09-06-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2003-2012

Taj Mahal

09-06-2019 BLUES:MiX # 33 blues(y) songs from the BLUES circle 2003-2012 # Taj Mahal, Guy Davis, Sean Costello, Otis Grand, Charlie Musselwhite, Dave Specter, Luther Dickinson & The Sons of Mudboy, Mannish Boys, Shemekia Copeland, Mary Bridget Davies

B L U E S    M U S I C

LISTEN THE PLAYLIST ON DEEZER.COM

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

2003-2012

A guitarist and singer/songwriter who took an interest in reviving the rural blues tradition, later extending to reggae and ragtime influences. 
Taj Mahal
Blues with a Feeling (Walter Jacobs) 3:52
Señor Blues (Horace Silver) 6:44
(You've Got To) Love Her with a Feeling (Freddie King / Sonny Thompson) 3:45
from Blues with a Feeling: The Very Best of Taj Mahal 2003
Throughout his career, Taj Mahal has always been considered a bluesman, which is true enough, since the basis for everything he does has been the country blues, but he is not a traditionalist at heart, and he has always looked for ways to push the blues into new places and shapes. Adding at times rhythms and sensibilities that are drawn from reggae, ragtime, calypso, zydeco, and other genres, Mahal practices a kind of blues hybrid that is his alone, and he has been a huge influence on newer artists like Chris Thomas King and Corey Harris. This collection derives from the five albums he recorded with Private Records during the 1990s, and overlaps somewhat with The Best of the Private Years, released in 2000...

Acclaimed American blues singer, songwriter, actor, and teacher. Updating the rural blues tradition for the modern era, Guy Davis was among the most prominent ambassadors of African-American art and culture of his generation, additionally winning great acclaim for his work in the theater.
Guy Davis
Uncle Tom's Dead (Guy Davis) 4:47
Run Molly Run (Henry Thomas / Traditional) 3:30
Drop Down Mama 4:00
Cypress Grove (Nehemiah James) 5:06
from Legacy 2004
With the exception of the opening "Uncle Tom's Dead," which is a blues versus rap debate of only minimal interest, Guy Davis' Legacy consists of the blues from various genres. Alternating older material with his recent originals (some of which sound more traditional than the vintage songs), Davis plays straight-ahead blues, country blues, a couple songs that could be called bluish pop, folk music, and blues ballads. Davis' baritone singing is pleasing, his guitar is solid, and his band is tight yet versatile. It is Davis' goal to keep the legacy of the blues alive, and this CD should help the worthy effort.

Teen blues phenom Sean Costello was born and raised in Atlanta, receiving his first guitar for his ninth birthday. A primarily self-taught player, he initially gravitated toward hard rock but soon discovered Stevie Ray Vaughan, moving on from there to Howlin' Wolf; under the wing of local bluesman Felix Reyes, a 14-year-old Costello won the Beale Street Blues Society's talent award in 1994.
Sean Costello
It's My Own Fault (Jules Bihari / Riley King) 4:41
Hard Luck Woman (Sean Costello) 3:22
You Don't Know What Love Is (Fenton Robinson) 4:39
I Went Wrong (Sean Costello) 4:34
from In the Magic Shop 2005
2008 April 15th is not a great day. Oh, yes, Income Taxes are due then but that is not why I note the date. It is the day that a young and bright star of the blues left us. Sean Costello was on the eve of his 29th birthday when an accidental overdose took him from his family and us only a week after beginning an alcohol addiction program and being diagnosed with bi-polar disorder. Enveloped in depression, he had difficulty sleeping and told a friend he was taking something to help him sleep that fateful night. A shy and unassuming soul, Sean was also a premier blues guitar player, singer and songwriter.... Joining Costello on this recording are Paul Linden on B3, harp and keys, Melvin Zachery on bass and Ray Hangen on drums. A few others perform here and there, too, but the foursome of Costello and these three comprise the main band. It took Rosenthal six years to get the gumption up to play these recordings again and then by Summer 2014 he had recompiled and re-created this masterful recording. Half new and half fine covers, this album gives us but a glimpse of what we’ve missed with the loss of this fine musician.

