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A következő címkéjű bejegyzések mutatása: Albert Castiglia. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Albert Castiglia. Összes bejegyzés megjelenítése

2022. január 22., szombat

22-01+2022 BLUES:MiX # 33 blues(y) songs from the BLUES_circle 2012-2002 (2h 32m)


22-01+2022 BLUES:MiX # 33 blues(y) songs from the BLUES_circle 2012-2002 (2h 32m) Ruthie Foster, Tommy Castro, Albert Castiglia, Magic Slim & the Teardrops, Chris Duarte Group, Eric Clapton  with special guest J.J. Cale, The Wood Brothers, The White Stripes, Boo Boo Davis, Taj Mahal, Shemekia Copeland


B L U E S    M U S I C (2h 32m)

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.BLUES_circle on deezer

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2012-2002




With a naturally expressive voice that has drawn comparisons to greats like Aretha Franklin and Ella Fitzgerald, Texas-based singer and songwriter Ruthie Foster has a wide palette of American song forms -- gospel and blues to jazz, folk, and soul -- and her live performances are powerfully transfiguring...
Long Time Gone (David Crosby) 5:14
This Time (David Hidalgo / Louis Perez / Louie Pérez) 4:48
Everlasting Light (Dan Auerbach / Patrick Carney) 3:33
from Let It Burn 2012
One of the gospel-blues scene's best-kept secrets for over a decade, Texan singer/songwriter Ruthie Foster finally achieved some long-overdue mainstream recognition when her 2009 sixth studio effort, The Truth According to Ruthie Foster, picked up a Grammy nomination. By putting down the guitar and concentrating entirely on her vocals for the first time in her career, her follow-up, Let It Burn, suggests she means business. It's a wise move, as her impassioned, soulful tones have always been her main selling point, and backed by an impressive array of musicians, including the Meters' rhythm section and legendary gospel act the Blind Boys of Alabama, they're allowed the freedom to showcase their versatility... But whichever era Foster picks and chooses from, Let It Burn always feels utterly timeless.



Tommy Castro is an American guitarist, singer, songwriter, and bandleader. His muscular brand of roots music indulges electric and jump blues, funky R&B-inflected rockers, and searing soul-drenched ballads. An incendiary lead guitarist and showman, he often plays more than 200 dates a year...
Voodoo Spell feat. Michael Burks 10:02
from Tommy Castro Presents The Legendary Rhythm & Blues Revue--Live! 2011
A direct descendant from the traveling bundled artist packages of the '60s right down to its retro "hatch show"-styled cover art, Tommy Castro and his band play host to a relatively diverse assortment of high-energy blues and soul acts. The concept originated on the yearly Legendary Rhythm & Blues Cruise where such musical collaborations are typical. Castro's concept was to take that concept on the road, resulting in this dozen-track live album cherrypicked from various tour stops. It's a rollicking, very plugged-in affair... Everyone is at the top of their game with an electricity and vein-popping excitement that can only be generated when musicians feed off each other live... 



Blues guitarist Albert Castiglia was born in New York on August 12, 1969. Five years later his parents moved to Miami, where Castiglia began learning guitar. By the age of 12, he began playing local gigs and did so consistently throughout high school. Following completion of his college education, Castiglia worked as a social service investigator while playing gigs at night and on weekends around South Florida. In 1990 he joined Miami Blues Authority, and was the group's lead guitarist and vocalist for over seven years. After an audition with Chicago blues harp legend Junior Wells in 1997, Castiglia become the permanent lead guitarist for Wells' Hoodoo Man's Band. Following Junior's death in 1998, the band stayed together long enough to open shows for blues belter Sandra Hall. In 2001 Castiglia began writing his own material with the help of Graham Drout, guitarist and vocalist with the Miami-based band Iko Iko...
Cadillac Assembly Line (Sir Mack Rice) 5:01
Mojo 305 (Albert Castiglia / Steven Gaskell / Jerome Mascaro) 3:58
Murderin' Blues (Robert Nighthawk) 5:25
from Keepin' On 2010
Albert Castiglia has been making his living as a bluesman for 20 years, coming to prominence as lead guitarist for the legendary Junior Wells. He's played with a who's who of blues greats in his career and stepped out on his own in 2002 with Burn, an album that got universal raves. There's no doubting Castiglia's power as a guitarist... Critics often compare Castiglia's singing to Van Morrison, and maybe there was a bit of Van the Man in his vocal style years back, but on Keepin On he has his own signature style, a combination of urban grit and smooth, soulful crooning. Like Robert Cray, Castiglia combines hardcore blues with soul, rock, and country flavors for a sound that will appeal to rockers and blues purists alike.

