mixtapes for weathers and moods / music for good days and bad days


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2020. április 28., kedd

28-04-2020 > BLUES:MiX # 33 blues(y) songs from the BLUES circle 1991-1980


John Campbell
28-04-2020 > BLUES:MiX # 33 blues(y) songs from the BLUES circle 1991-1980 # John Campbell, Etta James, Jack Bruce, Lazy Lester, Little Milton, Lonnie Mack, Albert Collins, Robert Cray & Johnny Copeland, Marcia Ball, Albert King, James "Son" Thomas, Lurrie Bell, Billy Branch, Chicago's Young Blues Generation, Margie Evans, Jessie Mae Hemphill, Muddy Waters


B L U E S    M U S I C

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1991-1980




Guitarist, singer, and songwriter John Campbell had the potential of turning a whole new generation of people onto the blues in the 1990s, much the same way Stevie Ray Vaughan did in the '80s. His vocals were so powerful and his guitar playing so fiery, you couldn't help but stop what you were doing and pay attention to what you were hearing. But unfortunately, because of frail health and a rough European tour, he suffered a heart attack in his sleep on June 13, 1993, at the age of 41.
John Campbell
Devil in My Closet (John Campbell / Dennis Walker) 6:00
Wild Streak (John Campbell / Elmore James / Marshall Sehorn / Dennis Walker)  4:59
from One Believer 1991
The Elektra debut by the late bluesman John Campbell is a curious affair in more than one respect-despite it's obvious excellence and original voice. The first is that he was signed at all. Clearly in 1990 when Campbell signed his deal, record company executives were still interested inn finding new and original talent and developing them over a period of time. One Believer was outside of virtually every trend on major labels and in pop at the time. Other than Chris Whitley's Living with the Law, it was the only roots record issued on a major label in 1991. The other thing is that One Believer is an oddity even for Campbell. It's a deeply atmospheric record full of subtle shimmering organs and warm guitar textures that accent the dreamy spooky side of the blues more than the crunchy stomp and roll that Campbell was known for in the clubs -- and displayed on his follow-up Howlin' Mercy...  This is a fine, fine debut that remains in print.


Few female R&B stars enjoyed the kind of consistent acclaim Etta James received throughout a career that spanned six decades; the celebrated producer Jerry Wexler once called her "the greatest of all modern blues singers," and she recorded a number of enduring hits...
Etta James
Whatever Gets You Through the Night (Bucky Lindsey / Dan Penn / Carson Whitsett) 3:50
The Blues Don't Care (Etta James / Brian Ray) 3:44
from Stickin' to My Guns 1990
Stickin’ to My Guns is the eighteenth studio album by Etta James, released in 1990.
Etta James is a little further along in her effort to come up with a more contemporary sound. Stickin’ to My Guns pays homage to James’s roots in that the lyrics are highly personal and blues oriented, but the accompaniment is completely contemporary... If you’re looking for the Etta James of the Chess years, you’re bound to be disappointed. But if you check your preconceived notions at the door, you’re gonna have a good time. (by Bob J. Cohen)

Best known as the bassist and vocalist for Cream, but also a remarkable talent who bridged free jazz and hard rock via countless collaborations. Although some may be tempted to call multi-instrumentalist, songwriter, and composer Jack Bruce a rock & roll musician, blues and jazz were what this innovative musician really loved. As a result, those two genres were at the base of most of the recorded output from a career that went back to the beginning of London's blues scene in 1962. In that year, he joined Alexis Korner's Blues Incorporated. Throughout the following decades and into the 21st century, Bruce remained a supreme innovator, pushing himself into uncharted waters with his jazz and folk-rock compositions.
Jack Bruce
No Surrender 4:25
Blues You Can't Lose (Willie Dixon) 5:26
from A Question of Time 1989
A Question of Time is an album to appreciate, as Jack Bruce nicely wraps his diverse styles up in rock & roll packaging. Willie Dixon's "Blues You Can't Lose" is extraordinary noise, the late Nicky Hopkins bringing his unmistakable piano to a mix of Albert Collins' leads, Jimmy Ripp's slide and rhythms, Bruce's bass, harmonica, and voice, and the strong drumming of Dougie Bowne. In its slow dirge statement, "Blues You Can't Lose" is as powerful as the blistering Bruce tune that opens the set, "Life on Earth."...  Produced by Joe Blaney and Bruce, the song "A Question of Time" is a bizarre, colorful mix of clashing images and sound, while the album A Question of Time is one of the more complete Bruce recordings for those fans who know him from his pop radio hits. It is one of the most accessible discs by rock's premier bassist for both those in his cult and the casual fan. This project uses his mastery of jazz, pop, acoustic, and blues to give listeners what Jack Bruce does best: rock & roll.

