mixtapes for weathers and moods / music for good days and bad days


For nonstop listening of players' tracks you must login to DEEZER music site! / A lejátszók számainak zavartalan hallgatásához be kell lépned a DEEZER zeneoldalra.

A következő címkéjű bejegyzések mutatása: Little Barrie. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Little Barrie. Összes bejegyzés megjelenítése

2021. december 6., hétfő

06-12-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX (2h 22m) [2019-2021]

06-12-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX (2h 22m) [2019-2021] G. Love & Special Sauce, Pearl Charles, Still Corners, Little Barrie, Malcolm Catto, Circles Around the Sun, Geese,Radiohead,Son Lux, TOY,Eerie Wanda,Rose City Band,Goat Girl


M U S I C (2h 22m)

if you want excitement PRESS SHUFFLE!






G. Love & Special Sauce are a Philadelphia-based trio whose laid-back, sloppy blues sound is quite unique, as it encompasses the sound/production of classic R&B and recent rap artists (the Beastie Boys, in particular). The group -- G. Love (born Garrett Dutton) on guitar/vocals/harmonica, Jeff Clemens on drums, and Jim Prescott on upright bass -- released their self-titled debut in 1994 on OKeh/Epic..

G. Love & Special Sauce 
Go Crazy (feat. Keb' Mo') 3:40
Fix Your Face 3:15
from The Juice 2020
Now that they're over a quarter-century into their career, it's time to come to terms with a simple fact: G. Love & Special Sauce are no longer youthful upstarts, they're veterans. Fittingly, their 2020 album The Juice is the kind of record that could only be made by musicians who've been around the block a time or two. It's not that The Juice is the work of untrammeled virtuosos -- it is most decidedly a vibe record -- but rather that it's an album that's casually confident that also happens to have an offhand sense of community. At its core, The Juice derives from a series of Nashville sessions held with Keb' Mo', who is credited as a co-producer and appears on a fair chunk of the album...



Singer/songwriter Pearl Charles has a knack for writing melodic, low-key indie pop with a jangling country tone. After coming up through the Los Angeles lo-fi and garage scenes, she made her full-length debut in 2018 with Sleepless Dreamer, a finely crafted slice of warm country-pop. She followed it up three years later with Magic Mirror...
Imposter 3:25
Magic Mirror 2:58
Sweet Sunshine Wine 4:10
from Magic Mirror 2021
In a pleasing tangle of sun-warmed melodies and 1970s influences, Pearl Charles strikes a confident, if laid-back tone on Magic Mirror, her sophomore album. The Los Angeles native has been bubbling under the radar for nearly a decade, trying her hand in a variety of indie subsets from lo-fi Americana to garage and psychedelia before landing on a more polished amalgam of vintage-flavored country-pop and West Coast soft rock. Her 2018 debut, Sleepless Dreamer, showed plenty of promise and laid the framework for the more fully realized sound she achieves here... The production and arrangements throughout are impeccable, warm, and well-suited to the kind of thoughtful, low-key songwriting at which Charles excels. Neither basking in its vintage flavor nor overplaying its strengths, Magic Mirror is the kind of subtle record that reveals its pleasures through repeated listens. Even Charles' voice is a comfort; after a decade of mainstream mumblers and overwrought affectations, her enunciated vocal style brings a conversational tone to the songs...


United by Tessa Murray's delicate vocals and their love of otherworldly atmospheres, Still Corners' music is otherwise in constant motion. .. Still Corners formed shortly after Hughes, a native of Austin, Texas, met Murray by chance at a London train station. Taking their name from a phrase in Robert Frost's poem "New Hampshire," they soon began making music together...
The Last Exit 4:41
A Kiss Before Dying 2:45
It's Voodoo 4:44
from The Last Exit 2021
More than a decade after they formed, Still Corners and their music remain in constant motion. Over the years, Greg Hughes and Tessa Murray have relocated from London to the English seaside to Texas' Hill Country, and their sound has shifted with every move. On The Last Exit, however, there's a slightly shorter distance between where they've been and where they are. They embellish on the sunbaked dream pop they introduced on Slow Air... Even if The Last Exit is sometimes a little too wispy, it's still a fitting soundtrack for getting lost on the open road.


