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A következő címkéjű bejegyzések mutatása: Beach House. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Beach House. Összes bejegyzés megjelenítése

2022. február 20., vasárnap

004_7 RADiO lemonex PLAYLIST of THE WEEK \ BEST TRACKS of 7th WEEK 2022 (15 songs/1h 10m)

004_7 RADiO lemonex PLAYLIST of THE WEEK \ BEST TRACKS of 7th WEEK 2022  (15 songs/1h 10m)

          Nilüfer Yanya             Alice Glass                    yeule

Playlist of 2022/7th Week:  15songs/1h 10m


Nilüfer Yanya - Midnight Sun 2022
yeule - Bites on My Neck 2022
Alice Glass - EVERYBODY ELSE from Prey//IV 2022

  Caroline Polachek      Beach House  Leon Bridges / Khruangbin

Caroline Polachek - Billions 2022
Beach HouseOnce Twice Melody from Once Twice Melody 2022
Leon Bridges / Khruangbin - B-Side from Texas Moon 2022

        Metronomy       Hurray for the Riff Raff   Modern Studies
Metronomy - I have seen enough from Small World 2022
Modern Studies - Do You Wanna fromWe Are There 2022
Hurray for the Riff Raff -RHODODENDRON from Life on Earth 2022

               Holm     Sarah Shook & the Disarmer   White Lies
Holm - Intelligent Moves from Why Don't You Dance 2022
White Lies - Breathe from As I Try Not to Fall Apart 2022
Sarah Shook & the Disarmer - Somebody Else from Nightroamer 2022










Pan American               Eiko Ishibashi             Eric Chenaux
Pan American - The North Line from The Patience Fader 2022
Eric Chenaux - There They Were from Say Laura 2022
Eiko Ishibashi - Drive My Car from Drive My Car 2022












2018. december 16., vasárnap

011 ALTER.NATiON: weekly favtraX / 16-12-2018

ALTER.NATiON
Karen O, Michael Kiwanuka, Mass Gothic, Art School Girlfriend, Nine Inch Nails, Unloved, Beach House, Gorillaz, George Benson, Hollie Cook, Shame, BC Camplight, Cherry Glazerr, Pangaea, Courtney Barnett

Karen O

weekly favtraX
16-12-2018





Karen O/Michael Kiwanuka - YO! MY SAINT
Yeah Yeah Yeahs’ Karen O returns for Korean soap opera inspired track with Michael Kiwanuka
The new track, ’YO! MY SAINT’, is released in support of fashion house KENZO’s Spring Summer 18 collection.
“For the music, I immediately wanted to do melodramatic and romantic and with lots of yearning and high stakes – all that good stuff that’s in any Korean soap opera.
“It just started owing through me.”
She added: “I wanted there to be something authentically romantic about it in some kind of slightly unconventional way. That’s where my head went with it.”

Mass Gothic - How I Love You
Mass Gothic are tripping over themselves with whimsy in 'How I Love You'
...As you'd expect, 'How I Love You' is a pure love song, led this time by Jessica Zambri. Over spare guitar chords she expresses her simple but deeply personal feelings regarding her life partner, as she watches him leave for the day and feels the pain in her heart as he recedes from her. As drums and distorted guitar are added to the song, it only intensifies the feeling of the deep love that is being expressed in the song...



Art School Girlfriend - Distance (Blank)
Art School Girlfriend Shares Crisp New Song 'Distance (Blank)'
The project is an outlet for Polly Mackey, a musician whose path from London to Margate has opened up possibilities both creative and personal.
New song 'Distance (Blank)' deals with this, the sub-zero electronics moving from crowded intensity to something a little more relaxed, pinned together by Polly's vocal.
"Lately I am in over my head," she comments, a testimony to the grinding penetration of London life, and a plea for something more.