2020. április 25., szombat

083 ALTER.NATION.MiX weekly favtraX 25-04-2020

ALTER.NATION #83
Brendan Benson, Dead Ghosts, Hazel English, Other Lives, Wares, Lucinda Williams, Peter Oren, BC Camplight, King Gizzard & the Lizard Wizard, Macula Dog, Lorenzo Senni, Ali Shaheed Muhammad, Adrian Younge, Azymuth


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2 5 - 0 4 - 2 0 2 0

"Freak Out"




Gifted power pop performer who also spent time, beginning in 2005, collaborating with Jack White in the Raconteurs.
Brendan Benson - Dear Life / Freak Out
Those familiar with Brendan Benson might know him for his role in the Raconteurs, the guitar-heavy rock band he started with Jack White, or for the striking solo albums he's been slowly releasing since the mid-'90s. With seventh solo album Dear Life, Benson actively explores beyond both the rock heaviness of the Raconteurs and, to a lesser degree, the power pop songwriting greatness that's defined his solo work... An amazing singer, Benson's ability to harmonize with himself is one of his many gifts as a songwriter. As with all of his albums, his understated vocal arrangements are one of the guiding forces on Dear Life. It's exciting to hear Benson take some new risks with these songs, but also a relief that he never gets too far away from the deft songwriting and pop sensibilities that he's been refining for all these years.

Raucous and lo-fi garage punk with an eclectic spirit from this Vancouver four-piece. Playing a soulful but stripped-down fusion of garage rock, first-generation rockabilly, punk, and lo-fi noise, Dead Ghosts are a band hailing from Vancouver, British Columbia, Canada. Conjuring a deliberately primitive and swampy sound with a psychedelic undertow, the group staked their claim with their self-titled 2010 debut album...
Dead Ghosts - Automatic Changer / You Got Away
Formed nearly a decade ago in Vancouver, Canada, the garage-rock group grew out of founders Byran Nicol, Drew Wilky, and Mike Wilky's desire to hang out, listen to records and play music. After the trio uploaded a few demos to Myspace--this was 2008, after all--a small punk record label from Iowa reached out and asked if they wanted to do a single... "When we started playing, we were just messing with recording, and generally goofing around. We had no vision at all... Playing a distinctive brand of swaggering, blues-infused lo-fi rock, the five-piece quickly won over transatlantic fans and scored fresh fodder for their lyrics with their punk-rock antics.


A singer/guitarist who fuses elements of dream pop, jangly folk-rock, and breezy indie pop into her observant songs, Hazel English relocated from her native Australia to the California Bay Area in 2013.
Hazel English - Wake UP! / Born Like
Following a handful of viral songs in the mid-2010s and a pair of EPs that landed her on Polyvinyl's roster, Wake UP! is the full-length debut of Australian ex-pat Hazel English... The resulting recordings still reflect core attributes that were part of English's music from the beginning: namely, a '60s sensibility, a knack for breezy melodies, and a touch of dream pop luster. Wake UP! opens with a swelling mixture of organ and guitar on "Born Like," a psychedelic pop tune that quickly settles into a midtempo bass groove shaded with broken guitar chords and rim clicks, as English addresses the other half of a harmonious relationship.


Stillwater, Oklahoma-based atmospheric indie rockers invoke names like Alt-J, Fleet Foxes, and early Radiohead.
Other Lives - For Their Love / Sound of Violence
The fourth full-length effort from the Nebraska-based indie rockers, For Their Love finds Other Lives in fine form, applying their moody sonic expertise to a spectral ten-song set that parses themes of self-worth and existential dread in an age of political, social, and economic turmoil. Commencing with the ruminative "Sound of Violence," a sumptuous bit of '60s-leaning orchestral pop that evokes the Wally Stott string arrangements of "Montague Terrace"-era Scott Walker, For Their Love was self-produced in Oregon's Cooper Mountain region in frontman Jesse Tabish's A-framed cabin, and the material mostly reflects that pastoral setting...



Uniting folk, punk, and synth pop into fiery, fearless anthems for outsiders, Wares is the project of singer/songwriter/guitarist Cassia Hardy. A fixture of the punk scene Edmonton, Alberta -- one of Canada's most conservative cities -- she honed her rebellious songwriting...
Wares - Survival / Tether
...Now, she sounds impatient to dive in and live her truth. There's more heft, more urgency, and, most of all, more volume powering Survival's outsider anthems. That might be because this time around, she's not quite as much of a loner: While Wares is technically still Hardy's solo project, this time she's backed by the live band that supported her during her 2018 tours. The megawatt energy of an especially inspired show ignites the punk and emo roots of Wares' music, harnessing those styles' power to unite misfits and express the kinds of outsized emotions that are essential to Survival...


A gifted songwriter with a strong and distinctive voice who became a roots music icon with her fearlessly personal body of work.
Lucinda Williams - Good Souls Better Angels / Man without a Soul
Lucinda Williams is incapable of sounding anything less than 100-percent engaged and sincere. Whatever she has to say, she clearly means it, and that more than anything else is the thread that runs through 2020's Good Souls Better Angels, her fourth album since she launched her own record label and took full control of her process of recording and releasing music. Cut mostly live in the studio with her road band -- Stuart Mathis on guitar, David Sutton on bass, and Butch Norton on drums -- these 12 songs play like a long stream-of consciousness journey, with Williams writing in blues structures that repeat certain lines like a mantra while her band either sneak up on the music like a ghost or howl with elemental, bluesy skronk (the raw, gritty tone of Mathis' guitar matches Williams' vocals for sheer ferocity...


