mixtapes for weathers and moods / music for good days and bad days


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A következő címkéjű bejegyzések mutatása: Buddy Guy. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Buddy Guy. Összes bejegyzés megjelenítése

2021. október 2., szombat

02-10-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2001-2011 (2h 38m)


02-10-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2001-2011 Buddy Guy, Tommy Bankhead, James Blood Ulmer, Rodolphe Burger, Joe Louis Walker, Larry McCray, Carl Weathersby Special Guest: Lucky Peterson, Lil' Ed & the Blues Imperials, Sue Foley, Deborah Coleman, Roxanne Potvin, The Mannish Boys, Tinsley Ellis, Boo Boo Davis, Chris Duarte Group


B L U E S    M U S I C (2h 38m)

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.BLUES_circle on deezer

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2001-2011



Contender for the title of greatest blues guitarist ever, with a fiery, screechy, super-quick technique that influenced countless followers. Buddy Guy is one of the most celebrated blues guitarists of his generation (arguably the most celebrated), possessing a sound and style that embodies the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll.
Tramp (Lowell Fulson / Jimmy McCracklin9 6:47
Baby Please Don't Leave Me (Junior Kimbrough) 7:22
She Got the Devil in Her (CeDell Davis) 5:10
from Sweet Tea 2001
...So, after a bit of a break, Guy returned in 2001 with Sweet Tea, an utter anomaly in his catalog. Recorded at the studio of the same name in deep Mississippi, this is a bold attempt to make a raw, pure blues album -- little reliance on familiar covers or bands, no crossover material, lots of extended jamming and spare production. That's not to say that it's without its gimmicks. In a sense, the very idea behind this record is a little gimmicky -- let's get Buddy back to the basics -- even if it's a welcome one, but that's not the problem... This may not showcase the showmanship of the artist live, the way Damn Right did, but it does something equally noteworthy -- it illustrates that the master bluesman still can sound vital and can still surprise.



Before he was old enough to legally take a drink, Tommy Bankhead was playing the blues with a long list of legendary musicians that included Howlin' Wolf, Elmore James, Sonny Boy Williamson, Joe Willie Wilkins, Robert Nighthawk, and Joe Hill Louis.

I'm Not Your Alley Cat (Tommy Bankhead) 4:22
Everything Gonna Be Alright (Little Walter) 4:08
He started in his teens and for half a century remained a high-caliber bluesman. A Mississippi native, he settled in St. Louis at the end of the '40s. Bankhead made a name for himself with his guitar, but he also possessed refined skill on the bass, drums, and harmonica.


Free jazz has not produced many notable guitarists. Experimental musicians drawn to the guitar have had few jazz role models; consequently, they've typically looked to rock-based players for inspiration. James "Blood" Ulmer is one of the few exceptions: an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music.
Rodolphe Burger is a French experimental rock icon whose most notable achievements include a two-decade tenure as the singer/guitarist of Kat Onoma, plus acclaimed solo albums and a wide range of collaborations. Born on November 26, 1957, in Colmar, Haut-Rhin, France, he first garnered musical fame in the experimental rock band Kat Onoma.
House People (James Blood Ulmer) 3:44
Cheering (James Blood Ulmer) 5:29
Are You Glad to Be in America? (James Blood Ulmer) 4:33
from guitar music 2003
Hendrix meets the Velvet Underground is the best way to describe this amazing release. Blood is of course James Blood Ulmer who had avoided for decades to fulfill the promise to continue where Hendrix has ended it with the Band of Gypsies although many saw him as legitimate heir. Burger is the French singer and guitarist Rodolphe Burger, formerly leader of Kat Onoma and rooted in the Velvet Underground sound of White Light White Heat... 

