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A következő címkéjű bejegyzések mutatása: Shame. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Shame. Összes bejegyzés megjelenítése

2021. augusztus 10., kedd

10-08-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] (2h 39m)

10-08-2021 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [2019-2021] Mike KrolDeserta, Rolling Blackouts Coastal Fever, Rival Sons, The White Stripes, William Parker, Shame, Joan of Arc, Upset, The Heliocentrics, Ani DiFranco


M U S I C (2h 39m)

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An L.A.-based garage rocker with a large sense of humor plus a day job as a graphic designer.
Blue and Pink 3:32
Power Chords 3:22
Left for Dead 2:40
from Power Chords 2019
Most of the garage-punk acts that have emerged in the wake of Ty Segall and Thee Oh Sees in the 2010s have been bands with no small amount of studied cool lurking behind their sweaty energy. Mike Krol is a vital exception to this rule; Krol is far too concerned with pumping out his fuzzy, no-frills, hook-infused rock and laying his heart out for all to see to have much truck with being cool. And that's a large part of what makes his music work so well. Krol clearly has a sense of humor and isn't trying to reinvent the wheel, but it's clear that rock & roll means a lot to him...



The project of singer/songwriter/multi-instrumentalist Matthew Doty finds the sweet spot between synth pop and shoegaze.
Be So Blue 5:30
Black Aura 5:31
With Black Aura My Sun, Deserta's Matthew Doty shows off his knowledge of several decades' worth of shoegaze and synth pop as well as his skill at reinterpreting those styles in ways that are familiar, but never boring. Much like Lust for Youth, Deserta excels at creating almost uncannily perfect recombinations of iconic sounds. .. 


Sunny-sounding Australian band specializes in "soft punk/hard pop" with a smart and jangly approach.
The Second of the First 3:40
The Only One 3:46
After a couple of EPs where they worked on finding their feet as a band, the Australian quintet Rolling Blackouts Coastal Fever nailed it on their first album, 2018's Hope Downs. Their three-guitar attack was honed to a fine point, the songwriting suddenly popped like formerly plugged-up ears in a descending aircraft, and their sound had all the mystery of early R.E.M. paired with the power of the Church at their rockiest. The record would have been top of the class during the golden age of '80s jangle pop, and it shone like a glittering diamond in the murky era of chillgaze and stoned psychedelia it was surrounded by in its own time. The band must have realized they had hit on something extraordinary because on 2020's Sideways to New Italy, they don't change the formula much...


2021. január 21., csütörtök

"January 21st" #113 ALTER.NATION.MiX - weekly favtraX 21-01-2021 (13 trax, 51m)

  ALTER.NATION #113 (13 trax, 51m)

Oceanator, Henrik Appel, Dale Crover, Pom Poko, Sleaford Mods, Shame, Buck Meek, Kurt Vile, Midnight Sister, Pearl Charles, Emma Rurh Rundle, Thou, Kate Davis, Muriel Grossmann

weekly favtraX 
2 1 - 0 1 - 2 0 2 1

"January 21st"



The stage moniker of Brooklyn-based grunge, punk, and pop singer/songwriter and multi-instrumentalist Elise Okusami.
Oceanator - Things I Never SaidJanuary 21st
The debut full-length effort from Brooklyn-based singer/songwriter and multi-instrumentalist Elise Okusami, who operates under the moniker Oceanator, Things I Never Said is a delightfully understated grunge-pop paean to the disillusionment of early adulthood. Okusami is a nimble pop architect who knows how to bait a hook, and her songs, which marry the riot grrrl ethos of Sleater-Kinney with the neatly wrapped emo-pop earworms of Jimmy Eat World, frequently take abrupt instrumental detours that lead the listener into new sonic headwaters...

Stockholm garage rocker who played with Martin Savage Gang and Lion's Den before going solo in the late 2010s.
Henrik Appel - HumanityHumanity
Already a dedicated member of the Stockholm garage rock scene, Henrik Appel offered up an impulsive, catchy solo debut with 2018's Burning Bodies. While that album consisted of voice, electric guitar, and few extra touches (he imposed a three-instrument limit on each song), Humanity embraces fuller arrangements on the whole... Another punk-derived, sax-bolstered entry, "Humanity," kicks up the tempo as it slides away from Mick Jagger toward Fred Schneider on the Appel vocal spectrum. Lyrics like "Sleep, fall, cry, die, circle of humanity" top off the track, which has a '60s go-go-boots energy all its own...