Midwestern singer/songwriter with a deep, textured vocal tone that delivers contemplative, socially conscious indie folk. A singer/songwriter with a deep, textured vocal tone, Peter Oren weaves elements of country, blues, folk, and early rock & roll into his contemplative indie folk.
Peter Oren - The Greener Pasture / In Line to Die
A kiadás, amelyet "disztopikus farmomnak / telefon témájú albumomnak" neveztek, a The Greener Pasture az Indiana énekes / dalszerző, Peter Oren harmadik teljes hosszúságú albuma. Ez egy ugyanolyan társadalmilag tudatos második albumot követi, az antropocén. Míg ez a rekord inkább az éghajlatváltozással foglalkozott, a Zöldebb Legelő úgy véli, hogy fokozottan támaszkodunk az okostelefonokra, valamint a gazdálkodás, a környezetvédelem és a nagyobb politika bizonyos romboló tendenciáira. In keeping with the album's phone-related themes of isolation, Oren decamped to a cabin in the woods outside of Nashville to record it... Throughout, Oren sells his consistently smart, crafted messages with a resonant voice and presence that command attention -- like a quality folkie should.


New Jersey-born singer/songwriter combines sunny indie pop with darker lyrical themes that reflect his personal struggles.American singer/songwriter Brian Christinzio -- who performs under the name BC Camplight -- received widespread acclaim for his one-man band take on classic pop songwriting. Marrying well-crafted if quirky pop melodies with lyrics that often dealt with dark themes informed by his struggles with depression...
BC Camplight - Shortly After Takeoff  / I Only Drink When I'm Drunk
He may have returned to the U.K., but Brian Christinzio's post-deportation blues remain, as do his mental health struggles, which suffered further damage after the sudden death of his father. Fortunately, his sharp wit and gallows humor are in abundance on Shortly After Takeoff, the Philadelphian singer/songwriter's third album since relocating to Manchester, getting signed to Bella Union, getting deported, and eventually moving back. Working under the name BC Camplight, Christinzio writes literate, self-effacing, darkly funny songs about his personal life in a tone similar to Stephin Merritt or Father John Misty, though his pop savvy recalls the sophistication of Brian Wilson or Todd Rundgren, albeit with a maverick synth-punk streak...  Christinzio is a master craftsman in terms of song structure, building tension and discomfort only to provide a glorious uplift and rhythmic shift on the chorus of opener, "I Only Drink When I'm Drunk."...


Australian psychedelic collective with an intense work ethic and a wildly experimental outlook that reaches from synth prog to folk rock.
King Gizzard & the Lizard Wizard - Chunky Shrapnel A Brief History of Planet Earth
From the beginning of their career, King Gizzard & the Lizard Wizard have been road warriors and over time have grown into a can't-miss live experience. Chunky Shrapnel captures the band in full flight over the European continent during the last part of 2019 and is made up of songs taken from various shows... The album ends with the epic-length "A Brief History of the Planet Earth," a jam that's spliced together from four different nights in four different cities and winds its way through trippy psychedelic riffs, flute solos, barely in-control guitar solos, and lots of crowd interaction. Chunky Shrapnel is a testament to the band's powers as a live act and is sure to make their fans happy...


Macula Dog are an unabashedly strange, arty group from Queens, New York City who make mutated experimental pop which instantly brings to mind the Residents and Devo. The group refer to themselves as a "four-person electronic duo," as members Mark Brothers (Mark Matthews) and Bruce Brothers (Ben Mendelewicz) perform with mannequins (Matt Brothers and Ben Brothers) strapped to their backs.
Macula Dog - Breezy / Red's Corvette
Elaborately costumed, highly conceptual art-rock duo Macula Dog create mutated electronic pop filled with fractured rhythms and jarring sonic textures. While some bands try to write straightforward songs but can't help displaying the quirkier aspects of their personalities, Macula Dog go all in, making everything as weird and confusing as possible, because it makes sense to them, and they know there's someone else out there who gets it... "Reds Corvette" is the centerpiece, a sinister crime caper of a psychotic, Day-Glo-clad villain with a bounty of shrunken heads stashed away in the trunk of his getaway vehicle... The enigmatic duo dare their listeners to keep up with them and figure it all out, and their most tightly focused work to date is just as bewildering as anything else they've done.


