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A következő címkéjű bejegyzések mutatása: Sonny Landreth. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Sonny Landreth. Összes bejegyzés megjelenítése

2021. december 9., csütörtök

09-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2016-2021 (2h 19m)


09-12-2021 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2016-2021 (2h 19m) Sari Schorr, Left Lane Cruiser, The Reverend Shawn Amos, The Cash Box Kings, Johnny Iguana, Gov't Mule, Sue Foley, Sonny Landreth, Gary Clark Jr., Bernard Allison, John Mayall


B L U E S    M U S I C (2h 19m)

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BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2016-2021




...Sari’s success comes after years trudging the rugged road of life of the hard-working Blues woman. From her humble beginnings, working the music scene in the legendary fierce South Bronx of New York and on Manhattan’s Lower East Side, to a performance at Carnegie Hall, the operatically trained tornado stood her ground as a phenomenal Blues-Rock singer who would not be denied...
Work No More (Walter Trout) 5:22
Ain't Got No Money (Henning Gehrke / Sari Schorr) 5:13
With a screeching guitar intro on the track “Ain’t Got no Money,” the album Force of Nature starts off like a hawk and gets better. A recent inductee into the New York Blues Hall of Fame, Sari Schorr cut her ravenous teeth in the blues scene touring with renowned blues artists such as Popa Chubby, and Joe Louis Walker. With a voice like an operatic volcano it’s easy to see why Sari Schorr has received the notoriety that she has... Playing with several guitar players throughout the album, including Walter Trout, Innes Sibun, Oli Brown, and other accompaniments as well, the bass playing of Nani Conde, and the Drums of Jose Mena, are consistent through out the album. A deeply personal album for Schorr, Force of Nature is a hailstorm of an album sure to go down in blues history.


Specializing in a raw hillbilly punk-blues style that roars like a tweaking modal chain saw, Left Lane Cruiser is a band led by slide guitarist Frederick "Joe" Evans IV. Their music has the swampy feel of North Mississippi hill country blues à la Junior Kimbrough and R.L. Burnside, with a good dose of snarling garage punk tossed into the mix. While the band would sometimes expand into a trio, they record the bulk of their work as a two-piece, and the tough, funky roar of their music arrives fully formed on their 2006 debut Gettin' Down on It...
Claw Machine Wizard 3:16
Booga Chaka 3:43
Smoke Break 2:15
2017's Claw Machine Wizard is Left Lane Cruiser's ninth album in ten years, and if you've been following their body of work, you should know what to expect before the first tune kicks in. Left Lane Cruiser are all about raw, dirty blues-rock, full of distorted guitars and pounding rhythms, and they aren't about to change their formula a decade into the game. But Claw Machine Wizard does sound just a bit less raunchy than their past few efforts, and contrary to expectations, that turns out to work in their favor. Don't worry, this album is still industrial-strength stomp-down blues-rock, but Jason Davis' engineering and mix add a bit more clarity to the group's attack, and the result boasts a bit less grime and a bit more groove, which helps these tunes shake long and hard... 


Also known as the Reverend Shawn Amos, Shawn Amos is a singer, songwriter, and producer with a style that alternates blues, roots rock, country, and gospel... 
After establishing himself as a solo artist, he also became known as a multi-faceted label and marketing executive, among other enterprises, while continuing to release music...  
The Reverend Shawn Amos 
Moved (Shawn Amos / Chris Roberts) 3:58
Hold Hands (Shawn Amos / Chris Roberts) 2:44
The Jean Genie (David Bowie) 4:16
from Breaks It Down 2018
The Reverend Shawn Amos designed his 2018 album, Breaks It Down, as a collection of "21st century freedom songs," a self-description that underscores that this is a modern-day protest record. Certainly, Breaks It Down teems with songs of pained passion and pleas for togetherness... By casting his musical net wide and writing specific songs, he succeeds with Breaks It Down, since both the tunes and the vibe make it clear he's aiming for empathy, not alienation.

