001_1-5 RADiO lemonex PLAYLIST of THE WEEK \ BEST TRACKS of 1-5 WEEKS 2022 42 songs / 3h 40m

 BEST TRACKS of 1-5 WEEKS 2022 42 songs

001_1-5 RADiO lemonex PLAYLIST of THE WEEK \ BEST TRACKS of 1-5 WEEKS 2022 42 songs / 3h 40m

David Bowie - I Dig Everything from Toy (Toy:Box) 2022

Eric Gales - Survivor from Crown 2022

Eleventh Dream Day - Since Grazed from Since Grazed 2022

The Wombats - Work Is Easy, Life Is Hard from Fix Yourself, Not the World 2022

Cat Power - White Mustang from Covers 2022

Garcia Peoples - False Company from Dodging Dues 2022

John Mayall - Chills and Thrills from The Sun is Shining Down 2022

Nicfit - Unleash from Fuse 2022

King Gizzard & the Lizard Wizard - Black Hot Soup (DJ Shadow “My Own Reality” Re-Write) from Butterfly 3001 2022

John Mellencamp - Sweet Honey Brown from Strictly a One-Eyed Jack 2022

Elvis Costello & the Imposters - The Boy Named If from The Boy Named If 2022

Jake Xerxes Fussell - In Florida from Good and Green Again 2022

Miles Kane - Teras Are Falling from Change the Show 2022

The Soundcarriers - Waves from Wilds 2022

Reptaliens - Do You Know You Are Sleeping? from Multiverse 2022

Martina Topley-Bird - Weasel from Forever I Wait 2022

Jana Horn - Optimism from Optimism 2022

Bonnie "Prince" Billy, Bill Callahan - Our Anniversary from Blind Date Party 2022

Eels - The Magic from Extreme Witchcraft 2022

St. Paul & the Broken Bones - Hunter And His Hounds from The Alien Coast 2022

Josephine Foster - Sparks Fly from Godmother 2022 

Elena Setién - Water from Unfamiliar Minds 2022

Kreidler - Unframed Drawings from Spells and Daubs 2022

Tim Hecker - It's A Mistake To Think Too Much from The North Water (Original Score) 2022

Maya Shenfeld - Body, Electric from In Free Fall 2022

Mitski - I Guess from Laurel Hell 2022

Animal Collective - We Go Back from Time Skiffs 2022

Cate Le Bon - Cry Me Old Trouble from Pompeii 2022

Los Bitchos - Try the Circle! from Let the Festivities Begin! 2022

Yard Act - Dead Horse from The Overload 2022

Earl Sweatshirt - Fire in the Hole from Sick! 2022

Black Country, New Road - Chaos Space Marine from Ants From Up There 2022

EXEK -  (I'm After) Your Best Interest from Advertise Here 2022

Modern Nature - Performance from Island of Noise 2022

Immanuel Wilkins - Witness from The 7th Hand 2022

David Binney - The Cat and the Moon from A Glimpse of the Eternal 2022

Oli Astral - From the Deep from From the Astral 2022

Silvana Estrada - Sabré Olvidar from Marchita 2022

Combo Chimbita - Babalawo from IRE 2022

ESCUALO5, Astor Piazzolla, Debora Halasz - Histoire du tango: III. Night Club 1960 from Piazzolla: Tango Works 2022

Mary Lattimore - Wawa by the Ocean from Collected Pieces: 2015-2020 2022

Seafoam Walls - Rushed Rain from XVI 2022

03-02-2022 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2009-2015 (2h 26m)

03-02-2022 FAVTRAX:MiX ~ 33 FAVOURiTE tracks 2009-2015 (2h 26m) >>Rival Sons, Wolf People, Polar Bear, Nicolas Jaar, The War On Drugs, Ty Segall, Ultraísta, Alvin Lee, Mark Lanegan & Duke Garwood, Nick Cave & the Bad Seeds, Mike Dillon, Duke Garwood<<

M U S I C  (2h 26m)

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favtraxmix label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza.   

2009-2015

Evoking the riffy, bluesy rock of bands like Led Zeppelin and the Black Crowes, California's Rival Sons emerged in the early 2010s as hard rock classicists with a modern edge... Establishing a strong collaborative bond with Nashville producer Dave Cobb to helm each of their albums, the group enjoyed modest success at home in the U.S. while becoming perennial chart staples throughout much of Europe thanks...