Lorenzo Senni is an Italian experimental musician and visual artist best known for deconstructing the epic build-ups and ecstatic synthesizer arpeggios of '90s trance and hard techno, dubbing his style "pointillistic trance."
Lorenzo Senni - Scacco MattoDiscipline of Enthusiasm
...Dubbing his style "pointillistic trance," the avant-garde Ferry Corsten gradually breathed more life into trance's hollowed-out skeleton with his subsequent releases, adding more bass, counterpoint, and progressive song structures, yet stopping short of constructing full-on trance anthems.. These tracks are bursting with playful melodies, and they move far beyond the hypnotic repetition of Senni's earlier releases in this style, contorting rhythms into fantastic formations... On tracks like opener "Discipline of Enthusiasm," he punches up the triumphant melodies with sparks of distortion, and hammers sharp curves into the rhythms, making sure nothing becomes predictable...


As a member of A Tribe Called Quest, Ali Shaheed Muhammad played a pivotal role in the evolution of rap music throughout the 1990s, factoring in the development of the jazz-rooted, sample-based production approach that epitomized Native Tongues,
Adrian Younge is all-around talent with an uncanny ability to transform his obsession with late-'60s and early-'70s music into unique, impeccably made projects.
Ali Shaheed Muhammad / Adrian Younge - Jazz Is Dead 001 / Apocalíptico feat. Azymuth
Adrian Younge and Ali Shaheed Muhammad both have impressive resumes as purveyors of modern soul, jazz, and hip-hop. Younge, a bassist, keyboardist, composer, and producer, has scored films such Black Dynamite and collaborated with artists ranging from Philly soul legends the Delfonics to Wu-Tang Clan's Ghostface Killah. Meanwhile, Muhammad was a member of A Tribe Called Quest and has worked on various projects outside that group. Together, Younge and Muhammad formed the Midnight Hour, a versatile band that brought a modern edge to retro soul and jazz sounds...The lone long track on 001, "Apocalíptico", is a nine-minute long jam featuring the current incarnation of Azymuth, a Brazilian jazz-funk trio originally formed in 1971... While the purpose of 001 might be to pave the way for upcoming Jazz is Dead releases, the album exists nicely as a standalone example of where modern jazz has been, and where it could be going.
Brendan Benson, Dead Ghosts, Hazel English, Other Lives, Wares, Lucinda Williams, Peter Oren, BC Camplight, King Gizzard & the Lizard Wizard, Macula Dog, Lorenzo Senni, Ali Shaheed Muhammad, Adrian Younge, Azymuth

2020. április 23., csütörtök

03-04-2020 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1964-1960

Bob Dylan
03-04-2020 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 1964-1960  >>Bob Dylan, Muddy Waters, Jimmy Smith, The Ventures, Johnny Cash, Lou Rawls & Les McCann Ltd., Herbie Mann, THE BEATLES, Chuck Berry, James Brown, Joe Meek & the Blue Men<<

M U S I C



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favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   


1964-1960



Iconic singer/songwriter and musical wanderer who rose to prominence during the '60s folk revival and changed the world of music.
Bob Dylan
Motorpsycho Nitemare  (Bob Dylan) 4:33
All I Really Want To Do  (Bob Dylan) 4:05
Spanish Harlem Incident  (Bob Dylan) 2:25
from Another Side of Bob Dylan 1964
The other side of Bob Dylan referred to in the title is presumably his romantic, absurdist, and whimsical one -- anything that wasn't featured on the staunchly folky, protest-heavy Times They Are a-Changin', really. Because of this, Another Side of Bob Dylan is a more varied record and it's more successful, too, since it captures Dylan expanding his music, turning in imaginative, poetic performances on love songs and protest tunes alike... The result is one of his very best records, a lovely intimate affair.


The giant of postwar blues, who eloquently defined Chicago's swaggering, Delta-rooted sound with his declamatory vocals and piercing slide guitar.
Muddy Waters
My Home Is in the Delta (McKinley Morganfield) 4:00
My Captain (Willie Dixon) 5:12
from Folk Singer 1964
Muddy's "unplugged" album was cut in September of 1963 and still sounds fresh and vital today. It was Muddy simply returning to his original style on a plain acoustic guitar in a well-tuned room with Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on second acoustic guitar. The nine tracks are divvied up between full rhythm section treatments with Buddy and Muddy as a duo...


A pioneer of soul-jazz who revolutionized the Hammond organ, turning it into one of the most incisive, dynamic jazz instruments of its time.
Jimmy Smith
Prayer Meeting (Jimmy Smith) 5:44
Stone Cold Dead in the Market (Wilmoth Houdini) 3:43
Red Top (Gene Ammons) 7:36
from Prayer Meetin' 1963
Playing piano-style single-note lines on his Hammond B-3 organ, Jimmy Smith revolutionized the use of the instrument in a jazz combo setting in the mid-'50s and early '60s, and arguably his best albums for Blue Note during this period were the ones he did with tenor sax player Stanley Turrentine. Recorded on February 8, 1963, at Van Gelder Studio in New Jersey, and featuring Quentin Warren on guitar and Donald Bailey on drums in addition to Smith and Turrentine, Prayer Meetin' is a delight from start to finish. Forming a perfect closure to Smith's trio of albums with Turrentine (Midnight Special and Back at the Chicken Shack were both released in 1960), Prayer Meetin' was the last of four albums Smith recorded in a week to finish off his Blue Note contract before leaving for Verve...