2021. december 23., csütörtök

23-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2019-2011 (2h 34m)


23-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2019-2011 (2h 34m) Gary Clark Jr., Bernard Allison, John Mayall, Lil' Ed & the Blues Imperials, Keith Richards, The Mannish Boys, James Cotton, Ruthie Foster, Tommy Castro, Albert Castiglia, Magic Slim & the Teardrops


B L U E S    M U S I C (2h 34m)

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.BLUES_circle on deezer

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2019-2011



With his acclaimed debut Blak and Blu, Gary Clark, Jr. emerged at the dawn of the 2010s as the great hope for modern electric blues. He spent the rest of the decade fulfilling that promise, both by continuing the blues-rock tradition and expanding it to encompass contemporary funk, rock, and hip-hop. Initially, Clark played his cards relatively close to the vest, emphasizing the blues heritage of his hometown in Austin, Texas (and earning the endorsement of local legend Jimmie Vaughan)...
This Land (Woody Guthrie / Gary Clark, Jr.) 5:41
Dirty Dishes Blues (Lane Evans / Gary Clark, Jr. / Jacob Sciba) 5:03
What About Us (Gary Clark, Jr. / Curtis Ousley) 4:30
from This Land 2019
"F*ck you, I'm America's son/This is where I come from." Gary Clark, Jr. spits out that line with all the venom he can muster on the opening track of 2019's This Land, and while he's specifically challenging a racist neighbor who doesn't believe he can afford the Texas ranch he calls home, it also sounds like he's shouting down anyone who has dared to question his creative ambitions or tried to pigeonhole him as just another bluesman. Since making his major-label debut with 2012's Blak and Blu, Clark has steadily been widening his boundaries as a musician, and This Land is his toughest and most ambitious work to date, a bold and often ferocious set of songs that serves as a polyglot of African-American musical idioms and sharply articulate thoughts about American life in the midst of the Trump era. As on his previous albums, Clark frequently demonstrates he's a gifted and forceful guitarist, but on This Land, the songs are ultimately more important than the solos, and the rich, densely packed production, the melodic diversity of material, and the undiluted passion of the lyrics (and the way Clark delivers them) is what truly makes this album succeed...  This Land is not an album many were expecting Gary Clark, Jr. to make when he burst into nationwide recognition at the start of the 2010s, and that's one of its greatest strengths -- it frequently upends expectations while confirming Clark's broad talent and imagination, and if this doesn't convince you he's a major artist, nothing will.


Bernard Allison is the guitar-playing, singing, and songwriting son of late legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his father did. Bernard counts among his influences icons like Albert King, Muddy Waters, and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter.
Cruisin For A Bluesin (Bernard Allison, Mario Dawson) 4:55
Backdoor Man (Bernard Allison) 3:49
You're Gonna Need Me (Luther Allison) 4:38
from Let It Go 2018
Painful admission: When this reviewer saw the title of the aforementioned CD, she popped it into her stereo and fast-forwarded to that track, hoping and praying it wasn’t a cover of the pop hit from Disney’s Frozen. Then she thought, “Bernard Allison would never do that. He’s a legend!” His Let It Go is an original tune and an entire album besides. When blues runs in the blood as thickly and purely as it does between a father and his youngest son, nary a sour note is played. Bernard’s groove persists and embellishes itself throughout twelve tracks... Perhaps the best part of Bernard’s blues is his vocals, savory as barbecue ribs: hot and tangy, just the thing to warm one’s ears like a full rack of “baby back” warms the stomach. Of course, his guitar is iconic, and it makes a bold appearance in electric, slide, and acoustic varieties. Ruf Records has done it again, providing pristine-quality music from a pristine-quality, traditional blues artist.


John Mayall, OBE is the godfather of the British blues. A singer/songwriter and multi-instrumentalist, he has been a bandleader and recording artist since 1965. A generation older than most of his sidemen, Mayall was a mentor; his bands were both a lab and finishing school for iconic musicians -- particularly guitarists. Eric Clapton, Peter Green, and Mick Taylor served, as did bassists Jack Bruce and John McVie and drummers Mick Fleetwood and Aynsley Dunbar among dozens of others...
Talk About That (John Mayall) 4:25
The Devil Must Be Laughing (John Mayall) 6:57
Blue Midnight (John Mayall) 4:02
from Talk About That 2017
John Mayall enlisted the aid of a Rock And Roll Hall Of Famer for Talk About That, his latest release in a career that stretches back to the early ’60s, but have no fear! With James Gang/Eagles superstar Joe Walsh along for the ride, the undisputed Godfather Of British Blues delivers a heaping portion of the music four generations of fans have come to know and love... Available through all major marketers Talk About That proves once again that Mayall is a musical treasure. It’s comfortable, yet fresh throughout — and strongly recommended.
John Mayall Trio and Joe Walsh

2021. október 30., szombat

30-10-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2009-2019 (2h 19m)


