
28-03-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 1990-1999 # The Jeff Healey Band, Johnny Winter, Joanna Connor, Robert Cray, Snooky Pryor, Albert King, Sue Foley, Karen Carroll, Little Mack Simmons, Tommy Castro
B L U E S M U S I C
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1990-1999
Blind blues-rock guitarist and singer who developed a unique lap-held style of playing. What made Jeff Healey different from other blues-rockers was also what kept some listeners from accepting him as anything other than a novelty: the fact that the blind guitarist played his Fender Stratocaster on his lap, not standing up. With the guitar in his lap, Healey could make unique bends and hammer-ons, making his licks different and more elastic than most of the competition. Unfortunately, his material leaned toward standard AOR blues-rock, which rarely let him cut loose, but when he did, his instrumental prowess could be shocking.
The Jeff Healey Band
Full Circle (Jeff Healey / Joe Rockman / Tom Stephen) 4:13
I Think I Love You Too Much (Mark Knopfler) 6:27
Hell to Pay (Jeff Healey / Joe Rockman / Tom Stephen) 3:54
from Hell To Pay 1990
...Background info: This the band's second album and in my opinon their best. After their moderatly succesful album See The Light the band spent a whole year writing for this album and it shows once you actually heard it.
Best Parts
Obviously the guitar playing drives the album. Jeff's voice is very good and it perfect for the overall sound of the album. Though not paid attention to as much as the guitar the bass and drums do a great job and it can be heard between poweful guitar fills and solos in the more bluesy songs.
Worst parts
There is little not to like about this album. I guess the only bad part is Jeff's Mullet on the front cover...
Overall: This is a great album. A few sort of boring yet still good and solid songs near the end but many power tracks and brilliant guitar work.
An exceptionally talented blues and slide guitarist, beginning in the 1960s and stretching into the 21st century. When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition.
Johnny Winter
Illustrated Man (Mary-Ann Brandon / Fred James) 3:40
Let Me In (Bo Diddley / Johnny Winter) 4:13
If You Got a Good Woman (Johnny Winter) 4:24
from Let Me In 1991
Let Me In is a star-studded all-blues set from Johnny Winter, featuring cameos from Dr. John, Albert Collins, and several others. Though the set focuses on blues material, Winters can never leave his rock roots behind -- the sheer volume and pile-driving energy of his performances ensures that. For most of the record, his enthusiasm is contagious, but there are a couple of bland, generic exercises that fail to work up a head of steam...
What sets Joanna Connor apart from the rest of the pack of guitar-playing female blues singers is her skill on the instrument. Even though Connor has become an accomplished singer over time, her first love was guitar playing, and it shows in her live shows and on her recordings.
Joanna Connor
Walking Blues (Robert Johnson) 4:22
Fight (Luther Allison) 3:56
from Fight 1992
To date, Joanna Connor's studio work has not lived up the live-wire energy of her personal performances. Fight takes a major step toward setting this right. This stuff wails, especially Robert Johnson's "Walking Blues" which Connor reinvents courtesy of some stinging slidework. While Connor's lack of dependence on cover material rates bonus points, not all her songs are memorable -- even if the guitar playing is.
The Jeff Healey Band
Full Circle (Jeff Healey / Joe Rockman / Tom Stephen) 4:13
I Think I Love You Too Much (Mark Knopfler) 6:27
Hell to Pay (Jeff Healey / Joe Rockman / Tom Stephen) 3:54
from Hell To Pay 1990
...Background info: This the band's second album and in my opinon their best. After their moderatly succesful album See The Light the band spent a whole year writing for this album and it shows once you actually heard it.
Best Parts
Obviously the guitar playing drives the album. Jeff's voice is very good and it perfect for the overall sound of the album. Though not paid attention to as much as the guitar the bass and drums do a great job and it can be heard between poweful guitar fills and solos in the more bluesy songs.
Worst parts
There is little not to like about this album. I guess the only bad part is Jeff's Mullet on the front cover...
Overall: This is a great album. A few sort of boring yet still good and solid songs near the end but many power tracks and brilliant guitar work.
An exceptionally talented blues and slide guitarist, beginning in the 1960s and stretching into the 21st century. When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition.
Johnny Winter
Illustrated Man (Mary-Ann Brandon / Fred James) 3:40
Let Me In (Bo Diddley / Johnny Winter) 4:13
If You Got a Good Woman (Johnny Winter) 4:24
from Let Me In 1991
Let Me In is a star-studded all-blues set from Johnny Winter, featuring cameos from Dr. John, Albert Collins, and several others. Though the set focuses on blues material, Winters can never leave his rock roots behind -- the sheer volume and pile-driving energy of his performances ensures that. For most of the record, his enthusiasm is contagious, but there are a couple of bland, generic exercises that fail to work up a head of steam...
What sets Joanna Connor apart from the rest of the pack of guitar-playing female blues singers is her skill on the instrument. Even though Connor has become an accomplished singer over time, her first love was guitar playing, and it shows in her live shows and on her recordings.
Joanna Connor
Walking Blues (Robert Johnson) 4:22
Fight (Luther Allison) 3:56
from Fight 1992
To date, Joanna Connor's studio work has not lived up the live-wire energy of her personal performances. Fight takes a major step toward setting this right. This stuff wails, especially Robert Johnson's "Walking Blues" which Connor reinvents courtesy of some stinging slidework. While Connor's lack of dependence on cover material rates bonus points, not all her songs are memorable -- even if the guitar playing is.