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A következő címkéjű bejegyzések mutatása: Rodrigo y Gabriela. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Rodrigo y Gabriela. Összes bejegyzés megjelenítése

2020. október 11., vasárnap

"I Put a Spell on You" #104 ALTER.NATION.MiX - weekly favtraX 11-10-2020

ALTER.NATION #104
The Jaded Hearts Club, The Nude Party,Frankie & the Witch Fingers,Rodrigo y Gabriela,Robert Plant, Drive-By Truckers, Hot Chip, Beatrice Dillon, Róisín Murphy, The Jaded Hearts Club

weekly favtraX
1 1 - 1 0 - 2 0 2 0


"I Put a Spell on You"




A supergroup comprised of members of the Last Shadow Puppets, Jet, Muse, Blur, and the Zutons, the Jaded Hearts Club was formed by guitarist and founder Jamie Davis, who rounded up his famous friends to perform as a cover band for a birthday party. Influenced by Northern soul and Motown, they made it official in 2020 with the release of their debut album, You've Always Been Here.
The Jaded Hearts Club - You've Always Been Here / I Put a Spell on You
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons)...
Bellamy and Davis started working on an album, with Bellamy producing, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”


Formed by college freshmen in North Carolina in 2012, this band celebrates the clanging frat rock of the '60s as well as the Velvet Underground.
After two years of near-constant touring in support of their self-titled debut album, the Nude Party headed back to their communal farmhouse in the Catskills to work on another full-length with Black Lips' Oakley Munson. The resulting follow-up, Midnight Manor, finds the six-piece still cranking out riff-fueled, freewheeling rock jams about booze and women (and the music industry). Indebted to '60s and '70s acts like the Velvet Underground, T. Rex, the Rolling Stones, and the Kinks throughout, the 12-track set has both swagger and nervous energy to spare...


Los Angeles-by-way-of-Indiana foursome whose music takes tough garage punk and runs it through a heavy psychedelic filter.

Frankie & the Witch Fingers - Monsters Eating People Eating Monsters…/ MEPEM
When momentum is in full swing on Frankie and the Witch Fingers’ ‘Monsters Eating People Eating Monsters’ it is boundless. In a greenhorn’s hands, this fired-up haste could be a ghastly listening experience, but fortunately, the L.A.-based foursome handles abundant vigour with a supreme deftness, which they honed to a superlunar level on 2019’s ‘ZAM’. Like its predecessor, ‘MEPEM’ continues to shed further layers of the band’s lo-fi garage- rock-of-yore DNA in favour of a richer and groovier psychedelia, but most importantly, it is a more polished manifestation of their own sound, and never has it been this thick...



Mexican guitar duo that plays an appealing amalgam of classical, Latin, world music, and heavy metal.
Rodrigo y Gabriela - Mettavolution [Live] / Diablo Rojo
When guitarists Rodrigo Sánchez and Gabriela Quintero released Mettavolution in 2019, it marked their first studio outing in five years. Their goal was to "reconnect with the physical rush and emotional core of the music we first made together." They succeeded. It not only charted but took home the Grammy Award for Best Contemporary Instrumental Album. Their 92-city world tour was met with wildly enthusiastic responses. The pair claimed the jaunt "was the very moment we felt truly complete as artists and musicians." The duo planned on continuing their road sojourn in 2020, but the COVID-19 pandemic intervened. Thankfully, they recorded most of those shows. This 81-minute, double-length set contains performances of the entire Mettavolution album with select concert staples...