2020. április 22., szerda

PnM Selection - dozen bestofs / Music of True Detective S03 PnM:MiX

PnM Selection - 12 bestofs / Music of True Detective S03



CASSANDRA WILSON - Death Letter 4:14 (Theme Song)
X - Sugarlight 2:25
MICKEY NEWBURY - Just Dropped In 2:53
JON BATISTE - Saint James Infirmary Blues 4:18
WARREN ZEVON - Reconsider Me 3:09
THE STOOGES - 1970 5:16
ALGIERS - Blood 5:44
DILLARD & CLARK - Polly 4:20
MICKEY NEWBURY - Ramblin' Blues 6:06
JON BATISTE - Chopinesque 3:42
BILL EVANS - My Foolish Heart (Live) 4:56
CASSANDRA WILSON - Billie's Blues 5:07



Music of True Detective S03


stories from episodes

E 1 The Great War and Modern Memory
The disappearance of a young Arkansas boy and his sister in 1980 triggers vivid memories and enduring questions for retired detective Wayne Hays, who worked the case 35 years before with partner Roland West. What started as a routine case becomes a long journey to dissect and make sense of the crime.

E2 Kiss Tomorrow Goodbye
Hays looks back at the aftermath of the 1980 Purcell case in West Finger, Ark., including possible evidence left behind at the Devil's Den, an outdoor hangout for local kids. As attention focuses on two conspicuous suspects – Brett Woodard, a solitary vet and trash collector, and Ted LaGrange, an ex-con with a penchant for children – the parents of the missing kids, Tom and Lucy Purcell, receive a cryptic note from an anonymous source.

E3 The Big Never
Hays recalls his early romance with Amelia, as well as cracks in their relationship that surfaced after they married and had children. Ten years after the Purcell crimes, new evidence emerges, giving him a second chance to vindicate himself and the investigation.

E4 The Hour and the Day
Hays and West see a possible connection between the local church and the Purcell crimes. As the detectives search for one suspect and round up another for interrogation, Woodard is targeted by a vigilante group.

E5 If You Have Ghosts
Wayne finds himself in a no-win situation as new clues emerge in the Purcell case. Roland wrestles with how to keep evidence secure as lawyers demand a new investigation. Amelia finds her relationship with Wayne imperiled by her writing aspirations and his jealousy.

E6 Hunters in the Dark
Wayne and Roland revisit discrepancies in the Purcell case that were hidden or forgotten over the years. Among those being reevaluated is Tom Purcell, as well as Lucy Purcell's cousin, Dan O'Brien. The glitter of Amelia's book release is tarnished by a voice from the past.

E7 The Final Country
Following up on new leads, Wayne and Roland track down a man who left the police force in the midst of the Purcell investigation. Meanwhile, Amelia visits Lucy Purcell's best friend in hopes of gaining insights into the whereabouts of the mysterious one-eyed man.

E8 Now Am Found
Wayne struggles to hold on to his memories, and his grip on reality, as the truth behind the Purcell case is finally revealed.


TRUE DETECTIVE # songs from deep

Songs from True Detectives season 2







2020. április 20., hétfő

20-04-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX

Sunwatchers
20-04-2020 alter:MiX # 33 alter tracks in PRSNT_PRFCT_MiX [from recent past] # Sunwatchers, The Heliocentrics, Wire, En Attendant Ana, Shadow Show, Leslie Mendelson, Jim Noir, HXXS, Overlake, Ron Gallo, Salad Boys, Steve Mason, Of Montreal


M U S I C

if you want excitement PRESS SHUFFLE!



pres_perf_mix # The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

LISTEN THE PLAYLIST ON DEEZER.COM
http://www.deezer.com/playlist/1681171971


Intense New York-based free rock ensemble led by Jim McHugh of Nymph and Dark Meat.
Sunwatchers
New Dad Blues 6:16
Psychic Driving 4:59
from Illegal Moves 2019
New York quartet Sunwatchers make instrumental music that exists where the spiritual reach of free jazz and the screaming chaos of psychedelia intersect. Bandleader Jim McHugh was a founding member of the late-2000s freaked sounds collective Dark Meat, and he carried on their deep-fried blend of structure and skronk when he uprooted from Athens, Georgia, to New York City in 2010 and began working towards what would become Sunwatchers. Wildly prolific, the band quickly established their untethered sound over the course of multiple releases captured both in the studio and in live performances. Illegal Moves is their third studio album, and its seven selections capture the group at their tightest and most electric state of sonic and psychic connectivity yet...



