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A következő címkéjű bejegyzések mutatása: Lorez Alexandria. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Lorez Alexandria. Összes bejegyzés megjelenítése

2020. május 20., szerda

05-20-2020 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1959-1962


05-20-2020  FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1959-1962  >>Herbie Mann, THE BEATLES, Chuck Berry, James Brown, Joe Meek & the Blue Men, Eddie Lockjaw Davis, Bo Diddley, Lorez Alexandria, Chuck Berry, Elvis Presley, Fats Domino, John Lee Hooker<<
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1959-1962


Prolific and widely known flutist, beloved in jazz circles, has covered many world music styles. Herbie Mann played a wide variety of music throughout his career. He became quite popular in the 1960s, but in the '70s became so immersed in pop and various types of world music that he seemed lost to jazz. However, Mann never lost his ability to improvise creatively as his later recordings attest.
Old Honkie Tonk Piano Roll Blues 4:45
Minor Groove 7:36
Starting his career as a practitioner of cool jazz and bop, Herbie Mann was one of the first musicians to embrace world influences into his sound. Incorporating the rhythms and melodies of Cuba, Africa, and South America, as well as the Middle and Far East, into his work, Mann was also known for his high-profile collaborations, appearing alongside the likes of Art Blakey, Chet Baker, Sarah Vaughan and numerous others...


...Hamburg was the Beatles' baptism by fire. Playing grueling sessions for hours on end in one of the most notorious red-light districts in the world, the group was forced to expand its repertoire, tighten up its chops, and invest its show with enough manic energy to keep the rowdy crowds satisfied. When they returned to Liverpool at the end of 1960, the band -- formerly also-rans on the exploding Liverpudlian "beat" scene -- were suddenly the most exciting act on the local circuit. They consolidated their following in 1961 with constant gigging in the Merseyside area, most often at the legendary Cavern Club, the incubator of the Merseybeat sound...
Ain't She Sweet [U.S. Version] 2:15
Cry for a Shadow (George Harrison / John Lennon) 2:23
The Beatles entered a recording studio for the first time 50 years ago, in 1961. It wasn’t actually the group’s gig, since they were essentially the backing band for singer Tony Sheridan, but the way recording was done at the session and at a second session in 1962, with instrumental parts laid down first and vocals added later, it’s possible to catch a faint, nascent glimpse of the international pop phenomenon the Beatles would become a couple years down the road. Orchestral big-band leader Bert Kaempfert had discovered the group playing in a German nightclub, signed them to a recording contract, paired them with Sheridan in the studio, and then released the songs through Polydor Records in Germany in 1961 and 1962. These early tracks have been released multiple times over the years in both mono and stereo mixes (with reverb added), and this set from Time Life Music includes both versions. Everything’s here, really, kind of frozen in time, since the original tapes were lost in a fire at Kaempfert's warehouse in the early '70s. Sheridan handles almost all of the vocals, and there are only two tracks without him, a version of John Lennon singing “Ain’t She Sweet” and an early George Harrison instrumental called “Cry for a Shadow,” both of which are featured here in mono, stereo, and medley versions.... Everything has a beginning. This two-disc set collects the earliest recordings of perhaps the most important recording act in pop music history. That’s the story, and the rest is history.


Rock & roll's prime innovator, thanks to his detailed songwriting, dazzling lyrics, and clear, economical guitar licks.
I'm Talking About You (Chuck Berry) 1:48
Thirteen Question Method (Chuck Berry) 2:13
Chuck Berry's fifth Chess Records album, New Juke Box Hits, was recorded and released in the midst of the legal difficulties that would put him in jail the following year. That distraction seems to have kept him from composing top-flight material, while the attendant publicity adversely affected his record sales, such that the album contained no hits. The included single was "I'm Talking About You," later successfully recorded by the Rolling Stones, and the album also contained "The Thirteen Question Method" and "Don't You Lie to Me," worthy minor entries in the Berry canon. Elsewhere, Berry filled out the record covering others' hits -- Nat "King" Cole's "Route 66," B.B. King's "Sweet Sixteen," Little Richard's "Rip It Up." The result is a good rock & roll set, but not in the same league with Berry's earlier albums.