As the lead singer of Led Zeppelin, Robert Plant seemed invincible, a "Golden God" in the words of journalist/filmmaker Cameron Crowe. Plant may have embraced rock stardom at the height of Zeppelin's zenith in the mid-'70s, but the singer spent the decades following the band's 1980 dissolution exploring the road less-traveled. Beginning with his 1982 solo debut, Pictures at Eleven, Plant pursued a feverishly adventurous solo career, embracing synthesizers and art rock that seemed to be the antithesis of Zeppelin's majestic hard rock, but he'd also later dabble in sampling and world music
Robert Plant launched the Digging Deep podcast in 2019 as a way for him to explore the intricacies and oddities of his body of work. A year later, he released Digging Deep: Subterranea, a double-disc deep dive that effectively functions as a soundtrack to the podcast. Plant talks about Led Zeppelin tunes on Digging Deep, but Subterranea pointedly concentrates on his solo career. It's a compilation that strives to make overarching connections, so it doesn't proceed in a chronological order, nor does it have all of his hits. Neither his oldies folly the Honeydrippers nor Raising Sand, his Grammy-winning collaboration with Alison Krauss, are here, nor are there big rock radio hits like "Little by Little" and "Tall Cool One." Instead, Digging Deep: Subterranea places 1993's Fate of Nations at the forefront and follows its strands front and back, creating a moody, adventurous bit of autobiography. Maybe it doesn't deliver the hits the way most compilations do, but it certainly captures the musical wanderlust that defines Plant's career.



Boasting a mix of Southern pride, erudite lyrics, and a muscled, guitar-heavy attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. 
Drive-By Truckers - The New OkSea Island Lonely
Musicians play music. That's what they do. Unless they suddenly can't go out and perform for people because, say, there's a global pandemic that has almost entirely shut down live music. Life in a divided nation under the rule of Donald Trump was already weighing heavy on the minds of the Drive-By Truckers on 2016's American Band and 2020's The Unraveling, and being stuck at home and unable to tour, with little to do but watch their nation burn, hasn't made them feel any better. In many respects, 2020's The New OK is an album that came to be because the DBTs couldn't do much else... 


British alternative dance act formed by Alexis Taylor and Joe Goddard, known for their melodicism and witty, affecting songwriting.
Hot Chip - Late Night Tales: Hot ChipWorkaround Two feat. Beatrice Dillon
... On their first mix album in over a decade, Hot Chip focus on tracks from the 2010s instead of digging for vintage cuts, a choice that adds a welcome freshness to the set. They also emphasize selections from female and non-binary artists that make for some of the collection's most striking moments... Beatrice Dillon's taut fusion of experimental techno and jazz on "Workaround Two." Within its artfully calibrated ebb and flow of propulsive cuts and restful ones, the mix circles through contemplative, danceable, and sensual moods...


Former Moloko frontwoman who explored adventurous electronic pop in her solo career. A purveyor of adventurous, omnivorous pop, Róisín Murphy makes influences as far-flung as disco and hot jazz her own. As a solo artist, she builds on the eclectic style she forged as Moloko's frontwoman in increasingly confident and distinctive ways. 
...A swirl of mirror ball sparkles and dry ice fog, it spoke to Donna Summer and Giorgio Moroder's transporting version of disco as well as Murphy's skill at sweeping listeners into a world of her own. It was a potent start to her collaboration with Barratt, who went on to craft similarly elegant music steeped in house and disco traditions as Crooked Man. On 2020's Róisín Machine, he and Murphy continue to bring out the best in each other...

A supergroup comprised of members of the Last Shadow Puppets, Jet, Muse, Blur, and the Zutons, the Jaded Hearts Club was formed by guitarist and founder Jamie Davis, who rounded up his famous friends to perform as a cover band for a birthday party. Influenced by Northern soul and Motown, they made it official in 2020 with the release of their debut album, You've Always Been Here.
The Jaded Hearts Club - You've Always Been Here / Fever
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons)...
Bellamy and Davis started working on an album, with Bellamy producing, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”

The Jaded Hearts Club, The Nude Party,Frankie & the Witch Fingers,Rodrigo y Gabriela,Robert Plant, Drive-By Truckers, Hot Chip, Beatrice Dillon, Róisín Murphy, The Jaded Hearts Club







