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A következő címkéjű bejegyzések mutatása: Lee Hazlewood. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Lee Hazlewood. Összes bejegyzés megjelenítése

2020. június 16., kedd

16-06-2020 PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959

Hal Singer
16-06-2020 PREHiSTORiC:MiX ~ 33 pieces excavation finds from ancient sounds / before 1959   >>Hal Singer, Xavier Cugat & His Orchestra, Ruth Brown, Ellis 'Slow' Walsh, Guitar Slim, Tommy Ridgley, Pee Wee Crayton, Bull Moose Jackson, Lee Hazlewood, Tadd Dameron with John Coltrane, Mongo Santamaria, Otis Rush, Herbie Mann<<

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before 1959



Equally at home blowing scorching R&B or tasty jazz, Hal "Cornbread" Singer has played and recorded both over a career spanning more than half a century. 
Hal Singer
Swing Shift (Hal Singer)
Swanee River (Traditional)
Cornbread (Lee Morgan / Teddy Reig / Hal Singer)
from Hal Singer 1948-1951
Blues & Rhythm CLASSICS
Tenor sax player Hal "Cornbread" Singer spent his career moving with ease between jazz, R&B and early rock & roll, and his hard, muscular sax sound is unmistakable, practically defining the words "searing" and "scorching" on key instrumentals like "Cornbread" (his first big solo hit) and its follow-up, "Beef Stew." Both tracks are included here in this collection of his earliest solo sides for Savoy Records...


Remembered for his highly commercial approach to pop music, Xavier Cugat (born Francisco de Asis Javier Cugat Mingall de Cru y Deulofeo) made an even greater mark as one of the pioneers of Latin American dance music. During his eight-decade-long career, Cugat helped to popularize the tango, the cha-cha, the mambo, and the rhumba.
Xavier Cugat & His Orchestra
Maracaibo
Mambo No. 5
Anything Can Happen Mambo feat. Abbe Lane
from Maracaibo (Original Recordings 1950 -1952)
A native of Girona, Spain, Cugat emigrated with his family to Cuba in 1905. Trained as a classical violinist, he played with the Orchestra of the Teatro Nacional in Havana at the age of 12. Emigrating to the United States, sometime between 1915 and 1918, he quickly found work accompanying an opera singer. At the height of the tango craze, in 1918, Cugat joined a popular dance band, the Gigolos. His involvement with the group, however, was brief. As the popularity of the tango faded, he took a job as a cartoonist for The Los Angeles Times. Cugat returned to music in 1920, forming his own group, the Latin American Band....
Xavier Cugat & Abbe Lane


They called Atlantic Records "the house that Ruth built" during the 1950s, and they weren't referring to the Sultan of Swat. Ruth Brown's regal hitmaking reign from 1949 to the close of the '50s helped tremendously to establish the New York label's predominance in the R&B field.
Ruth Brown
Don't Cry
Shine On
Mend Your Ways (Lincoln Chase / Leroy Kirkland) 2:48
from Ruth Brown 1951-1953
Blues & Rhythm CLASSICS
Later, the business all but forgot her -- she was forced to toil as domestic help for a time -- but she returned to the top, her status as a postwar R&B pioneer (and tireless advocate for the rights and royalties of her peers) recognized worldwide.
Young Ruth Weston was inspired initially by jazz chanteuses Sarah Vaughan, Billie Holiday, and Dinah Washington. She ran away from her Portsmouth home in 1945 to hit the road with trumpeter Jimmy Brown, whom she soon married...