2021. augusztus 12., csütörtök

TRY TO REMEMBER BLUES:MiX # 33 blues(y) songs from the BLUES circle 1995-2004 (2h 36m)


TRY TO REMEMBER BLUES:MiX # 33 blues(y) songs from the BLUES circle 1995-2004 Thornetta DavisJimmy Johnson, Tommy Castro, Phil Guy & Lurrie Bell, Eric Bibb & Needed Time, Jimmy Johnson, Buddy Guy, Tommy Bankhead, James Blood Ulmer, Rodolphe Burger, Joe Louis Walker


B L U E S    M U S I C (2h 36m)

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.BLUES_circle on deezer

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

1995-2004




One of the Midwest's leading blues and soul divas; has also worked with Bob Seger, Kid Rock, and Big Chief.
Try to Remember (Mike Danner / Thornetta Davis / Phil Dürr / Matt O'Brien / Al Sutton) 4:13
Cry (Mike Danner / Thornetta Davis / Phil Dürr / Matt O'Brien / Al Sutton) 4:11
The Deal (Mike Danner / Phil Dürr / Matt O'Brien / Eric Oblander) 3:44
Working with her previous employers from Big Chief, specifically bassist Matt O'Brien, guitarist Phil Durr, and drummer Mike Danner, turned out to be the perfect approach for Thornetta Davis' solo debut. It's not quite Big Chief with a different lead singer, happily, with Sunday Morning Music showcasing her affinity for the blues while not losing the powerful punch of that band. Davis' singing is just wonderful -- she's got a rich, warm voice that she doesn't show off with, avoiding pointless vocal high jumps and wails for confident, often soaring delivery... Black Crowes member Eddie Harsch also adds keys and clavinet at various points, easily slotting into the band's smoky sound. Through it all, Davis sounds on top of her game, and the whole album makes for a worthwhile, invigorating listen.



Chicago guitarist Jimmy Johnson didn't release his first full domestic album until he was 50 years old. He's determinedly made up for lost time ever since, establishing himself as one of the Windy City's premier blues artists with a twisting, unpredictable guitar style and a soaring, soul-dripping vocal delivery that stand out from the pack.
Jimmy Johnson 
Black and White Wall (Jimmy Johnson) 3:59
My Ring (Jimmy Johnson) 4:19
Jockey (Jimmy Johnson) 5:40
from I'm A Jockey 1995
It shouldn't have taken Johnson a full decade to find his way back into a studio, but such are the injustices of the record business. The wait was worth it, though -- backed by his touring trio of the timeframe, Johnson mixes blues and soul, originals (a heartfelt "Black & White Wall" and the soaring ballad "My Ring") and covers (his takes on McKinley Mitchell's "End of a Rainbow" and Wilson Pickett's "Engine Number 9" hit home), in decidedly solid contemporary form.




Contemporary blues star known for his passionate, fiery guitar playing and powerful vocals.
Tommy Castro 
Can't Keep a Good Man Down (Tommy Castro) 4:00
Suitcase Full of Blues (Steve Schuffert) 4:10
Hycodan (Keith Crossan) 4:31
There's a clean San Francisco sheen to Tommy Castro's second album for Blind Pig, and it's not just the glossy production work of Jim Gaines (Santana, Huey Lewis and Stevie Ray Vaughan) that's responsible for it. Castro and his band have long been local favorites of the Bay area bar crowd, and his blues-rock/soul-pop synthesis with the occasional slow blues thrown in makes him another young contender for the yuppie throne of modern bluesdom.. 


Phil Guy
didn't eclipse his older brother Buddy's status as a blues superstar, and in reality, Phil's funky brand of blues was not captured correctly for posterity. But he remained an active attraction on the Chicago circuit, following in his sibling's footsteps and patiently waiting for his own star to rise up until his death.
What Can a Poor Man Do - Phil Guy feat: Lurrie Bell 4:53
Wine Headed Woman - Phil Guy 4:07
Going Back to Louisiana (Lurrie Bell) - Phil Guy feat: Lurrie Bell 4:38
Lurrie Bell was born on December 13, 1958, in Chicago. His famous father, harpist Carey Bell, had him working out on guitar as a wee lad. By 1977, he was recording with his dad and playing behind a variety of established stars, tabbed by many observers at the time as a sure star on the rise.
Phil Guy and Lurrie Bell