Little Barrie are a London-based trio led by ace guitarist Barrie Cadogan, whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream... By the time of 2020's Quatermass Seven, the band had staked out a place all their own sonically and Cadogan was firmly entrenched on the short list of best guitarists of his era...
Rest In Blue 4:20
Repeater #2 4:02
After After 8:10
After the release of their 2017 album Death Express, Little Barrie suffered the tragic loss of drummer Virgil Howe, and the remaining two members of the group, guitarist Barrie Cadogan and bassist Lewis Wharton, took some time deciding whether they wanted to keep the band going. When they did choose to make more music together, they called in drummer Malcom Catto of the London jazz group Heliocentrics. The trio began jamming in the drummer's basement studio, liked what they came up with, and turned their ideas into a set of songs. Recorded simply on vintage equipment, the seven-song Quatermass Seven album crackles with energy and shines like a gritty diamond as the three players delve deeply into grooves so deep they feel bottomless... It's a heady mix of vintage sounds, just like the band usually put on tape, but a little freer and tougher thanks to Catto's jazz background, the urgency of Cadogan's singing and playing, and the sense that the emotional stakes are a little higher...


Circles Around the Sun is a contemporary instrumental rock band that formed with the specific purpose of creating intermission music for Fare Thee Well, a series of reunion concerts played by the surviving members of the Grateful Dead during their 2015 tour. Those shows celebrated the band's 50th anniversary and served as their official send-off, while Circles Around the Sun was designed to reflect the Dead's spacy and grooving overall feel...

2021. október 28., csütörtök

10-28-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 16m)

10-28-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Sharon Van Etten, Field Music, Oceanator, Sue Foley, Routine, Juliana Hatfield, G. Love & Special Sauce, Pearl Charles, Still Corners, Little Barrie, Malcolm Catto, Circles Around the Sun


M U S I C (2h 16m)

if you want excitement PRESS SHUFFLE!






A singer of distinct, controlled passion, Sharon Van Etten carved out a loyal audience with her hushed, intense albums... A dedicated choir student during her childhood, Van Etten studied clarinet, violin, and piano before moving on to guitar. She began writing songs in high school and sang in a choir group, the Madrigals. She credits her choral experiences as indispensable in learning to musically notate, as well as to sing harmonies.
No One's Easy to Love 4:38
Memorial Day 4:27
Malibu 3:23
from Remind Me Tomorrow 2019
For a decade, Sharon Van Etten specialized in understatement. From her 2009 debut Because I Was in Love through 2014's Are We There, she mined the tension generated by murmuring instrumentation clashing with her passionate delivery, a balance that proved quietly compelling. Van Etten maintains that sense of drama on Remind Me Tomorrow, her fifth full-length album, but she's radically shifted her presentation. Working with producer John Congleton, she's expanded her sonic palette, incorporating vintage synthesizers and drum loops while occasionally cranking up her amplifiers. Some of the sounds are conscious throwbacks, but they don't play like retro nostalgia, not in the context of Remind Me Tomorrow, which juxtaposes fearless aural adventure with keenly observed observations of easing into a satisfied life. ..



Singer, songwriter, and multi-instrumentalist Michael Nau crafts reflective indie rock tinged with folk, psychedelic, and vintage pop influences. He's known for leading the like-minded projects Page France and Cotton Jones from the mid-2000s to the early 2010s before beginning to record under his own name in 2016.
Look Into Dance 5:22
Hoops 4:27
Grow My Wave 3:38
Still a collaborative effort, and even more bustling than 2018's Michael Nau & the Mighty Thread in terms of arrangements, Less Ready to Go is Michael Nau's fourth album under his own name. Recorded at a studio in Joshua Tree, it was produced by Dr. Dog's Scott McMicken. As for its particularly colorful sound, Nau has explained that each song was recorded live with guests, who would then "switch instruments and do a live overdub on top." Alongside extra touches and sound effects, the results are often wonky and woozy on an album whose otherworldly quality extends to reaching back to the '60 and '70s for R&B, pop, and psychedelic influences. Rather than ever playing like a tribute, these elements seep into Nau's dreamy songs...



Hailing from Sunderland, England, indie/art rockers Field Music emerged in the middle part of the 2000s with a distinctive blend of smartly crafted pop hooks and an ambitious nature that pulled from a variety of rock subgenres. Helmed by brothers Peter and David Brewis, the group earned critical acclaim and a devout fan base...

Field Music 
Coffee or Wine 3:03
A Shot To The Arm 2:32
Only In a Man's World 2:46
...Their distinctive brand of indie pop has been constantly refined over the years as they smartly thread between bits of clever guitar rock, synth pop, soul, disco, and chamber pop, this time adding in some light prog-rock sophistication and the sort of aerodynamic new wave that harkens back to Thomas Dolby's early work. Like each of their previous releases, Making a New World is an ambitious, original, and exquisitely crafted work, full of rich details and compelling songs that translate the past into modern new shapes.


The stage moniker of Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, Oceanator emerged in 2016 with a sound that combines heavy grunge, fuzzed-out indie rock, and deeply personal lyrics with synth pop-laced, incisive pop hooks. 
Goodbye, Goodnight 4:03
Hide Away 6:11
Walk with You 4:20
The debut full-length effort from Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, who operates under the moniker Oceanator, Things I Never Said is a delightfully understated grunge-pop paean to the disillusionment of early adulthood. Okusami is a nimble pop architect who knows how to bait a hook, and her songs, which marry the riot grrrl ethos of Sleater-Kinney with the neatly wrapped emo-pop earworms of Jimmy Eat World, frequently take abrupt instrumental detours that lead the listener into new sonic headwaters...