Eclectic U.K.-based ensemble blending influences such as hip-hop, jazz, soundtracks, Ethiopian funk, outré electronics, and more.
The Heliocentrics
Human Zoo 4:49
A World of Masks 7:45
from A World of Masks 2017
After 2016's From the Deep, an excellent summation of all their previous musical directions, the Heliocentrics go -- as the banner on Ken Kesey's Merry Pranksters bus proclaimed -- "Further." While the Malcolm Catto-led outfit has been digging through many varieties of jazz, psych-funk, hip-hop, library grooves, and international sounds (having worked with Mulatu Astatke and Lloyd Miller) for over a decade, A World of Masks presents an intergalactic take on many of the above.
Added to the band's personnel on this date is Slovakian vocalist Barbora Patkova, who has been working with the outfit live since 2013. Like her fellow Heliocentrics, she is an explorer. While June Tyson is a reference point, Patkova is so versatile that other comparisons are equally apt: Urzula Dudziak, Julie Tippetts, Jeanne Lee, and Patty Waters also come to mind...




The most innovative of British punks, an art band with a penchant for dissonant, minimalist arrangements and lyrical abstraction.
Wire
Be Like Them 3:52
Primed and Ready 2:43
from Mind Hive 2020
One of the great joys of Wire's music in the 2010s and beyond is how brilliantly they reinvent their enduring strengths in equally timeless and timely ways. On Mind Hive, the band's legendary skill at writing concise songs filled with layers of meaning comes to the fore. Even its title is compact yet complex, flipping a statement of shared knowledge -- and perhaps conformity -- into one of restless intelligence. Wire don't waste any of the album's terse 35 minutes; instead of the ruminative approach they took on Silver/Lead, they immediately spring into action... The issues Wire grapple with are evergreen, and as they persevere in the face of stupidity and apathy, Mind Hive's unflinching, poetic songs prove maturity is a weapon they wield just as deftly as outrage.

2020. április 19., vasárnap

082 ALTER.NATION.MiX weekly favtraX 19-04-2020

ALTER.NATION #82
Jehnny Beth, EOB, The Howling Hex, Fiona Apple, Shelby Lynne, Datura4, Leslie Mendelson, Alice Bag, RJD2, Louis Prince, Shabazz Palaces, Sir Richard Bishop

weekly favtraX 
1 9 - 0 4 - 2 0 2 0

"I n n o c en c e"




Best known as the compelling vocalist for Savages, Jehnny Beth is the performing name of French musician Camille Berthomier.
Jehnny Beth - Innocence
Earlier this year, Savages leader Jehnny Beth announced that she would finally be releasing her debut solo album, To Love Is To Live. “Record stores are where I found myself as a teenager, digging through albums that ultimately shaped who I have become,” she said in a statement. “To release my first ever solo album in a way that would leave them out felt wrong to me; luckily, we were able to find a date that would allow us to release the physical and digital album at the same time.”... she’s putting out another track, “Innocence.” It’s a booming and dancey song about being packed-in with other people...



As guitarist and backing vocalist for pioneering British alt-rock band Radiohead, Ed O'Brien developed a distinctive and deeply textural style that served as a sonic cornerstone of influential albums like OK Computer and Kid A. Although several of his bandmates experimented with solo and side projects over the years, O'Brien's creative energy remained devoted solely to the band and it wasn't until 2020 -- over 30 years into their career -- that he made his first solo effort. Recorded under the name EOB, Earth fused together elements of folk, electronica, and indie rock with the atmospheric guitar work that has become one of his signatures.
EOB - Earth / Shangri-La
If there's one lesson I've taken from the last month or so of unprecedented change and self-isolation, it's that we human beings truly need each other. We have always known that we're social animals... You may know Ed O'Brien as a guitarist for the band Radiohead. He's been playing music with his Radiohead bandmates — Thom Yorke, Jonny Greenwood, Colin Greenwood and Philip Selway — since their school days. Through the years, some of those members have tried their hands at solo projects, and now it's Ed's turn. For his new project, he goes by the name EOB. The album is called Earth, and we begin this session by listening to one of the singles from the album and one of my favorite songs of the year so far, "Shangri-La."


The prolific, shape-shifting project of former Pussy Galore and Royal Trux guitarist Neil Michael Hagerty. The project of Neil Hagerty, the Howling Hex is an outlet for some of the singer/songwriter/guitarist's most eclectic music -- which is saying something, considering that he fueled Pussy Galore's anti-rock cacophony in the '80s and blurred the boundaries between avant-noise and classic rock as one-half of Royal Trux in the '90s.
The Howling Hex - Knuckleball Express / City in the Country
From song to song and album to album, Neil Hagerty's post-Royal Trux music has thrived on tangents. On his Fat Possum debut, however, his music comes full circle as he revisits and refreshes some of the sounds from his past. Hagerty recorded Knuckleball Express in eight days, and in the best possible way, it sounds like it. Ropogós gitárjaival és Clay Jones producer szomorú, tágas hangzásával az album visszatér a Howling Hex 2000-es produkciójának megragadóbb oldalára...he's joined by vocalist/guitarist Nicole Lawrence. While having a female counterpoint has been a consistent part of Hagerty's music for decades, she follows his whims more ably than some of his previous collaborators. She shifts from gritty on the previously mentioned songs to honeyed and husky on "City in the Country," a sweetly scuffed duet that bids farewell to an addictive relationship...