2020. május 5., kedd

PnM:MiX dozen bestofs > 2020's blues songs so far

Sass Jordan, G. Love & Special Sauce, Marcus King, The Wood Brothers, Son Little, Thorbjørn Risager & The Black Tornado, Tinsley Ellis, Christopher Paul Stelling, The Third Mind, Sonny Landreth, Robert Cray, Ryan Perry
"Am I Wrong"
PnM.MiX dozen bestofs 2020's blues songs so far




A British-born, Canadian pop/rock singer who also appeared as a judge on the TV talent competition Canadian Idol. Sass Jordan joined her first band, the News, after she learned to play bass at the age of 17. Four years later, she left the band and, by 1985, had begun a solo career.
Sass Jordan - Rebel Moon Blues / Am I Wrong
...More crucially, it’s also a watershed that charts a new course in Jordan’s musical voyage while tracing her love of the blues back to its source. The album features eight songs, freshly interpreted and given the Sass Jordan treatment with her band the Champagne Hookers: guitarists Chris Caddell and Jimmy Reid, bassist Derrick Brady and drummer Cassius Pereira, augmented by blues harp master Steve Marriner and keyboardist Jesse O’Brien.

Philadelphia singer-songwriter and crew seamlessly bled old-school blues and jazz into modern-alterna-hip-hop.
G. Love & Special SauceThe Juice / Fix Your Face
Now that they're over a quarter-century into their career, it's time to come to terms with a simple fact: G. Love & Special Sauce are no longer youthful upstarts, they're veterans. Fittingly, their 2020 album The Juice is the kind of record that could only be made by musicians who've been around the block a time or two. It's not that The Juice is the work of untrammeled virtuosos -- it is most decidedly a vibe record -- but rather that it's an album that's casually confident that also happens to have an offhand sense of community...


Ace guitarist who won a following with blues and jam band fans before honing his talents as a vocalist on his first solo album.
Marcus King - El Dorado / The Well
There's nothing at all wrong with being a guitar hero, but sometimes a musician wants to show folks they can do more than spin off dazzling solos. The Marcus King Band has won a loyal following among guitar mavens, blues heads, and jam band enthusiasts for their agile blend of boogie rock and blues that gives King plenty of opportunity to express himself on guitar. But for his first solo effort, King has opted to try something different. 2020's El Dorado was produced by Dan Auerbach of the Black Keys, and he's helped King craft a change-of-pace effort that should appeal to folks unaware of his work with his band...


A roots music trio featuring brothers Chris (upright bass, vocals) and Oliver Wood (guitars, vocals) along with multi-instrumentalist Jano Rix, the Wood Brothers bring a distinctive flair to their union of folk, blues, gospel, and jazz.
The Wood Brothers - Kingdom in My Mind / Little Blues
...The band didn't enter the studio with the intent of recording a new album, but they were taken with the results of their recording, so brothers Chris and Oliver Wood shaped the improvisations into songs. Starting with a collection of funky rustic recordings wound up being a boon to the Wood Brothers, letting Kingdom in My Mind establish a vibe that's cozy, homespun, and just slightly slick. Chalk the polish up to how the group are veterans with a good sense of space and feel, a knack that they're pushing on Kingdom in My Mind over tasteful songcraft...


Blending elements of acoustic blues, vintage soul, and conscious hip-hop into a mixture that's expressive yet deeply personal, Son Little is the alias of Aaron Livingston, a singer, instrumentalist, and songwriter who divides his time between his own music and collaborations with others.
Son Little - Aloha / That's The Way
In the press materials for Son Little's third album, 2020's Aloha, Little (known to his mom and the tax people as Aaron Livingston) says he had written a big batch of songs for his next project and recorded elaborate demos working out the arrangements. Then the hard drive in his recording setup went wonky on him, and suddenly all that hard work vanished and Little had to rewrite the album from the ground up in a few weeks. The moral to this story is that Son Little apparently responds well to pressure: despite the drama leading up to the album's recording, he sounds as confident, assured, and intelligent on Aloha as he did on 2015's Son Little and 2017's New Magic...

Thorbjørn Risager is a hard-swinging Danish blues musician and songwriter whose singing voice sounds cobbled from one-part Ray Charles, one-part Bob Seger, and one-part Joe Cocker.
The Black Tornado is the supporting band of Thorbjørn Risager, a Danish blues musician who first came onto the scene early in the 2000s. A fan of Southern soul and Chicago blues, he fused the two sounds, something that was evident his 2004 debut,
Thorbjørn Risager & The Black TornadoCome on In / Last Train
Since 2003, Danish guitarist, singer, and songwriter Thorbjørn Risager has been delivering his own mutant brand of blues. His Black Tornado band is comprised of two guitars, bass, drums, a pair of saxophones, trumpet, and keyboards. Come on In is their fourth album for Germany's Ruf label and 12th overall. Risager's rich, resonant, gravelly baritone singing voice is equal parts Ray Charles, Billy Gibbons, J.J. Cale, and Leon Redbone. Black Tornado are like no other band. They are capable of simmering, brooding, noir-ish jazz, swampy rock, sultry R&B, uptown funk, and house-rocking blues derived from the entwined lineages of Chicago, Texas, and the Delta...