2020. november 24., kedd

"Rest in Blue" #110 ALTER.NATION.MiX - weekly favtraX 24-11-2020

 ALTER.NATION #110


Little Barrie, Malcolm Catto,King Gizzard & the Lizard Wizard, Mamalarky, Landshapes, The Bug / Dis Fig, Cabaret Voltaire,Public Memory, Rob Mazurek

weekly favtraX 
2 4 - 1 1 - 2 0 2 0

"Rest in Blue"




Little Barrie
are a London-based trio led by ace guitarist Barrie Cadogan, whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream. 

Malcolm Catto is an English musician and record producer. He is the co-founder and producer of the London psych'/jazz/experimental outfit The Heliocentrics. They have so far released four of their own albums but have also issued collaborations with DJ Shadow, Mulatu Astatke, Lloyd Miller, Orlando Julius and Melvin Van Peebles.
Little Barrie, Malcolm Catto - Quatermass Seven / Rest in Blue
After the release of their 2017 album Death Express, Little Barrie suffered the tragic loss of drummer Virgil Howe, and the remaining two members of the group, guitarist Barrie Cadogan and bassist Lewis Wharton, took some time deciding whether they wanted to keep the band going. When they did choose to make more music together, they called in drummer Malcom Catto of the London jazz group Heliocentrics. The trio began jamming in the drummer's basement studio, liked what they came up with, and turned their ideas into a set of songs...  


Australian psychedelic collective with an intense work ethic and a wildly experimental outlook that reaches from synth prog to folk rock.
Over a ten-year span spent releasing an album every few weeks (or so it seemed) King Gizzard & the Lizard Wizard never repeated themselves, always pushing forward and trying new things whether it was lengthy jazz excursions, gloom-and-doom synth prog, or thundering thrash metal. That changed some on 2020's K.G., where the band revisit the approach used on Flying Microtonal Banana, the group's 2017 album built around the avant-garde sounds of their custom-made guitars and altered instruments. Stuck in their various homes during the global pandemic, the band gravitated toward the unique instruments and built a batch of songs using their non-Western tunings and tones....


An inventive bicoastal indie rock quartet who combine elements of dream pop and noise rock with flourishes of psychedelia.
Fronted by ex-Cherry Glazerr bassist Livvy Bennet, Mamalarky fuse a multitude of influences to create a unique prog-indie rock sound. With the rest of the band members having their own musical backgrounds – keyboard and synth bass player Michael Hunter plays with White Denim, and drummer Dylan Hill with Big Wy’s brass band – there is no shortage of inspiration on their eponymous debut... Despite this mixture of such disparate influences, Mamalarky achieve a cohesive, well-realised sound that will be exciting to watch develop with future releases.


The more-experimental successor of London's Lulu & the Lampshades makes exuberant, rhythmically complex indie rock with vintage-pop components.
You know what you need right now? Uncertainty. Landshapes’ brilliant new album Contact reminds you how fun it is to listen to a project when you have no idea where it’s going next. The London band’s first release in five years captures the kinetic energy of their live shows and wrings it out for all it’s worth as they to-and-fro between vocalists and boldly explore multiple genres, resulting in this collage of beautiful ideas... The album’s title is its north star, as it considers every aspect of connection and intimacy in a way that feels rather prescient, with well-worn tropes approached in refreshing ways... ‘Drama’ is a breakup song, but it’s about the growing need to have The Talk rather than pretending you’re okay, the weightlessness of the spacey instrumentation contrasting with the despond of the lyrics... It’s the kind of sound that’s used to signify a dream in a movie, begging the question of whether this is the band’s truth, what they really think. That’s Contact in a nutshell. How do we know what we mean to each other? We don’t. Good album. 


Upon the arrival of Tapping the Conversation (1997), the Bug appeared to be a one-off concept from Kevin Martin, the prolific British producer known then for his work with God, Ice, and Techno Animal, among other collaborative guises willfully deforming styles ranging from free jazz and hip-hop to noise and dub.
Dis Fig is DJ Felicia Chen. She released her debut cassette album PURGE in 2019.
... In Blue is another duo recording. In a sense, the album picks up where the first half of Angels & Devils left off, splaying its fusion of narcotized vocals, threatening atmospheres, and entrancing riddims. The material originates in instrumentals Martin made for a 2018 Solid Steel radio program. Post-transmission, the producer was seeking a vocalist for the tracks and met his match when Dis Fig asked for his consent to use KMS' "On My Mind" in a DJ mix. Martin obliged and was seduced in turn by Dis Fig's Purge, which led to the pair working over a two-year period on the shaping of the sixth Bug album...