Rival Sons 

Pocketful of Stones 2:56

Tell Me Something 4:06

from Before the Fire 2009

There’s a ton-wad of “When The Levee Breaks”/”When you get to the bottom, you go back to the top of the slide” blues-rock goodness inside Rival Sons‘ 39-minute opening salvo, Before The Fire (Front Line Music). This is rock so un-ironic that the singer screams, “Whooo!” before the intro to marvelously Zeppelin-y opener “Tell Me Something,” and they retain that high energy, just-barely-on-the-rails mojo throughout. Lead singer Jay Buchanan tears into every syllable with laughter and lust, the sort of sound that makes young girls damp and grown men spill their drinks. Buchanan strongly recalls the Freddie Mercury of Queen’s raunchy early work, and the rest of the band is messy-tight, flexing and strutting with utter confidence but little care for the jagged edges they leave behind. Rival Sons echo the best of their ’70s ancestors (the spark scattering pairings of Bowie/Ronson and Page/Plant come readily to mind, with interestingly a small sprinkling of The Monkees to boot) and do the tradition of thumping, hormonal rock ‘n’ roll proud by simply embracing its most appealing traits and presenting them with fresh enthusiasm.

The brainchild of singer and guitarist Jack Sharp, Wolf People started in 2005 when Sharp recorded a demo album in the English town of Bedford. Named after the children’s book Little Jacko and the Wolf People, the band is a throwback to the bluesy psychedelia of Black Sabbath, Cream, Traffic, and early Jethro Tull and Fairport Convention, tackling the sounds of the past with a kind of nostalgic reverence...

Wolf People 

Tiny Circle (Wolf People) 5:10

Cromlech (Wolf People) 3:17

from Steeple 2010

So much of music is about taking the lessons of the past and improving upon them in an attempt by the artist to leave their mark on the artistic landscape. Occasionally, a band comes along and reminds us that those old sounds are so good on their own that they don’t really need anything added to them to stand on their own in the modern era. On Steeple, the first proper album from England’s Wolf People, the band takes up the challenge of championing the bluesy, psychedelic rock of their homeland. With a sound that’s deeply rooted in the fuzzy riffage of Jethro Tull, Hawkwind, and Cream, Wolf People pick and choose the best parts of that old British sound in a way that makes them feel more like curators than a band...  If the rise of chillwave has taught us anything, it’s that the line between vintage sound and ironic pastiche is a thin and treacherous one. Fortunately for them, Steeple proves that Wolf People is a band that is more than capable of traversing it.

Not to be confused with the American alternative rock outfit of the same name, Polar Bear are a British experimental post-jazz five-piece influenced by the likes of Beethoven, Stevie Wonder, and Björk. Formed in London in 2004 by drummer Sebastian Rochford, previously an early member of Babyshambles, saxophonists Pete Wareham and Mark Lockheart, double bassist Tom Herbert, and electronic musician/guitarist Leafcutter John, the band first attracted attention with its 2004 debut album, Dim Lit, whose eclectic fusion of avant jazz, folk, electronica, and punk earned them a nomination for Best Band at the BBC Jazz Awards...

Polar Bear 

Happy for You (Sebastian "Seb" Rochford) 4:08

Drunken Pharaoh (Sebastian "Seb" Rochford) 3:26

Peepers (Sebastian "Seb" Rochford) 4:24

from Peepers 2010

Polar Bear are an interesting band. On paper, two tenor saxes, acoustic bass, and drums look like a fairly standard jazz setup, but the addition of guitar/electronics puts a decidedly different spin on things. The music is clearly not written as a vehicle for soloing; these are songs, played by a band. They're concise and generally have a pop song structure. Everyone contributes to the songs, without grandstanding or tenor battles. Drummer Sebastian Rochford (who writes all the tunes) is a tasty and melodic drummer, supported nicely by bassist Tom Herbert. Pete Wareham and Mark Lockheart are both fine tenor players who can add some edge when need be but generally play it pretty cool. Leafcutter John splits pretty equally between rhythmic guitar comping and well-placed "what-the-hell-is-that-sound?" electronics... Peepers is the sound of jazz-rock in the new millennium. Very well done.

WAVES > magyarugar:MiX > FALLOW/HU:MiX # 33 válogatott szám / 3h 03m

WAVES > magyarugar:MiX > FALLOW/HU:MiX # 33 válogatott szám / 3h 03m Katakali, Cserepes Károly, Hortobágyi László, Korai Öröm, Quartet B, Nyeső Mari, Kampec Dolores, Nyers, Sonny, Szabó Tamás & Spoo-Dee-O-Dee, Sickratman, Kaukázus

Z E N E  /  M U S I C 3h 03m
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magyarugar címke A lejátszó mindig a legújabb playlist számait játssza. / The player always plays the latest playlist tracks.