A fiery guitarist and talented songwriter who plays a unique blend of Memphis R&B, southwest blues, and urban funk. A hard-rocking, high-voltage blues guitarist most often compared to Stevie Ray Vaughan, Tinsley Ellis is hardly one of the legions of imitators that comparison might imply. Schooled in a variety of Southern musical styles as evidenced by his.
Tinsley Ellis - Ice Cream in Hell / Hole in My Heart
...In 2018 he returned home to Alligator Records after delivering four albums on his own Heartfixer label. The chart-topping set was met with Blues Music Association nominations for album of the year and artist of the year. Ice Cream in Hell was recorded in Nashville and co-produced by Ellis and longtime co-producer/keyboardist Kevin McKendree...  "Hole in My Heart" is a 21st century update of the sound that B.B. King explored with Bobby "Blue" Bland. Ellis' fingerpicked fills enunciate the emotion expressed in the lyrics, while McKendree's piano runs add depth and dimension.

Singer, songwriter, and virtuosic fingerpicker who crafts timeless-sounding acoustic confections that draw from all corners of American roots music.
Christopher Paul StellingBest Of Luck / Hear Me Calling
The fifth studio album from songwriter and skilled fingerpicker Christopher Paul Stelling, Best of Luck reflects a few changes in approach for the musician. Following years of near constant touring, Stelling stayed put for (effectively) the first time since his 2012 debut, putting down roots in Asheville, North Carolina and taking up a residency at the Stetson Kennedy estate in Florida while he worked on writing the album. It's his first with an outside producer, none other than Ben Harper, who expressed interest in working with Stelling after they toured together. Harper has stressed Stelling's soulful vocals as an underrated part of his charismatic style, one that fuses folk, blues, and more with his intricate playing and impassioned lyrics...


Experimental improvisational project founded by Dave Alvin featuring members of Counting Crows, Cracker, Camper Van Beethoven, and more.
The Third MindThe Third Mind / East West
As a musician who has passionately advocated for American roots music since the Blasters released their first album in 1980, Dave Alvin is widely regarded as a traditionalist, which is not as accurate as it would seem at first glance. Alvin grew up on free jazz, psychedelia, and hard rock along with the blues, rockabilly, country, and jump jazz sounds that inform his best-known work, and his project the Third Mind is a step outside his usual boundaries that lets him explore ideas he hasn't approached in the past...  and the Paul Butterfield Blues Band's "East/West," the communication between the players is smart and exciting. (Whether you actually need three different versions of "East/West," the shortest of which is 14 minutes, is an open question, but each one here is honestly engaging.) Alvin's roots in the blues certainly play a big role in The Third Mind, but so does hard rock, psychedelia, jazz, and improvisational music, and this context -- essentially a jam band without audibly hippie-like tendencies -- shows that his willingness to take a risk pays off handsomely.


An award-winning, in-demand blues guitar prodigy, singer, and songwriter with an inimitable slide technique. Southwest Louisiana-based guitarist, songwriter, and singer Sonny Landreth is an award-winning musician's musician.
Sonny Landreth - Blacktop Run / Beyond Bolders
Louisiana guitar slinger Sonny Landreth returns to the studio with his quartet two years after 2017's Grammy-nominated Recorded Live in Lafayette. Blacktop Run is more than just a new studio outing, however... He is a studio empath and extends artists full faith and credit. Landreth possesses a distinct sound to be sure, direct, resonant, and simple, but he's restless when it comes to experimenting with styles. He juxtaposes, combines, and balances them with alarming regularity and reckless abandon...Landreth's band includes keyboardist Steve Conn, drummer Brian Brignac, and bassist David Ranson. The guitarist wrote eight of these ten tunes; Conn penned the other two, which include the stellar instrumental "Beyond Borders," a jam that melds hard Southern swamp rock, electric slide blues, and Latin cumbia...