01-07-2018 10:46 BLUES:MiX # 33 blues songs from the BLUES circle 1995-1985

01-07-2018 10:46 RULE BLUES:MiX # 33 blues songs from the BLUES circle 1995-1985 # Tommy Castro, Phillip Walker and Otis Grand, The Jon Spencer Blues Explosion, Luther 'Guitar Junior' Johnson, Johnny Winter, Jimmy Rogers, Charlie Musselwhite, Henry Gray, Snooky Pryor, Chris Thomas King, Albert Collins, Johnny Copeland, Robert Cray

B L U E S   M U S I C

LISTEN THE PLAYLIST ON DEEZER.COM

BLUES_circle The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 

1995-1985

One of the brightest contemporary blues musicians, combining passionate, fiery guitar playing with powerful vocals. According to all the press and hype and hoopla for a time during the 1990s, Tommy Castro was pegged as the next big star of the blues. Long a favorite among Bay Area music fans, Castro -- in the space of two album releases -- took his music around the world and back again with a sheaf of praise from critics and old-time blues musicians alike. His music was a combination of soul-inflected rockers with the occasional slow blues or shuffle thrown into the mix to keep it honest. His vocals were laid-back and always a hair behind the beat, while his scorching guitar tone was Stevie Ray Stratocaster-approved. Crossover success did not seem out of the question.
Tommy Castro
Exception to the Rule (Tommy Castro / Shad Harris) 3:28
Had Enough (Tommy Castro) 4:55
Sho' Enough (Tommy Castro) 4:00
from Exception To The Rule 1995
EXCEPTION TO THE RULE by TOMMY CASTRO just rocks. It has a good blend of blues, soul and rock that is totally lacking from most of the music that is popular today. (Martin Lemos)

Despite recording somewhat sparingly since debuting as a leader in 1959 on Elko Records with the storming rocker "Hello My Darling," Louisiana-born guitarist Phillip Walker enjoys a sterling reputation as a contemporary blues guitarist with a distinctive sound honed along the Gulf Coast during the '50s...

Phillip Walker and Otis Grand 

b. Fred Bishti, 14 February 1950, Beirut, Lebanon. Grand has spent most of his life in the USA, although he lived in France for a few years. He began playing guitar at the age of 13, citing his influences as B.B. King, T-Bone Walker, Otis Rush and Johnny Otis, and he has played with many San Francisco Bay area blues artists. Otis Grand And The Dance Kings created a sensation when they burst onto the British blues scene in the late 80s...

Dressin' Trashy (Nathaniel Dove / Phillip Walker) 3:51

She's Gone (Phillip Walker) 7:02

Play Me Some Blues (Jimmy Johnson / Phillip Walker) 8:54

from Big Blues From Texas 1994

Nice comeback set after a lengthy absence from the recording scene that was cut in London under the direction of guitarist Otis Grand (who shares axe duties throughout). Why this Louisiana-born guitarist hasn't been recorded more heavily is a mystery; he seldom fails to connect, and this import is no exception to the rule.

Indie '90 trio that bent the rules of rock while demonstrating a devotion to the music’s R&B roots. After a long and semi-successful tenure as leader of scuzz-rock heroes Pussy Galore, Jon Spencer shook up his anti-rock vision and hooked up with guitarist Judah Bauer and drummer Russell Simins to create the scuzz-blues trio the Jon Spencer Blues Explosion. Postmodern to the core, there was a genuine irony in the band's name; little of what they play resembles standard blues.

The Jon Spencer Blues Explosion 

Afro (The Jon Spencer Blues Explosion) 2:55

Train #2 (The Jon Spencer Blues Explosion) 2:25

from Extra Width 1993

On their self-titled debut album, the Jon Spencer Blues Explosion had worked out the basic framework of their sound -- lots of guitar clatter, booming drums, and wild vocal gesticulations from Spencer -- but it took a while for the pieces to really come together, and 1993's Extra Width was the first album where they revealed their true potential...