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A következő címkéjű bejegyzések mutatása: boygenius. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: boygenius. Összes bejegyzés megjelenítése

2018. december 29., szombat

013 ALTER.NATiON: weekly favtraX / 29-12-2018 Selection from Stereogum’s 90 Favorite Songs Of 2018 list

ALTER.NATiON
Rolling Blackouts Coastal Fever, DISQ, Bristletongue, Lana Del Rey, Pistol Annies, boygenius, The Voidz, Thom Yorke, Open Mike Eagle, Forth Wanderers, Pllush, Mary Lattimore
Rolling Blackouts Coastal Fever

weekly favtraX
29-12-2018





Rolling Blackouts Coastal Fever - An Air Conditioned Man 4:51
Coming from Melbourne, air conditioning is presumably a very present concern for Rolling Blackouts Coastal Fever. The band’s finely interlocking indie-pop grooves recall the old school underground rock of their Australian homeland and even more of their global neighbors in New Zealand. “An Air Conditioned Man” is very much part of that lineage, toggling between gorgeous guitar reveries and revved-up, krautrock, influenced rhythmic zone-outs.


DISQ - Communication 5:37
Disq are Isaac De Broux-Slone and Raina Bock, two extremely cool teenagers from Wisconsin who make neat, smart, Midwestern power-pop. The pair — who count Weezer, Big Star, Todd Rundgren and the Beatles as influences — released their first album in high school... It’s an upbeat, chunky rocker that starts out plucky and trill but upticks into a clashing, reverb-drenched 21st century suburban breakdown... It’s an existential track, full of blunt expressions of adolescent lostness, darker than the bright melody and sometimes beachy guitars signal (“I feel busy/ I don’t know where to go/ Who do I know?/ I am not very sure”). Such passages skewer the nonstop communication that can sometimes just make us feel even more alone (“Looking below/ People aren’t very pure/ And again communication/ Takes me farther away”).


Bristletongue - daisy chain 5:10
Bristletongue are a four-piece from Illinois fronted by L Morgan, whose aureate poetics bolster the group’s expansive compositions, which lie along the emo to post-rock spectrum. True to its title, the four songs on their debut EP, Femme Florale, are fixated on flower imagery, whether withering or blossoming or dying on the vine. It’s a thematic through-line that pays off well and matches the band’s music, with its many tendrils tied back to the singular root that is L Morgan’s impressive voice...


Lana Del Rey - Mariners Apartment Complex 4:06
Lana Del Rey has released a new song called “Mariners Apartment Complex.” It’s a collaboration with Jack Antonoff... Del Rey started teasing their team-up earlier this year via a few sly Instagrams and earlier this month she offered up a preview of the song. It’s the first of two new songs that Del Rey plans on releasing this month — another one, called “Venice Bitch,”
During an interview with Annie Mac on BBC Radio 1, Del Rey said that she was working on a book of poetry that she plans to self-publish.


Pistol Annies - Got My Name Changed Back 2:54
Lambert is one third of the country supergroup Pistol Annies, alongside Ashley Monroe and Angaleena Presley... “Got My Name Changed Back” is a giddy, exultant song about a breakup, and old-school pop-country snarl of the highest order.






Boygenius - Stay Down 4:00
Back in August, Julien Baker, Lucy Dacus, and Phoebe Bridgers, three of indie rock’s youngest and most exciting songwriters, formed the supergroup Boygenius... Recorded over four days at Los Angeles’ Sound City Studios in June, boygenius is beautiful, moving with the vulnerability of youth. Each track remains rooted in one distinctive voice...




The Voidz - ALieNNatioN 4:39
“ALieNNatioN” has a truly horrible title, owing specifically to its liberal abuse of upper- and lower-case letters, and I went into the album expecting to hate the thing. Instead, it’s probably my favorite track on Virtue, and in many ways, the most straight-up gorgeous song ever recorded by Julian Casablancas. Compositionally, it kinda sounds like Pinback: that crisp architectural melody over the reggae-ish rhythm; the shift into dizzying angelic beauty on the chorus. But sonically, it could be a Metro Boomin’ production: the vast echo; the hard, sparse beat. It rules.


Thom Yorke - Suspirium 3:21
Call Me By Your Name director Luca Guadagnino will release his remake of Dario Argento’s 1977 cult horror classic Suspiria. Even though the film itself might be doing too much, its Thom Yorke-scored soundtrack is still something to be excited about — as well as the fact that the Radiohead frontman and his absolute look-alike Tilda Swinton finally get to be involved in the same project.