Katakali 

Waves 4:36

Katakali 6:45

~ Reflections (Balkan Future) 1996

Cserepes 

A Kő • The Stone 7:37

Az Út • The Way 7:40

Az Átkelés • The Passage 4:50

~ Shambhala / Egy lehetséges ország  / A Possible Country 1997

Hortobágyi László

Barocus Raga 10:53

Trance Macabre 15:17

~ Transglobal and Magic Sounds 1996

"Öreg, perverz krokodil" (Hortobágyi László zeneszerző)

Korai Öröm

1997/1 8:01

1997/2 8:47

~ Korai Öröm 1997

Quartet B  

Jelek / Signs 10:22

Levelek / Leaves 6:30

Fjordok / Fjords (A Message To Jan)

~ Jelek 1998

Acoustic Guitar, Bouzouki – György Mihály / Double Bass – Horváth Balázs / Drum, Bongos – Sárvári Kovács Zsolt / Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Clarinet, Kaval, Fujara, Composed By – Borbély Mihály

Nyeső Mari 

Tenger (Sunshine) 2:25

Madam Tussaud (Satie-nak) 4:12

A költő boldog 5:23

~ Az én kis bigbendem 1999

Kampec Dolores 

A bivaly hátán / Sitting on the buffalo  5:20

Tizenöt / Fifteen  7:09

Testet öltött / Incarnated  5:14

~ A bivaly hátán / Sitting On The Buffalo 2000

Nyers 

Aqua 3:03

Fényre csúnyuló lányok 4:15

A gyengébb nem szívat

~ Hátra arc 2001

Az 500 legjobb album 2 arca

Sonny 

Death Letter Blues 3:20

Old Fashioned Cincinnati Blues 3:46

My Black Name 2:54

~ Wild Cow Moan (Acoustic Sessions) 2002

Long Tall Sonny (Sopron, 1983), azaz Mr. Rhythm-and-blues Európa legfigyelemreméltóbb autentikus rhythm-and-blues énekese, gitárosa, aki a műfaj eredeti, 40-es, 50-es évekbeli formáját népszerűsíti.

1998 óta játszik színpadon, eleinte egyedül lépett föl, akusztikus country-blues műsorral, majd számtalan formációval dolgozott együtt, rendszeresen többek között a Blue S. Trio-val, Big Fat Chubby-val (az évek során Sonny az ország szinte összes blues-zenészével koncertezett együtt, Fekete Jenőtől Pribojszki Mátyáson át Little G. Weevil-ig, ahogy rock-a-billy bandákkal is fellépett, pl. Mystery Gang, Rockin’ RockCats).

Közben 2000-től négy éven keresztül Charming Marty szájharmonikással adtak nagysikerű koncerteket, utóbbival már inkább rhythm-and-blues-t nyomtak, elektromos hangszerekkel, és ez a duo határozta meg Sonny útját az elkövetkező években. 2002-ben jelent meg első demo jellegű lemeze Wild Cow Moan címmel, vendégzenészekkel, köztük Gál Csaba Boogie-val. Szerepelt Gothár Péter Magyar Szépség című filmjében, ahol Lovasi Andrást kísérte basszusgitáron...

Szabó Tamás & Spoo-Dee-O-Dee 

Hoochie-Coochie 3:37

New York Town Blues 4:51

No Money Down, Pt. 2 4:41

~ Ain't Got No Money 2003

Spo Dee O Dee - Pénz nincs, csak zene

Ain't Got No Money, azaz Nincs pénz - hangsúlyozza a Spo Dee O Dee együttes új lemezének borítója, rajta valaki poénképpen százdollárosokat számolgat, persze egy kivételével csupa fénymásolatot. Az 1983-ban meghalt fekete énekes-zongorista Roosevelt Sykes híres No money down című dalának első sora ez, ennek részletével nyitják a lemezt, később aztán maguk is eljátsszák azt.

Sickratman 

Buzi-E 2:45

Trubadúr 2:30

Evvel a dalban 3:29

~ Buzi-e vagy? 2004

Lemez: Pöttyös az inged? (Sickratman: Buzi-e vagy?)

Az egykori, kissé rejtélyesre hájpolt B‘lga-tag, Sickratman nem sokat várt önálló lemezének publikálásával, s jól tette: a szerzõ fékezhetetlen elméjének termékei már egy jó ideje hanghordozóért kiáltanak. Legfõbb segítõtársa ezúttal is Titusz, aki élvezetes, szórakoz-tató és szellemes zenéket kevert a magukban is ütõs szövegek alá, ráadásul helyenként - külön kuriózum - gitározik is. A muzsikus segítõtársak listája szintén terebélyes: a késõbb külön is említendõk mellett P. G. és Mr. Rigó gitárosok, továbbá vendégfúvósok és rejtélyes vokalisták segítették a szerzõk munkáját. A középpontban persze Sickratman egyszerre közéleti, köz- és magánérzületi, valamint meta-fizikusan játékos szövegei állnak: a mesemondó tabukat dönt, provokál, ironizál, analizál (mindkét értelemben) és gyakorta zárójelbe tesz. Ráadásul - úgy tûnik - rendre sikerül eltalálnia az ötlethez tökéle-tesen illõ mûformát, s eközben mindegyiktõl diszkréten távolságot is tart. Nyilván minden befogadó számára fel fog tûnni: a Buzi-e vagy? jó értelemben vett politikus lemez (is), ám korántsem agitpop...