Acclaimed performer whose angst-ridden, piano-based songs represented a new stage in the female singer/songwriter movement.
Fiona Apple - Fetch the Bolt CuttersI Want You to Love Me
Fiona Apple’s fifth record is unbound. No music has ever sounded quite like it. Apple recorded Fetch the Bolt Cutters both in and with her Venice Beach home, banging on its walls, stomping on its ground. Self-reliance is its rule, curiosity is its key. Fetch the Bolt Cutters seems to almost completely turn the volume down on music history, while it cranks up raw, real life—handclaps, chants, and other makeshift percussion, in harmony with space, echoes, whispers, screams, breathing, jokes, so-called mistakes, and dog barks. (At least five dogs are credited: Mercy, Maddie, Leo, Little, and Alfie.) All of this debris orbits around the core of Apple’s music: her voice, her piano, and most of all her words, which have always been her primary instrument. It creates a wild symphony of the everyday...  The opening song, “I Want You to Love Me” seems to offer a thesis for the meaning of life: to love, to connect, to get “back in the pulse.” She sings, scats, lightly raps—and proceeds to curl her voice into an extended-vocal contortion à la Yoko or Meredith Monk, over a Reichian piano loop, signaling an avant-garde inclination. Apple sings about time and meaninglessness, and how “while I’m in this body I want somebody to want.” She sings about knowing that one day she will die...


A critically acclaimed soul-tinged country singer of the 1990s and 2000s with a deep, fluttering voice, she has also experimented with classic pop, rock, and soul.
Shelby Lynne - Shelby LynneStrange Things
Though she last released a record of her own with 2015's celebrated I Can't Imagine, singer/songwriter Shelby Lynne kept busy. She cut the sublime covers set Not Dark Yet with sister Allison Moorer. She also worked with producer, director, and screenwriter Cynthia Mort on an as-yet-unreleased film entitled When We Kill the Creators. Lynne stars as a world-weary singer trying to navigate the choices between commercial success and her own creativity. This self-titled album evolved out of that project. Half its lyrics were penned by Mort, and Lynne plays most of the instruments herself: guitar, bass, drums, synth... Despite the homegrown, intimate quality of the record, it's quite disciplined. As a songwriter, Lynne's knowledge and authoritative use of classic L.A. pop, sophisticated soul, the jazz song tradition, rhythm & blues, and roots rock, are formidable. "Strange Things" is a nocturnal, suffocatingly intimate jazzy blues with searing lyrics by Mort: "The clumsiness of it/The fumbling, crashing, fuck of it/The bandaged mess/The worn, torn angel scars … Love keeps us crawling…."


Combining equal parts vintage psychedelia, no-quarter boogie, rock-infused blues, and classic hard rock and running them all though a big bank of amps, Datura4 are a rock band living in the present while showing a true appreciation for the sounds of the past.
Datura4 - West Coast Highway Cosmic / Evil People, pt. 1
With 2019's Blessed Is the Boogie, Western Australia's Datura4 brought blues-rock keyboardist Bob Patient (Dave Hole, DM3) to replace departing guitarist Greg Hitchcock... Ezekben a tíz új dalban a gitáros / énekes / dalszerző, Dom Mariani alaposan alkalmazkodott a dinamikus, texturális és hangszerű lehetőségekhez, amelyekbe a Páciens hozzáadja a zenekar hangját... The set's biggest surprise is its final cut, "Evil People, Pt. 1." Though under six minutes it feels like a jam track with serpentine organ, throbbing bass, and martial tom-toms overlaid with distorted guitars in a three-chord vamp that creates a hypnotic, head-wagging pulse as Mariani sings with malevolence at the heart of the mix. His six-string duels with Patient's Hammond B-3 for dominance as the music melts together in a punishing swirl that brings West Coast Highway Cosmic to an overloaded boil of blasted psych blues. This aptly titled set is perfect for driving fast on long, lonely stretches of highway with the windows down and the wide-open night for company.


A 21st century New Yorker whose piano-based works evoke the 1970s singer/songwriter era, particularly Carole King.
Leslie Mendelson - If You Can't Say Anything NiceIf You Can't Say Anything Nice
For her fourth long-player, If You Can't Say Anything Nice, singer/songwriter Leslie Mendelson worked again with longtime co-writer Steve McEwan, who also produced alongside bassist/engineer Lorenzo Wolff. As the reunion may suggest, the album remains in Mendelson's wheelhouse, evoking classic '70s songwriter influences in the vein of Carole King and Carly Simon... A strong addition to Mendelson's catalog with both timely and timeless qualities, If You Can't Say Anything Nice doesn't try to push boundaries but instead offers consistently tuneful, efficient songs with substance.


Best known as an important figure on the early Los Angeles punk rock scene, Alice Bag is more than just another rock & roll diva. Bag is a singer, songwriter, bandleader, author, educator, and activist who has made her mark on underground art and culture in a career that's run close to four decades.
Alice Bag - Spark
Next week, Alice Bag is releasing a new album, Sister Dynamite, the follow-up to her 2018 sophomore solo album Blueprint. The Los Angeles punk put out another one, “Spark,” a rousing track about individuality and refusing to be beaten down. “Even when I tried to be normal, I always missed the mark/ Hell no, I’m not dimming my spark,” she sings on it.