The guitarist who brought blues back to the charts in the '80s via songs that defined blues themes but added modern and personal twists.
Robert CrayThat's What I Heard / Hot
Robert Cray was hailed as the man who saved the blues from commercial extinction when his album Strong Persuader became a breakout hit in 1986, and blues fans are still the bedrock of his following. But anyone who has been paying attention can tell you that vintage soul and R&B have always had more to do with his best music than standard-issue 12-bar blues... Something else that doesn't change is how comfortable Cray sounds with this material, and how well his unfussy but passionate vocal style, narrative lyrical stance, and exciting but never overdone guitar features blend with the soul grooves generated by Cray's band and the guests brought in for the occasion... "Hot" is an uptempo workout that pulls out the stops...

Towering over his guitar, Ryan’s soulful music thrills his audience with electrifying head-popping, toe-tapping, and neck-jerking chops. But, to truly know Ryan Perry, a walk-down-memory lane is enough to see why, only in his twenties, still not afraid to rip up stinging and soulful guitar licks with his gruff and gritty vocals. 
Ryan PerryHigh Risk, Low Reward / Evil is Going On
 Some people, with no effort, are preternaturally cool. Many bluesmen share this trait, making it unsurprising that it belongs to Ryan Perry. On the other hand, his voice is surprising. It has the unique quality of sounding young and old at the same time; whether he’s in his 20s or 40’s is difficult to ascertain from timbre alone. The writing also belies the age of the writer. High Risk, Low Reward is a mix of original blues, blues-rock twists and rave-ups, and thoughtful introspective musings... With buzzy lead fills and a rhythm guitar overdriven to the point of constant crackling, he sings with a voice so filled with gravel that Howlin’ Wolf would be proud of these numbers, not to mention the cover of his own “Evil Is Going On.”







2020. február 23., vasárnap

074 ALTER.NATION.MiX weekly favtraX 23-02-2020

ALTER.NATION #74
Grimes, Agnes Obel, Lanterns on the Lake, Lee Ranaldo / Raül Refree, King Krule, Six Organs of Admittance, Sonny Landreth, Pat Metheny, Courtney Barnett, Greg Dulli, Guided by Voices, Cerrone

weekly favtraX 
2 3 - 0 2 - 2 0 2 0

"My Name is Dark"






Canadian singer/songwriter/producer/visual artist known for her catchy yet genre-defying approach to music. Combining dream pop, R&B, electronic, and hip-hop influences into futuristic yet familiar-sounding songs, Grimes' Claire Boucher became one of the most distinctive artists of the 2010s.
Grimes - Miss AnthropoceneMy Name is Dark (Art Mix)
Grimes' music has frequently sounded like pop music for the end of the world, so it makes sense that she leans into that mood on Miss Anthropocene. On her fifth album, she taps into mythology's power to make vast forces easier to comprehend by envisioning climate change as a demon-goddess pop star (as hinted at by the title's clever blend of "misanthrope" and "Anthropocene"). Humanizing the harm humans have caused to the environment by evoking deities of destruction and the singles chart is an intriguing concept that Grimes commits to completely. She trades the surreal, hi-def brightness of Art Angels for a murky mix of ethereal, nu-metal, and industrial-inspired sounds that call to mind a thoroughly polluted world: The tempos are sluggish, the atmosphere is thick, and guitar riffs struggle to emerge from processed sludge... "My Name Is Dark" builds from bleak hedonism into a pop song worthy of a dance number that becomes a fight scene -- a Grimes specialty, as Art Angels' "Kill V Maim" proved...


Pure, austere, and remarkably poised singer/songwriter from Denmark with a penchant for melancholy atmosphere and icy chamber pop arrangements.
Agnes Obel - Myopia / Myopia
The follow-up to 2017's acclaimed Citizen of Glass, Myopia is the Danish singer/songwriter's fourth full-length effort and the second collection of songs self-produced in her Berlin home studio. Built on the competing themes of trust and doubt, the aptly named Myopia is Agnes Obel's most insular work to date, continuing in the vein of its predecessor with dramatic pitch-tuned vocals and Gothic chamber pop melodies. Obel has been refining her spectral nocturnes for a decade now, and Myopia, with its fever dream vistas and melancholy abyss, doesn't disappoint...