A "Buzi-e vagy" most aktuálisabb, mint amikor készült, de Sickratman nem írná bele Sorost

Kaukázus 

Legyőznek a szlogenek 4:32

A jó a rossz és a kreatív 5:12

Vallottál már ilyet? 3:55

~ MIR 2005

02-01-2022 • WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 2011-2000 # WmW 2h 48m

g l o b a l  m u s i c a l   v i l l a g e

02-01-2022 • • WORLD:MUSiC:MiX # 33 selected GLOBAL MUSiC tracks 2011-2000 # WmW 2h 48m: Terakaft, Los Destellos, Los Wemblers De Iquitos, Los Walkers, Le TPOK Jazz, Franco, Watcha Clan, Vinicio Capossela, Omar Bashir, Axel Krygier, Boris Kovac, Ladaaba Orchest, Besh o Drom, Oliver Mtukudzi, Cristina Branco

M  U  S  I  C / WmW 2h 48m

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2011-2000

Terakaft (meaning “caravan” in Tamasheq) is a genuine desert rock band, sculpted by the pure searing air and the endless rolling sands of the Sahara. The stark, harsh conditions of the desert have permeated their wild riffs, and as a result they are the perfect embodiment of all that is wild and free in desert blues today. Terakaft was formed in 2001 with a line-up that included two former members of Tinariwen, and they have since made the electric guitar their own...

Terakaft 

Alghalem (Abdallah Ag Ahmed) 3:41

Aman Wi Kawalnen (Liya Ag Ablil / Sanou Ag Ahmed) 3:45

Ahabib (Liya Ag Ablil) 5:01

from Aratan N Azawad 2011

The new album from Terakaft presents the Tamasheq band in live performance, with a lean tightness to the sound that leaves the group positioned between the desert blues genre and rock. A song like "Aman Wi Kawalnen" has the suppleness of the best Sahara bands, but the flow of lead guitar work that characterizes rock. Even where acoustic guitar dominates, as with "Aratan N Azawad," that same feel is there. In part that's because the band is only a three-piece (two guitars, bass, and vocals, supplemented for the recording with percussion and some additional guitar), offering a sparer, cleaner sound. There's a liquid beauty to the music with its easy, rolling rhythms, but the intensity always simmers, occasionally firing into flame, as with the biting, incisive guitar breaks in "Ahabib." It's no longer fair to call Terakaft an up-and-coming band. On this basis of this, they've arrived, with their sound fully developed.

Los Destellos - Constelación (Enrique Delgado) 3:19

Los Ribereños - Silbando (Juan Benigno) 3:06

Los Wemblers De Iquitos -  (Lamento Del Yacuruna (Emerson Sanchez) 2:47

Los Walkers - Siboney (Ernesto Lecuona) 2:34

from The Roots of Chicha 2 2010

Chicha started in the '60s when the Indian population of the Peruvian Amazon discovered the Columbian pop music known as cumbia and American rock & roll. With cheap electric instruments, Peru's Amazon Indians started dance bands that blended the cumbia, with a beat that sounds a bit like ska, Andean folk tunes, and their own indigenous music. When the Indians moved to Lima, they brought chicha with them. Like Afro-Peruvian music, chicha was shunned by "polite" society and it didn't gain an international profile until Olivier Conan, owner of Barbés Records, discovered the music on a trip to Peru in 2006. He found bootleg chicha cassettes on the streets and finally tracked down the master tapes of several chicha labels that had gone bankrupt. He put out a compilation of tunes called Roots of Chicha: Psychedelic Cumbias from Peru and started his own chicha band, Chicha Libre. Chicha isn't going to rule the world anytime soon, but the music caused a sensation in world music circles and Psychedelic Cumbias from Peru was praised by The New York Times, BBC, and other international publications. The Roots of Chicha, Vol. 2 continues to explore this hitherto unknown genre with 16 more mind-bending rave-ups cut between 1968 and 1981... 

There's no doubt that Franco was, in every sense of the word, a big man in African music. Sometimes weighing in at 300 pounds, he also earned his nickname as "The Sorcerer of the Guitar," making it sing like no one before, with effortless, fluid lines. Also an accomplished composer and vocalist, Francois Luambo Makiadi remains a towering figure even in death, probably the greatest the Congo (later Zaire) has ever produced, and as the leader of the long-running O.K. Jazz group, he was one of the fathers of the modern Congolese sound. ..

Franco, Le TPOK Jazz 

Tokoma Ba Camarade Pamba (Franco Luambo) 11:25

Nostalgie (Josky Kiambukuta) 10:00

from Francophonic, Vol. 2 2009