2019. április 28., vasárnap

032 ALTER.NATION: weekly favtraX 28-04-2019

ALTER.NATION #32
Foxygen, The Black Keys, Josh Ritter, King Gizzard & the Lizard Wizard, The Cranberries, Lamb, Kevin Morby, Guided by Voices, Altin Gün, Otoboke Beaver, Rodrigo y Gabriela

weekly favtraX
 28-04-2019




A classic rock-leaning experimental duo who do warped takes on pop masterpieces.
Foxygen - Face the Facts from Seeing Other People
...“Face the Facts” explores what it’s like to become an irrelevant musician, offering a tongue-in-cheek list of regrets and impossibilities. While some of the tune reads as genuine, it walks the line between sincere and ridiculous, with absurd banter like “I’m never going to see your face again/ I’m never going to dance like James Brown/ I’m never going to be black/ and I’m never going to get you back” making it hard to take too seriously.
Regardless, the song fits well with what we’ve heard from Seeing Other People thus far, continuing to move the group in the self-proclaimed “Sad-Boy Plastic-Soul Adult-Contemporary Cartoon-Noir” direction they’ve been promoting...


Intense Akron, Ohio blues-soaked duo that began by overwhelming indie rock critics and quickly moved to arena audiences. 
The Black KeysEagle Birds
The Black Keys have just announced their ninth studio album. “Let’s Rock” will be their first in five years, following 2014’s Turn Blue... they share the album’s second offering. “Eagle Birds.” They wrote, tracked live, and produced “Let’s Rock” at Dan Auerbach’s studio Easy Eye Sound in Nashville. Leisa Hans and Ashley Wilcoxson contributed backing vocals. “The record is like a homage to electric guitar,” the band’s Patrick Carney says. “We took a simple approach and trimmed all the fat like we used to.”

Idaho singer/songwriter with a deep, expressive voice and a subtle blend of folk, country, and pop styles. 
Josh Ritter - Old Black Magic from Fever Breaks
...Less prone to stylistic detours than previous outings, Fever Breaks is a straight-up band album, with Ritter and company administering some serious muscle on cuts like "Old Black Magic" and "Losing Battles," the latter of which gives off a distinct Crazy Horse vibe.





Australian psychedelic collective with an intense work ethic and a wildly experimental outlook that reaches from synth prog to folk rock. 
King Gizzard & the Lizard Wizard - Booieman Sam from Fishing for Fishies
After taking a break from releasing new albums for over a year, the always entertaining, often brilliant King Gizzard & the Lizard Wizard returned in 2019 with Fishing for Fishies, a blues-inspired recording... "Boogieman Sam" is the most normal-sounding track on the record with its choogling groove and singsong vocals; it also features harp glissandos, strange vocal effects, and a long and wobbly guitar break. Here, and throughout, they sound like a jam band that was shot into space and came back to earth with alien DNA...


Irish alt-rock band that featured the brassy/melancholy vocals of Dolores O'Riordan and earned considerable chart success in the 1990s. 
The CranberriesWake Me When It's Over
...Like the rest of the songs on In The End, the new track still features O’Riordan’s sly, impassioned vocals. “This was a song Dolores had been working on for a little while,” Cranberries lead guitarist Noel Hogan explains. “It’s a fun song to play and it’s bright and quite uplifting. It’s very much a classic Dolores song with a soft verse and a massive chorus.”... In part, it explained their decision to release In The End with permission from O’Riordan’s family.

Mancunian duo who blend heartfelt songwriting with complex, inventive arrangements influenced by jungle, classical, jazz, and other genres. 
Lamb - Armageddon Waits from The Secret of Letting Go
British duo Lamb wrote and recorded their seventh studio full-length after completing a European tour which commemorated the 21st anniversary of their beloved 1996 debut. Since that album's release, Lou Rhodes and Andy Barlow have continually refined their genre-splicing sound without losing their touch for relating deep human emotions. The duo's songs have often featured complex arrangements that draw from jazz and drum'n'bass, but they've always served as a pedestal for Rhodes' grand, poetic sentiments...  "Armageddon Waits" injects swells of Bond-worthy cinematic strings, and while it's one of the album's most outwardly expressive, hair-raising moments, it never seems like overkill.