Powerhouse drummer best known for his work with the Melvins and brief tenure with Nirvana; released his debut solo album in 2017.
Dale Crover - Rat-A-Tat-Tat! / Untrue Crime
You don't spend a few decades playing with the Melvins and not learn a few things about making music that's heavy, and on Dale Crover's second solo album, 2020's Rat-A-Tat-Tat!, the band's longtime drummer (and occasional bassist) once again shows he has a real knack for coming up with a memorable hard rock song. At the same time, much like his 2017 effort The Fickle Finger of Fate, Crover also makes it clear he knows how to come up with a melody and a hook, and even though this is still full of the sort of eccentric experimentalism you might expect from a side project, the best moments here are engaging and accessible in a way many fans might not expect...


Freewheeling Norwegian act who combine math rock, post-punk, and more into equally sugary and explosive music.
Pom Poko - Cheater / Like A Lady
After charming fans of freewheeling indie pop with their debut Birthday, Pom Poko get even more rambunctious and ambitious on Cheater. Though the COVID-19 global pandemic prevented the band from road-testing these songs the way their constant gigging let them refine their debut, their second album still reflects their growing experience. Pom Poko sound looser and more cohesive on these spiky fluorescent outbursts, and the way they turn the bits and pieces other bands wouldn't think of putting together into swift, dazzling collages is truly impressive. To challenge conventional notions of femininity on "Like a Lady," Ragnhild Fangel Jamtveit adds a spoonful of sugar to her vocals, while Martin Miguel Almagro Tonne channels the elephantine riffs of the Breeders' "Cannonball."...


British rap-punk duo with an aggressive, no-nonsense sound led by the blue-collar, ranting wordplay of Jason Williamson.
Sleaford Mods - Spare Ribs / Mork n Mindy feat. Billy Nomates
On Spare Ribs, Sleaford Mods prove once again that they're capable of not just surviving but thriving during difficult times. Largely written and recorded during the COVID-19 global pandemic, its songs are very much of the moment -- and what a moment... Likewise, the punchy bass and synths on the title track give an extra weight to the duo's observations about the pandemic's earliest victims. However, the album's biggest change comes with the inclusion of two female guest vocalists who are more than capable of holding their own against Williamson's rasp...


Bracing South London post-punk band with a passionate, political viewpoint. South London's brash post-punk outfit Shame follows in the footsteps of unflinching musicians and writers such as the Fall, Television Personalities, and Irvine Welsh.
Shame - Drunk Tank PinkHuman, for a Minute
Shame already displayed plenty of ambition and a penchant for drama on Songs of Praise, but they're twice as potent on Drunk Tank Pink. Though it's named for the color used to subdue violently inebriated prisoners, there's little soothing about the band's second album; in fact, by comparison, their debut sounds almost staid. Following Songs of Praise's success, Shame found new ways to tear things up. Guitarist Sean Coyle-Smith got into Nigerian highlife music, ESG, and Talking Heads, while vocalist Charlie Steen used the highs and lows that followed their whirlwind fame as fodder for his lyrics... Even in more restrained moments like these, Shame never lose their momentum on Drunk Tank Pink, an often thrilling snapshot of a band headed for great things -- and quickly.


Although best known as guitarist and backing vocalist for Big Thief, Buck Meek makes gentle and melancholy, cowboy country-inflected songs as a soloist. 
Buck Meek - Two Saviors / Second Sight
Guitarist, singer, and songwriter Buck Meek released his first solo material, a three-song live album, in 2013. Backing him on the recording was soon-to-be bandmate Adrianne Lenker, and both musicians' solo endeavors were soon sidelined to a significant degree by the success and continual touring of their band, Big Thief, which formed the following year. Meek did manage to put out an eponymous solo debut on the Austin-based Keeled Scales label in 2018. It was an introduction for many to his rustic, winsome, empathic songs, which carry touches of the country and jazz manouche of the Texas native's formative playing. Performed live in the studio sans headphones and recorded to eight-track tape, the follow-up, Two Saviors, features multi-instrumentalist Mat Davidson, guitarist Adam Brisbin, pianist/organist Dylan Meek, and drummer Austin Vaughn, all prior live collaborators, as his backing band...


Philly guitar hero built a celebrated discography around his dazed and confused update to straightforward roots rock.
Kurt Vile's dazzled and disoriented songwriting usually leans heavily into slacker guitar rock influences, but the acoustic instrumentation and hints of twang that sometimes surface suggest there might be some latent country-folk inspirations deep in the mixture. The five-song EP Speed, Sound, Lonely KV brings Vile's country leanings into the spotlight, centering the short collection around a duet he recorded with his tour mate and songwriting hero John Prine a few months before his death in 2020. The song, a cover of Prine's 1979 tune "How Lucky," is jaunty and bright, Vile's voice sounding relatively light when it joins in with Prine's weathered rasp...


