mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: Felt. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Felt. Összes bejegyzés megjelenítése

2019. július 27., szombat

27-07-2019 BALL FAVTRAX_MiX 33 FAVOURiTE tracks 1984-1979

27-07-2019 BALL FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1984-1979  >>Felt, Redd Kross, Sonic Youth, Bauhaus, X, Kip Hanrahan, Echo & The Bunnymen, Peter Hammill, Tom Waits, Gil Scott-Heron, Frank Zappa<<

M U S I C




favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   

LISTEN THE PLAYLIST ON DEEZER.COM



1984-1979


Revered English cult band of the '80s, led by expressive singer Lawrence Hayward, creators of cerebral jangle pop. 
Felt
Crystal Ball (Maurice Deebank) 2:55
Spanish House (Maurice Deebank / Lawrence) 4:28
from The Strange Idols Pattern and Other Short Stories 1984
After establishing their sparse, dramatic sound with two albums and a handful of singles, Felt exploded into brilliance on their third album, 1984's The Strange Idols Pattern and Other Short Stories. Working with producer John Leckie for the first time, the band made a purposeful leap into the world of hi-fi recording: the arrangements are full and layered, Lawrence's vocals pop with confidence and vigor, and Felt have a limber swing to them that they'd never exhibited before. As usual, the record was split between Maurice Deebank's intricate instrumentals and Lawrence's songs, but for the first time Deebank's guitar explorations and Lawrence's tightly wound inner journeys sound like the work of two different visionaries instead of a united front...  The Strange Idols Pattern and Other Short Stories may not have the cachet or reputation of albums by the "big-name" bands of the era, but it has the songs and that's what counts the most. This is Lawrence and Felt at their absolute classic best, not to be overlooked or missed for any reason.


Teen trash poppers of the early '80s who tempered their fast and loud sound to become a major alternative rock act. 
Redd Kross
Citadel (Mick Jagger / Keith Richards) 2:58
Saviour Machine (David Bowie) 4:22
from Teen Babes from Monsanto 1984
By the time Redd Kross' dynamic siblings Jeff and Steven McDonald hit the studio with drummer Dave Peterson to record 1984's EP of covers Teen Babes from Monsanto, any notions they once had of being a punk band were far in the rearview window. They'd become a kickass rock & roll band instead, giving the rock & roll icons whose songs they cover here a serious run for their money...  they give the Rolling Stones' "Citadel" a pummeling hard rock remake, play the Stooges to a draw on a spookily explosive version of "Ann," and steamroll all the whimsy out of David Bowie's "Saviour Machine" while giving it a doomy Black Sabbath makeover... More of a lark than a serious statement, Teen Babes is a serious good time and cleared the decks for Redd Kross, paving the way for them to start writing great songs of their own.

Pioneers in noise rock who continued creating sophisticated, visceral music long after they became an alt-rock institution. 
Sonic Youth
(She's in A) Bad Mood 5:36
Protect Me You 5:28
Freezer Burn/I Wanna Be Your Dog 3:38
from Confusion Is Sex/Kill Yr Idols 1983
before becoming alt-rock icons, before marriages and children, the Youth were a struggling young noise loving art-rock group from New York with empty pockets.
their first LP (depending on whether or not you consider the self titled EP the first BRUISE PRISTINE :p) , which was joined at the end by an EP of theirs ("Kill Yr Idols") to become one full album, is a hard find, and to the casual listener, a difficult listen. but when one learns to appreciate it, this record is a gem.
so there we go. if you are an SY fan, and you spot this at the record store, BUY IT. it is an extremely good find. keep in mind though, this album is not for everyone. this is an album for the open minded listener, interested in hearing something completely strange and new. i'll give 2 ratings.
for the casual listener: 1.5/5 / for the open mind: 4.5

2019. június 1., szombat

01-06-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1987-1982

Suzanne Vega
01-06-2019 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1987-1982  >>Suzanne Vega, Melvins, Peter Gabriel, David Sylvian, Talking Heads, Greg Sage, Felt, Redd Kross, Sonic Youth, Bauhaus, X<<

M U S I C




favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   

LISTEN THE PLAYLIST ON DEEZER.COM



1987-1982



Her literate, artful, and intellectual brand of troubadourism rescued the singer/songwriter tradition from the clutches of sentimentality. 
Suzanne Vega
Tom's Diner (Suzanne Vega) 2:11
Luka (Suzanne Vega) 3:51
Ironbound/Fancy Poultry 6:20
from Solitude Standing 1987
The songs on Solitude Standing, Suzanne Vega's second album, had years listed beside them on the lyric sheet, so you could see that some of them dated back to 1978. But that bold admission heralded the album's triumph -- its diversity was what made it so good... On Solitude Standing, however, they became part of an album of story songs set in a variety of musical contexts; many had band arrangements, and in fact, members of Vega's touring band often were credited as co-writers. Additionally, Vega had developed more as a singer without losing the focused intonation that had made her debut -- one of many compelling elements which helped make "Luka," a character song about domestic abuse, a fluke hit.

Pacific Northwest doom-grunge gods who were legendarily Kurt Cobain's favorite band.  The Melvins weren't the first band to acknowledge the heavy metal influences that most left-of-center bands had been trying to shake off since punk rock broke in 1977 (that honor would go to Black Flag on their polarizing 1984 album, My War)...
Melvins
Eye Flys (Buzz Osborne) 6:16
Heater Moves and Eyes (Buzz Osborne) 3:52
Happy Grey or Black (Melvins) 2:01
from Gluey Porch Treatments 1987
The second and last album done with Lukin keeps the Melvins' freak flag flying. Starting with the slow-as-hell "Eye Flys," which, if nothing else, shows off Osbourne's skill at monster soloing while Crover and Lukin play a rhythm that would be too slow even for funerals, Gluey Porch Treatments is, to a large extent, more of the same. Then again, with the possible exception of St. Vitus, not many other bands out there were embracing the love of sludge metal monstrosities as the threesome was (just compare it what Ozzy Osbourne himself was doing at the time)...

Theatrical leader of '70s-era Genesis and a bona fide pop star by the '80s despite his experimental, often exotic, material. As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music.
Peter Gabriel 
Red Rain (Peter Gabriel) 5:40
Don't Give Up (Peter Gabriel) 6:34
Sledgehammer  (Peter Gabriel) 5:13
from So 1986
Peter Gabriel introduced his fifth studio album, So, with "Sledgehammer," an Otis Redding-inspired soul-pop raver that was easily his catchiest, happiest single to date. Needless to say, it was also his most accessible, and, in that sense it was a good introduction to So, the catchiest, happiest record he ever cut. "Sledgehammer" propelled the record toward blockbuster status, and Gabriel had enough songs with single potential to keep it there...  Even so, those songs are so strong, finding Gabriel in a newfound confidence and accessibility, that it's hard not to be won over by them, even if So doesn't develop the unity of its two predecessors.