Los Angeles-based indie singer/songwriter with mellow, rootsy sound who started out working in Brooklyn bands the Babies and Woods. 
Kevin Morby - No Halo from Oh My God
On the four albums leading up to Oh My God, singer/songwriter Kevin Morby channeled some of rock & roll's greatest heroes, calling on various phases of Lou Reed, Patti Smith, Bob Dylan, and others with rootsy tunes that breathed with restless longing. The mystique of the songs was supported by fully fleshed-out arrangements and sharp, guitar-centered production...  Morby worked again with producer Sam Cohen (who assisted with the songwriter's 2016 album Singing Saw) and instead of the dense instrumentation of earlier work, Cohen suggested some songs be stripped down to just a few spare elements...

Long-running band led by Robert Pollard who revolutionized indie rock with ever-evolving lo-fi pop created by a rotating cast. 
Guided by Voices - Dead Liquor Store / The Pipers, The Vipers, The Snakes! from Warp and Woof
Just when we were all getting used to the notion of Guided by Voices making only one album a year and recording songs that were in the neighborhood of three minutes long, Robert Pollard has to go and remind us he's still the guy who made Bee Thousand and Alien Lanes. Something of a throwback to GbV's early lo-fi era, 2019's Warp and Woof -- which arrived a bit less than three months after the super-sized Zeppelin Over China -- is a manic burst of bite-sized tuneage, whipping through 24 songs in less than 37 minutes... And even more important, this lineup of Guided by Voices continues to demonstrate it may be the best in the group's nearly 35-year history, and guitarists Doug Gillard and Bobby Bare, Jr., bassist Mark Shue, and drummer Kevin March hit a near-perfect sweet spot between raw, scrappy basement jamming and the power of a tight, emphatic rock band in full flight. Warp and Woof is a series of short sprints compared to the marathon of Zeppelin Over China, but it covers a lot of ground at a brisk pace and it's a whole lot of fun. Who would have guessed that GbV would be in the midst of a new golden era 15 years after they first broke up?

Altin Gün - Leyla from Gece
Altin Gün were formed by former members of Jacco Gardner's band to pay tribute to the Turkish psychedelia of the early '70s that they discovered and fell in love with while on tour in Turkey. Bassist Jasper Verhulst fell under the spell of artists like Baris Manço, Selda Bağcan, and Erkin Koray, who blended traditional Turkish folk sounds with the wild sounds of their day, so Verhulst decided he wanted to do something similar in the 2010s, using modern production techniques and synthesizers along with psych guitars and Turkish instruments... Powered by the rhythm section's elastic bounce, the guitar's fuzzy wandering, the bubbling keyboards, and the bewitching sound of the electric saz (as played with fiery precision by Erdinç Ecevit), the album has a rich sound that rivals anything by modern psych masters like Dungen and King Gizzard, while remaining true to their brief of making the classic Turkish sound come alive for the modern era.Ecevit's alternately mournful and joyous vocals are a clear tie to the past, as is Merve Daşdemir's hauntingly beautiful singing. .. and songs as spookily pretty as "Leyla" or "Anlatmam Derdimi" make for perfect soundtrack music for introspective summer evenings when the shadows are just beginning to creep in.


Punk-rock-garage quartet from Kyoto, Japan. Taking their cue from other Japanese acts like Hikasyu and Yapoos, Kyoto's garage-punk quartet Otoboke Beaver also share the raucous energy and feminist perspective of Bikini Kill and the Slits
Otoboke Beaver - datsu . hikage no onna from Itekoma Hits

おとぼけビ〜バ〜 - 脱・日陰の女

When the English label Damnably Records released the 2016 compilation Okoshiyasu!! Otoboke Beaver, it made it easier for those outside of Japan to hear exactly why the Kyoto band had such a fervent fan base... Otoboke Beaver add more detail and sophistication to their music on Itekoma Hits' new songs...  Itekoma Hits doesn't leave listeners a moment to catch their breath -- or grow bored. Arriving a decade after Otoboke Beaver formed, it suggests they're becoming bolder and more surprising with time.