New York singer/songwriter and guitarist at the forefront of the 1990s country-blues revival. Like Josh White, Jr. -- son of folksinger Josh White -- singer, songwriter, and guitarist Eric Bibb was raised in the folk tradition, the son of folksinger Leon Bibb. Bibb's uncle was the world-famous jazz pianist and composer John Lewis, part of the Modern Jazz Quartet.
Eric Bibb & Needed Time
Lonesome Valley (Woody Guthrie / Traditional) 3:55
Needed Time )Traditional) 5:17
Woke Up This Mornin' (B.B. King / Jules Taub / Traditional) 4:22
Braggin' (Eric Bibb / Göran Wennerbrandt) 3:02
Eric Bibb grew up in New York City, surrounded by a plethora of cultural variety from Leadbelly to Villa-Lobos wafting in from the radio and the streets. By the time little Bibb got his first guitar, his father, the eminent Leon Bibb, was making the rounds as a respected folk singer. Leon removed Eric from school in favor of packing him along to rehearsals, where he consorted with the likes of Judy Collins, Odetta, Bob Dylan, Earl Robinson and many others. Spirit and the Blues is a funky folk-blues delight: a bubbling pot of authentic bottleneck spirituals and memorable hum-alongs, especially for hardcore Deacons fans. Bibb blends the muddy-river vocal style of Delta gospel and the drive of white vagabond balladeers like Woody Guthrie and Pete Seeger... A modern and beautifully mixed record, graced with spirit and a real timelessness factor.


Chicago guitarist Jimmy Johnson didn't release his first full domestic album until he was 50 years old. He's determinedly made up for lost time ever since, establishing himself as one of the Windy City's premier blues artists with a twisting, unpredictable guitar style and a soaring, soul-dripping vocal delivery that stand out from the pack.
I Used to Be a Millionaire (Jimmy Johnson) 5:38
Livin' the Life (Jimmy Johnson) 4:16
The Sky Is Crying (Elmore James / Morgan Robinson) 5:40
from Livin' The Life 2000


Contender for the title of greatest blues guitarist ever, with a fiery, screechy, super-quick technique that influenced countless followers. Buddy Guy is one of the most celebrated blues guitarists of his generation (arguably the most celebrated), possessing a sound and style that embodies the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll.
Done Got Old (Junior Kimbrough) 3:23
Baby Please Don't Leave Me (Junior Kimbrough) 7:22
Tramp (Lowell Fulson / Jimmy McCracklin9 6:47
She Got the Devil in Her (CeDell Davis) 5:10
from Sweet Tea 2001
...So, after a bit of a break, Guy returned in 2001 with Sweet Tea, an utter anomaly in his catalog. Recorded at the studio of the same name in deep Mississippi, this is a bold attempt to make a raw, pure blues album -- little reliance on familiar covers or bands, no crossover material, lots of extended jamming and spare production. That's not to say that it's without its gimmicks. In a sense, the very idea behind this record is a little gimmicky -- let's get Buddy back to the basics -- even if it's a welcome one, but that's not the problem... This may not showcase the showmanship of the artist live, the way Damn Right did, but it does something equally noteworthy -- it illustrates that the master bluesman still can sound vital and can still surprise.





Before he was old enough to legally take a drink, Tommy Bankhead was playing the blues with a long list of legendary musicians that included Howlin' Wolf, Elmore James, Sonny Boy Williamson, Joe Willie Wilkins, Robert Nighthawk, and Joe Hill Louis.

I'm Not Your Alley Cat (Tommy Bankhead) 4:22
Please Accept My Love (Tommy Bankhead) 4:13
Everything Gonna Be Alright (Little Walter) 4:08
He started in his teens and for half a century remained a high-caliber bluesman. A Mississippi native, he settled in St. Louis at the end of the '40s. Bankhead made a name for himself with his guitar, but he also possessed refined skill on the bass, drums, and harmonica.


Free jazz has not produced many notable guitarists. Experimental musicians drawn to the guitar have had few jazz role models; consequently, they've typically looked to rock-based players for inspiration. James "Blood" Ulmer is one of the few exceptions: an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music.
Rodolphe Burger is a French experimental rock icon whose most notable achievements include a two-decade tenure as the singer/guitarist of Kat Onoma, plus acclaimed solo albums and a wide range of collaborations. Born on November 26, 1957, in Colmar, Haut-Rhin, France, he first garnered musical fame in the experimental rock band Kat Onoma.
House People (James Blood Ulmer) 3:44
Cheering (James Blood Ulmer) 5:29
Are You Glad to Be in America? (James Blood Ulmer) 4:33
Huit Couché (Rodolphe Burger) 4:08
from guitar music 2003
Hendrix meets the Velvet Underground is the best way to describe this amazing release. Blood is of course James Blood Ulmer who had avoided for decades to fulfill the promise to continue where Hendrix has ended it with the Band of Gypsies although many saw him as legitimate heir. Burger is the French singer and guitarist Rodolphe Burger, formerly leader of Kat Onoma and rooted in the Velvet Underground sound of White Light White Heat... 


