a 'real-life Breaking Bad', the documentary The Sunshine Makers documents a partnership on a mission to expand the consciousness of the '60s set by means of a domestic LSD laboratory. Who better, indeed, to soundtrack such an affair than London-based synapse-shakers The Heliocentrics, whose irrepressible melange of psychedelia, rhythmic drive and third-eye-cleansing jazz unites the questing spirit of the '60s with the here and now. The evangelical zeal of the era's metaphysical crusaders may be viewed with some wistful nostalgia in the here and now, but their cultural legacy finds an uncanny parallel in this invigorating and addictive score from these modern visionaries.



Crashing onto the hallowed Manchester, England scene in late 2015, Mossley quintet Cabbage injected a fresh dose of vitality into the local scene with their irreverent brand of humor, wild live shows, and scuzzy neo-post-punk. The loutish lads of Cabbage -- vocalist Lee Broadbent, guitarist/vocalist/lyricist Joe Martin, guitarist Eoghan Clifford, drummer Asa Morley, and bassist/producer Stephen Evans -- released their first single, "Kevin," a raucous blend of the Clash, the Fall, and early Nirvana. 
Cabbage 
Preach to the Converted 2:28
Molotov Alcopop 2:55
Subhuman 2.0 6:56
from Nihilistic Glamour Shots 2018
After years of solid single and EP output, Manchester, England upstarts Cabbage delivered their proper debut full-length, Nihilistic Glamour Shots... Taking cues from that band -- as well as a few from Kaiser Chiefs, the Fall, Gang of Four, and Iceage -- Cabbage packed Nihilistic Glamour Shots with devilishly catchy tunes that groove with elastic bass and jitter off the hinges with jagged riffs and manic drumming... Dark, dangerous, and addictive, Nihilistic Glamour Shots is a strong opening statement from Cabbage, jolting listeners with sly humor, anti-establishment sneer, and enough sonic variation to hypnotize and invigorate.


After Juliana Hatfield disbanded the jangle pop trio the Blake Babies in 1990, she launched a solo career, performing similarly melodic indie guitar pop. Singing in an endearingly thin voice, Hatfield married her ringing hooks to sweet, lovelorn pop and startlingly honest confessional songs...
Juliana Hatfield
Staying In 3:32
It's so Weird 3:16
Broken Doll 3:18
from Weird 2019
A year before Weird, Juliana Hatfield delivered an album-length Valentine to her childhood pop idol Olivia Newton-John. Appropriately, some echoes of AM pop linger on Weird -- it's there in the occasional wash of analog synth and the insistent hooks, and it's there in exuberant closer "Do It to Music," a love letter to the complex joys of pop -- but the album is barbed by design, a return to the ornery personal pop that's been Hatfield's métier in the 21st century. The album title alone hints at what Weird is about: the feeling of not quite fitting in with the world at large. Hatfield chronicles those twisted, contradictory emotions of ostracization not with a heavy sigh but defiance...


2019. július 16., kedd

16-07-2019 alter_MiX 33 alter tracks in PRSNT_PRFCT_MiX

Priests
16-07-2019 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from the recent past] Priests, The James Hunter Six, Niia, Eyes of Love, Le SuperHomard, Tallies, Pearl & the Oysters, The Heliocentrics, Bonobo, Cabbage, Juliana Hatfield, Dire Wolves


M U S I C



pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971



Frenetic post-punk quartet follows a long line of angular punk legends from its hometown of Washington, D.C. 
Priests
No Big Bang 2:48
Nothing Feels Natural 3:59
Pink White House 4:05
from Nothing Feels Natural 2017
The creative leap that Priests make from the Bodies and Control and Money and Power EP to their first full-length Nothing Feels Natural is reflected in the titles of both works: Bodies spelled out society's ills with literal (and literate) rants, but this time, Priests use a more poetic, existential approach to express these frustrations. When nothing feels right, change is a natural response, and the band uses the space afforded by a full-fledged album to introduce more sounds and moods to its music...


The gritty, passionate, longstanding backing band of British soulman, songwriter, and guitarist James Hunter. /English channeler of American soul from days of yore (Sam Cooke, Ray Charles, et al), cult following since the 1990s.
The James Hunter Six
If That Don't Tell You 2:34
(Baby) Hold On 2:45
A Truer Heart 2:38
from Hold On! 2016
Hold On! is the fourth album by the rocking soul man James Hunter and his stalwart sextet. Daptone's Gabriel Roth produced the excellent Minute by Minute in 2013, but this is the band's debut for the label. Hold On! was recorded live in the studio, but Roth and Hunter decided on mono to best capture the immediacy of the performances. The songwriter has recorded only original material since 2006, and these ten tracks are no exception. What separates this date from previous outings -- excellent though they all were -- isn't the mono production, but the diversity in songwriting, rhythmic invention, and arranging...