Nine Inch Nails - God Break Down the Door
Reznor described the writing of the song, stating
"Looking around the studio and seeing the untouched baritone tenor and alto sax that are sitting there ... they're there because they remind me that I can't play them as well as I used to be able to. There they sit taunting me in the corner. We pulled them out and we just started fucking around really, led with Atticus arranging. I was just kind of going, an hour performance kind of turned into this thing that felt like we hadn't been there before and that started to reveal a whole different character. The space changed and then we felt motivated. When it came time to sing I was really just trying things out, just to see. I never had the courage to sing like that, I didn't know I could sing." (rollingstone)

Unloved - Heartbreak
Comprised of vocalist and songwriter Jade Vincent, producer/composer Keefus Ciancia, and DJ/ producer/composer David Holmes, Unloved share a fondness for 60’s girl groups and classic film scores, to which they explored on their haunting, dramatic and evocative 2016 debut Guilty of Love.
Two years on and freshly signed to Heavenly Records, the trio have new single ‘Heartbreak’, the first taken from their forthcoming second album. ‘Heartbreak’ continues where the spellbinding Guilty of Love left off; a jaunty, defiant and richly atmospheric pop song tempered by a deliciously retro ’60s vibe and Vincent’s rich, smoky and evocative vocals. Possessed of an aching, rich-smoked tone, it is where the heart of the songs lie.

Beach House - Lemon Glow
...Released late on Valentine’s Day, “Lemon Glow” is another entry in Beach House’s canon of makeout music; it’s a song about the thrill of intimacy, a breathless hymn to emotional connection. Atop a bed of the duo’s trademark organ and drum machine, Legrand sings about a lover with newfound rawness and lyrical clarity: “It’s what you do/This pulls me through/I come alive/You stay all night,” she sings. A metallic, strobing synth line constantly pushes the song forward; distinct and acidic, it adds a constant tension to the piece, a harshness that hasn’t felt present in the band’s sound before. As the song layers and builds, the synths become more urgent, finally reaching an ecstatic peak as a bass drum pounds. The song’s abrupt end comes as a shock; Beach House songs have always found beauty in a perfect synthesis of motion and stillness, but “Lemon Glow” is pure propulsion...

Gorillaz feat. George Benson - Humility
"Humility" is a single by English virtual band Gorillaz featuring American jazz guitarist George Benson. It was released on 31 May 2018 along with "Lake Zurich" as the first single from their sixth studio album, The Now Now.

Hollie Cook - Stay Alive
A vocalist who calls her music "tropical pop," Hollie Cook's songs are a light but refreshing blend of modern pop and vintage reggae influences, ideally suited to Cook's supple, sensuous voice. Cook certainly has the genes for a career in music -- her father Paul Cook was the drummer for the Sex Pistols, while her mother Jeni Cook was a backing vocalist for Culture Club. (If that's not enough, Boy George is her godfather, and David Bowie once babysat her for an afternoon.) Born in 1987, Cook left school when she was 16 to study art and make-up design, but she got pulled onto a new career path in 2006 when Ari Up, leader of the iconic all-female punk/reggae band the Slits, re-formed the group and recruited Paul Cook to produce and play on their new recordings...


Shame - One Rizla
The post-punk of London band Shame has a lot of heart
“One Rizla” is a punchy taste of their new album.
Beneath the sneering vocals and warring guitars, there’s a finely attuned sense of songcraft to the post-punk of south London band Shame. That’s evident on “One Rizla,” a full-throttle yet heartfelt guitar jam that’s the first single taken from their debut album, Songs Of Praise, coming January 12 on Dead Oceans.
Over email, Shame explained more about the song and video: “Embracing insecurity as a strength is what this song is about. It's the first song we ever wrote as a band and I think that's reflected in the simplicity of it. It's honest and raw, whilst attempting a stab at number one in the pop charts across the eastern hemisphere. We wanted to turn the album artwork into the video for ‘One Rizla,’ highlighting our vulnerability as individuals whilst paying homage to [U.K. cult movie] Withnail & I simultaneously.”