Experimental, innovative English outfit that formed in the 1970s, standing as major pioneers of industrial and dance music.
Cabaret Voltaire - Shadow of Fear / What's Goin' On
...Shadow of Fear is the first CV album in 26 years, and the first to be solely created by Kirk, although by the end of the influential group's run in the mid-'90s, their music had evolved into a mixture of dub, techno, and house much more in line with Kirk's myriad solo ventures, like Sandoz and Electronic Eye, than the band's earlier incarnations. Without Stephen Mallinder's cyberpunk vocals, Shadow of Fear still feels more like a Kirk solo album, but its primitive drum machines, caustic distortion, and gritty samples recall his stellar output for Industrial Records and Rough Trade during the 1980s... 

King Gizzard & the Lizard Wizard's sense of unfettered sonic exploration makes it easy to mistake them for a long-forgotten relic of the psych explosion of the '60s.
King Gizzard & the Lizard Wizard - K.G. / The Hungry Wolf Of Fate
...Listening to them tread a little bit of water is still better than listening to the fresh ideas of 99.9 percent of other groups, especially when it's done with the energy and passion the band exhibit here.


Little Barrie
 are a London-based trio led by ace guitarist Barrie Cadogan, whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream. 

Malcolm Catto is an English musician and record producer. He is the co-founder and producer of the London psych'/jazz/experimental outfit The Heliocentrics. They have so far released four of their own albums but have also issued collaborations with DJ Shadow, Mulatu Astatke, Lloyd Miller, Orlando Julius and Melvin Van Peebles.
Little BarrieMalcolm Catto - Quatermass Seven / After, After
After the release of their 2017 album Death Express, Little Barrie suffered the tragic loss of drummer Virgil Howe, and the remaining two members of the group, guitarist Barrie Cadogan and bassist Lewis Wharton, took some time deciding whether they wanted to keep the band going. When they did choose to make more music together, they called in drummer Malcom Catto of the London jazz group Heliocentrics. The trio began jamming in the drummer's basement studio, liked what they came up with, and turned their ideas into a set of songs... and the supercool "After After" strut like the Meters fed through a buzzsaw, with Cadogan coaxing huge chunks of inspired noise from his guitar, Wharton rolling like a ship at sea, and Catto simultaneously holding down the beat and sending it spinning off into space... The record is a fitting comeback for the band, one that honors the sound that Howe helped create while giving it an impressive update.

The dreamy electronic project of former ERAAS frontman Robert Toher. The moody electronic project of Robert Toher, Public Memory explores loss, dreams, and illusions of nostalgia with dense collages of dub, Krautrock, and trip-hop.
With Ripped Apparition, Public Memory's Robert Toher continues to craft music that burrows deep into listeners' psyches. Though Toher used a host of new synthesizers that transformed his creative process, the project's third album is still very much on brand...  As detailed as his productions are, Ripped Apparition is often most compelling when Toher makes his androgynous, anguished vocals the focus. "Butcher" is a standout that suggests Public Memory is one of the few acts capable of continuing the haunting, blunted moods of Portishead... 


Electronic innovator, multi-instrumentalist and avant-garde force who worked in jazz, classical, and experimental. Originally rooted in the tradition of hard bop jazz, prolific cornetist and visual artist Rob Mazurek developed into one of the most consistently exciting pure improvisers of his time.
Dimensional Stardust from Rob Mazurek's evolutionary Exploding Star Orchestra is easily his most complex, ambitious, and detailed offering in a nearly three-decade career. It defies easy categorization as it weaves through contrapuntal episodes in avant-garde jazz and contemporary classical music, engaging tenets from electronic and pop musics, spoken word, and contemporary art...  This version of ESO includes flutist Nicole Mitchell, guitarist Jeff Parker, vibraphonist Joel Ross, drummers/percussionists Chad Taylor and Mikel Patrick Avery, cellist Tomeka Reid, bassist Ingebrigt Håker Flaten, trumpeter Jaimie Branch, violinist Macie Stewart, pianist Angelica Sanchez, and Damon Locks, who wrote lyrics and provided narration...  the electronic keys, sweeping strings, trumpets, flutes, and vibes in "Galaxy 1000" offer a mutant impression of a pop tune... Mazurek's music is a labyrinth that reveals canny perceptions of sound and meaning via expert compositional technique and relational trust among musicians...

Little Barrie, Malcolm Catto,King Gizzard & the Lizard Wizard, Mamalarky, Landshapes, The Bug / Dis Fig, Cabaret Voltaire,Public Memory, Rob Mazurek