Award-winning blues singer/guitarist/songwriter/producer who rose to prominence in the 1980s. It took Joe Louis Walker a while to establish himself as a force of his own -- nearly 20 years, to be precise -- but once he released his debut, Cold Is the Night, in 1986, he quickly became a staple in contemporary blues.
Do You Love Me? (Joe Louis Walker) 5:22
New Direction (Joe Louis Walker) 6:43
Messed My Mind Up (Joe Louis Walker) 6:58
from New Direction 2004
Joe Louis Walker is quite the triple threat. Not only is he a superb blues guitarist, with remarkable fluency and imagination, he's also an excellent singer (as you might expect from someone who came up through gospel groups), and an excellent writer with a strong penchant for soul music...  With "Soldier for Jesus" his blues mixes with gospel, and some wonderful guitar work. With a small band -- bass, drums keys -- that truly swings, he keeps center stage, which is what he needs... A superb record from someone who might just be the best contemporary bluesman.











2019. december 9., hétfő

09-12-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2011-2001


Ry Cooder

09-12-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2011-2001 # Ry Cooder, Buddy Guy, Davy Knowles & Back Door Slam, Julian Fauth, Tommy Castro, Snooky Pryor, Shemekia Copeland, Detroit Jr., Robert Belfour, Tom Waits, John Hammond


B L U E S    M U S I C

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BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2011-2001






Virtuoso roots guitarist who was steeped in the blues, but spent his career exploring new musical worlds from Tex-Mex to Cuban bolero.
Ry Cooder
I Want My Crown (Ry Cooder) 2:37
No Banker Left Behind (Ry Cooder) 3:36
from Pull Up Some Dust and Sit Down 2011
Pull Up Some Dust and Sit Down, issued between two national election cycles, is the most overtly political album Ry Cooder has ever released, and one of his funniest, most musically compelling ones, too. Cooder looks deeply into his musical past using his entire Americana musical arsenal: blues, folk, ragtime, norteño, rock, and country here... Those who've followed Cooder from the beginning will find much to love on Pull Up Some Dust and Sit Down. Those music fans unfamiliar with his work but looking for a comrade in arms will find one here. That said, this is revolution music; worthy of dancing to, learning from, and singing along with: who says topical music has to be boring?


Contender for the title of greatest blues guitarist ever, with a fiery, screechy, super-quick technique that influenced countless followers.
Buddy Guy
74 Years Young (Tom Hambridge / Gary Nicholson) 4:34
On the Road (Richard Fleming / Tom Hambridge) 4:11
from Living Proof 2010
Living Proof was designed partially as an aural autobiography from the legendary Buddy Guy, opening up with the stark summation “74 Years Young,” then running through songs that often address some aspect of a working musician's life... Like Skin Deep before it, Living Proof is distinguished by these bold, clenched blasts of sonic fury, but here the production has just enough grit to make the entire enterprise feel feral, and that’s a greater testament to Guy's enduring vitality than any one song could ever be.


British blues-rockers Back Door Slam boast a tough, streetwise sound that recalls veteran U.K. blues players such as Eric Clapton, Peter Green, and John Mayall, though these young guitar slingers represent a new generation -- when bassist Adam Jones joined the group in 2006, guitarist and singer Davy Knowles and drummer Ross Doyle were all of 20 years old, while Jones himself was just 19. 
Davy Knowles & Back Door Slam
Coming Up for Air (Davy Knowles) 4:36
Taste of Danger (Jonatha Brooke) 4:09
Riverbed (Davy Knowles) 3:38
from Coming Up For Air 2009
Perfectly acknowledging the whirlwind that inevitably happens when you're heir apparent to a litany of great bluesmen at the not-so-tender-anymore age of 22, Davy Knowles chooses an album title that sums up what it's like to follow the frenzy with another great gust of compelling songs and exciting studio activity. It's hard to tell the Isle of Man singer/guitarist's story without dropping some classic rock names, since he and his band, Back Door Slam, have played concerts with everyone from the Who to Buddy Guy and George Thorogood and toured with Kid Rock, Lynyrd Skynyrd, and Gov't Mule. While many wanted to share stages with this powerful vocalist and brilliant axeman, one legend went a step further. Harking back to his blues-rock roots in Humble Pie, Peter Frampton makes Coming Up for Air his first foray into producing another artist's entire project...