BC Camplight - I'm Desperate
BC Camplight presents a hellish vision of Brexit Britain in his new song and video 'I'm Desperate'
...The title 'I'm Desperate' should be taken both at face value and with a pinch of salt; Brian Christinzio has had a tough few years of forced emigration and institutions telling him he's unwelcome, but he has managed to keep a wry and playful outlook throughout the tumult, and infuses his songs with that same charm. When it comes to the visual accompaniment for 'I'm Desperate' he takes both of these poles to new extremes. It sets up with Brian and his unwell wife watching the news (never a comfortable activity anymore), and as she drifts off to sleep we are sucked into her nightmare where the frenetic and tense 'I'm Desperate' is the frantic soundtrack to her warped visions of Brian and his band playing the song...


Cherry Glazerr - Juicy Socks
Cherry Glazerr transitioned from their original lo-fi, garage rock sound to a more polished style on last year’s Apocalipstick. The Los Angeles band continues to showcase that evolution on their new single, “Juicy Socks”.
Influenced by ’90s era alternative rock like The Breeders, the new track gets off to an unassuming start with wispy melodies from lead singer Clementine Creevy accompanied by a catchy guitar riff. As the song reaches its climax, however, Creevy’s vocals intensify as more guitars enter the fold.
“‘Juicy Socks’ is about vocalization,” Creevy shared in a press release. “Using one’s voice as a strong weapon and needing to be heard in order to not feel like shit. Oh also, it’s about wanting to smash Donald Trump’s orange fuckin’ head into a brick wall!”

Pangaea - Bone Sucka
You don't have to look very far to find old-school breaks in house and techno these days. They appear right at the beginning of Kevin McAuley's new track "Bone Sucka," and there's something almost comical about them. They stay back in the distance and waddle across the stereo spectrum, from left to right and back again. Before you figure out what's going on they slam into full-force, creating the pulverizing banger you never expected. An impish mood heightened by vocal gasps and bleepy noises makes "Bone Sucka" a classic Hessle Audio track, balancing hijinks with brute force like Joe's "Tail Lift" and Pev & Kowton's "Raw Code."


Courtney Barnett - Sunday Roast
...A press release describes Barnett’s album-closing “Sunday Roast” as “an ode to friendship and the simple pleasures of sharing a dinner with loved ones.” Barnett’s atmospheric guitar playing and soft, heartfelt vocals result in a sweet and serene song, as the Australia native sings words of encouragement and acceptance: “I know it’s been a long week / And now you’re takin’ your time / Some kindness goes around / Some kinda backfires / It’s all the same to me.” The video is just as earnest and openhearted, with Barnett and her friends staging a charmingly simplistic instructional video on how to play the song...
selection from AllMusic Loves 2018

Karen O, Michael Kiwanuka, Mass Gothic, Art School Girlfriend, Nine Inch Nails, Unloved, Beach House, Gorillaz, George Benson, Hollie Cook, Shame, BC Camplight, Cherry Glazerr, Pangaea, Courtney Barnett

2018. november 11., vasárnap

006 ALTER.NATiON: weekly favtraX / 11-11-2018

ALTER.NATiON
D. Patucchi, SAVAK, boygenius, Jon Spencer, Beach House, Girlpool, Gouge Away, Rays, Ellis, J Fernandez, Thom Yorke, Gary Pacific Orchestra


weekly favtraX
11-11-2018



D. Patucchi - Dimonstrazione 2:21
In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required.
Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce.

SAVAK - Agronomy Domine 4:05
Only a year separated SAVAK's second album, 2017's Cut-Ups, and their third, 2018's Beg Your Pardon, which is an impressively fast turnaround for an indie band in the 2010s. Stylistically, the band didn't advance all that much in the space of 12 months, but Beg Your Pardon does sound noticeably different than its older sibling... Guitarist Sohrab Habibion and Michael Jaworski have sharpened their attack both individually and as a combination, and bassist James Canty and drummer Matt Schulz hit harder and with a better sense of groove on these sessions, driving the music forward while adding to their melodic power.

boygenius - Salt in the Wound 4:11
In a delightful twist on this binary categorizing, Dacus, Baker, and folk-rock songwriter Phoebe Bridgers announced in August that they’d made an EP under the name boygenius, a nod to the way we can carelessly lean on gender to telegraph meaning. A boy can be an individual genius, while women in indie rock are all the same. In advance of a tour they had coming up together, the trio of indie titans decided to record a 7" as a supergroup, and the result briefly winks at, then pulverizes the reductive labels we heap onto women musicians.