Songwriter Hazel Wilde's brooding vocals and textured instrumentation including strings combine for a distinctively dreamy, delicate indie rock.
Lanterns on the Lake - Spook the Herd / Baddies
Based in Newcastle, England since their formation, Lanterns on the Lake have historically kept their recording practices in-house, opting to track songs in their homes and other improvised studio spaces, even after signing with a label that would provide funds to do otherwise. For their fourth album, Spook the Herd, they finally did venture outside of their comfort zone to work with engineer Joss Worthington (the Membranes, Pete Coe) at a studio in Yorkshire. The band still oversaw production. Fine-tuning their sound instead of marking a significant change in presentation, they emerge with another solid set of songs distinguished by rich, dreamy, acoustic-electronic textures and singer Hazel Wilde's brooding lyricism...


Lee Ranaldo is best known as one of the co-founders of the iconic noise-rock group Sonic Youth, and his work helped bridge the gaps between experimental music and New York's no-wave scene with the larger world of alternative rock.
Lee Ranaldo / Raül Refree - Names of North End Women / The Art of Losing
Ranaldo and Refree worked together Ranaldo’s last solo album, Electric Trim (Mute, 2017), and soon after the pair returned to the studio to record the follow up they realised that Names of North End Women would become what Ranaldo describes as “the beginning of a new partnership, a new configuration’”.
For one of the greatest guitarists, ranked by both Rolling Stone and Spin, of his generation (Ranaldo co-founded Sonic Youth in 1981) and an artist reinventing traditional flamenco guitar (Refree’s album with Rosalía continues to grow internationally), this is an album that features tracks with little or no guitar. Instead the duo composed using marimba and vibraphone, using samplers, a vintage 2-inch Studer tape recorder and a modified cassette machine Ranaldo had previously used in performances 25 years earlier...


Performing as Zoo Kid as well as this alias, London's Archy Marshall has wowed audiences with his gruff, soulful voice.Named after King K. Rool, a character in the Donkey Kong video game, King Krule is a solo project of Archy Marshall, a London-based artist who has been compared to Joe Strummer and Billy Bragg and admired by Beyoncé and Kanye West.
King Krule - Man Alive!Cellular
... Marshall duly stuffs his concise follow-up to The Ooz with the terror and negative liquid references, both literal and metaphorical, for which he is known. They even girdle it, starting with a numbed post-punk creeper in which Marshall drones about glancing at his phone to watch a girl cry, and signing off with a lashing, hollowed-out appeal of disconnectedness and dejection that contains the lyrics, "We don't have long 'til this earth is drowned." The Krule gaze is certainly more outward than before, though the most trenchant observations are mumbled. At times, Marshall sounds like he's recording a memo in the middle of a sleepless night...


Part of the "new weird America" sound, featuring deft finger-picking and heady psychedelic drones. Inspired by the East-meets-West solo guitar musings of John Fahey and Robbie Basho, Northern California guitarist Ben Chasny has built a prolific and diverse body of work under the name Six Organs of Admittance. An experimental amalgam of new folk, drone music, percussion, chimes, and strange textures...
Six Organs of Admittance - Companion RisesMark Yourself
Three years after 2017's relatively low-key and largely organic Burning the Threshold, Ben Chasny nudges Six Organs of Admittance back toward the brink on the exploratory Companion Rises. Over the two previous decades, the California native's prolific project has shifted back and forth from a collaborative full-band experience to a deeply focused solo endeavor espousing its creator's current philosophies or passions. Composed, performed, recorded, and mixed entirely by Chasny, Companion Rises falls squarely in the latter camp, though it's certainly not without a sense of spontaneity and chance. Offsetting nimble acoustic guitar patterns with synths and rhythm-generating algorithmic programs, the arrangements ripple with wild energy, coating the more earthbound elements in swathes of hyper-digital space dust...


An award-winning, in-demand blues guitar prodigy, singer, and songwriter with an inimitable slide technique.
Sonny Landreth - Blacktop RunGroovy Goddess
Louisiana guitar slinger Sonny Landreth returns to the studio with his quartet two years after 2017's Grammy-nominated Recorded Live in Lafayette. Blacktop Run is more than just a new studio outing, however. Landreth reunites with producer R.S. Field for the first time since 2005's Grant Street. Field produced Landreth's three breakout sets for Zoo as well as several later albums. He is a studio empath and extends artists full faith and credit. Landreth possesses a distinct sound to be sure, direct, resonant, and simple, but he's restless when it comes to experimenting with styles...  Cajun stomper complete with button accordion; zydeco and Delta blues melt together on a honky tonk dancefloor. "Groovy Goddess" is a spiky instrumental showcasing Landreth's electric slide-playing swing.