2019. október 29., kedd

29-10-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2017-2007


Fabrizio Poggi and Guy Davis
29-10-2019  BLUES:MiX # 33 blues(y) songs from the BLUES circle 2017-2007 # Guy Davis, Fabrizio Poggi, Joe Bonamassa, Kevin Selfe, Chris Duarte Group, Lurrie Bell, Shemekia Copeland, Ry Cooder, Buddy Guy, Davy Knowles & Back Door Slam, Julian Fauth, Tommy Castro


B L U E S    M U S I C

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BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2017-2007




Updating the rural blues tradition for the modern era, Guy Davis was among the most prominent ambassadors of African-American art and culture of his generation, additionally winning great acclaim for his work in the theater. 
Fabrizio Poggi is a singer and harmonica player Grammy Awards nominee who has received the Hohner Lifetime Award, and has been two times Blues Music Awards nominee, Jimi Awards nominee, and during his long career has recorded twenty two albums. He has performed in the US and Europe with The Blind Boys of Alabama, Garth Hudson of The Band, Steve Cropper, Charlie Musselwhite, Ronnie Earl, John P. Hammond, Marcia Ball, Guy Davis, Eric Bibb, Flaco Jimenez, Little Feat and many others.
Guy Davis, Fabrizio Poggi
Hooray, Hooray, These Women Are Killing Me (Sonny Terry) 2:56
Baby Please Don't Go to New Orleans (Big Joe Williams) 4:52
from Sonny & Brownie's Last Train 2017
...“Brownie and Sonny were two musicians whose work will never surpassed, let alone improved on,” says Guy.
While that might be true, this writer is old enough to have experienced those giants on multiple occasions in my youth and, more recently, been blessed with the good fortune of catching Davis and Poggi in concert, too. Even though they deliver much of the same material as their predecessors, they achieve a level of intimacy that Terry and McGhee never approached – possibly because of personal differences...

Blues-rock guitarist who got his start with the band Bloodline before launching a solo career.Guitar mastermind Joe Bonamassa, a young player with the childhood dream of playing music similar to legends like Stevie Ray Vaughan, Eric Clapton, and Jimi Hendrix, was 22 when he inked a deal with Epic.
Joe Bonamassa
This Train (Joe Bonamassa / James House) 4:20
Blues of Desperation (Joe Bonamassa / James House) 6:27
What I've Known for a Very Long Time (Joe Bonamassa) 5:33
from Blues Of Desperation 2016
Despite its hardscrabble title -- a sentiment mirrored by the deeply etched black & white cover art -- 2016's Blues of Desperation is very much a continuation of the bright, varied blues-rock heard on Different Shades of Blue. On that 2014 album, Joe Bonamassa made a conscious decision to pair with a bunch of Nashville songsmiths to help sharpen his original material, and he brings most of them back for Blues of Desperation, too. The tenor of the tunes is somewhat heavy -- there are lonesome trains, low valleys, no places for the lonely -- and the production also carries a ballast, something that comes into sharp relief on the Zep-flavored title track but can be heard throughout the record...

Kevin Selfe has been electrifying audiences nationwide since breaking into the blues scene in 2006. His growing stature as a captivating story teller and passionate performer are surpassed only by his deft mastery of blues guitar. Having relocated to Portland, OR, the Virginia native is now a leading light in the Pacific Northwest’s robust blues revival.
Kevin Selfe
Buy My Soul Back (Kevin Selfe) 4:52
Bluesman Without the Blues (Kevin Selfe) 3:21
Virginia Farm (Kevin Selfe) 4:02
Pig Pickin' (Kevin Selfe) 4:48
from Buy My Soul Back 2015
Multi-talented Kevin Selfe and his band, the Tornadoes, have been wowing audiences from their adopted home base of Portland, Ore., for the better part of a decade, but should make waves nationally with Buy My Soul Back, a thoroughly modern album that delves into themes that regularly run through the blues.
Originally from Roanoke, Va., Selfe discovered the blues late in life, when he was a student in meteorology at North Carolina State University. His roommate, a bass player, introduced him to the works of Muddy Waters, Howlin’ Wolf and Elmore James, and, by the time he graduated with honors, changed his path in life from TV weatherman to dyed-in-the-wool bluesman.