Scuzz-rocking guitarist who fused ernest traditionalism and destructive tendencies fronting Pussy Galore, the Blues Explosion, and Heavy Trash.
Jon Spencer - Wilderness 2:27
...The only thing curious about that would be that this marks the first time Spencer has released a solo project. Spencer has always displayed a strong personal style, whether in the noise rock assault of Pussy Galore, the hard wailing of the Jon Spencer Blues Explosion, the lascivious R&B stomp of Boss Hog, or the roots-conscious swagger of Heavy Trash. But if you were expecting that something new would be revealed with Spencer as the uncontested leader, free to bend his talents into any direction he chose, well, that's really not what you get here. More than anything, Spencer Sings the Hits suggests the Blues Explosion without the same degree of fire and gravity, and with a little bit of noisy clatter and keyboard blurt added for seasoning...

Beach House - Alien 4:03
...“Alien,” which magically appeared on YouTube over the weekend, apparently comes from the 7 sessions; the YouTube caption only calls it an “unreleased B-side” from the album. But the song achieves the same sort of liftoff as the single “Dive.” It’s a grand, world-swallowing song, the type of thing that demands to be heard pumping from speakers at Red Rocks or at the Hollywood Bowl, while dry ice fills up the stage and makes the people up there hard to see...

Girlpool - Where You Sink 3:22
You can never fully understand another person and nobody will ever fully understand you. We try to fill the gaps with communication and analysis, but our perceptions of people are just that. On “Where You Sink,” Girlpool carry this burden, consumed by the Sisyphean task of trying to know someone who doesn’t want to know themselves. It feels like quicksand. Grainy reverb and rumination drone toward a pit. Chugging guitars struggle to fight the earth’s pull as Harmony Tividad grasps at the frayed edges. There are moments where it’s hard to tell whether she’s drowning or digging.

Gouge Away - Ghost 3:33
Florida hardcore band Gouge Away are named after the final track on Pixies’ 1989 album Doolittle. And their new song, “Ghost,” finds the band moving closer to their namesake. Like “Gouge Away,” and Doolittle as a whole, “Ghost” doesn’t sacrifice melody for noise. The rhythm nearly inverts that of “Gouge Away.” “Ghost” sounds like its offspring, similar structure — simple, captivating bassline and gruff vocals — with modern flourishes.

Rays - Fallen Stars 3:04
Rays' second album marks a major shift for the band, one that makes a world of difference. After releasing a debut that was woolly around the edges as it mixed scrappy Flying Nun-inspired guitar pop and jagged, lo-fi post-punk, You Can Get There from Here is a slight step in a different direction. They've ditched some of the punk in favor of a mid-'80s indie pop sound that would have sounded good wedged between classic Pastels and Dolly Mixture singles... Now it's clear just how much Martinez is inspired by the vocals of Stephen Pastel, especially on the slow-rolling "To the Fire" and the sweet-as-punch "Fallen Stars," which leads the album off on the right foot.

Ellis - All This Time 4:25
“All This Time” finds Ellis in the thick of the storm. Sludgy guitars thunder, dissipating on the fringes of her words: “Do I scare you?” There’s a moment where she clears the sonic fog, her voice outlined in synth: “All this time I thought that you were trying to change me / You were trying to strip away the parts you knew were never me at all.” The clouds come back in as she repeats these lines, layered with fuzz, growing stronger with each utterance before losing shape and fading into the void.