Mexican guitar duo that plays an appealing amalgam of classical, Latin, world music, and heavy metal. 
Rodrigo y Gabriela - Echoes (Pink Floyd cover) from Mettavolution
Mettavolution, the title of acoustic guitar duo Rodrigo y Gabriela's fifth studio album, is drawn from two distinct words. "Metta" is Sanskrit for loving kindness, compassion for self and others, and one of Buddhism's engines of "bodhichitta," the awakened heart's desire to benefit all beings through meditation and action. The word "revolution," with its Latin root, offers several meanings, including "a fundamental change in the way of thinking about something." What does Mettavolution have to do with rock & roll, particularly the metal- and flamenco-influenced inspiration of R&G's music? Doesn't beautiful music benefit all who encounter it? Mettavolution is the first studio album by the duo in five years... While the album's most previewed track is a sense-altering 19-minute cover of Pink Floyd’s "Echoes," it's in the five front-end cuts where R&G reveal their latest musical evolution...  The staccato lyric fills set up a contrast for the labyrinthine "Echoes," that commences briefly with an insistent, clarion single-note pulse. This version doesn't drift. It asserts its languid bluesy persona before articulating the melody in verses that preface the innovative themes that emerge later. It's a breathtaking conclusion that serves to underscore the abundant originality and soul R&G bring to everything they play...

Foxygen, The Black Keys, Josh Ritter, King Gizzard & the Lizard Wizard, The Cranberries, Lamb, Kevin Morby, Guided by Voices, Altin Gün, Otoboke Beaver, Rodrigo y Gabriela

2018. november 12., hétfő

12-11-2018 # WORLD:MUSiC:MiX # 33 selected ETHNiC FUSiON tracks # WmW 2014-2004

Gipsy Kings

12-11-2018  # WORLD:MUSiC:MiX # 33 selected ETHNiC FUSiON tracks # WmW 2014-2004   Gipsy Kings, Simo Lagnawi, Rodrigo Y Gabriela and C.U.B.A., Jozef Van Wissem, Luísa Maita, Lila Downs, Rajery, Ballaké Sissoko, Driss El Maloumi, Imam Baildi, Edgardo Acuña, Ali Farka Touré & Toumani Diabaté, Ana Moura

2014-2004
M U S I C



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Family act from southern France whose Afro-Spanish take on flamenco launched them to worldwide fame in the 1980s. The Gipsy Kings are largely responsible for bringing the joyful sounds of progressive pop-oriented flamenco to the world. The band started out in Arles, a village in southern France, during the '70s when brothers Nicolas and Andre Reyes, the sons of renowned flamenco artist Jose Reyes, teamed up with their cousins Jacques, Maurice, and Tonino Baliardo, whose father is Manitas de Plata. They originally called themselves Los Reyes...
Caramelo (Tonino Baliardo / Nicolás Reyes) 3:32
Samba Samba (Tonino Baliardo / Nicolás Reyes) 3:11
from Savor Flamenco 2013
It has been seven long years since France's groundbreaking Gipsy Kings have issued a recording of new material. Savor Flamenco, the group's debut for Knitting Factory, still features the band's original lineup of two groups of brothers -- the Reyes (Nicolas, Canut, Paul, Patchai, and Andre) and the Baliardos (Tonino, Paco, and Diego) -- with guest players filling out the cast. The set was produced by Tonino Baliardo and Nicolas Reyes. Musically, Savor Flamenco looks simultaneously backward and forward. The single "Samba Samba" commences with a breezy bossa nova before spiraling out, wedding both fiery flamenco and driving Brazilian samba...


