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| The Who |
23-07-2020 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1965-1969 >>The Who, The Paul Butterfield Blues Band, Love, The Rolling Stones, The Jimi Hendrix Experience, Donovan, THE BEATLES, Spirit, King Crimson, The Moody Blues<<
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An explosive combo that pioneered progressive and arena rock, each new sound increasing their influence and legacy.
The Who
Out In the Street (Pete Townshend)
I Don't Mind (James Brown)
from My Generation 1965
favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.
1965-1969
The Who
Out In the Street (Pete Townshend)
I Don't Mind (James Brown)
from My Generation 1965
An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record... While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.
With a style honed in the gritty blues bars of Chicago's south side, the Butterfield Blues Band was instrumental in bringing the sound of authentic Chicago blues to a young white audience in the mid-'60s, and although the band wasn't a particularly huge commercial success, its influence has been enduring and pervasive.
The Paul Butterfield Blues Band
Born in Chicago (Nick Gravenites)
Screamin' (Michael Bloomfield)
from The Paul Butterfield Blues Band 1965
Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band, saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result was a wonderfully messy and boisterous display of American-styled blues, with intensity and pure passion derived from every bent note. In front of all these instruments is Butterfield's harmonica, beautifully dictating a mood and a genuine feel that is no longer existent, even in today's blues music....
One of the best L.A. folk/psych bands, and producers of the seminal Forever Changes, a symphonic masterpiece of lush textures and surreal lyrics.
Love
Stephanie Knows Who (Arthur Lee)
Orange Skies (Arthur Lee / Bryan MacLean)
Seven & Seven Is (Arthur Lee)
She Comes in Colors (Arthur Lee)
from Da Capo 1966
Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow")...
The Paul Butterfield Blues Band
Born in Chicago (Nick Gravenites)
Screamin' (Michael Bloomfield)
from The Paul Butterfield Blues Band 1965
Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band, saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result was a wonderfully messy and boisterous display of American-styled blues, with intensity and pure passion derived from every bent note. In front of all these instruments is Butterfield's harmonica, beautifully dictating a mood and a genuine feel that is no longer existent, even in today's blues music....
Love
Stephanie Knows Who (Arthur Lee)
Orange Skies (Arthur Lee / Bryan MacLean)
Seven & Seven Is (Arthur Lee)
She Comes in Colors (Arthur Lee)
from Da Capo 1966
Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow")...