J Fernandez - Unwind 2:30
The encapsulation of '60s & '70s pop is front and center in "Unwind." The prominent keys and electric guitar don't shy away from making bold statements instrumentally. The vocals compliment the composition perfectly by offering a relaxed and simmered sound. The genre melding that takes place here combines experimental pop and psychedelic fixings to create a short but sweetly pleasant prize. What did we do to deserve J Fernandez?

Thom Yorke - Unmade 4:27
For Luca Guadagnino's 2018 remake of Dario Argento's 1977 horror classic, Radiohead frontman Thom Yorke took the reins to produce an updated soundtrack, adding familiar touches to an appropriately unsettling and tense experience. Yorke's Suspiria feels nostalgic yet strangely futuristic... "Unmade" is another standout, swirling together icy piano, Yorke's soothing vocals, and a sweeping choir in one of the soundtrack's only purely lovely moments. Altogether, Suspiria is an appropriate accompaniment to the film, generating fear and discomfort as much by what's presented by Yorke as what's left to the imagination.






Gary Pacific Orchestra - Soft Wind 2:05

...The perfect companion to the David Hollander curated book Unusual Sounds: The Hidden History of Library Music (out now on Anthology Editions), these 20 tracks, encapsulate the niche and fascinating subculture of library music. Genres were spliced, conventions dispensed with, and oftentimes hybrid music of astonishing complexity was produced. Elements of rock, jazz, soul, even twentieth-century avant-garde composition were all utilized, and no stone was left unturned. As a result, some of the best library music defies all categorization, reflecting the individualistic quirks and artistry of the various musicians who made it.



D. Patucchi, SAVAK, boygenius, Jon Spencer, Beach House, Girlpool, Gouge Away, Rays, Ellis, J Fernandez, Thom Yorke, Gary Pacific Orchestra

2015. december 18., péntek

24 first tracks from the best albums of the year 2015 (23-43) PnM.MiX

Natalie Prass



Jason Isbell – If It Takes a Lifetime
Jason Isbell's 2013 breakthrough album Southeastern was written and recorded in the wake of Isbell's newfound sobriety, and it often sounded and felt like a musical version of the Fourth Step, in which Isbell took a long, hard look in the mirror as he came to terms with the emotional wreckage he left in his wake during his years as a drunk...
Natalie Prass feat: The Spacebomb House Band / The Spacebomb Horns / The Spacebomb Strings - My Baby Don't Understand Me
Based in Nashville and a veteran of Jenny Lewis' touring band, Natalie Prass certainly has her share of Americana roots, something that's evident on her eponymous 2015 debut...






Wilco – EKG / More...
Wilco's 11th studio album, Star Wars, opens with "EKG," a 1:16 burst of skronky guitars that sounds like a few capable grad students imitating early Sonic Youth after a few beers, and if it seems like a goofy way to kick off the record, that's a big part of the album's charm...





A$AP Rocky - Holy Ghost
Graduating from good weed to good-trippin' LSD, rapper A$AP Rocky tunes in, drops out, and turns down for what on At. Long. Last. A$AP, a positive and psychedelic LP that is -- due to the death of A$AP Yams -- touched with the hippie version of wistful...






Oneohtrix Point Never – Intro / Ezra
Oneohtrix Point Never's Daniel Lopatin is the kind of artist you expect to keep evolving, even if exactly how he evolves on each album is unpredictable...







Leon Bridges – Coming Home
It's difficult to imagine a 1963 Columbia release from an artist whose look and sound echo 1911. In 2015, however, the thought of a young artist seemingly transported from a bygone era -- 52 years prior, to be exact -- requires no imagination whatsoever...






Carly Rae Jepsen – Run Away with Me
Carly Rae Jepsen was nearly a victim of her own success. Her breakthrough single "Call Me Maybe" wasn't just big -- it was one of 2012's definitive songs, with a presence so massive that it overshadowed just how good Kiss, the album that housed it, was...