Open Mike Eagle - Relatable (peak OME) 3:05
The Los Angeles underground rap veteran has just shared a new song called “Relatable (peak OME),” the first taste of his upcoming project What Happens When I Try to Relax... “When I get nervous, say something relatable/ I’m hella relatable,” Open Mike Eagle raps on “Relatable (peak OME).” “It’s too complicated for a quick explanation,” he explains in a statement. “It’s about a lot of things. It’s about expectations of form, anxiety, middle age and middle class. and that’s just the parts I know how to put into words a couple months after writing it.”


Forth Wanderers - Nevermine 3:54
Album opener “Nevermine” is built around spindly guitar interplay that expands into a huge, glorious chorus, almost like the New Jersey combo’s instruments are constructing the foundation for a towering monument. It certainly sounds monumental, anyway, without being too showy about it.
Ava Trilling’s first words seem to be addressing an ex: “I am the one you think of when you’re with her, and what do you have? Nothing on me.” She continues from there with a drowsy detachment in her delivery that belies the intensity of the narrative.


Pllush - Big Train 3:51
Everything about Pllush’s debut album sounds massive. Take “Big Train,” the third single from Stranger To The Pain and, to my ears, one of the best things that the San Francisco band has ever done. That chorus is just so good, the kind of perfectly logical rush that still feels entirely unexpected at the same time. “Who’s gonna love me more/ When I’m crying in the middle of the night?” Karli Helm sings, each word slotting into place like a puzzle piece. “Lately I’m feeling torn/ ‘Cuz nothing ever comes out right.” The song tendrils out from that first hit, Helm’s voice gruff and reactive, as a chorus of singers builds in the background to a magnificent and booming conclusion.
The song’s about learning to love yourself before anyone else, realizing that you can’t reciprocate what you don’t have. It’s about the independence that comes with being on your own, the fight to stand on your own two feet without breaking down.


Mary Lattimore - It Feels Like Floating 11:31
...from harpist Mary Lattimore. The song finds its drifting, airborne effect over the course of 11 minutes. Lattimore wrote this album during her stay at a seaside Northern California artist colony called Headlands Center for the Arts last summer, setting up shop in a barn with her 47­-string harp by day and commingling with her fellow artists by night. With that knowledge in hand, the song’s ambient sprawl is definitely giving me mental pictures of fog rising over the redwoods.
Here’s some more context for you: Lattimore plays placid music with a deeply traditional instrument, but she’s also going on tour with Iceage this year...


Rolling Blackouts Coastal Fever, DISQ, Bristletongue, Lana Del Rey, Pistol Annies, boygenius, The Voidz, Thom Yorke, Open Mike Eagle, Forth Wanderers, Pllush, Mary Lattimore

2018. november 11., vasárnap

006 ALTER.NATiON: weekly favtraX / 11-11-2018

ALTER.NATiON
D. Patucchi, SAVAK, boygenius, Jon Spencer, Beach House, Girlpool, Gouge Away, Rays, Ellis, J Fernandez, Thom Yorke, Gary Pacific Orchestra


weekly favtraX
11-11-2018



D. Patucchi - Dimonstrazione 2:21
In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required.
Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce.

SAVAK - Agronomy Domine 4:05
Only a year separated SAVAK's second album, 2017's Cut-Ups, and their third, 2018's Beg Your Pardon, which is an impressively fast turnaround for an indie band in the 2010s. Stylistically, the band didn't advance all that much in the space of 12 months, but Beg Your Pardon does sound noticeably different than its older sibling... Guitarist Sohrab Habibion and Michael Jaworski have sharpened their attack both individually and as a combination, and bassist James Canty and drummer Matt Schulz hit harder and with a better sense of groove on these sessions, driving the music forward while adding to their melodic power.

boygenius - Salt in the Wound 4:11
In a delightful twist on this binary categorizing, Dacus, Baker, and folk-rock songwriter Phoebe Bridgers announced in August that they’d made an EP under the name boygenius, a nod to the way we can carelessly lean on gender to telegraph meaning. A boy can be an individual genius, while women in indie rock are all the same. In advance of a tour they had coming up together, the trio of indie titans decided to record a 7" as a supergroup, and the result briefly winks at, then pulverizes the reductive labels we heap onto women musicians.






Scuzz-rocking guitarist who fused ernest traditionalism and destructive tendencies fronting Pussy Galore, the Blues Explosion, and Heavy Trash.
Jon Spencer - Wilderness 2:27
...The only thing curious about that would be that this marks the first time Spencer has released a solo project. Spencer has always displayed a strong personal style, whether in the noise rock assault of Pussy Galore, the hard wailing of the Jon Spencer Blues Explosion, the lascivious R&B stomp of Boss Hog, or the roots-conscious swagger of Heavy Trash. But if you were expecting that something new would be revealed with Spencer as the uncontested leader, free to bend his talents into any direction he chose, well, that's really not what you get here. More than anything, Spencer Sings the Hits suggests the Blues Explosion without the same degree of fire and gravity, and with a little bit of noisy clatter and keyboard blurt added for seasoning...

