mixtapes for weathers and moods / music for good days and bad days


For nonstop listening of players' tracks you must login to DEEZER music site! / A lejátszók számainak zavartalan hallgatásához be kell lépned a DEEZER zeneoldalra.

A következő címkéjű bejegyzések mutatása: Wilmoth Houdini. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Wilmoth Houdini. Összes bejegyzés megjelenítése

2019. április 16., kedd

16-04-2019 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959



Image: Melton Prior, Carnival in Port of Spain Trinidad, 1888, Illustrated London News. (source)
16-04-2019 ~ PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959   >>Macbeth the Great, Mighty Panther, Calypso, Elvis Presley, Junior Wells, Django Reinhardt, Chris Powell, Bumble Bee Slim, Charlie Parker, Fats Navarro, Tadd Dameron, Evelyn Knight, Nat King Cole, Pee Wee Hunt & His Orchestra, Wilmoth Houdini, Sam Manning, King Radio, Calypso Pionners, Lionel Hampton, Dinah Washington<<

Z E N E  /  M U S I C



LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971

preHiSTORY:MiX tag A lejátszó mindig a legújabb playlist számait játssza. / The player always plays the latest playlist tracks.

before 1959


Calypso Legends
Macbeth the Great
Buy Me a Zeppelin 2:24
Take Me Take Me 2:55
Mighty Panther
Zoop Zoop Zoop 2:55
from 1953 - 1956
Calypso is a style of Afro-Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and eventually spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
A music and film icon whose natural blend of country, pop, and R&B sold millions and became the cornerstone of rock & roll. Elvis Presley may be the single most important figure in American 20th century popular music. Not necessarily the best, and certainly not the most consistent. But no one could argue with the fact that he was the musician most responsible for popularizing rock & roll on an international level. Viewed in cold sales figures, his impact was phenomenal. Dozens upon dozens of international smashes from the mid-'50s to the mid-'70s, as well as the steady sales of his catalog and reissues since his death in 1977, may make him the single highest-selling performer in history.
Elvis Presley
My Happiness (Acetate – Personal Recording) 2:30
Mystery Train 2:29
How Do You Think I Feel? (Guitar Tape Slapback Rehearsals) 4:22
...via Scotty Moore's guitar slapback tape...
from The Complete Works 1953-1955 - Memphis Recording Service (MRS)
It has been more than a decade since Pirzada’s ground breaking (and more expensive) books, co-written with John Michael Heath, Elvis Presley Memphis Recording Service Volume 1 1953-1954 and Memphis Recording Service Volume 2 – 1955 The Rise of Elvis Presley. Some may view ‘Elvis Presley The Complete Works 1953-1955’ as a pared down version of these earlier releases but nevertheless is a still highly enjoyable and valuable offering from MRS. The fact that Pirzada's earlier books are sold-out and hard to find is another good reason for this new MRS volume examining Elvis' early work.


Regarded as the last of the great Chicago harmonica players, he was an impressive stylist and a leading practitioner of postwar blues harmonica. 
Junior Wells
Hoodoo Man (Junior Wells) feat, Elmore James 3:08
Junior's Wail (Junior Wells) 2:55
Lord, Lord (Junior Wells) feat. Willie Dixon, Muddy Waters, Otis Spann  2:42
So All Alone (Junior Wells) feat. Willie Dixon, Muddy Waters, Otis Spann 3:22
from Blues Hit Big Town,
the 1953-54 Recordings
This collection of Wells' debut recordings for the States label adds four previously unheard tracks along with the original 13-track vinyl lineup. Wells' legacy begins with these landmark sides, featuring Elmore James, Muddy Waters, Johnnie Jones, Otis Spann, Willie Dixon, and the Aces in the lineup at various points. Whether it's a slow one like his original take on "Hoodoo Man" or a jump number like "Cut That Out," the grooves are classic Chicago and a mile deep. Most telling are the acoustic duets with Louis Myers recorded between the 1953 and 1954 studio sessions and the fine instrumentals like "Junior's Wail" and "Eagle Rock." Although at the start of a long career, it's obvious that Junior Wells was already a young man with a style all his own, ready to make blues history. File under essential.