Hop Along – The Knock
The most prominent feature of Hop Along's stirring sophomore LP, Painted Shut, is certainly singer/songwriter/guitarist Frances Quinlan's stunningly emotive vocal performance...






Torres – Strange Hellos
After her simmering and intimate self-titled debut earned Torres comparisons to PJ Harvey, Mackenzie Scott joined forces with a couple of Harvey's crew for her ambitious sophomore album, Sprinter...






Mbongwana Star - From Kinshasa to the Moon
...thrillingly wrong-footing Congolese music
The western producer of this bustling new project from former members of Staff Benda Bilili eschews the respectful approach to African music – and it’s all the better for it ...






Alabama Shakes - Sound & Color
On their 2012 debut Boys & Girls, Alabama Shakes never hid that they were creatures of the New South -- a band with old-fashioned blues, soul, gospel, and country in their blood but raised on modern rock...






Unknown Mortal Orchestra – Multi-Love
The third Unknown Mortal Orchestra was recorded during a tumultuous time in Ruban Neilson's life, when his ideas about love and marriage were blown apart, forever changed, and then carefully rebuilt...






Chvrches – Never Ending Circles
Chvrches' impact on the pop landscape made itself known almost immediately after the release of The Bones of What You Believe -- in the years that followed, artists big and small were borrowing the Scottish trio's flair for heart-on-sleeve lyrics wrapped in soaring, synth-laden choruses...





Deafheaven – Brought to the Water
California-based metal group Deafheaven's 2013 breakthrough album Sunbather was triumphant and uplifting, even as it dealt with harsh personal issues such as insecurity and alienation...







Beach House - Levitation
It's easy for artists in any medium to be seduced into believing their latest project must be more elaborate than what came before. On Depression Cherry, however, Beach House reject the notion that bigger is inherently better...






Protomartyr – The Devil in His Youth
"The Agent Intellect" is a concept in medieval philosophy related to the division between form and matter in the human soul, and while such notions don't play much of a part in the lyrics on Protomartyr's third album, 2015's The Agent Intellect, it's not hard to imagine lead vocalist and lyricist Joe Casey as a philosophy professor at some Midwestern college taking the stage at a tiny bar off-campus and delivering a series of rants and/or free associations as a student band whips up a thick fog of guitars and drums that pours out behind him...

Rae Sremmurd – Lit Like Bic (Intro)
Looking like a combination of Kriss Kross and Das Efx while sounding like neither, Tupelo, Mississippi rappers Swae Lee and Slim Jimmy came on hard in 2014, taking Migos' bright style of trap music and adding a little of David Banner's sway to the bottom end...




Sleaford Mods - Live Tonight
The acclaim for Sleaford Mods' work grew nearly as quickly as their body of work: Jason Williamson and Andrew Fearn recorded Key Markets around the time that Divide and Exit and Chubbed Up began appearing on "Best of 2014" lists...





Earl Sweatshirt - Huey / Mantra
Aptly titled with the off-putting I Don't Like Shit, I Don't Go Outside, Earl Sweatshirt's sophomore effort is a crushing confessional that refuses to get off the couch, even if it's beautiful outside...






Lana Del Rey - Honeymoon
Call Honeymoon the third installment in a trilogy if you will but there's no indication Lana Del Rey will put her doomed diva persona to rest after this album. Over the course of three albums, Lana Del Rey hasn't so much expanded her delicately sculpted persona as she has refined it, removing anything extraneous to her exquisite ennui...



Bob Dylan - I'm a Fool to Want You
Other people's songs have long been a staple for Bob Dylan, who first made his name in Greenwich Village by singing folk songs in the early '60s and often returned to old tunes as the years rolled by...







The Libertines – Barbarians
It's hard to think of a more fitting title for the Libertines' third album than Anthems for Doomed Youth. After all, youth is destined to end quickly way or another, via either death or getting older. Pete Doherty, Carl Barât, and the rest of the band managed to survive their twenties, and in the 11 years since they've made an album, they seem to have gained the knowledge that you can't just rehash the past...