Cinematic art pop from the Los Angeles duo of Juliana Giraffe and Ari Balouzian.
The follow-up to Midnight Sister's 2017 debut, Saturn Over Sunset, Painting the Roses takes the cinematic, stylized art pop of wispy-voiced vocalist Juliana Giraffe and producer Ari Balouzian in still more adventurous directions... Mercurial but persistently larger than life, even in quieter moments, the sophomore set doesn't yield quite as many memorable hooks as Midnight Sister's debut but still holds fascination.


Los Angeles singer/songwriter melds jangling indie pop with low-key Americana.
Pearl Charles - Magic Mirror / All the Way
In a pleasing tangle of sun-warmed melodies and 1970s influences, Pearl Charles strikes a confident, if laid-back tone on Magic Mirror, her sophomore album. The Los Angeles native has been bubbling under the radar for nearly a decade, trying her hand in a variety of indie subsets from lo-fi Americana to garage and psychedelia before landing on a more polished amalgam of vintage-flavored country-pop and West Coast soft rock... While similar in feel to her debut, Magic Mirror is a significant step forward for Charles, who really steps up her game here.


The singer and guitarist for California post-rock/psych-metal outfit Marriages, a member of Isis-connected post-rockers Red Sparowes, and frontwoman for atmospheric psych-folk/slowcore collective Nocturnes, singer/songwriter, guitarist, and visual artist Emma Ruth Rundle is also an accomplished solo artist.
An experimental doom band from Baton Rouge known for their staunchly D.I.Y. philosophy and boundary-pushing music. Born in of the swampy humidity of Baton Rouge, Louisiana, stoner/sludge metal band Thou are as massive as they are prolific. Thou's sound blends the shuddering heaviness of doom with the oppressive atmospherics of black metal, giving the band a monolithic sound that feels, at times, inescapable. Thou have maintained a strictly D.I.Y. philosophy, booking their own tours and making their music available with free downloads.
Emma Ruth Rundle and Thou's 2020 collaborative album May Our Chambers Be Full was a marriage of intensities, bringing together vocalist/guitarist Rundle's gifts for dark melodic atmospheres with Louisiana ensemble Thou's thick and sludgy doom metal. The album paired Rundle's controlled, shadowy vocals with wraithlike screams from Thou's Bryan Funck, and explored moments of floating dreaminess not unlike early 4AD output that turned on a dime to psychedelic alt-rock guitar riffing or blasts of black metal-inspired power...  The other three songs waver between sections of intense doom metal and quiet, moody goth rock, with "Hollywood" being the most dynamic of the bunch...


Musical polymath who released jazz albums as a teen and wrote "Seventeen" with Sharon Van Etten before emerging with indie rock of her own.
Kate Davis - Strange Boy / Feels Good
Following an engaging indie singer/songwriter debut that showcased her sophisticated, self-examining writing style, onetime jazz prodigy Kate Davis puts a personalized spin on the work of beloved outsider musician Daniel Johnston. A track-for-track cover of his lo-fi 1984 album Retired Boxer, Strange Boy alternates songs with brief, manipulated recordings of interviews with friends reminiscing about Johnston and his music...


European saxophonist whose approach to spiritual jazz reflects Coltrane's legacy yet possesses an individual musical signature.
Muriel Grossmann - Quiet EarthAfrican Call
With 2019's Reverence, Ibiza-based saxophonist and composer Muriel Grossmann sought to explore the connections between the spiritual jazz tradition and its antecedent roots in African music. To realize this, she expanded her quartet -- guitarist Radomir Milojkovic, bassist Gina Schwarz, and drummer Uros Stamenkovic -- to include Hammond organist Llorenç Barceló. The B-3's textural, tonal, and rhythmic possibilities added dimension to the group's already expansive approach to groove and explorations... The rhythm section opens the gate for Barceló, who bridges groove and North African modes to jazz. "African Call" weds West African juju and highlife styles to South African Township jive and Afro-Latin jazz. The entwined guitar and organ sound like Sonny Sharrock and Larry Young playing with Sonny Rollins on "Don't Stop the Carnival" -- it gets quoted in Grossmann's solo. The interplay between Stamenkovic's cymbal syncopations and Milojkovic's chunky single-string playing is nearly symbiotic, reflecting the rhythmic and textural depth in this band's approach... On Quiet Earth, Grossmann expands her earlier avant approach and embraces a more sophisticated, spiritually and emotionally resonant one. That said, this album is not a mere signifier for stylistic transition; instead it achieves a holistic, fully developed musical realization.