Guitar virtuoso whose accessible, original style and extraordinary sense of technique bridged the gap between jazz and rock.
Pat Metheny - From This PlaceWide and Far
During the late 2010s, guitarist and composer Pat Metheny toured a new quartet featuring British piano prodigy Gwilym Simcock, Malaysian-Australian bassist Linda May Han Oh, and veteran Mexican-American drummer Antonio Sanchez. This group learned the guitarist's catalog and toured it globally, gelling and maturing before entering the studio for From This Place, the first new studio material from Metheny since 2014... "Wide and Far" is a bluesy groover that nods to Metheny's first great jazz influence, Wes Montgomery, while Simcock melds Horace Silver's funky hard bop to nearly pastoral expressionism. The tune's orchestration recalls Don Sebesky's on The Rape of El Morro, one of the CTI dates that remains important to Metheny. "...


Australian singer/songwriter with a slacker style and deadpan delivery that work in perfect tandem.
Courtney Barnett - MTV Unplugged: Live in MelbourneSunday Roast
Recorded in October of 2019, nearly a year-and-a-half after the May 2018 release of her second album Tell Me How You Really Feel, MTV Unplugged: Live in Melbourne finds Courtney Barnett choosing collaboration over intimacy... she's supported by her regular band of bassist Bones Sloane and drummer Dave Mudie, along with cellist Lucy Waldron, and she invites many peers and idols to share the stage. Paul Kelly, Evelyn Ida Morris, and Marlon Williams, musicians all better-known in Australia than America...


With a distinctively dark and powerful vocal presence, Greg Dulli is best known as the singer for Cincinnati shadowy grunge rockers the Afghan Whigs.
Greg Dulli - Random Desire / A Ghost
...By the end, the Afghan Whigs were Dulli and whoever else he chose to bring along, and presumably tired of the ruse, he's chosen to cut out the middlemen and issued his first solo album, 2020's Random Desire, which does a better job of fleshing out his musical and thematic tropes than he managed on Do To The Beast and In Spades. Random Desire doesn't rock like prime Whigs, but the rhythmic patterns and melodic shifts have Dulli written all over them...


Long-running band led by Robert Pollard who revolutionized indie rock with ever-evolving lo-fi pop created by a rotating cast.
Guided by Voices - Surrender Your Poppy Field / Cat Beats a Drum
Anyone who was shedding a tear at the Electrifying Conclusion of Guided by Voices in late 2004 would probably be taken aback if you had told them that the group would not only be back in action in the year 2020, but also in the midst of one of the most consistent hot streaks in their recording career. But after Robert Pollard assembled a new and improved edition of GbV in 2016, the band released six albums that range from quite good (2019's Warp and Woof) to genuinely great (2017's How Do You Spell Heaven and 2019's Zeppelin Over China). 2020's Surrender Your Poppy Field puts the count up to seven, and it stands out stylistically from its immediate predecessors. Since Pollard debuted this GbV lineup -- Pollard on vocals, Doug Gillard and Bobby Bare Jr. on guitars, Mark Shue on bass, and Kevin March on drums -- their songwriting and production has favored their leader's latter-day embrace of the twists and turns of prog rock rather than the lo-fi dense-pack pop hooks of their '90s breakthrough works...


Marc Cerrone was one of the most influential disco producers in Europe during the 1970s and early '80s, eclipsed only by Giorgio Moroder. Born in Paris in 1952...
Cerrone - DNAI've Got a Rocket
As of 2020, disco pioneer Marc Cerrone has been professionally making and performing music for nearly 50 years. His vast discography, spanning dozens of albums, has included Afro-beat-influenced funk, suspenseful soundtracks, adult contemporary pop, and French house... The sensation of cruising through space is elevated by "I've Got a Rocket," which seems like a more interstellar variation on Cerrone's 1978 track "Rocket in the Pocket," with a sprinkling of Man-Machine-era Kraftwerk...

Grimes, Agnes Obel, Lanterns on the Lake, Lee Ranaldo / Raül Refree, King Krule, Six Organs of Admittance, Sonny Landreth, Pat Metheny, Courtney Barnett, Greg Dulli, Guided by Voices, Cerrone