30-10-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2009-2019 Tinsley Ellis, Boo Boo Davis, Chris Duarte Group, Albert Castiglia, Micke Bjorkloff & the Blue Strip, Tyrone Vaughan, Josh Knight, Steve Earle & The Dukes, Sari Schorr, Left Lane Cruiser, The Reverend Shawn Amos, The Cash Box Kings


B L U E S    M U S I C (2h 19m)

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.BLUES_circle on deezer

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2009-2019



A hard-rocking, high-voltage blues guitarist most often compared to Stevie Ray Vaughan, Tinsley Ellis is hardly one of the legions of imitators that comparison might imply.
Sunlight of Love (Tinsley Ellis) 4:14
Speak No Evil (Tinsley Ellis) 5:08
The Other Side (Tinsley Ellis) 4:14
from Speak No Evil 2009
Tinsley Ellis has worked hard since the early 1980s to establish himself on the contemporary blues scene. As a result, he has become one of the most consistent, and therefore quintessential, electric blues men. Ellis is a an excellent guitar player and a terrific showman. He's a good songwriter in that he stretches the blues form as far as it will go, and occasionally he crosses into solid hard rock territory... What seems to be at work on Speak No Evil is Ellis trying to push the blues form in a decidedly more rockist direction without losing its emotional feel. And he's done his job... Speak No Evil is an ambitious album from Ellis; he's continued to grow musically and aesthetically without losing an ounce of his own identity in the process...



James "Boo Boo" Davis is an American electric blues musician. Davis is one of the few remaining blues musicians who gained experience singing the blues in the Mississippi Delta, having sung to help pass the time while picking the cotton fields.
Undercover blues (J. Davis) 4:59
Turkey walk (J. Davis) 3:41
Train my baby is on (J. Davis) 4:15
During the Fall 2010 tour Boo Boo and the guys got a lot of idea’s and decided to record them on one of the off days. As usual all original songs and with Boo Boo you never know what will happen. .. For the recording they picked a funky (but full analog) studio in rural Switzerland; nothing beats the sound of warm tubes and real tape. All tracks were recorded in six hours / one take with all three guys in the same room. Raw, loud and simple, just like they sound live on stage. The mixing and mastering is done by miX&dorp; a music freak that Boo Boo met a few times during his recent tours. He happened to be in the area and was happy to help out.


...He enjoyed a spell with Bobby Mack before bursting onto the blues scene in 1994 with the release of Texas Sugar/Strat Magik, on which he was backed by John Jordan (bass) and Brannen Temple (drums). The album brought immediate acclaim for the band’s gritty, intense southern blues sound, with Duarte singled out for his technique... Indeed, in the 1995 Guitar World magazine Readers’ Poll, he was voted fourth best blues guitarist behind the much more established and esteemed company of Eric Clapton, Buddy Guy and B.B. King.
Another Man (Chris Duarte) 5:10
Bottle Blues (Chris Duarte) 5:03
Hold Back the Tears (Monji Kadowaki / Toshihiro Sumitomo) 7:02
...Duarte has made some exciting contributions to blues-rock -- specifically, blues-rock of the Texas variety, and that Lone Star spirit is alive and well on Blues in the Afterburner. Texas, of course, has been a leader in different areas of the blues. Lightnin' Hopkins, Texas Alexander, and Blind Lemon Jefferson are among the icons of pre-rock Texas blues, while the recordings of Vaughan and Johnny Winter are the essence of loud-and-proud Texas blues-rock... Duarte maintains some Jimi Hendrix influence (Hendrix was from Seattle, not Texas) along with his fondness for Vaughan and Winter, but then, Hendrix was also a major influence on Vaughan. And true to form, Duarte is as expressive with his vocals as he is with his electric guitar playing. Blues in the Afterburner is another memorable, inspired album from Duarte.


Blues guitarist Albert Castiglia was born in New York on August 12, 1969. Five years later his parents moved to Miami, where Castiglia began learning guitar. By the age of 12, he began playing local gigs and did so consistently throughout high school. Following completion of his college education, Castiglia worked as a social service investigator while playing gigs at night and on weekends around South Florida...
Living the Dream (Albert Castiglia) 3:52
Freddie's Boogie (Freddie King) 4:48 (Call 
Parchman Farm (Mose Allison) 5.57
Albert Castiglia earned his blues cred as a member of Junior Wells' band, but his resumé is irrelevant at this point in his career. His muscular vocal style, incendiary guitar work, and fine songwriting are all the signs of an artist who's in it for the love of music, a fact he wryly acknowledges on this album's title track. With John Ginty's big Hammond B-3 lending support to his chattering rhythm guitar work, Castiglia sings "The road to riches is playing guitar, that's why I'm living inside my car" before laying down another stinging guitar solo. ..