Oceanator, Henrik Appel, Dale Crover, Pom Poko, Sleaford Mods, Shame, Buck Meek, Kurt Vile, Midnight Sister, Pearl Charles, Emma Rurh Rundle, Thou, Kate Davis, Muriel Grossmann


2018. december 16., vasárnap

011 ALTER.NATiON: weekly favtraX / 16-12-2018

ALTER.NATiON
Karen O, Michael Kiwanuka, Mass Gothic, Art School Girlfriend, Nine Inch Nails, Unloved, Beach House, Gorillaz, George Benson, Hollie Cook, Shame, BC Camplight, Cherry Glazerr, Pangaea, Courtney Barnett

Karen O

weekly favtraX
16-12-2018





Karen O/Michael Kiwanuka - YO! MY SAINT
Yeah Yeah Yeahs’ Karen O returns for Korean soap opera inspired track with Michael Kiwanuka
The new track, ’YO! MY SAINT’, is released in support of fashion house KENZO’s Spring Summer 18 collection.
“For the music, I immediately wanted to do melodramatic and romantic and with lots of yearning and high stakes – all that good stuff that’s in any Korean soap opera.
“It just started owing through me.”
She added: “I wanted there to be something authentically romantic about it in some kind of slightly unconventional way. That’s where my head went with it.”

Mass Gothic - How I Love You
Mass Gothic are tripping over themselves with whimsy in 'How I Love You'
...As you'd expect, 'How I Love You' is a pure love song, led this time by Jessica Zambri. Over spare guitar chords she expresses her simple but deeply personal feelings regarding her life partner, as she watches him leave for the day and feels the pain in her heart as he recedes from her. As drums and distorted guitar are added to the song, it only intensifies the feeling of the deep love that is being expressed in the song...



Art School Girlfriend - Distance (Blank)
Art School Girlfriend Shares Crisp New Song 'Distance (Blank)'
The project is an outlet for Polly Mackey, a musician whose path from London to Margate has opened up possibilities both creative and personal.
New song 'Distance (Blank)' deals with this, the sub-zero electronics moving from crowded intensity to something a little more relaxed, pinned together by Polly's vocal.
"Lately I am in over my head," she comments, a testimony to the grinding penetration of London life, and a plea for something more.






Nine Inch Nails - God Break Down the Door
Reznor described the writing of the song, stating
"Looking around the studio and seeing the untouched baritone tenor and alto sax that are sitting there ... they're there because they remind me that I can't play them as well as I used to be able to. There they sit taunting me in the corner. We pulled them out and we just started fucking around really, led with Atticus arranging. I was just kind of going, an hour performance kind of turned into this thing that felt like we hadn't been there before and that started to reveal a whole different character. The space changed and then we felt motivated. When it came time to sing I was really just trying things out, just to see. I never had the courage to sing like that, I didn't know I could sing." (rollingstone)

Unloved - Heartbreak
Comprised of vocalist and songwriter Jade Vincent, producer/composer Keefus Ciancia, and DJ/ producer/composer David Holmes, Unloved share a fondness for 60’s girl groups and classic film scores, to which they explored on their haunting, dramatic and evocative 2016 debut Guilty of Love.
Two years on and freshly signed to Heavenly Records, the trio have new single ‘Heartbreak’, the first taken from their forthcoming second album. ‘Heartbreak’ continues where the spellbinding Guilty of Love left off; a jaunty, defiant and richly atmospheric pop song tempered by a deliciously retro ’60s vibe and Vincent’s rich, smoky and evocative vocals. Possessed of an aching, rich-smoked tone, it is where the heart of the songs lie.

Beach House - Lemon Glow
...Released late on Valentine’s Day, “Lemon Glow” is another entry in Beach House’s canon of makeout music; it’s a song about the thrill of intimacy, a breathless hymn to emotional connection. Atop a bed of the duo’s trademark organ and drum machine, Legrand sings about a lover with newfound rawness and lyrical clarity: “It’s what you do/This pulls me through/I come alive/You stay all night,” she sings. A metallic, strobing synth line constantly pushes the song forward; distinct and acidic, it adds a constant tension to the piece, a harshness that hasn’t felt present in the band’s sound before. As the song layers and builds, the synths become more urgent, finally reaching an ecstatic peak as a bass drum pounds. The song’s abrupt end comes as a shock; Beach House songs have always found beauty in a perfect synthesis of motion and stillness, but “Lemon Glow” is pure propulsion...

Gorillaz feat. George Benson - Humility
"Humility" is a single by English virtual band Gorillaz featuring American jazz guitarist George Benson. It was released on 31 May 2018 along with "Lake Zurich" as the first single from their sixth studio album, The Now Now.