...Since his arrival in the U.K in 2008 he has performed at Glastonbury Festival, V&A, BBC 6Music (Cerys Matthews Show), BBC World Service, British Museum, Leighton House, Larmer tree, Secret garden party, Roundhouse, Ritzy, Rich Mix, Hootananny, Hackney Attik, Passing Clouds, Cecil Sharp House, Shambala, Komedia, Wilderness festival, Boom Town Festival, The Third line Dubai, 5.0 Refuse Kuwait, Film Middle East Now Italy, Tabernacle, Troxy, Momo London and Dubai among many others. Playing traditional Gnawa (sacred trance music from Morocco) and Gnawa Fusion with, Electric Jalaba, Gnawa Griot, and Gnawa Blues Allstars...
Simo Lagnawi
Bolami (Traditional) 4:43
Tagna (Traditional) 6:30
from The Gnawa Berber 2014
Based in the U.K., but inspired his Moroccan-Berber origins, Simo Lagnawi presents us with an exciting and entrancing album of a dozen songs that successfully and faithfully adheres to North African gnawa traditions. There is some improvisation of sorts, which cover Saharan folk songs and ceremonial compositions. All of the songs are diverse and feature the guimbri -- a plucked lute that is native to North Africa. The authentic and tribal sound of the guimbri is haunting and natural with vocals, flute, fiddle, and banjo accompaniment in spots. Hassan Hakmoun fans will find some similarities, but the music is not electronic or rock-oriented. This is for fans seeking unadulterated gnawan trance music. Find your inner gnawa today! ~ Matthew Forss



Mexican guitar duo that plays an appealing amalgam of classical, Latin, world music, and heavy metal.  Before they became the most visible flamenco duo of the early 2000s, guitarists Rodrigo Sanchez and Gabriela Quintero bonded over heavy metal while growing up in Mexico City. They combined their talents for a time in the metal group Tierra Acida, playing around D.F. in the roughest clubs the city had to offer. Though they recorded some material, Tierra Acida never hit it big, and an album was never released. Instead, Sanchez and Quintero concentrated on learning more guitar styles, teaching lessons during the day and playing bossa novas in hotel bars at night. Bored and frustrated with their chances in the Americas, the two decided to try their luck in Europe instead.
Rodrigo Y Gabriela and C.U.B.A.
Santo Domingo 6:31
Ixtapa 8:11
Diablo Rojo 5:09
from Area 52 2012
From Re-Foc, their very first release in 2002, post-nuevo flamenco guitar duo Rodrigo Sanchez and Gabriela Quintero thumbed their noses at purist notions of flamenco. Having initially come from heavy metal, they wedded their new music to metal's pyrotechnics and the various folk styles of their native Mexico, creating a new genre in acoustic music. That said, Area 52 is unlike anything they have recorded before. The album began as simply an orchestral overview of tunes from their catalog to issue while they wrote new material, but it became something wholly other. Along with producer Peter Asher and arranger Alex Wilson (whose charts here are almost too fantastic to believe), they employed C.U.B.A., a 13-piece Cuban orchestra, and the diverse talents of several guests. Recording mainly in Havana, the duo, with C.U.B.A., set about completely reinventing RyG's songs...


Lutenist and post-minimalist composer who has brought his instrument's sound into the 21st century and collaborated with many artists. Jozef Van Wissem is a Dutch lutenist and post-minimalist composer who has been adapting via tablature and improvising on music written for his instrument circa 1600 A.D. 
Jozef Van Wissem ‎
The Joy That Never Ends (Jozef Van Wissem) 3:19
Concerning the Precise Nature of Truth (Jozef Van Wissem) 3.51
The Great Joy (Jozef Van Wissem) 5:24
from  The Joy That Never Ends 2011
There are lots of composers out there, and more than a few lutenists, but very few people still alive today who are both, and even fewer who write contemporary music for that ancient instrument. Jozef Van Wissem is one of those very few, and on this album, he plays six original compositions on a 13-course Baroque lute. In the past he has written and performed music for lute and electronics, but here he is accompanied only by the occasional electric guitar of filmmaker Jim Jarmusch and the mumbled vocals of Jeanne Madic. The titles of the pieces and the lyrics sung by Madic are taken or adapted from the Revelations of Divine Love of 14th century mystic Julian of Norwich, and the music itself tends to be rather minimalist, with lots of repetitive arpeggiated figures, sometimes consisting of overdubbed parts...