Singer and songwriter who broke through when featured on Wyclef Jean's "Sweetest Girl" in 2007 and went on to make her own jazz-inflected pop. 
Niia
Sideline 4:20
Nobody 4:08
Last Night In Los Feliz 5:55
from Niia I 2017
...Decay is the thing on “I,” Niia’s lavishly detailed full-length debut album, made in partnership with the producer Robin Hannibal. Together, they understand how to make songs melt, and how to make seismic shifts at a glacial pace. The result is trip-hop that strips away the pomp, leaving only the ooze...

Experimental pop band Eyes of Love are headed by New York-based songwriter Andrea Schiavelli. The group's 2018 debut album, End of the Game, features tightly wound, complex arrangements that are both playful and delicate.
Eyes of Love
Homeowners 1:36
Version of Tomorrow 2:39
Players of the Field 2:41
from End of the Game 2018
Andrea Schiavelli previously used the name Eyes of Love for a solo cassette in 2011, then debuted the band of the same name with a 7" EP of VU-indebted lo-fi rock songs in 2016. An entirely different lineup of the band recorded End of the Game, the first Eyes of Love full-length, and by this point the project had developed into a lushly arranged prog-pop unit. An entirely different lineup of the band recorded End of the Game, the first Eyes of Love full-length, and by this point the project had developed into a lushly arranged prog-pop unit. Joined by Palberta's Lily Konigsberg and two members of the Cradle (Sammy Weissberg and Paco Cathcart), Schiavelli pens soft, heartfelt semi-orchestral pop tunes with fractured rhythms and unexpected detours...  End of the Game is complex but not discordant; it never seems like Schiavelli is trying to out-weird anyone or attack the listener with an over-abundance of sounds. It could've ended up a jumble of an album if it wasn't so tightly composed, well arranged, and cleanly recorded.

French group who mix easy listening, '90s-style space age pop, and chamber pop into a frothy melodic concoction. 
Le SuperHomard
Door After Door 3:54
Meadow Lane Park 3:20
from Meadow Lane Park 2019
After releasing the very promising MapleKey EP in 2016, the French band Le SuperHomard were positioned as the next great band in the tradition of Stereolab, Broadcast, and the High Llamas. 2019's Meadow Lane Park makes good on that promise and should please anyone who ever loved the kind of retro-looking, futuristic-sounding pop those bands made in their prime. With songs written, played, and produced by Christophe Vaillant, then sung by Julie Big in breathlessly soft tones, the album is a gentle musical hug that plays on nostalgic strings, but also adds something special -- and perhaps left over from his days playing power pop in the Strawberry Smell -- to the template...


Possessing an extensive knowledge of early-'90s dream pop and the skill set needed to replicate the sounds they loved, the Toronto quartet Tallies balance nimble, effects-heavy guitars with extroverted vocals to craft songs on their self-titled 2019 debut album that wouldn't sound out of place on a mix tape between Lush and the Sundays.
Tallies
Trouble 3:32
Eden 3:58
from Tallies 2019
From the very first bars, the Tallies' self-titled debut album opens the young Canadian quartet to the slings and arrows of being written off as copycats; derivative at best, sonic bandits at worst. They sound so much like a note-perfect cross between the Sundays, Lush, the Smiths, the Ocean Blue, and other bands of that era that paired smeary guitar jangle with passionate reverb-drowned vocals that it's hard to believe the band isn't the offspring of those bands. Every note feels lifted directly from the past, every beat hits like nostalgia, and every word Sarah Cogan sings comes across like a voice beamed in on a distant college radio wave...


French duo living in Florida makes a breezy, uplifting pop music that draws from space age pop, novelty music, and the classic sounds of their homeland. 
Pearl & the Oysters
Water-Lily Waltz 1:46
I Fantasmi di Pompei 2:11
Girl on a Swing 2:32
from Canned Music 2018
Pearl & the Oysters' second album, Canned Music, combines the groovy sounds of '60s French pop, the zippy feel of '90s space age pop, the whimsical nature of the best novelty pop throughout the ages, and a joyful kitchen-sink approach to arrangements. The end result is a cheerful sonic treat that's frothy fun to the last bite. Multi-instrumentalist Joachim Polack and vocalist Juliette Davis may have deep musical training that includes degrees from the Sorbonne, but they aren't even the least bit interested in creating anything serious or important here. They'd rather make music that gives the sunshine in their adopted home of Florida a run for its money in the brightness stakes...