Hollie Cook - Stay Alive
A vocalist who calls her music "tropical pop," Hollie Cook's songs are a light but refreshing blend of modern pop and vintage reggae influences, ideally suited to Cook's supple, sensuous voice. Cook certainly has the genes for a career in music -- her father Paul Cook was the drummer for the Sex Pistols, while her mother Jeni Cook was a backing vocalist for Culture Club. (If that's not enough, Boy George is her godfather, and David Bowie once babysat her for an afternoon.) Born in 1987, Cook left school when she was 16 to study art and make-up design, but she got pulled onto a new career path in 2006 when Ari Up, leader of the iconic all-female punk/reggae band the Slits, re-formed the group and recruited Paul Cook to produce and play on their new recordings...


Shame - One Rizla
The post-punk of London band Shame has a lot of heart
“One Rizla” is a punchy taste of their new album.
Beneath the sneering vocals and warring guitars, there’s a finely attuned sense of songcraft to the post-punk of south London band Shame. That’s evident on “One Rizla,” a full-throttle yet heartfelt guitar jam that’s the first single taken from their debut album, Songs Of Praise, coming January 12 on Dead Oceans.
Over email, Shame explained more about the song and video: “Embracing insecurity as a strength is what this song is about. It's the first song we ever wrote as a band and I think that's reflected in the simplicity of it. It's honest and raw, whilst attempting a stab at number one in the pop charts across the eastern hemisphere. We wanted to turn the album artwork into the video for ‘One Rizla,’ highlighting our vulnerability as individuals whilst paying homage to [U.K. cult movie] Withnail & I simultaneously.”

BC Camplight - I'm Desperate
BC Camplight presents a hellish vision of Brexit Britain in his new song and video 'I'm Desperate'
...The title 'I'm Desperate' should be taken both at face value and with a pinch of salt; Brian Christinzio has had a tough few years of forced emigration and institutions telling him he's unwelcome, but he has managed to keep a wry and playful outlook throughout the tumult, and infuses his songs with that same charm. When it comes to the visual accompaniment for 'I'm Desperate' he takes both of these poles to new extremes. It sets up with Brian and his unwell wife watching the news (never a comfortable activity anymore), and as she drifts off to sleep we are sucked into her nightmare where the frenetic and tense 'I'm Desperate' is the frantic soundtrack to her warped visions of Brian and his band playing the song...


Cherry Glazerr - Juicy Socks
Cherry Glazerr transitioned from their original lo-fi, garage rock sound to a more polished style on last year’s Apocalipstick. The Los Angeles band continues to showcase that evolution on their new single, “Juicy Socks”.
Influenced by ’90s era alternative rock like The Breeders, the new track gets off to an unassuming start with wispy melodies from lead singer Clementine Creevy accompanied by a catchy guitar riff. As the song reaches its climax, however, Creevy’s vocals intensify as more guitars enter the fold.
“‘Juicy Socks’ is about vocalization,” Creevy shared in a press release. “Using one’s voice as a strong weapon and needing to be heard in order to not feel like shit. Oh also, it’s about wanting to smash Donald Trump’s orange fuckin’ head into a brick wall!”

Pangaea - Bone Sucka
You don't have to look very far to find old-school breaks in house and techno these days. They appear right at the beginning of Kevin McAuley's new track "Bone Sucka," and there's something almost comical about them. They stay back in the distance and waddle across the stereo spectrum, from left to right and back again. Before you figure out what's going on they slam into full-force, creating the pulverizing banger you never expected. An impish mood heightened by vocal gasps and bleepy noises makes "Bone Sucka" a classic Hessle Audio track, balancing hijinks with brute force like Joe's "Tail Lift" and Pev & Kowton's "Raw Code."


Courtney Barnett - Sunday Roast
...A press release describes Barnett’s album-closing “Sunday Roast” as “an ode to friendship and the simple pleasures of sharing a dinner with loved ones.” Barnett’s atmospheric guitar playing and soft, heartfelt vocals result in a sweet and serene song, as the Australia native sings words of encouragement and acceptance: “I know it’s been a long week / And now you’re takin’ your time / Some kindness goes around / Some kinda backfires / It’s all the same to me.” The video is just as earnest and openhearted, with Barnett and her friends staging a charmingly simplistic instructional video on how to play the song...
selection from AllMusic Loves 2018

Karen O, Michael Kiwanuka, Mass Gothic, Art School Girlfriend, Nine Inch Nails, Unloved, Beach House, Gorillaz, George Benson, Hollie Cook, Shame, BC Camplight, Cherry Glazerr, Pangaea, Courtney Barnett