2018. november 3., szombat

03-11-2018 BLUES:MiX # 33 blues songs from the BLUES circle 1962-1972



03-11-2018 BLUES:MiX # 33 blues songs from the BLUES circle 1962-1972 # Arthur 'Big Boy' Crudup, Junior Wells, Sonny Boy Williamson II, The Rolling Stones, Long John Baldry, John Hammond, Buddy Guy, Albert King, Little Milton, The Paul Butterfield Blues Band, John Lee Hooker, Van Morrison


B L U E S   M U S I C


LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 


1962-1972

Arthur "Big Boy" Crudup (also known as "Pop" Crudup) (August 24, 1905 – March 28, 1976) was a delta blues singer and guitarist. He is best known outside blues circles for writing songs later covered by Elvis Presley (and since covered by dozens of other artists)...
Arthur 'Big Boy' Crudup
If I Get Lucky (Arthur "Big Boy" Crudup) 3:05
Rock Me Mama (Or Mamma) (Arthur "Big Boy" Crudup) 2:58
from The Definitive Collection 1941-62, Vol. 1


Regarded as the last of the great Chicago harmonica players, he was an impressive stylist and a leading practitioner of postwar blues harmonica. He was one bad dude, strutting across the stage like a harp-toting gangster, mesmerizing the crowd with his tough-guy antics and rib-sticking Chicago blues attack. Amazingly, Junior Wells kept at precisely this sort of thing for over 40 years; he was an active performer from the dawn of the '50s until his death in the late '90s.
Junior Wells
Two Headed Woman (Willie Dixon / Junior Wells) 2:41
I Could Cry (Junior Wells) 3:10
So Tired (Junior Wells) 2:13
from Calling All Blues - The Chief, Profile & USA Recordings 1957-1963
Following his recorded debut as a leader for States Records, Junior Wells signed with Mel London, producing a number of sides for the producer's Chief and Profile imprints. Perhaps best-known for his spectacular harmonica playing, this period, documented on Calling All Blues, saw Wells emerging as an outstanding vocalist as well. A consummate performer with a firm grasp of the range of emotions the music can produce, Wells wrings every drop of feeling out of the lyrics. The singer growls, shouts, howls, moans across these 24 tracks...


Highly-regarded blues singer and harmonica player, an unpredictable character, and a major figure of Chicago blues. Sonny Boy Williamson was, in many ways, the ultimate blues legend. By the time of his death in 1965, he had been around long enough to have played with Robert Johnson at the start of his career and Eric Clapton, Jimmy Page and Robbie Robertson at the end of it. In between, he drank a lot of whiskey, hoboed around the country, had a successful radio show for 15 years, toured Europe to great acclaim and simply wrote, played and sang some of the greatest blues ever etched into black phonograph records. 
Sonny Boy Williamson II 
Help Me (Sonny Boy Williamson II) 3:10
Nine Below Zero (Sonny Boy Williamson II) 3:31
Trying to Get Back on My Feet (Sonny Boy Williamson II) 2:09
Close to Me (Willie Dixon) 3:03
from More Real Folk Blues Rec: 1960-1964 (1967)
His delivery was sly, evil and world-weary, while his harp-playing was full of short, rhythmic bursts one minute and powerful, impassioned blowing the next. His songs were chock-full of mordant wit, with largely autobiographical lyrics that hold up to the scrutiny of the printed page. Though he took his namesake from another well-known harmonica player, no one really sounded like him.
1964 - Sonny Boy Williamson II and club compère Bob Wooler
at the Cavern Club, Liverpool, UK,  Photographer Peter Kaye


The premier British rock band for over half a century, creators of the sound and style imitated by countless groups. 
The Rolling Stones
Everybody Needs Somebody to Love  (Bert Berns / Solomon Burke / Jerry Wexler) 2:58
What a Shame  (Mick Jagger / Keith Richards) 3:05
Little Red Rooster  (Chester Burnett / Willie Dixon) 3:05
from The Rolling Stones, Now! 1965
Although their third American album was patched together (in the usual British Invasion tradition) from a variety of sources, it's their best early R&B-oriented effort. Most of the Stones' early albums suffer from three or four very weak cuts; Now! is almost uniformly strong start-to-finish, the emphasis on some of their blackest material...
The Rolling Stones - Every parents nightmare in America.