Beach House - Alien 4:03
...“Alien,” which magically appeared on YouTube over the weekend, apparently comes from the 7 sessions; the YouTube caption only calls it an “unreleased B-side” from the album. But the song achieves the same sort of liftoff as the single “Dive.” It’s a grand, world-swallowing song, the type of thing that demands to be heard pumping from speakers at Red Rocks or at the Hollywood Bowl, while dry ice fills up the stage and makes the people up there hard to see...

Girlpool - Where You Sink 3:22
You can never fully understand another person and nobody will ever fully understand you. We try to fill the gaps with communication and analysis, but our perceptions of people are just that. On “Where You Sink,” Girlpool carry this burden, consumed by the Sisyphean task of trying to know someone who doesn’t want to know themselves. It feels like quicksand. Grainy reverb and rumination drone toward a pit. Chugging guitars struggle to fight the earth’s pull as Harmony Tividad grasps at the frayed edges. There are moments where it’s hard to tell whether she’s drowning or digging.

Gouge Away - Ghost 3:33
Florida hardcore band Gouge Away are named after the final track on Pixies’ 1989 album Doolittle. And their new song, “Ghost,” finds the band moving closer to their namesake. Like “Gouge Away,” and Doolittle as a whole, “Ghost” doesn’t sacrifice melody for noise. The rhythm nearly inverts that of “Gouge Away.” “Ghost” sounds like its offspring, similar structure — simple, captivating bassline and gruff vocals — with modern flourishes.

Rays - Fallen Stars 3:04
Rays' second album marks a major shift for the band, one that makes a world of difference. After releasing a debut that was woolly around the edges as it mixed scrappy Flying Nun-inspired guitar pop and jagged, lo-fi post-punk, You Can Get There from Here is a slight step in a different direction. They've ditched some of the punk in favor of a mid-'80s indie pop sound that would have sounded good wedged between classic Pastels and Dolly Mixture singles... Now it's clear just how much Martinez is inspired by the vocals of Stephen Pastel, especially on the slow-rolling "To the Fire" and the sweet-as-punch "Fallen Stars," which leads the album off on the right foot.

Ellis - All This Time 4:25
“All This Time” finds Ellis in the thick of the storm. Sludgy guitars thunder, dissipating on the fringes of her words: “Do I scare you?” There’s a moment where she clears the sonic fog, her voice outlined in synth: “All this time I thought that you were trying to change me / You were trying to strip away the parts you knew were never me at all.” The clouds come back in as she repeats these lines, layered with fuzz, growing stronger with each utterance before losing shape and fading into the void.

J Fernandez - Unwind 2:30
The encapsulation of '60s & '70s pop is front and center in "Unwind." The prominent keys and electric guitar don't shy away from making bold statements instrumentally. The vocals compliment the composition perfectly by offering a relaxed and simmered sound. The genre melding that takes place here combines experimental pop and psychedelic fixings to create a short but sweetly pleasant prize. What did we do to deserve J Fernandez?

Thom Yorke - Unmade 4:27
For Luca Guadagnino's 2018 remake of Dario Argento's 1977 horror classic, Radiohead frontman Thom Yorke took the reins to produce an updated soundtrack, adding familiar touches to an appropriately unsettling and tense experience. Yorke's Suspiria feels nostalgic yet strangely futuristic... "Unmade" is another standout, swirling together icy piano, Yorke's soothing vocals, and a sweeping choir in one of the soundtrack's only purely lovely moments. Altogether, Suspiria is an appropriate accompaniment to the film, generating fear and discomfort as much by what's presented by Yorke as what's left to the imagination.






Gary Pacific Orchestra - Soft Wind 2:05

...The perfect companion to the David Hollander curated book Unusual Sounds: The Hidden History of Library Music (out now on Anthology Editions), these 20 tracks, encapsulate the niche and fascinating subculture of library music. Genres were spliced, conventions dispensed with, and oftentimes hybrid music of astonishing complexity was produced. Elements of rock, jazz, soul, even twentieth-century avant-garde composition were all utilized, and no stone was left unturned. As a result, some of the best library music defies all categorization, reflecting the individualistic quirks and artistry of the various musicians who made it.



D. Patucchi, SAVAK, boygenius, Jon Spencer, Beach House, Girlpool, Gouge Away, Rays, Ellis, J Fernandez, Thom Yorke, Gary Pacific Orchestra