Hip-hop collage artist who moved from underground hip-hop to electronic indie pop. RJD2's music is a collage of cut-and-paste hip-hop that combines disparate elements to make for soulful, moody portraits of the world.
RJD2 - The Fun Ones / Indoor S'mores
While he's known for his masterful blend of sounds from all eras, on The Fun Ones RJD2 digs deeper into the '70s vibe of 2016's Dame Fortune. Considering how easily he evokes the heyday of the Meters and James Brown with the down-and-dirty grooves and tumbling breakdowns of "No Helmet Up Indianola" or the slinky guitars and brass hits of "Indoor S'mores," the album could've just as easily been called The Funky Ones. However, plenty of RJD2's personality and range shines through the album's concept...


Inspired by impressionistic film-making, the surrealistic language of Beat Generation authors, and the flowing nature of classic '50s jazz, Nashville musician Jake McMullen used the Louis Prince moniker as a new chapter in his musical development. He melded those inspirations with falsetto vocals, indie songwriting, and drifting synth lines to create the bright environments of his 2020 debut album Thirteen.
Louis Prince - Thirteen / The Number Thirteen
Nashville singer/songwriter Jake McMullen's music always had a somewhat atmospheric quality, even when the instrumentation was standard twangy indie Americana. At some point while releasing songs under his own name, McMullen started to feel a shift within, moved to take his music in a new direction. There were hints of this new approach on his 2016 cover of Robyn's "Dancing on My Own," where his falsetto vocals coasted over a minimal synth pad and laid-back organic rhythms. With the Louis Prince moniker, McMullen pushes this symbiosis of electronic and organic sounds while completely abandoning the country leanings of his earlier solo work. McMullen has cited a heavy influence on the project from both Ethiopian jazz and the flowing, piano-led American jazz of Bill Evans and Keith Jarrett. Instead of manifesting as traditional jazz arrangements, however, McMullen folds those airy, flowing styles into the overall atmosphere that runs through debut album Thirteen... At nearly an hour, Thirteen is a relaxed journey through slowly rising and falling waves of texture and song. Its more fully formed moments work nicely with its stretches of lengthy formlessness, guiding us on a carefully routed walk through McMullen's imagination.


Shabazz Palaces is the cerebral and enigmatic art-rap duo of Palaceer Lazaro, aka rapper/producer Ishmael Butler, and percussionist Tendai "Baba" Maraire. 
Shabazz Palaces - The Don of Diamond DreamsChocolate Souffle
...The live-sounding retro-futuristic fusion accompanying him -- humming low end, simmering snares, and fleshy handclaps, seemingly guided by early-'70s Miles Davis sessions -- is a greater indication of what follows. Compared to SP's conceptual third and fourth LPs, which arrived together in 2017, The Don of Diamond Dreams is unified by its funkier and humanized sonics more than its lyrics. Slithering from track to track with verses chock-full of elevated non sequiturs, Butler still tends to come across as a sage, somewhat alien wordsmith, but he projects more warmth than before...  A couple of the lengthier tracks communicate more with their titles than their music. They're at least counteracted with some of the wittiest, weirdest, and somehow most direct songs in the Shabazz Palaces catalog. Most dizzying is the John Carpenter/Junie Morrison horror-funk fantasy "Chocolate Souffle," in which Butler enumerates his self-acquired advantages, references Morris Day and Maurice Chevalier, and ices his rival with "You a data rat, I'm a black slang acrobat."


Sir Richard Bishop is one of the world's most adventurous guitarists, incorporating styles and techniques from across the globe into his ambitious, ever-evolving style. A founding member of avant-rock legends Sun City Girls, he has been an icon of experimental music since the '80s. Global sound explorer whose unique blend of ethno-folk, raga droning, and gypsy-inspired picking has placed him at the vanguard of guitar experimentation.
Sir Richard Bishop - Oneiric FormularyMit's Linctus Codeine Co.
2020's Oneiric Formulary is a little short of surprising given the breadth and depth of Bishop's past repertoire, but as a sampling of his musical interests and a reminder of his skill as an instrumentalist, it's challenging and engaging music that thankfully refuses to repeat itself... Oneiric Formulary finds room for plenty of themes and variations that still feel like differing expressions of the same creative mindset. "Mit's Linctus Codeine Co." is a breezy number that splits the difference between jazz and surf... Sir Richard Bishop is an artist who has shown he can point his music in any number of directions, and the ten tracks on Oneiric Formulary each lead the listener to someplace worth visiting.
Jehnny Beth, EOB, The Howling Hex, Fiona Apple, Shelby Lynne, Datura4, Leslie Mendelson, Alice Bag, RJD2, Louis Prince, Shabazz Palaces, Sir Richard Bishop