Eclectic U.K.-based ensemble blending influences such as hip-hop, jazz, soundtracks, Ethiopian funk, outré electronics, and more. 
The Heliocentrics
The Sunshine Makers 3:11
Sold Out 3:33
The Trip 3:22
from The Sunshine Makers (Original Motion Picture Soundtrack) 2017
Styled in some regards as a 'real-life Breaking Bad', the documentary The Sunshine Makers documents a partnership on a mission to expand the consciousness of the '60s set by means of a domestic LSD laboratory. Who better, indeed, to soundtrack such an affair than London-based synapse-shakers The Heliocentrics, whose irrepressible melange of psychedelia, rhythmic drive and third-eye-cleansing jazz unites the questing spirit of the '60s with the here and now. The evangelical zeal of the era's metaphysical crusaders may be viewed with some wistful nostalgia in the here and now, but their cultural legacy finds an uncanny parallel in this invigorating and addictive score from these modern visionaries.


Simon Green's eclectic electronic project, encompassing elements of jazz, house, soul, and various world music influences. 
Bonobo
Migration 5:27
Outlier 7:55
from Migration 2017
Following the release of his most successful album to date, 2013's The North Borders, as well as an even more triumphant world tour, British producer Bonobo (Simon Green) returned in 2017 with his sixth proper studio full-length, Migration. The album was partially inspired by his touring experiences, but also by the death of a relative. Green's family is spread out across the world, and they all reconvened in Brighton, England for the funeral. These types of experiences cause Green to question what identity means, and where a person is from if he or she is constantly moving. As with all Bonobo recordings, Green absorbs a multitude of cultural influences here, from the underground club sounds of London to American folk songs...


Crashing onto the hallowed Manchester, England scene in late 2015, Mossley quintet Cabbage injected a fresh dose of vitality into the local scene with their irreverent brand of humor, wild live shows, and scuzzy neo-post-punk. The loutish lads of Cabbage -- vocalist Lee Broadbent, guitarist/vocalist/lyricist Joe Martin, guitarist Eoghan Clifford, drummer Asa Morley, and bassist/producer Stephen Evans -- released their first single, "Kevin," a raucous blend of the Clash, the Fall, and early Nirvana. 
Cabbage 
Preach to the Converted 2:28
Molotov Alcopop 2:55
Subhuman 2.0 6:56
from Nihilistic Glamour Shots 2018
After years of solid single and EP output, Manchester, England upstarts Cabbage delivered their proper debut full-length, Nihilistic Glamour Shots... Taking cues from that band -- as well as a few from Kaiser Chiefs, the Fall, Gang of Four, and Iceage -- Cabbage packed Nihilistic Glamour Shots with devilishly catchy tunes that groove with elastic bass and jitter off the hinges with jagged riffs and manic drumming... Dark, dangerous, and addictive, Nihilistic Glamour Shots is a strong opening statement from Cabbage, jolting listeners with sly humor, anti-establishment sneer, and enough sonic variation to hypnotize and invigorate.


After Juliana Hatfield disbanded the jangle pop trio the Blake Babies in 1990, she launched a solo career, performing similarly melodic indie guitar pop. Singing in an endearingly thin voice, Hatfield married her ringing hooks to sweet, lovelorn pop and startlingly honest confessional songs...
Juliana Hatfield
Staying In 3:32
It's so Weird 3:16
Broken Doll 3:18
from Weird 2019
A year before Weird, Juliana Hatfield delivered an album-length Valentine to her childhood pop idol Olivia Newton-John. Appropriately, some echoes of AM pop linger on Weird -- it's there in the occasional wash of analog synth and the insistent hooks, and it's there in exuberant closer "Do It to Music," a love letter to the complex joys of pop -- but the album is barbed by design, a return to the ornery personal pop that's been Hatfield's métier in the 21st century. The album title alone hints at what Weird is about: the feeling of not quite fitting in with the world at large. Hatfield chronicles those twisted, contradictory emotions of ostracization not with a heavy sigh but defiance...


Exploratory psych-rock, cosmic drones, and pastoral avant jazz-folk from this San Francisco collective. / A spacy, experimental collective of musicians based in San Francisco, Dire Wolves combine free-flowing improvisation and exploratory psych-rock to create a cosmic sound that ranges from trance-like drones to colorful, swirling rock and avant jazz-folk...
Dire Wolves
I Control the Weather 6:52
Discordant Angels 4:36
Crack in the Cosmic Axis 8:00
from  Grow Towards the Light 2019
...While the band's intellect-driven improvisations come from the whims of the present, their mystic spirit feels deeply rooted in San Francisco's 1950s and '60s counterculture heyday. A former Deadhead taper back in the '80s (the band's name itself is most likely derived from the Grateful Dead's 1970 classic "Dire Wolf"), Alexander's career since then has been devoted to exploring various forms of out-there music, and this continues to be the case on Grow Towards the Light. The band here consists of Alexander on guitar and Moog synth, Georgia Carbone on vocals, Brian Lucas on bass, Sheila Bosco on drums and piano, Arjun Mendiratta on violin, and Taralie Peterson on saxophone. All are capable players with a good sense of space and of each other...